Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-02T19:15:25.462Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  08 July 2009

Gerben Bakker
Affiliation:
London School of Economics and Political Science
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Entertainment Industrialised
The Emergence of the International Film Industry, 1890–1940
, pp. 413 - 439
Publisher: Cambridge University Press
Print publication year: 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abel, Richard (1984), French cinema: the first wave, 1915–1929. Princeton University Press.Google Scholar
Abel, Richard (1994), The cine goes to town. French cinema, 1896–1914. Berkeley: University of California Press.Google Scholar
Abel, Richard (1999), The red rooster scare: making cinema American, 1900–1910. Berkeley: University of California Press.Google Scholar
Aimone, Isabelle (1997), ‘Un statut pour les acteurs. 1910–1920’, in Pierre-Jean Benghozi and Christian Delage (eds.), Une histoire économique du cinéma français (1895–1995). Regards franco- américains. Paris: L'Harmattan, 81–92.Google Scholar
Albera, François (1995), Albatros. Des Russes à Paris, 1919–1929. Paris: Mazotta/Cinémathèque Française.Google Scholar
Albert, Steve (1998), ‘Movie stars and the distribution of financially successful films in the motion picture industry’, Journal of Cultural Economics 22: 249–70.CrossRefGoogle Scholar
Albert, Steve (1999), ‘Reply’, Journal of Cultural Economics 23: 325–9.CrossRefGoogle Scholar
Allen, Robert C. (1980), Vaudeville and film, 1895–1915. New York: Arno Press.Google Scholar
Altenloh, Emilie (1913), ‘Zur Sociologie des Kino. Die Kino-Unternehmung und die sozialen Schichten ihrer Besucher’, Ph.D. thesis, Heidelberg.
,American Film Institute (1971), Catalogue of pictures produced in the United States. Feature films 1921–1930. New York and London: R. R. Bowker.Google Scholar
,American Film Institute (1979), Catalogue of pictures produced in the United States. Feature films 1931–1940. New York and London: R. R. Bowker.Google Scholar
,American Film Institute (1995), Catalogue of motion pictures released in the United States. Feature films 1893–1910. New York and London: R. R. Bowker.Google Scholar
Andersen, Per, and Hans, Heinrich (1994), ‘The iron law of Hollywood dominance’, European Studies Discussion Paper 5, Odense University.Google Scholar
Ankersmit, F. R. (1994), History and tropology: the rise and fall of metaphor. Berkeley: University of California Press.Google Scholar
Arnaud, Pierre (1992), ‘Naissance d'une féderation. Enjeux de pouvoirs autour du sport scolaire 1919–1939’, in Ministère de l'Education Nationale et de la Culture, Comité des Travaux Historiques et Scientifiques, Actes du 116e congres national des sociétés savantes (Chambery, 1991). Jeux et sports dans l'histoire. Tome 1. Associations et politiques. Paris: Editions du CTHS, 27–64.Google Scholar
Auden, W. H. (1948), ‘The poet and the city’, in The dyer's hand and other essays. New York: Random House, 72–92.Google Scholar
Austin, B. A. (1983), ‘The motion picture audience: a neglected aspect of film research’, in B. A. Austin, The film audience: an international bibliography of research. Metuchen and London: Scarecrow Press, xvii–xlii, xxi.Google Scholar
Bächlin, Peter (1945), Der Film als Ware. Basel: Burg-Verlag.Google Scholar
Baden-Fuller, Charles (1980), ‘The economics of private brands with special reference to the domestic electrical appliance industries of the UK and USA’, Ph.D. thesis, London School of Economics.
Bain, Joe S. (1956), Barriers to new competition. Cambridge, Mass.: Harvard University Press.CrossRefGoogle Scholar
Baines, Dudley, Nicholas Crafts and Tim Leunig (2000), ‘Railways and the electronic age’, Fathom (2000), web-article at www.fathom.com/story/story.jhtml?story_id=122057.
Bakker, Gerben (2000a), ‘American dreams: the European film industry from dominance to decline’, EUI Review 2000: 2, 28–36.Google Scholar
Bakker, Gerben (2000b), ‘America's master: decline and fall of the European film industry in the United States, 1907–1920’, in Passerini, Luisa (ed.), Across the Atlantic. Brussels: Presses Inter-Universitaires Européennes/Peter Lang, 213–40.Google Scholar
Bakker, Gerben (2001a), ‘Stars and stories: how films became branded products’, Enterprise and Society 2: 461–502.CrossRefGoogle Scholar
Bakker, Gerben (2001b), ‘Entertainment industrialised: the emergence of the international film industry, 1890–1940’, Ph.D. thesis, Florence, European University Institute.
Bakker, Gerben (2003a), ‘Building knowledge about the consumer: the emergence of market research in the motion picture industry’, Business History 45: 101–27.CrossRefGoogle Scholar
Bakker, Gerben (2003b), ‘The decline and fall of the European film industry: sunk costs, market size and market structure, 1890–1927’, Working Papers in Economic History 70, London School of Economics.Google Scholar
Bakker, Gerben (2003c), ‘Tradable amusements. The globalisation of the entertainment industry and the Western world, 1776–1940’, paper for the Business History Conference and European Business History Association joint meeting. Lowell, Mass. June 26–29.
Bakker, Gerben (2004a), ‘At the origins of increased productivity growth in services: productivity, social savings and the consumer surplus of the film industry, 1900–1938’, Working Papers in Economic History 81, London School of Economics.Google Scholar
Bakker, Gerben (2004b), ‘Selling French films on foreign markets: the international strategy of a medium-sized company’, Enterprise and Society 5: 45–76.CrossRefGoogle Scholar
Bakker, Gerben (2004c), ‘The European film industry in the United States’, in John Sedgwick and Mike Pokorny (eds.), An economic history of film. London: Routledge, 48–85.Google Scholar
Bakker, Gerben (2004d), ‘Stars and stories: how films became branded products’ in John Sedgwick and Mike Pokorny (eds.), An economic history of film. London: Routledge, 24–47.Google Scholar
Bakker, Gerben (2005a), ‘The decline and fall of the European film industry: sunk costs, market size and market structure, 1895–1926’, Economic HistoryReview 58: 310–51.Google Scholar
Bakker, Gerben (2005b), ‘The emergence of high sunk costs industries: market structure, entrepreneurship and technological change in services, 1750–2000’, paper presented at the European Historical Economics Society Conference.
Bakker, Gerben (2006), ‘The making of a rights-based multinational: PolyGram and the international music industry, 1945–1998’, Business History Review 80: 81–123.CrossRefGoogle Scholar
Bakker, Gerben (2007a), ‘The evolution of entertainment consumption and the emergence of cinema, 1890–1940’, in Bianchi, Marina (ed.), The evolution of consumption: theories and practices – Advances in Austrian Economics 10: 93–138.Google Scholar
Bakker, Gerben (2007b), ‘Structural change and the growth contribution of services: how motion pictures industrialized US spectator entertainment’, Working Papers in Economic History 104, Department of Economic History, London School of Economics, available online at www.lse.ac.uk/collections/economicHistory/pdf/WP105Bakker.pdf.
Bakker, Gerben (2007c), ‘The making of the pharmaceutical industry: sunk costs, market size and market structure, 1800–2000’, unpublished working paper, presented at the University of York and the Open University Business School (June and October 2007).
Bakker, Gerben (2007d), ‘Strategic intent, survivor bias and long-run analysis: non-US entrants in the motion picture industry, 1895–2005’, ESRC/Advanced Institute of Management Research (AIM) Working Paper.
Barnes, John (1998), The beginnings of cinema in England, 1894–1901, Volumes I–V. Exeter University Press.Google Scholar
Barthes, Roland (1957), Mythologies. Paris: Seuil.Google Scholar
Baumol, William J. (1967), ‘The macroeconomics of unbalanced growth: the anatomy of an urban crisis’, American Economic Review 57: 415–26.Google Scholar
Baumol, William J., and Bowen, William F. (1966), Performing arts: the economic dilemma. A study of problems common to theatre, opera, music and dance. New York: Twentieth Century Fund.Google Scholar
Baumol, William J., and Oates, Mary I. (1972), ‘On the economics of the theatre in Renaissance London’, Swedish Journal of Economics 74: 136–60.Google Scholar
Baylee, John T. (1852), Statistics and facts in reference to the Lord's day. London: Seeleys and J. H. Jackson.Google Scholar
Becker, Gary S. (1965), ‘A theory of the allocation of time’, Economic Journal 75: 493–517.CrossRefGoogle Scholar
Becker, Gary S. (1993), ‘Nobel Prize 1992 acceptance lecture’, Journal of Political Economy 101: 385–409.CrossRefGoogle Scholar
Bédarida, François (1979), A social history of England, 1851–1975. London and New York: Methuen. Translation of La société anglaise, 1851–1975 (Paris, 1976).Google Scholar
Benson, John (1994), The rise of consumer society in Britain 1880–1980. London: Longman.Google Scholar
Berg, A. S. (1989), Goldwyn: a biography. New York: Alfred A. Knopf.Google Scholar
Berlanstein, Lenard R. (1984), The working people of Paris, 1871–1914. Baltimore: Johns Hopkins University Press.Google Scholar
Bernheim, Alfred (1932), The business of the theatre: an economic history of the American theatre, 1750–1932. New York: Benjamin Blom.Google Scholar
Bernstein, S. L. (1939), A memorandum on the scarcity of the film supply together with a scheme to assist British film production.
