Book contents
- Geoffrey Chaucer in Context
- Geoffrey Chaucer in Context
- Copyright page
- Contents
- Illustrations
- Contributors
- Abbreviations
- Introduction
- Part I Chaucer as Context
- Part II Books, Discourse and Traditions
- Chapter 3 Chaucer’s Linguistic Invention
- Chapter 4 Chaucer and London English
- Chapter 5 Manuscripts and Manuscript Culture
- Chapter 6 Chaucer’s Books
- Chapter 7 Authority
- Chapter 8 Literary Theory and Literary Roles
- Chapter 9 Metre and Versification
- Chapter 10 Dialogue
- Chapter 11 Romance
- Chapter 12 Love
- Chapter 13 Chaucer and the Classics
- Chapter 14 The French Context
- Chapter 15 The Italian Tradition
- Chapter 16 The English Context
- Chapter 17 Chaucer’s Competitors
- Chapter 18 Boethius
- Part III Humans, the World and Beyond
- Part IV Culture, Learning and Disciplines
- Part V Political and Social Contexts
- Part VI Chaucer Traditions
- Further Reading
- Index
Chapter 10 - Dialogue
from Part II - Books, Discourse and Traditions
Published online by Cambridge University Press: 24 June 2019
- Geoffrey Chaucer in Context
- Geoffrey Chaucer in Context
- Copyright page
- Contents
- Illustrations
- Contributors
- Abbreviations
- Introduction
- Part I Chaucer as Context
- Part II Books, Discourse and Traditions
- Chapter 3 Chaucer’s Linguistic Invention
- Chapter 4 Chaucer and London English
- Chapter 5 Manuscripts and Manuscript Culture
- Chapter 6 Chaucer’s Books
- Chapter 7 Authority
- Chapter 8 Literary Theory and Literary Roles
- Chapter 9 Metre and Versification
- Chapter 10 Dialogue
- Chapter 11 Romance
- Chapter 12 Love
- Chapter 13 Chaucer and the Classics
- Chapter 14 The French Context
- Chapter 15 The Italian Tradition
- Chapter 16 The English Context
- Chapter 17 Chaucer’s Competitors
- Chapter 18 Boethius
- Part III Humans, the World and Beyond
- Part IV Culture, Learning and Disciplines
- Part V Political and Social Contexts
- Part VI Chaucer Traditions
- Further Reading
- Index
Summary
This essay argues that an examination of Chaucer’s work reveals his indebtedness to the tradition of literary dialogue, understood as a work constructed in the form of an exchange between two or more persons, with characteristic concerns centred on questions of ethics, politics and religion. Critical to the form is its explicit engagement with different argumentative positions; a dialogue text may then, as in the Socratic tradition, leave the reader with a concluding aporia, or, as in Aquinas’ Summa, provide a resolution. After briefly reviewing the use of the dialogue form in classical and Late Antique writing, the essay goes on to explore the significant influence of dialogue in a number of Chaucer’s works, including The Book of the Duchess, The Parliament of Fowls and the Tale of Melibee, and argues that he is fully alive to the potentialities of the form for encouraging and indeed demanding readerly engagement.
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- Geoffrey Chaucer in Context , pp. 83 - 88Publisher: Cambridge University PressPrint publication year: 2019