Book contents
- Nazism, the Second World War and the Holocaust in Contemporary Latin American Fiction
- Nazism, the Second World War and the Holocaust in Contemporary Latin American Fiction
- Copyright page
- Dedication
- Epigraph
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Nazism as Allegory in Argentine Fiction: From Dictatorship to Neoliberalism in El comienzo de la primavera by Patricio Pron and Wakolda by Lucía Puenzo
- Chapter 2 Nazism and Borges: Contemporary Re-readings by Roberto Bolaño and Marcos Peres
- Chapter 3 Myth Interrupted: Identity and the Absence of Nation in En busca de Klingsor by Jorge Volpi and Amphitryon by Ignacio Padilla
- Chapter 4 Sovereignty, Democracy and ‘Nonselfsufficiency’ through Touch in Los informantes by Juan Gabriel Vásquez and Diário da Queda by Michel Laub
- Epilogue
- Bibliography
- Index
Chapter 2 - Nazism and Borges: Contemporary Re-readings by Roberto Bolaño and Marcos Peres
Published online by Cambridge University Press: 09 June 2022
- Nazism, the Second World War and the Holocaust in Contemporary Latin American Fiction
- Nazism, the Second World War and the Holocaust in Contemporary Latin American Fiction
- Copyright page
- Dedication
- Epigraph
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Nazism as Allegory in Argentine Fiction: From Dictatorship to Neoliberalism in El comienzo de la primavera by Patricio Pron and Wakolda by Lucía Puenzo
- Chapter 2 Nazism and Borges: Contemporary Re-readings by Roberto Bolaño and Marcos Peres
- Chapter 3 Myth Interrupted: Identity and the Absence of Nation in En busca de Klingsor by Jorge Volpi and Amphitryon by Ignacio Padilla
- Chapter 4 Sovereignty, Democracy and ‘Nonselfsufficiency’ through Touch in Los informantes by Juan Gabriel Vásquez and Diário da Queda by Michel Laub
- Epilogue
- Bibliography
- Index
Summary
The second chapter examines heretical re-readings of Borges by Roberto Bolaño and Marcos Peres. Bolaño’s La literatura nazi en América, 2666 and, in particular, Peres’ O Evangelho Segundo Hitler can be read as a function of Harold Bloom’s categories of the ‘anxiety of influence’ amongst poets. Once the authors successfully escape the creative bind of this anxiety, in writing about Nazism, they encounter other challenges to explore such as the dialectical relationship between friend and enemy, and the perceived bind between fascism and resistance to it. In Bolaño’s analysed works, there are two attempted strategies to overcome these binds – the first rhetorical, and the second ethical. The first is explored with reference to Judith Butler’s essay ‘Competing Universals’ from Contingency, Hegemony, Universality: Contemporary Dialogues on the Left and the second in relation to aspects of her reading of Levinas in Precarious Life: The Power of Mourning and Violence.
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- Publisher: Cambridge University PressPrint publication year: 2022