Bienefeld, M. A. (1972), Working hours in British industry: an economic history. London: Weidenfeld & Nicholson.Google Scholar
Billard, Pierre (1995), L'Age classique du cinéma français. Du cinéma parlant à la nouvelle vague. Paris: Flammarion.Google Scholar
Billings, John S. (1895), Report on the social statistics of cities in the United States. 11th Census Monograph. Washington, Government Printing Office.Google Scholar
Bjork, Ulf Jonas (1995), ‘The backbone of our business. American film in Sweden, 1910–1950’, Historical Journal of Film, Radio and Television 15(2): 245–64.CrossRefGoogle Scholar
Blaszczyk, R. L. (2000), Imagining consumers: design and innovation from Wedgwood to Corning. Baltimore: Johns Hopkins University Press.Google Scholar
Blumer, H. (1933), Movies, delinquency and crime. New York: Macmillan.CrossRefGoogle Scholar
,Board of Governors of the Federal Reserve System (1943), Banking and monetary statistics. Washington, Board of Governors of the Federal Reserve System.Google Scholar
Boncompain, Jacques (1976), Auteurs et comédiens au XVIIIe siècle. Paris: Perrin.Google Scholar
Boorstin, Daniel J. (1962), The image or what happened to the American dream. New York: Atheneum.Google Scholar
Booth, Michael R. (1981a), Victorian spectacular theatre, 1850–1910. Oxford University Press.Google Scholar
Booth, Michael R. (1981b), Victorian theatrical trades. London: The Society For Theatre Research.Google Scholar
Booth, Michael R. (1991), Theatre in the Victorian age. Cambridge University Press.Google Scholar
Bordwell, David, Janet Staiger and Kristin Thompson (1985), The classical Hollywood cinema: film style and mode of production to 1960. New York: Columbia University Press.CrossRefGoogle Scholar
Borger, Lenny, and C. Morel (1988), ‘L'angoissante aventure. L'apport russe de l'entre-deux-guerres’, Positif: 323.
Bourdieu, Pierre (1979), La distinction: critique sociale du jugement. Paris: Les Editions de Minuit.Google Scholar
Bousquet, Henri (1981), ‘Economie et publicite cinematographique dans l'immediat apres-guerre’, Cahiers De La Cinematheque 33–34: 67–75.Google Scholar
Bowden, Sue, and Avner Offer (1994), ‘Household appliances and the use of time. The United States and Britain since the 1920s’, Economic History Review 47: 725–48.CrossRefGoogle Scholar
Bowser, Eileen (1990), History of American cinema II. The transformation of cinema, 1907–1915. New York: Scribner.Google Scholar
Boyer, Paul (1978), Urban masses and moral order in America, 1820–1920. Cambridge, Mass.: Harvard University Press.Google Scholar
Brady, Dorothy (1972), ‘Consumption and the style of life’, in L. Davis et al. (eds.), American economic growth. New York: Harper and Row, 61–92.Google Scholar
Brentano, Lujo (1894), Hours and wages in relation to production. London: Swan, Sonnenschein & Co.Google Scholar
Briggs, Asa (1991), ‘Mass entertainment: the origins of a modern industry’, in The collected essays of Asa Briggs, Volume III. Serious pursuits. Communications and education. Hemel Hempstead: Harvester Wheatsheaf, 38–61. (Originally the 29th Joseph Fisher Lecture in Commerce, delivered at the University of Adelaide, 19 October 1960.)
Brigham, Eugene F., and Houston, Joel F. (1998), Fundamentals of financial management, 8th edn. Philadelphia, Penn.: Dryden Press.Google Scholar
Broadberry, Stephen (1997), The productivity race: British manufacturing in international perspective, 1850–1990. Cambridge University Press.CrossRefGoogle Scholar
Broadberry, Stephen (2006), Market services and the productivity race: Britain in international perspective, 1850–2000. Cambridge University Press.CrossRefGoogle Scholar
Broadberry, Stephen, and Sayantan Ghosal (2002), ‘From the counting house to the modern office: explaining Anglo-American productivity differences in services, 1870–1990’, Journal of Economic History 62: 967–98.CrossRefGoogle Scholar
Brockett, Oscar Gross, and Hildy, Franklin J. (2003), History of the theatre, 9th edn. Boston: Allyn and Bacon.Google Scholar
Bromwell, William J. (1969), History of immigration to the United States, 1819–1855, New York: Redfield (reprint, original edition 1856).Google Scholar
Brown, Geoff (1986), ‘ “Sisters of the stage” British film and British theatre’, in Barr, Charles (ed.), All our yesterdays. 90 years of British cinema. London: British Film Institute, 143–67.Google Scholar
Brown, Richard (2004), ‘War on the home front: the Anglo-Boer War and the growth of rental in Britain: an economic perspective’, Film History 16: 28–36.CrossRefGoogle Scholar
Brown, Richard, and Anthony, Barry (1999), A Victorian film enterprise. The history of the British Mutoscope & Biograph Company, 1897–1915. Trowbridge: Flick Books.Google Scholar
Brownlow, Kevin, and Gill, David (1998), Directors and producers: the other Hollywood. London: Photoplay Productions, in association with BBC, ZDF/Arte, and D. L. Taffner (UK).Google Scholar
Buckley, Peter G. (1998), ‘Paratheatricals and popular stage entertainment’, in Don B. Wilmeth and Christopher Bigsby (eds.), The Cambridge history of American theatre Vol. I. Beginnings to 1870. Cambridge University Press, 424–82.Google Scholar
Burke, Peter (1988), Popular culture in early modern Europe. Aldershot: Wildwood.Google Scholar
Burrows, Jonathan (2004), ‘Penny pleasures: film exhibition in London during the Nickelodeon era, 1906–1914’, Film History 16: 16–91.Google Scholar
Butsch, Richard (ed.) (1990), For fun and profit. The transformation of leisure into consumption. Philadelphia: Temple University Press.Google Scholar
Campagnacard, E. T., and Russell, C. E. B. (1900), ‘Poor people's music hall in Lancashire’, Economic Review 10: 289–308.Google Scholar
Carlsa, Marvin (1972), The French stage in the nineteenth century. Metuchen: Scarecrow Press.Google Scholar
Caron, François (1979), An economic history of modern France. New York: Columbia University Press.Google Scholar
Cassady, Ralph, Jr. (1959), ‘Monopoly in motion picture distribution, 1908–1915’, Southern Californian Law Review 32 (4): 325–90.Google Scholar
Casson, Mark (1994), ‘Brands: economic ideology and consumer society’, in Jones and Morgan (eds.), 41–58.
Caves, Richard E. (2000), Creative industries: contracts between art and commerce. Cambridge, Mass. and London: Harvard University Press.Google Scholar
Chadeau, Emmanuel (1989), Annuaire statistique de l'economie francaise aux XIX et XXe siecles. Vol. 1. L'economie nationale aux XIX et XX siecles. Paris: Presses de l'Ecole Normale Superieure.Google Scholar
Chanan, Michael (1996), The dream that kicks. The prehistory and early years of cinema in Britain. London: Routledge and Kegan Paul.Google Scholar
Chandler, Alfred D. (1962), Strategy and structure. Chapters in the history of the American industrial enterprise. Cambridge, Mass.: MIT Press.Google Scholar
Chandler, Alfred D. (1977), The visible hand: the managerial revolution in American business. Cambridge, Mass.: Harvard University Press.Google Scholar
Chaplin May, Earl (1932), The circus from Rome to Ringling. New York: Duffield & Green.Google Scholar
Cherchi Usai, Paolo (1989), ‘Un Américain à la conquête de l'Italie. George Kleine à Grugliasco, 1913–1914’, Archives 22/23 and 26/27.
