Book contents
- Frontmatter
- Contents
- List of illustrations
- List of musical examples
- Note on the musical examples
- List of tables
- List of text boxes
- Preface
- Note on front cover illustration
- Chapter 1 Gregorian chant in the service of the church
- Chapter 2 The beginnings of Gregorian chant; other rites and other sorts of chant
- Chapter 3 Tradition and innovation in medieval chant: from the ninth to the sixteenth century
- Chapter 4 Thinking about Gregorian chant in the Middle Ages, and notating it
- Chapter 5 New chants for new times: from the sixteenth century to the present; aspects of performance
- Map of places from which important medieval chant manuscripts are preserved
- Chronological table
- Statistical table of chant categories by mode
- Original manuscript sources for musical examples
- Glossary
- Bibliography
- Index
Chapter 1 - Gregorian chant in the service of the church
Published online by Cambridge University Press: 05 October 2014
- Frontmatter
- Contents
- List of illustrations
- List of musical examples
- Note on the musical examples
- List of tables
- List of text boxes
- Preface
- Note on front cover illustration
- Chapter 1 Gregorian chant in the service of the church
- Chapter 2 The beginnings of Gregorian chant; other rites and other sorts of chant
- Chapter 3 Tradition and innovation in medieval chant: from the ninth to the sixteenth century
- Chapter 4 Thinking about Gregorian chant in the Middle Ages, and notating it
- Chapter 5 New chants for new times: from the sixteenth century to the present; aspects of performance
- Map of places from which important medieval chant manuscripts are preserved
- Chronological table
- Statistical table of chant categories by mode
- Original manuscript sources for musical examples
- Glossary
- Bibliography
- Index
Summary
Singing music in church in the Middle Ages; the function of Gregorian chant; levels of musical elaboration in the declamation of sacred texts; sacred sound for sacred space
Gregorian chant is the single-voice (‘monophonic’) music sung in the services of the Roman church. It was first recorded in writing, that is, with musical notation, in the ninth century. A great number of its Latin texts can be traced back for another century before that, but the melodies first become tangible, so to speak, in the ninth century. Gregorian chant is the earliest music preserved in such quantities – for we are talking about thousands of items. Much of the medieval corpus has dropped out of use, but it is still the music with the longest reconstructible history sung today. It is an inspiring thought that we can not only stand in an early medieval church like Charlemagne's Palatine chapel at Aachen (Aix-la-Chapelle), built 792–805, but also perform the chant sung at the time the chapel was built or soon after. Inspiring in more ways than one: most obviously because something embedded deep in our history becomes audible. Admittedly, music does not survive in notation alone and there is, alas, no unbroken line of performance practice between then and now. When we sing Gregorian chant today we cannot ultimately be sure how close we are getting to the way it was done in Charlemagne's time. Nevertheless, the written link between then and now is longer than a millennium.
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- Gregorian Chant , pp. 1 - 82Publisher: Cambridge University PressPrint publication year: 2009