Book contents
- Gender in American Literature and Culture
- Cambridge Themes in American Literature and Culture
- Gender in American Literature and Culture
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Introduction
- Part I Intimacies
- Part II Aggressions
- Part III New Directions
- Chapter 15 What a Doctor Should Look Like
- Chapter 16 Genderqueer
- Chapter 17 Fanfiction, Transformative Works, and Feminist Resistance in Digital Culture
- Chapter 18 Vulnerable States
- Chapter 19 The Mahjar
- Chapter 20 Disabled Women’s Life Writing and the Problem with Recovery
- Chapter 21 Feeling, Memory, and Peoplehood in Contemporary Native Women’s Poetry
- Bibliography
- Index
Chapter 17 - Fanfiction, Transformative Works, and Feminist Resistance in Digital Culture
from Part III - New Directions
Published online by Cambridge University Press: 01 April 2021
- Gender in American Literature and Culture
- Cambridge Themes in American Literature and Culture
- Gender in American Literature and Culture
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Introduction
- Part I Intimacies
- Part II Aggressions
- Part III New Directions
- Chapter 15 What a Doctor Should Look Like
- Chapter 16 Genderqueer
- Chapter 17 Fanfiction, Transformative Works, and Feminist Resistance in Digital Culture
- Chapter 18 Vulnerable States
- Chapter 19 The Mahjar
- Chapter 20 Disabled Women’s Life Writing and the Problem with Recovery
- Chapter 21 Feeling, Memory, and Peoplehood in Contemporary Native Women’s Poetry
- Bibliography
- Index
Summary
Modern literature is being challenge and reinvented by fangirls who offer a model for feminist communal practice and are playing an important role in reshaping the practice of writing in public. Their influence is visible now; fandom broadly and fanfiction in particular has become a battleground, and. the visibility of women as fans and authors has brought with it violent backlash. The immediacy of online discourse and the speed with which reactions travel through social media bring the opportunity for fans to share their thoughts and creative work with the original texts’ authors and fellow fans, but this immediacy also extends to those expressing rage and dissatisfaction. Fanfiction and fan art—from “shipping,” or romantically connecting two or more characters, to the crafting of “alternate universes,” “crossovers,” and beyond—circulates on every social media network, offering new visions for whose stories can be told and who gets to tell them.
- Type
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- Information
- Gender in American Literature and Culture , pp. 271 - 285Publisher: Cambridge University PressPrint publication year: 2021