Cheshire, D. F. (1974), Music hall in Britain. Newton Abbot: David & Charles.Google Scholar
Chirat, Raymond (1984), Catalogue des films français de long métrage. Films de fiction, 1919–1929. Toulouse: Cinémathèque de Toulouse.Google Scholar
Chisnall, P. M. (1997), Marketing research, 5th edn. New York: McGraw-Hill.Google Scholar
Choukroun, Jacques (1997), ‘Controler les studios, un atout majeur pour les grandes compagnies francaises des années trente?’, in Pierre-Jean Benghozi and Christian Delage (eds.), Une histoire économique du cinéma français (1895–1995). Regards franco-américains. Paris: L'Harmattan, 111–126.Google Scholar
Choukroun, Jacques (1997), ‘A propos du premier projet de production de La Grande Illusion’, Archives 70: 24–6, and Archives 73: 32–3.Google Scholar
Christensen, Clayton M. (1997), The innovator's dilemma: when new technologies cause great firms to fail. Cambridge: Harvard Business School Press.Google Scholar
Christopherson, Susan, and Michael, Storper (1987), ‘Flexible specialisation and regional agglomerations. The case of the US motion picture industry’, Annals of the Association of American Geographers 77: 104–17.Google Scholar
Christopherson, Susan, and Michael, Storper (1989), ‘The effects of flexible specialisation on industrial politics and the labor market. The motion picture industry’, Industrial and Labour Relations Review 42: 331–47.CrossRefGoogle Scholar
Chung, Kee H., and Cox, Raymond A. K. (1994), ‘A stochastic model of superstardom: an application of the Yule distribution’, Review of Economics and Statistics 76: 771–5.CrossRefGoogle Scholar
Church, Roy (1993), ‘Mass marketing motor cars in Britain before 1950: the missing dimension’, in R. S. Tedlow and G. Jones (eds.), The rise and fall of mass marketing. London: Routledge, 36–57.Google Scholar
Church, Roy (1999), ‘New perspectives on the history of products, firms, marketing, and consumers in Britain and the United States since the mid-nineteenth century’, Economic History Review 52: 405–35.CrossRefGoogle Scholar
Cochrane, R. H. (1927), ‘Advertising motion pictures’, in Kennedy, J. P. (ed.), 233–62.
Cockburn, Iain, and Henderson, Rebecca (1999), ‘The economics of drug discovery’, in Ralph Landau, Basil Achilladelis, and Alexander Scriabine (eds.), Pharmaceutical innovation: revolutionizing human health. Philadelphia: Chemical Heritage Foundation, 308–30.Google Scholar
Collins, E. J. T. (1994), ‘Brands and breakfast cereals in Britain’, in Jones and Morgan (eds.), 237–58.
Conant, Michael (1960), Antitrust in the motion picture industry. Economic and legal analysis. Berkeley: University of California Press.Google Scholar
Cook, David A. (1990), A history of narrative film, 2nd edn. New York: W.W. Norton.Google Scholar
Cook, Philip J., and Frank, Robert H. (1995), The winner-take-all society. How more and more Americans compete for ever fewer and bigger prizes, encouraging economic waste, income inequality, and an impoverished cultural life. New York: Free Press.Google Scholar
Corley, T. A. B. (1987), ‘Consumer marketing in Britain, 1914–1960’, Business History 29: 65–83.CrossRefGoogle Scholar
Corley, T. A. B. (1994), ‘Best-practice marketing of food and health drinks in Britain, 1930–1970’, in Jones and Morgan (eds.), 215–36.
Cowen, Tyler (1996), ‘Why I do not believe in the cost-disease. Comment on Baumol’, Journal of Cultural Economics 20: 207–14.CrossRefGoogle Scholar
Cowen, Tyler (1998), In praise of commercial culture. Cambridge Mass.: Harvard University Press.Google Scholar
Crafts, Nicholas F. R. (2003), ‘Steam as a general purpose technology. A growth accounting perspective’, Working Papers in Economic History 75, London School of Economics.
Crafts, Nicholas F. R. (2004), ‘Social savings as the measure of the contribution of a new technology to economic growth’, Working Papers in Large-Scale Technological Change 6. London School of Economics.
Crafts, Nicholas F. R., and Mills, Terence C. (2005), ‘TFP-growth in British and German manufacturing, 1950–1996’, Economic Journal 115: 649–70.CrossRefGoogle Scholar
Creton, L. (1997), ‘Marketing et stratégies dans le secteur cinématographique: une mise en perspective des pratiques du cinéma Français’, in P.-J. Benghozi and C. Delage (eds.), Une histoire economique du cinéma Français (1895–1995): regards Franco-Américains. Paris: L'Harmattan, 229–64.Google Scholar
Crisp, Colin (1993), The classic French cinema, 1930–1960. Bloomington: Indiana University Press.Google Scholar
Cross, Gary (1988), Worktime and industrialization: an international history. Philadelphia: Temple University Press.Google Scholar
Cross, Gary (1989), A quest for time: the reduction of work in Britain and France, 1840–1940. Berkeley: University of California Press.Google Scholar
Crowhurst, Andrew (1991), ‘The music hall, 1885–1922. The emergence of a national entertainment industry in Britain’, Ph.D. thesis, University of Cambridge.
Dale, Martin (1997), The movie game. The film business in Britain, Europe and America. London: Cassell.Google Scholar
Dall'Asta, Monica (1999a), ‘La diffusione del film a episodi in Europa’, in Brunetta, Gian Piero (ed.), Storia del cinema mondiale Vol. I. L'Europa. Miti, luoghi, divi. Turin: Giulio Einaudi Editore, 277–324.Google Scholar
Dall'Asta, Monica (1999b), ‘Il serial’, in Brunetta, Gian Piero (ed.), Storia del cinema mondiale Vol. II. Gli Stati Uniti. Tomo primo. Turin: Giulio Einaudi Editore, 289–338.Google Scholar
David, Paul A., and Solar, Peter (1977), ‘A bicentenary contribution to the history of the cost of living in America’, Research In Economic History 2: 1–80.Google Scholar
Davis, (1916), ‘Investing in the movies’, Photoplay Magazine, February 1916: 71–3, 164.
Davis, E. H., Kay, J. A. and Star, J. (1991), ‘Is advertising rational?’, Business Strategy Review 2/3: 1–23.
