Book contents
- A History of Polish Theatre
- A History of Polish Theatre
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- A Note on Terminology
- Introduction
- Chapter 1 Where Is Poland? What Is Poland?
- Chapter 2 Staropolski (Old Polish) Theatre
- Chapter 3 The Public Stage and the Enlightenment
- Chapter 4 Romanticism
- Chapter 5 Mapping Theatre (I)
- Chapter 6 Mapping Theatre (II)
- Chapter 7 Modernist Theatre
- Chapter 8 Avant-Gardes
- Chapter 9 Theatre during the Second World War
- Chapter 10 Political Theatres
- Chapter 11 Ritual Theatre
- Chapter 12 Actors and Animants
- Chapter 13 Writing and Dramaturgy
- Chapter 14 Theatre Ontologies
- Index
Chapter 5 - Mapping Theatre (I)
Published online by Cambridge University Press: 09 December 2021
- A History of Polish Theatre
- A History of Polish Theatre
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- A Note on Terminology
- Introduction
- Chapter 1 Where Is Poland? What Is Poland?
- Chapter 2 Staropolski (Old Polish) Theatre
- Chapter 3 The Public Stage and the Enlightenment
- Chapter 4 Romanticism
- Chapter 5 Mapping Theatre (I)
- Chapter 6 Mapping Theatre (II)
- Chapter 7 Modernist Theatre
- Chapter 8 Avant-Gardes
- Chapter 9 Theatre during the Second World War
- Chapter 10 Political Theatres
- Chapter 11 Ritual Theatre
- Chapter 12 Actors and Animants
- Chapter 13 Writing and Dramaturgy
- Chapter 14 Theatre Ontologies
- Index
Summary
In the first half of this constellation, Alyssa Quint and Michael Steinlauf bring us from the arrival of Jews in Poland through to the nineteenth century, the explosion of Jewish culture after 1905, when Russia relaxed its laws on cultural production, and the Second World War when the Jewish population was decimated in the Holocaust. While some histories ignore postwar Jewish theatre in Poland, this essay demonstrates its continued presence despite waves of emigration in response to multivalent anti-Semitic social and political factors and the re-engagement with Jewish history and identity in the new millennium. Martynas Petrikas then offers a detailed analysis of Polish theatre in Vilnius, a city that he argues was central to the formation of mythogenic narratives for Lithuanians, Poles, Belarusians and Jews. This reveals the city as the site of a dynamic interweaving of performance cultures.
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- A History of Polish Theatre , pp. 124 - 160Publisher: Cambridge University PressPrint publication year: 2022