Book contents
- Jorge Luis Borges in Context
- Jorge Luis Borges in Context
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Permissions
- Note on Primary Sources and Editions Used
- Chronology
- Note on Translations and Abbreviations
- Introduction Borges in Context, Context in Borges
- Part I Self, Family, and the Argentine Nation
- Chapter 1 Borges and the Question of Argentine Identity
- Chapter 2 Borges and the Banda Oriental
- Chapter 3 Borges in Person: Family, Love, and Sex
- Chapter 4 Jorge Luis Borges’s Fictions and the Two World Wars
- Chapter 5 Dictatorship and Writing (1976–1983)
- Chapter 6 The Public Author and Democracy (1984–1986)
- Chapter 7 Borges and Las Islas Malvinas
- Chapter 8 Borges and Sarmiento
- Chapter 9 Borges and the Gauchesque
- Chapter 10 1920s Buenos Aires
- Chapter 11 Borges and the Argentine Avant-Garde
- Chapter 12 The Argentine Writer and Tradition
- Chapter 13 Borges, Tangos, and Milongas
- Chapter 14 Borges and Bioy Casares
- Chapter 15 Borges and Popular Culture
- Chapter 16 Argentine Responses: César Aira and Ricardo Piglia
- Part II The Western Canon, the East, Contexts of Reception
- Further Reading
- Index
Chapter 12 - The Argentine Writer and Tradition
from Part I - Self, Family, and the Argentine Nation
Published online by Cambridge University Press: 16 January 2020
- Jorge Luis Borges in Context
- Jorge Luis Borges in Context
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Permissions
- Note on Primary Sources and Editions Used
- Chronology
- Note on Translations and Abbreviations
- Introduction Borges in Context, Context in Borges
- Part I Self, Family, and the Argentine Nation
- Chapter 1 Borges and the Question of Argentine Identity
- Chapter 2 Borges and the Banda Oriental
- Chapter 3 Borges in Person: Family, Love, and Sex
- Chapter 4 Jorge Luis Borges’s Fictions and the Two World Wars
- Chapter 5 Dictatorship and Writing (1976–1983)
- Chapter 6 The Public Author and Democracy (1984–1986)
- Chapter 7 Borges and Las Islas Malvinas
- Chapter 8 Borges and Sarmiento
- Chapter 9 Borges and the Gauchesque
- Chapter 10 1920s Buenos Aires
- Chapter 11 Borges and the Argentine Avant-Garde
- Chapter 12 The Argentine Writer and Tradition
- Chapter 13 Borges, Tangos, and Milongas
- Chapter 14 Borges and Bioy Casares
- Chapter 15 Borges and Popular Culture
- Chapter 16 Argentine Responses: César Aira and Ricardo Piglia
- Part II The Western Canon, the East, Contexts of Reception
- Further Reading
- Index
Summary
In a landmark lecture of 1951, Borges maintained that Argentine writers have legitimate access to a multiplicity of cultural traditions, rejecting as parochial the view that an authentic Argentine literary expression should adhere to the stylistic and thematic norms of Gauchesque literature. Regarding the Western tradition, he reorganized its canon by subverting the hierarchical conventions of literary history, as well as bringing to the forefront a number of non-Western traditions both secular and religious. His approach to questions of language changes over the decades. ’Death and the Compass’ arguably captures a moment of tension between the past and the present in which a new artistic expression comes to life.
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- Jorge Luis Borges in Context , pp. 99 - 105Publisher: Cambridge University PressPrint publication year: 2020