Davis, M., Knowles, A., MacDonald, I. and Madden, P. (1981), Granada: The first 25 years. London: British Film Institute.Google Scholar
Davis, Peter A. (1996), ‘The Syndicate/Shubert War’, in Taylor, William R. (ed.), Inventing Times Square. Commerce and culture at the crossroads of the world. Baltimore: Johns Hopkins University Press, 147–57.Google Scholar
Davis, Peter A. (1998), ‘Plays and playwrights to 1800’, in Don B. Wilmeth and Christopher Bigsby (eds.), The Cambridge history of American theatre Vol. I. Beginnings to 1870. Cambridge University Press, 216–49.Google Scholar
Davis, Tracy C. (1990), ‘The theatrical employees of Victorian Britain. Demography of an industry’, Ninenteenth Century Theatre 18: 5–34.Google Scholar
Davis, Tracy C. (2000), The economics of the British stage, 1800–1914. Cambridge University Press.Google Scholar
Silva, Indra (1998), ‘Consumer selection of motion pictures’, in Litman, Barry R. (ed.), The motion picture mega-industry. Boston: Allyn and Bacon, 144–71.Google Scholar
DeBoer, Larry (1985), ‘Is rock n' roll a symptom of Baumol's disease?’, Journal of Cultural Economics 9: 48–59.CrossRefGoogle Scholar
Delpech, Henri (1938), Recherches sur le niveau de la vie et les habitudes de consommation (enquête effectué à Toulouse, de 1936 à 1938). Paris: Sirey.Google Scholar
Dewhurst, J. Frederic (1955), America's needs and resources: a new survey. New York: Twentieth Century Fund.Google Scholar
Dibbets, Karel (1993), Sprekende films. De komst van de geluidsfilm in Nederland, 1928–1933. Amsterdam: Otto Cramwinckel.Google Scholar
Dickinson, Margaret, and Sarah Street (1985), Cinema and state: the film industry and the British government, 1927–1984. London: British Film Institute.Google Scholar
Dingle, A. E. (1972), ‘Drink and working-class living standards in Britain, 1870–1914’, Economic History Review 25: 608–22.Google Scholar
Dobson, Stephen, and Goddard, John (1998), ‘Performance, revenue, and cross subsidization in the Football League, 1927–1994’, Economic History Review 51: 763–85.CrossRefGoogle Scholar
Donajgrodzki, A. P. (1977), Social control in nineteenth century Britain. Totowa, N.J.: Croom Helm.Google Scholar
Donohue, Joseph W. Jr. (ed.) (1971), The theatrical manager in England and America: player of a perilous game. Princeton University Press.Google Scholar
Dormois, Jean-Pierre (1998), L’économie française face à la concurrence britannique à la veille de 1914. Paris: L'Harmattan.Google Scholar
Dupeux, Georges (1974), La société française, 1789–1970, 7th edn. Paris: Armand Collin.Google Scholar
Durand, Jacques (1958), Le cinéma et son public. Paris: Sirey.Google Scholar
Durham, Weldon B. (1986), American theatre companies, 1749–1986 (3 volumes). New York: Greenwood Press.Google Scholar
,Economic Club (1896), Family budgets. Being the income and expenditure of 20 British households 1891–1894. London: Economic Club.Google Scholar
Edwards, Alba M. (1943), Comparative occupation statistics for the United States, 1870–1940. Washington, Bureau of the Census, United States Department of Commerce.Google Scholar
Ehrlich, Cyril (1986), The music profession in Britain since the 18th century. A social history. Oxford University Press.Google Scholar
Ehrlich, Cyril (1990), The piano: a history, revised edn. Oxford University Press.Google Scholar
Elsaesser, Thomas (ed.) (1994), Early cinema: space, frame, narrative. London: British Film Institute.Google Scholar
Emmott, Bill (1989), The sun also sets. Why Japan will not be number one. London: Times Books/Random House.Google Scholar
Engle, Ron, and Miller, Tice L. (eds.) (1993), The American stage: social and economic issues from the colonial period to the present. Cambridge University Press.Google Scholar
Epstein, Larry (2000), Freedom and growth: the rise of states and markets in Europe, 1300–1750. London: Routledge.CrossRefGoogle Scholar
Eyles, Allen (1998), The Granada theatres. London: British Film Institute.Google Scholar
Feinstein, Charles H. (1981), ‘Capital accumulation and the industrial revolution’, in Roderick Floud and Donald McCloskey (eds.), The economic history of Britain since 1700, Vol. I: 1700–1860. Cambridge University Press, 128–42.Google Scholar
Feinstein, Charles H. (1990a), ‘New estimates of average earnings in the United Kingdom, 1880–1913’, Economic History Review 43: 595–632.Google Scholar
Feinstein, Charles H. (1990b), ‘What really happened to real wages?Economic History Review 43: 329–55.CrossRefGoogle Scholar
Feinstein, Charles H. (1991), ‘A new look at the cost of living 1870–1914’, in Foreman-Peck, James (ed.), New perspectives on the late Victorian economy. Cambridge University Press, 151–79.Google Scholar
Fernett, Gene (1988), American film studios. A historical encyclopedia. Jefferson N.C.: McFarland.Google Scholar
Field, Alexander J. (2003), ‘The most technologically progressive decade of the century’, American Economic Review 93(4): 1399–413.CrossRefGoogle Scholar
Fielding, Raymond (1972), The American newsreel, 1911–1967. University of Oklahoma Press.Google Scholar
Fielding, Raymond (1983), ‘Hale's Tours: ultrarealism in the pre-1910 motion picture’, in Fell, John L. (ed.), Film before Griffith. Berkeley: University of California Press, 116–30.Google Scholar
Fihman, Guy (1997), ‘La stratégie Lumière. L'invention du cinéma comme marché’, in Pierre-Jean Benghozi and Christian Delage (eds.), Une histoire économique du cinéma français (1895–1995). Regards franco-americains. Paris: L'Harmattan, 35–46.Google Scholar
Finler, Joel W. (1992), The Hollywood story, updated edn. London: Mandarin Paperbacks.Google Scholar
Fitzgerald, F. Scott (1941), The last tycoon. An unfinished novel. New York: Charles Scribner's Sons.Google Scholar
Fitzgerald, R. (1989), ‘Rowntree and market strategy, 1897–1939’, Business and Economic History 18: 45–58.Google Scholar
Flora, Peter, et al. (1983), State, economy, and society in Western Europe, 1815–1975. A data-handbook in two volumes, Vol. I. Frankfurt: Campus Verlag.CrossRefGoogle Scholar
Flora, Peter, et al. (1987), State, economy, and society in Western Europe, 1815–1975. A data-handbook in two volumes, Vol. II. Frankfurt: Campus Verlag.Google Scholar
Fogel, Robert W. (1962), ‘A quantitative approach to the study of railroads in American economic growth’, Journal of Economic History 22(2): 163–97.CrossRefGoogle Scholar
Fogel, Robert W. (1964), Railroads and American economic growth. Essays in econometric history. Baltimore: Johns Hopkins University Press.Google Scholar
Ford, R. (1937), ‘What one public says it likes. Comments on the Bernstein questionnaire’, Sight and Sound, Summer 1937: 70.
Forest, Claude (1995), Les derniers séances: cent ans d'exploitation des salles de cinema. Paris: CNRS-Editions.CrossRefGoogle Scholar
Frick, John (2000), ‘A changing theatre: New York and beyond’, in Don B. Wilmeth and Christopher Bigsby (eds.), The Cambridge history of American theatre Vol. II. 1870–1945. Cambridge University Press, 196–232.Google Scholar
Friedel, Robert (1979), ‘Parkesine and celluloid: the failure and success of the first modern plastic’, History of Technology 4: 45–62.Google Scholar
Fujita, Masahisa, Paul, Krugman and Venables, Anthony J. (1999), The spatial economy: cities, regions and international trade. Cambridge, Mass.: MIT Press.Google Scholar
Fuller, Kathryn Hegelsen (1994), ‘The Cook and Harris High Class Moving Picture Company. Itinerant exhibitors and the small town movie audience, 1900–1910’, New York History: 5–38.
Fullerton, R. A. (1988), ‘How modern is modern marketing? Marketing's evolution and the myth of the “production era”’, Journal of Marketing 52: 108–25.CrossRefGoogle Scholar
Gaines, J. M. (1991), Contested culture: the image, the voice and the law. London: British Film Institute.Google Scholar
Garnham, Nicholas (1985), ‘Baumol's disease. Audio-visual markets a cure?’, Journal of Cultural Economics (supplement): 59–65.
Gelatt, Roland (1977), The fabulous phonograph, 1877–1977, 2nd edn. New York: Macmillan.Google Scholar
Georget, Martine (1979), La RKO de 1929 à 1933. Paris: Université de Paris, I.Google Scholar
Gessner, Alexander (1928), Film und Wirtschaft. Versuch einer umfassenden theoretischen Grundlegung. Köln: Pilgram.Google Scholar
Giffen, Robert, Sir (1903), ‘The wealth of empire, and how it should be used’, Journal Of The Royal Statistics Society, 66, part III: 582–98.Google Scholar
Ginneken, Jaap (1992), Crowds, psychology and politics, 1871–1899. Cambridge University Press.Google Scholar
Glancy, H. Mark (1992), ‘MGM film grosses, 1924–1948. The Eddie Mannix ledger’, Historical Journal of Film, Radio and Television 12: 127–44 and microform supplement.CrossRefGoogle Scholar
Glancy, H. Mark (1995), ‘Warner Bros film grosses, 1921–1951. The William Schaefer ledger’, Historical Journal of Film, Radio and Television 15: 55–73 and microform supplement.CrossRefGoogle Scholar
Goble, Alan (1998), The complete index to world film since 1895. London: Reed Business Information.Google Scholar
Godley, A. (1996), ‘Immigrant entrepreneurs and the emergence of London's East End as an industrial district’, London Journal 21: 38–45.CrossRefGoogle Scholar
Godley, A. (2001), Jewish immigrant entrepreneurship in New York and London, 1880–1914: enterprise and culture. Basingstoke: Palgrave Macmillan.CrossRefGoogle Scholar
Golden, H. (1941), ‘Hollywood takes to the polls: RKO enlists Dr. Gallup for public pulse-feeling on pix preferences’, Variety, 8 January: 29, 45.Google Scholar
Golder, P. N. (2000), ‘Historical method in marketing research with new evidence on long-term market share stability’, Journal of Marketing Research 37: 156–72.CrossRefGoogle Scholar
Goldwyn, Samuel (1921), ‘New Goldwyn plan for nation-wide exploitation of motion pictures: 27,000,000 people reached by Goldwyn advertising’, as quoted in Leonard, Harold (ed.) (1985), The film index. A bibliography, Vol. 2. White Plains: Kraus International, 25.Google Scholar
Gomery, Douglas (1975), The coming of sound to the American cinema. A history of the transformation of an industry. Ph.D. thesis, Madison: University of Wisconsin.Google Scholar
Gomery, Douglas (1985), ‘The coming of television and the “lost” motion picture audience’, Journal of Film and Video 37: 5–11.Google Scholar
Gomery, Douglas (1986), The Hollywood studio system. London: Macmillan/British Film Institute.Google Scholar
Gomery, Douglas (1992), Shared pleasures: a history of movie presentation in the United States. Madison: University of Wisconsin Press.Google Scholar
Gomery, Douglas (1996), ‘The Hollywood studio system’, in Smith, Geoffrey Nowell (ed.), The Oxford history of world cinema. Oxford University Press, 43–52.Google Scholar
Gomery, Douglas, and Staiger, Janet (1979), ‘The history of world cinema: models for economic analysis’, Film Reader 4: 35–44.Google Scholar
Grau, Robert (1914), The theatre of science. A volume of progress and achievement in the motion picture industry. New York: Benjamin Blom.Google Scholar
Green, F. C. (1965), A comparative view of French and British civilization (1850–1870). London: J. M. Dent.Google Scholar
Grieveson, Lee (1999), ‘Nascita del divismo. Star e pubblico del cinema dei primordi’, in Brunetta, Gian Piero, (ed.), Storia del cinema mondiale Vol. II. Gli Stati Uniti. Tomo primo. Turin: Giulio Einaudi Editore, 339–70.Google Scholar
Gronow, Pekka, and Saunio, Ilpo (1998), An international history of the recording industry. London and New York: Cassell.Google Scholar
Guardenti, Renzo (1995), Le fiere del teatro. Percorsi del teatro ‘forain’ del primo Settecento. Con una scelta di commedie rappresentate alle Foires Saint-Germain e Saint-Laurent (1711–1715). Rome: Bulzoni.Google Scholar
Guback, Thomas H. (1969), The international film industry. Western Europe and America since 1945. Bloomington: Indiana University Press.Google Scholar
Guback, Thomas H. (1974), ‘Film as international business’, Journal of Communication 24: 90–101.CrossRefGoogle Scholar
Guillaume, Pierre (1992), Histoire sociale de la France au XXe siècle. Paris: Masson.Google Scholar
Gustafson, Robert (1983), ‘The buying of ideas. Source acquisition at Warner Brothers, 1930–1949’, Ph.D. thesis, Ann Arbor (UMI), University of Wisconsin-Madison.
