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1 - David’s Harp, Apollo’s Lyre

Psalms, Music, and Kingship in the Sixteenth Century

Published online by Cambridge University Press:  07 May 2021

Peter Bennett
Affiliation:
Case Western Reserve University, Ohio
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Summary

Beginning with an analysis of the ceremonies held to celebrate Louis XIII’s capture of La Rochelle in 1628, this chapter explores how the psalms became central to the identity of the French monarch over the course of the sixteenth century. Originally ‘shared’ between Catholics and Huguenots, translations of the psalms into French began to adopt a more sharply divided confessional identity by the 1560s. At the same time, the concept of kingship, which had for some time been inspired by humanist writings, began to reflect Biblical models more closely. Jean Bodin’s seminal Six livres de la république of 1576, for example, was followed by numerous other treatises that framed the king as an agent of God in the temporal domain, especially after the assassinations of Henri III and Henri IV. By the time Louis XIII came to the throne, then, King David, author of the psalms, agent of the Holy Spirit, and known for his musical talents, had become the preferred model of kingship, a model that provided the context for numerous psalm translations, and for the identity of Louis XIII himself, now viewed as the perfect musician, warrior, and king.

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Chapter
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Music and Power at the Court of Louis XIII
Sounding the Liturgy in Early Modern France
, pp. 17 - 45
Publisher: Cambridge University Press
Print publication year: 2021

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  • David’s Harp, Apollo’s Lyre
  • Peter Bennett, Case Western Reserve University, Ohio
  • Book: Music and Power at the Court of Louis XIII
  • Online publication: 07 May 2021
  • Chapter DOI: https://doi.org/10.1017/9781108902588.002
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  • David’s Harp, Apollo’s Lyre
  • Peter Bennett, Case Western Reserve University, Ohio
  • Book: Music and Power at the Court of Louis XIII
  • Online publication: 07 May 2021
  • Chapter DOI: https://doi.org/10.1017/9781108902588.002
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • David’s Harp, Apollo’s Lyre
  • Peter Bennett, Case Western Reserve University, Ohio
  • Book: Music and Power at the Court of Louis XIII
  • Online publication: 07 May 2021
  • Chapter DOI: https://doi.org/10.1017/9781108902588.002
Available formats
×