Book contents
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Europeans
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants
- Emendations
Chapter 1
Published online by Cambridge University Press: 11 April 2021
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- List of Abbreviations
- General Editors’ Preface
- General Chronology of James’s Life and Writings
- Introduction
- Textual Introduction
- Chronology of Composition and Production
- Bibliography
- The Europeans
- Glossary of Foreign Words and Phrases
- Notes
- Textual Variants
- Emendations
Summary
FELIX YOUNG finished Gertrude's portrait, and he afterwards transferred to canvas the features of many members of that circle of which it may be said that he had become, for the time, the pivot and the centre. I am afraid it must be confessed that he was a decidedly flattering painter and that he imparted to his models a romantic grace which seemed easily and cheaply acquired by the payment of a hundred dollars to a young man who made “sitting” so entertaining. For Felix was paid for his pictures, making, as he did, no secret of the fact that in guiding his steps to the Western world affectionate curiosity had gone hand in hand with a desire to better his condition. He took his uncle's portrait quite as if Mr. Wentworth had never averted himself from the experiment; and as he compassed his end only by the exercise of gentle violence it is but fair to add that he allowed the old man to give him nothing but his time. He passed his arm into Mr. Wentworth's one summer morning—very few arms, indeed, had ever passed into Mr. Wentworth’s—and led him across the garden and along the road into the studio which he had extemporized in the little house among the apple-trees. The grave gentleman felt himself more and more fascinated by his clever nephew, whose fresh, demonstrative youth seemed a compendium of experiences so strangely numerous. It appeared to him that Felix must know a great deal; he would like to learn what he thought about some of those things as regards which his own conversation had always been formal but his knowledge vague. Felix had a confident, gayly trenchant way of judging human actions which Mr. Wentworth grew little by little to envy; it seemed like criticism made easy. Forming an opinion— say on a person's conduct—was with Mr. Wentworth a good deal like fumbling in a lock with a key chosen at hazard. He seemed to himself to go about the world with a big bunch of these ineffectual instruments at his girdle. His nephew, on the other hand, with a single turn of the wrist, opened any door as adroitly as a house-thief.
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- The Europeans , pp. 75 - 88Publisher: Cambridge University PressPrint publication year: 2015