Guy, Alice (1976), Autobiographie d'une pionière du cinéma, 1873–1968. Paris: Denoël/Gonhier.Google Scholar
Haines, Michael (1979), ‘Industrial work and the family life cycle, 1889–1890’, Research in Economic History 4: 289–356.Google Scholar
Hammond, R. M., and Ford, C. (1983), ‘French end games’, Films in Review 34: 329–33, 383–4.Google Scholar
Hampton, Benjamin B. (1931), A history of the movies. New York: Covici-Friede.Google Scholar
Handel, Leo (1948), ‘A study to determine the drawing power of male and female stars upon movie-goers of their own sex’, International Journal of Opinion and Attitude Research 2: 215–20.Google Scholar
Handel, Leo (1950), Hollywood looks at its audience. Urbana: Southern Illinois University Press.Google Scholar
Hannah, L., and Kay, J.. (1977), Concentration in modern industry. Theory, measurement and the UK experience. London: Macmillan.CrossRefGoogle Scholar
Hansen, Miriam (1991), Babel and Babylon. Spectatorship in American silent film. Cambridge, Mass.: Harvard University Press.Google Scholar
Hanssen, F. Andrew (2000), ‘The block booking of films reexamined’, Journal of Law and Economics 43: 395–426.CrossRefGoogle Scholar
Hanssen, F. Andrew (2002), ‘Revenue-sharing in movie exhibition and the arrival of sound’, Economic Inquiry 40: 380–402.CrossRefGoogle Scholar
Harpole, Charles (ed.) (1990–2000), The history of American cinema, Vols. 1–10. Berkeley: University of California Press.Google Scholar
Harrop, Josephine (1992), ‘Travelling theatres in the 1890s’, in Foulkes, Richard (ed.), British theatre in the 1890s. Essays on drama and the stage. Cambridge University Press, 192–200.Google Scholar
Haver, Ronald (1977), ‘The RKO Years’, American Film 3: 28–34.Google Scholar
Haver, Ronald (1980), David O. Selznick's Hollywood. London: Secker & Warburg.Google Scholar
Hawke, G. R. (1970), Railways and economic growth in England and Wales, 1840–1870. Oxford: Clarendon.Google Scholar
Hayler, Franz (1925), Die deutsche Filmindustrie und ihre Bedeutung für Deutschlands Handel. Würzburg: University of Würzburg.
Helms, Robert B. (1996), Competitive strategies in the pharmaceutical industry. Washington, D.C., American Enterprise Institute.Google Scholar
Hemmings, F. W. J. (1993), The theatre industry in nineteenth century France. Cambridge University Press.CrossRefGoogle Scholar
Hemmings, F. W. J. (1994), Theatre and state in France, 1760–1905. Cambridge University Press.CrossRefGoogle Scholar
Henderson, Mary C. (1998), ‘Scenography, stagecraft, and architecture in the American theatre. Beginnings to 1870’, in Don B. Wilmeth and Christopher Bigsby (eds.), The Cambridge history of American theatre Vol. I. Beginnings to 1870. Cambridge University Press, 373–423.Google Scholar
Hendricks, Gordon (1983), ‘The Kinetoscope: fall motion picture production’, in Fell, John L. (ed.), Film before Griffith. Berkeley: University of California Press, 13–21.Google Scholar
Hepner, H. W. (1929), ‘Public likes, dislikes’, Film Daily Year Book: 896.
Hirsch, Paul M. (1975), ‘Organizational effectiveness and the institutional environment’, Administrative Science Quarterly 20: 327–44.CrossRefGoogle Scholar
Hobsbawm, (1975), The age of capital, 1848–1875. London: Weidenfeld & Nicholson.Google Scholar
Hobsbawm, (1983), ‘Mass-producing traditions: Europe, 1870–1914’, in Eric Hobsbawm and Terence Ranger (eds.), The invention of tradition. Cambridge University Press, 263–307.Google Scholar
Hobsbaum, (1987), The age of empire, 1875–1914. London: Weidenfeld & Nicholson.Google Scholar
Hobsbawm, Eric (1997), The age of revolution, 1789–1848. London: Abacus.Google Scholar
Hobson, Harold (1978), The French theatre since 1830. London: John Calder.Google Scholar
Hofstede, Bart (2000), In het wereldfilmstelsel. Identiteit en organisatie van de Nederlandse film sedert 1945. Delft: Eburon.Google Scholar
Hoher, Dagmar (1986), ‘The composition of music hall audiences, 1850–1900’, in Bailey, P. (ed.), Music hall: the business of pleasure. Philadelphia: Open University Press, 73–92.Google Scholar
Honri, Baynham (1950), ‘British film studios, 1900–1920. A technical survey’, in Rachael Low, The history of British film, 1914–1918. London: George Allen & Unwin, 241–56.Google Scholar
Horak, Jan-Christopher (1986), Fluchtpunkt Hollywood: eine Dokumentation ur Filmemigration nach 1933. Zweite, erweiterte und korrigierte Ausgabe unter mitarbeit von Elisabeth Tape. Münster Publikationen.Google Scholar
Horrell, Sara (1996), ‘Home demand and British industrialization’, Journal of Economic History 3: 561–604.CrossRefGoogle Scholar
Hoskins, Colin, Stuart, McFadyen and Finn, Adam (1997), Global television and film: an introduction to the economics of the business. Oxford: Clarendon Press.Google Scholar
Huberman, Michael, and Minns, Chris (2007), ‘The times they are not changin’: Days and hours of work in old and new worlds, 1870–2000’, Explorations in Economic History 44: 538–67.CrossRefGoogle Scholar
Huettig, Mae D. (1944), Economic control of the motion picture industry. A study in industrial organization. University of Pennsylvania Press/Oxford University Press.CrossRefGoogle Scholar
Hughes, Lawrence M. (1935), ‘Made-to-fit promotion plan wins prestige and sales for MGM’, Sales Management 36: 675, 702.Google Scholar
d'Hugues, Philippe, and Muller, Dominique (1986), Gaumont. 90 ans de cinema. Paris: Cinemathèque Française.Google Scholar
Hyslop, Beatrice F. (1945), ‘The theatre during a crisis: the Parisian theatre during the Reign of Terror’, Journal of Modern History 17: 332–55.CrossRefGoogle Scholar
James, Marquis, and Bernie, Rowland James (1954), The story of Bank of America. New York: Harper & Brothers.Google Scholar
Jarvie, Ian (1970), Towards a sociology of cinema. London: Routledge and Kegan Paul.Google Scholar
Jarvie, Ian (1983), ‘International film trade. Hollywood and the British market in 1945’, Historical Journal of Film Radio and Television 3: 161–70.CrossRefGoogle Scholar
Jarvie, Ian (1986), ‘British trade policy vs. Hollywood, 1947–1948. “Food before flicks?”’, Historical Journal of Film Radio and Television 6: 19–42.CrossRefGoogle Scholar
Jarvie, Ian (1992), Hollywood's overseas campaign: the North Atlantic movie trade, 1920–1950. Cambridge University Press.Google Scholar
Jeancolas, Jean-Pierre (1983), 15 ans d'annees trente. Le cinéma des français, 1929–1944. Paris: Stock/Cinema.Google Scholar
Jelavich, Peter (1985), Munich and theatrical modernism, politics, playwriting and performance, 1890–1914. Cambridge, Mass.: Harvard University Press.Google Scholar
Jeremy, David J., and Tweedale, Geoffrey (1994), Dictionary of twentieth century British business leaders. London: Bowker Saur.Google Scholar
Jewell, Richard B. (1978), ‘A history of RKO Radio Pictures, 1928–1942’, Ph.D. thesis, University of Southern California.
Jewell, Richard B. (1994), ‘RKO film grosses, 1929–1951. The C. J. Tevlin ledger’, Historical Journal of Film, Radio and Television 14: 37–49 and microform supplement.CrossRefGoogle Scholar
Jones, Candace (2001), ‘Co-evolution of entrepreneurial careers, institutional rules and competitive dynamics in American film, 1895–1920.’ Organization Studies 22: 911–44.CrossRefGoogle Scholar
Jones, Geoffrey, and Nicholas Morgan (eds.) (1994), Adding value: brands and marketing in food and drink. London: Routledge.Google Scholar
Jones, R. W. (1939), ‘The wayside entertainer in Wales in the nineteenth century’, unpublished Ph.D. thesis, University of Liverpool.
Jowett, Garth S. (1974), ‘The first motion picture audiences’, Journal of Popular Film 3: 39–45.CrossRefGoogle Scholar
Jura, Jean-Jacques, and Rodney, NormanBardin, II (1999), Balboa Films: a history and filmography of the silent film studio. North Carolina: McFarland.Google Scholar
Kaelble, Hartmut, and Mark, Thomas (1991), ‘Introduction’, in Y. S. Brenner, Hartmut Kaelble and Mark Thomas (eds.), Income distribution in historical perspective. Cambridge University Press, 1–56.Google Scholar
Kaldor, N. (1950), ‘The economic aspects of advertising’, Review of Economic Studies 18: 1–27.CrossRefGoogle Scholar
Kallmann, Alfred (1932), Die Konzernierung in der Filmindustrie, erläutert an den Filmindustrien Deutschlands und Amerikas. Ph.D. thesis, Würzburg.
Kanfer, Stefan (1997), Serious business. The art and commerce of animation in America from Betty Boop to Toy Story. New York: Scribner.Google Scholar
Kay, J. (1993), Foundations of corporate success: how business strategies add value. Oxford University Press.Google Scholar
Kay, J. (1996), The business of economics. Oxford University Press.CrossRefGoogle Scholar
Kendrick, John (1961), Productivity trends in the United States. Princeton University Press.Google Scholar
Kennedy, J. P. (ed.) (1927), The story of the films. Chicago: A. W. ShawGoogle Scholar
Kenney, R. W., and Klein, B. (1983), ‘The economics of block booking’, Journal of Law and Economics 26: 497–540.CrossRefGoogle Scholar
Kerr, Catherine E. (1990), ‘Incorporating the star. The intersection of business and aesthetic strategies in early American film’, Business History Review 64 (3): 383–410.CrossRefGoogle Scholar
Kindem, Gorham (1982), ‘Hollywood's movie star system. A historical overview’, in Kindem, Gorham (ed.), The American movie industry. The business of motion pictures. Carbondale and Edwardsville: Southern Illinois University Press, 79–93.Google Scholar
Kinema, Theatre (1924), Market research of Kinema Theatre, Fresno, California.
Kirzner, Israel M. (1973), Competition and entrepreneurship. University of Chicago Press.Google Scholar
Kirzner, Israel M. (1985), Discovery and the capitalist process. University of Chicago Press.Google Scholar
Klingender, F. D., and Legg, Stuart (1937), Money behind the screen. A report prepared on behalf of the Film Council. London: Lawrence and Wishart.Google Scholar
König, Wolfgang, and Wolfhard, Weber (1990), Propylän Technikgeschichte: Netzwerke, Stahl und Strom, 1840 bis 1914. Berlin: Propylän Verlag.Google Scholar
Koszarski, Richard (1990), History of American cinema III: an evening's entertainment. The age of the silent feature picture, 1915–1928. New York: Scribner.Google Scholar
Kotler, P., and Armstrong, G. (1994), Principles of marketing, 6th edn. N. J.: Englewood Cliffs.Google Scholar
Kraft, James P. (1994a), ‘Musicians in Hollywood. Work and technological change in entertainment industries, 1926–1940’, Technology and Culture 35: 289–314.CrossRefGoogle Scholar
Kraft, James P. (1994b), ‘The “pit” musicians: mechanization in the movie theatres, 1926–1934’, Labor History 35: 66–92.CrossRefGoogle Scholar
Kraft, James P. (1996), Stage to studio: musicians and the sound revolution, 1890–1950. Baltimore: Johns Hopkins University Press.Google Scholar
Kreimeier, Klaus (1992), Die Ufa-Story. Geschichte eines Filmkonzerns. Munchen: Carl Hanser Verlag.Google Scholar
Krugman, Paul R., and Maurice, Obstfeld (2003), International economics. Theory and policy, 6th edn. Reading, Mass.: Addison-Wesley.Google Scholar
Krugman, Paul R. (1990), Rethinking international trade. Cambridge, Mass.: MIT Press.Google Scholar
Kuhn, Annette (1999), ‘Cinema-going in Britain in the 1930s: report of a questionnaire survey’, Historical Journal of Film, Radio and Television 19: 531–43.CrossRefGoogle Scholar
Lagrave, Henri (1972), Le théâtre et public à Paris de 1715 à 1750. Paris: Librairie C. Klincksiek.Google Scholar
Lahue, Kalton C. (1971), Dreams for sale: the rise and fall of the Triangle Film Corporation. New York: A. S. Barnes.Google Scholar
Lamoreaux, Naomi R., and Sokoloff, Kenneth L. (1999), ‘Inventors, firms and the market for technology: US manufacturing in the late nineteenth and early twentieth centuries’, in Naomi R. Lamoreaux, Daniel M. G. Raff and Peter Temin (eds.), Learning by doing in markets, firms and countries. University of Chicago Press, 19–57.Google Scholar
Larroque, Domique (1988), ‘Economic aspects of public transit in the Parisian area, 1855–1939’, in Joel A. Tarr and Gabriel Dupuy (eds.), Technology and the rise of the networked city in Europe and America. Philadelphia: Temple University Press, 40–66.Google Scholar
Larson, P. (1994), The naked consumer: how our private lives become public commodities. New York: Penguin.Google Scholar
Lazarsfeld, P. F. (1947), ‘Audience research in the movie field’, Annals of the American Academy of Political and Social Sciences 254, ‘The Motion Picture Industry’: 160–8.
Lazarsfeld, P. F., and Kendall, P. (1948), Radio listening in America. New York: Prentice-Hall.Google Scholar
Leathers, Victor L. (1959), British entertainers in France. University of Toronto Press.Google Scholar
Lee, Clive (1994), ‘The service industries’, in Roderick Floud and Donald McCloskey (eds.), The Economic History of Britain Since 1700. Cambridge University Press, 117–44.Google Scholar
Leff, L. J. (1987), Hitchcock and Selznick: the rich and strange collaboration of Alfred Hitchcock and David O. Selznick in Hollywood. London: Weidenfeld & Nicholson.Google Scholar
Léglise, Paul (1970–1980), Histoire de la politique du cinéma français, Vols. 1–3, Paris: various publishers.Google Scholar
Lehman, Harvey C. (1941), ‘Chronological ages of some recipients of large annual incomes’, Social Forces 20: 196–206.CrossRefGoogle Scholar
Leiss, William, Stephen, Kline and Sut, Jhally (1990), Social communication in advertising. Persons, products and images of well-being, 2nd edn. London: Routledge.Google Scholar
Lent, John A. (1983), ‘Heyday of the Indian studio system. The 1930s’, Asian Profile 11: 465–474.Google Scholar
Lent, John A. (1990), The Asian film industry. Austin: University of Texas Press.Google Scholar
Levi, Leone (1881), ‘Reports to the British Association by a special committee’, Report of the fifty-first meeting of the British Association for the Advancement of Science held at York in August and September 1881. London: John Murray.Google Scholar
Levi, Leone, Mr. Jevons, Stephen Bourne and other distinguished authorities (1882), ‘Reports to the British Association by a special committee comprising Mr. Jevons, Mr. Leone Levi, Mr. Stephen Bourne and other distinguished authorities’ [sic], Report of the fifty-first meeting of the British Association for the Advancement of Science held at Southport, 1882. Southport: British Association.Google Scholar
Levitt, Theodore (1976), ‘The industrialisation of service’, Harvard Business Review, September–October 1976: 63–74.
Levitt, Theodore (1983), The marketing imagination. New York and London: The Free Press.Google Scholar
Lévy-Leboyer, Maurice (1971), ‘La décéleration de l’économie française dans la deuxième moitié du XIXe siècle’, in Recherches de l'Histoire Economique et Sociale.
Lévy-Leboyer, Maurice and François, Bourgignon (1985), L'Economie Française au XIXe siècle. Analyse macro-économique. Paris: Economica.Google Scholar
Lewis, Howard T. (ed.) (1930), Cases on the motion picture industry. With commentaries. New York: McGraw-Hill.Google Scholar
Lewis, Howard T. (1933), The motion picture industry. New York: Van Nostrand.Google Scholar
Lipsey, R. G., Bekar, C. and Carlaw, K. (1998), ‘What requires explanation?’, in Helpman, E. (ed.), General purpose technologies and economic growth. Cambridge Mass.: MIT Press, 15–54.Google Scholar
Lockley, L. C. (1950), ‘Notes on the history of marketing research’, Journal of Marketing 14: 736.CrossRefGoogle Scholar
Londré, Felicia Hardison, and Watermeier, Daniel J. (2000), The history of North American theater: The United States, Canada and Mexico, from Pre-Columbian times to the present. New York: Continuum.Google Scholar
Lough, John (1957), Paris theatre audiences in the seventeenth & eighteenth centuries. London: Oxford University Press.Google Scholar
Low, Rachael (1949), The history of the British film 1906–1914. London: George Allen & Unwin.Google Scholar
Low, Rachael (1950), The history of the British film 1914–1918. London: George Allen & Unwin.Google Scholar
Low, Rachael (1971), The history of the British film 1918–1929. London: George Allen & Unwin.Google Scholar
Low, Rachael, and Roger, Manvell (1948), The history of the British film 1896–1906. London: George Allen & Unwin.Google Scholar
Lowenthal, Leo (1961), Literature, popular culture and society. Englewood Cliffs: Prentice-Hall.Google Scholar
Lyons, Timothy James (1974), The silent partner: the history of the American Film Manufacturing Company, 1910–1921. New York: Arno Press.Google Scholar
MacNab, Geoffrey (1992), Arthur Rank and the British film industry. London: Routledge.Google Scholar
Maddison, Angus (1995), Monitoring the world economy, 1820–1992. Paris: Development Centre, OECD.Google Scholar
Maguire, Hugh (1992), ‘The architectural response’, in Foulkes, Richard (ed.), British theatre in the 1890s. Essays on drama and the stage. Cambridge University Press, 149–64.Google Scholar
Malthete, Jacques (1993), ‘La production cinématographique de Gaston Méliès et sa diffusion aux Etats-Unis et en Europe’, Les Vingt Premières Ans du Cinéma Français. Actes du Colloque International de la Sorbonne Nouvelle, 4, 5 et 6 Novembre 1993: 105–14.
Mander, Raymond, and Joe, Mitchenson (1963), The theatres of London (2nd revised edn.). London: Times Mirror.Google Scholar
Mander, Raymond, and Joe, Mitchenson (1968), The lost theatres of London. New York: Taplinger Publishing Company.Google Scholar
Manneville, Philippe (1992), ‘Créations d'associations sportives en seine-inférieure (fin XIXe-première moitié du XXe siècle)’, in Ministère de l'Education Nationale et de la Culture, Comité des Travaux Historiques et Scientifiques, Actes du 116e congres national des sociétés savantes (Chambery, 1991). Jeux et sports dans l'histoire. Tome 1. Associations et politiques. Paris: Editions du CTHS, 125–42.Google Scholar
Marshall, Alfred (1947), Principles of Economics, 8th edn. New York: Macmillan.Google Scholar
Massey, Philip (1942), ‘The expenditure of 1,360 British middle-class households in 1938–39’, Journal of the Royal Statistical Society 105: 159–96.CrossRefGoogle Scholar
Matthews, R. C. O., Feinstein, C. H. and Odling-Smee, J. C. (1982), British economic growth, 1856–1973. Oxford University Press.CrossRefGoogle Scholar
May, Larry (2000), The big tomorrow. Hollywood and the politics of the American way. University of Chicago Press.Google Scholar
Mayer, J. P. (1948), British cinemas and their audiences: sociological studies. London: Dennis Dobson.Google Scholar
McAleer, Joseph (1992), Popular reading and publishing in Britain, 1914–1950. Oxford: Clarendon Press.CrossRefGoogle Scholar
McArthur, Benjamin (1984), Actors and American culture, 1880–1920. Philadelphia: Temple University Press.Google Scholar
McCloskey, D. N. (1981), ‘The industrial revolution 1780–1860. A survey’, in Roderick Floud and D. McCloskey, Economic history of Britain 1, 103–27.
McConachie, Bruce A. (1990), ‘Pacifying American theatrical audiences, 1820–1900’, in Butsch, Richard (ed.), 47–70.
McConachie, Bruce (1998), ‘American theatre in context, from the beginnings to 1870’, in Don B. Wilmeth and Christopher Bigsby (eds.), The Cambridge history of American theatre Vol. I. Beginnings to 1870. Cambridge University Press, 111–81.Google Scholar
McCormick, John (1993), Popular theatre of nineteenth century France. London: Routledge.CrossRefGoogle Scholar
McCraw, Thomas K. (2006), ‘Schumpeter's business cycles as business history’, Business History Review 80(2): 231–62.CrossRefGoogle Scholar
McDermott, Douglas (1998), ‘Structure and management in the American theatre from the beginnings to 1870’, in Don B. Wilmeth and Christopher Bigsby (eds.), The Cambridge history of American theatre Vol. I. Beginnings to 1870. Cambridge University Press, 182–215.Google Scholar
McFarlane, Brian (1986), ‘A literary cinema? British films and British novels’, in Barr, Charles (ed.), All our yesterdays. 90 years of British cinema. London: British Film Institute, 120–42.Google Scholar
McKernan, Luke (2002), ‘Propaganda, patriotism and profit: Charles Urban and British official war films in America during the First World War’, Film History 14: 369–89.CrossRefGoogle Scholar
McLaughlin, Robert W. (1974), Broadway & Hollywood: a history of economic interaction. New York: Arno Press.Google Scholar
McNamara, Brooks (2000), ‘Popular entertainment’, in Don B. Wilmeth and Christopher Bigsby (eds.), The Cambridge history of American theatreVol. II. 1870–1945. Cambridge University Press, 378–410.Google Scholar
Meusy, Jean-Jacques (1995), Paris-Palaces ou le temps du cinema, 1894–1918. Paris: CNRS-Editions.Google Scholar
Meusy, Jean-Jacques (2002), ‘How cinema became an industry: the big boom in France between 1905 and 1908’, Film History 14: 418–29; 420–1.CrossRefGoogle Scholar
Mezias, J., and Mezias, S. (2000), ‘Resource partitioning, the founding of specialist firms and innovation. The American feature film industry, 1912–1992.’ Organization Science, 11: 306–22.CrossRefGoogle Scholar
Michaelis, Anthony R. (1958), ‘The photographic arts. Cinematography’, in Singer, Charles (ed.), A history of technology Vol. V. The late nineteenth century, c. 1850 to c. 1900. Oxford: Clarendon Press, 734–51.Google Scholar
Miller Mitchell, Alice (1929), Children and movies. University of Chicago Press.Google Scholar
Millward, Robert (1990), ‘Productivity in the UK services sector: historical trends 1856–1985 and comparisons with the USA 1950–85’, Oxford Bulletin of Economics and Statistics 52: 423–36.CrossRefGoogle Scholar
Millward, Robert (2005), Private and public enterprise in Europe: energy, telecommunications and transport, 1830–1990. Cambridge University Press.CrossRefGoogle Scholar
Miskell, Peter (2005), ‘Seduced by the silver screen: film addicts, critics and cinema regulation in Britain in the 1930s and 1940s’, Business History 47: 433–48.CrossRefGoogle Scholar
Miskell, Peter (2006a), A social history of the cinema in Wales, 1918–1951: pulpits, coal pits and flea pits. Cardiff: University of Wales Press.Google Scholar
Miskell, Peter, (2006b), ‘Selling America to the world? The rise and fall of an international film distributor in its largest foreign market: United Artists in Britain, 1927–1947’, Enterprise and Society 7: 740–76.Google Scholar
Mitchell, B. R. (1988), British historical statistics. Cambridge University Press.Google Scholar
Mitchell, B. R. (1998), International historical statistics: Europe 1750–1993. London: MacmillanGoogle Scholar
Mitchell, B. R. (2003), International historical statistics: Europe 1750–2000, 5th edn. Basingstoke: Palgrave MacmillanGoogle Scholar
Mitry, Jean (1967–1980), Histoire du cinéma. Art et industrie, Vols. I–V. Paris: Editions Universitaires.Google Scholar
Mokyr, Joel (1990), The lever of riches: technological creativity and economic progress. Oxford University Press.Google Scholar
Mokyr, Joel (2002), The gifts of Athena: historical origins of the knowledge economy. Princeton University Press.Google Scholar
,Motion Picture Council of the Parent Teacher Associations of the Public Schools (1933), Montclair children and the movies. A survey in 1933. Montclair, N.J.Google Scholar
Moore, Thomas Gale (1968), The economics of the American theater. Durham, N. C.: Duke University Press.Google Scholar
Moorehead, Caroline (1984), Sidney Bernstein: a biography. London: Jonathan Cape.Google Scholar
Motta, Massimo (1992), ‘Cooperative R&D and vertical product differentiation’, International Journal of Industrial Organization 10: 643–61.CrossRefGoogle Scholar
Motta, Massimo, and Polo, Michele (2003), ‘Beyond the spectrum constraint: concentration and entry in the broadcasting industry’, in M. Baldassarri, and L. Lambertini (eds.), Antitrust, regulation and competition: theory and practice. New York: Palgrave Macmillan.Google Scholar
Mottram, Ron (1988), ‘The great Northern Film Company. Nordisk Film in the American motion picture market’, Film History 2: 77–89.Google Scholar
Muhl-Benninghaus, Wolfgang (1989), ‘The German Film Credit Bank, Inc. Film financing during the first years of National-Socialist rule in Germany’, Film History 3: 317–32.Google Scholar
Mulhall, Michael (1884, 1892, 1909), Dictionary of statistics. London: George Routledge and Sons.Google Scholar
Musser, Charles (1990), The history of American cinema I: the emergence of cinema. The American screen to 1907. New York: Scribner.Google Scholar
Musser, Charles, with Nelson, Carol (1991), Lyman H. Howe and the forgotten era of the travelling exhibition, 1880–1920. Princeton University Press.Google Scholar
Nelson, Richard Alan (1980), ‘Florida and the American motion picture industry, 1898–1930’, Ph.D. thesis, Florida State University.
Nicholson, J. L. (1949), ‘Variations in working class family expenditure’, Journal of the Royal Statistical Society. Series A (General), 112: 359–418.CrossRefGoogle Scholar
Noam, Eli (1991), Television in Europe. Oxford University Press.Google Scholar
Noam, Eli M., and Millonzi, Joel C. (eds.) (1993), The international market in film and television programs. Norwood, N.J.: Ablex.Google Scholar
Nordhaus, William D. (1997), ‘Do real-output and real-wage measures capture reality? The history of lighting suggests not’, in Timothy F. Bresnahan and Robert J. Gordon (eds.), The economics of new goods. University of Chicago Press, 29–70.Google Scholar
Nourrisson, Didier (1990), Le buveur du XIXe siècle. Paris: Albin Michel.Google Scholar
Nusinova, Natalja (1999), ‘I Russi in Europa. Il cinema della prima emigrazione’, in Brunetta, Gian Piero (ed.), Storia del cinema mondiale. Vol. I. L'Europa. Miti, luoghi, divi. Turin: Giulio Einaudi Editore.Google Scholar
Nystrom, Paul H. (1931), Economic principles of consumption. New York: The Ronald Press.Google Scholar
O'Brien, Patrick and Keyder, Caglar (1978), Economic growth in Britain and France 1780–1914. London: Allen and Unwin.Google Scholar
O'Brien, Patrick (2001), ‘Metanarratives in global histories of material progress’, International History Review 23: 345–72.CrossRefGoogle Scholar
Ohmer, S. (1997), ‘Measuring desire: George Gallup and the origins of market research in Hollywood’, Ph.D. thesis, New York University.
Ohmer, S. (1999), ‘The science of pleasure: George Gallup and audience research in Hollywood,’ in M. Stokes and R. Maltby (eds.), Identifying Hollywood's audiences: cultural identity and the movies. London: British Film Institute, 61–80.Google Scholar
Oulton, N. (2001), ‘Must the growth rate decline? Baumol's unbalanced growth revisited’, Oxford Economic Papers 53: 605–37.CrossRefGoogle Scholar
Owen, John D. (1970), The price of leisure: an economic analysis of the demand for leisure time. Montreal: McGill-Queens University Press.CrossRefGoogle Scholar
Parsons, P. A. (1927), ‘A history of motion pictures advertising’, Moving Picture World 85: 301, 304–5, 308–9.Google Scholar
Pathé, Charles (1940, 1971), De Pathé Frères à Pathé cinema. Paris: Premier Plan.Google Scholar
Perkins, Edwin J. (1999), Wall Street to Main Street. Charles E. Merrill and middle-class investors. Cambridge University Press.Google Scholar
Pick, John (1985), The theatre industry. Yeovil: Comedia.Google Scholar
Pierce, David (1991), ‘Costs and grosses for the early films of Cecil B. DeMille’, in L'Eredita DeMille (The DeMille Legacy), Pordenone: Edizione Biblioteca dell'immagine), 308–17.Google Scholar
Pixerécourt, RenéGuilbert, Charles (1818), Guerre au melodrama.
Play, Frédéric (1877), Les ouvriers Européens. Études sur les travaux, la vie domestique et la condition morale des populations ouvrières de l'Europe. D’àprès les fait observés de 1829 à 1855. Avec des epilogues indiquant les changements survenus depuis 1855, 2nd edn. Tours: Mame.Google Scholar
Pocock, Rowland F. (1988), The early British radio industry. Manchester University Press.Google Scholar
Poggi, Jack (1968), Theatre in America: the impact of economic forces, 1870–1967. Ithaca: Cornell University Press.Google Scholar
,Political and Economic Planning (1952), The British film industry. A report on its history and present organisation with special reference to the economic problems of British feature film production. London Political and Economic Planning.Google Scholar
Pope, Daniel (1986), The making of modern advertising. New York: Basic Books.Google Scholar
Popper, Karl (2002), The logic of scientific discovery. London: Routledge (orig. Austrian edition 1935).Google Scholar
Prais, Sigbert Jon, and Hendrik, Samuel Houthakker (1955), The analysis of family budgets: with an application to two British surveys conducted in 1937–9 and their detailed results. Cambridge University Press.Google Scholar
Prest, A. R. (1954), Consumer expenditure in the United Kingdom, 1900–1919. Cambridge University Press.Google Scholar
Preston, Katherine K. (1993), Opera on the road: traveling opera troupes in the United States, 1825–60. Urbana-Champaign: University of Illinois Press.Google Scholar
Purser, Ann (1978), Looking back at popular entertainment, 1901–1939. Wakefield: A & C Black.Google Scholar
Putnam, David, with Watson, Neil (1997), The undeclared war: the struggle of control for the world's film industry. London: HarperCollins.Google Scholar
Ramsaye, Terry (1926), A million and one nights: a history of the motion picture Vol. I and II. New York: Simon & Schuster.Google Scholar
Read, Oliver, and Welch, Walter L. (1976), From tin foil to stereo: evolution of the phonograph, 2nd edn. Indianapolis, Kansas City and New York: H. W. Sams.Google Scholar
Rearick, Charles (1986), Pleasures of the belle epoque. Entertainment and festivity in turn-of-the-century France. Yale University Press.Google Scholar
Redi, Riccardo (1995), ‘Le cinéma Italien 1909–1920: L'expansion et le reflux’, in Roland Cosandey and Francois Albera (eds.), Cinéma sans frontières / Images across borders 1896–1918. Quebec/Lausanne: Nuit Blanche/Editions Payot.
Rees, Terence (1978), Theatre lighting in the age of gas. London: the Society for Theatre Research.Google Scholar
Richards, Jeffrey (1994), ‘Cinema going in worktown’, Historical Journal of Film Radio and Television 14: 147–66.CrossRefGoogle Scholar
Richards, Jeffrey, and Dorothy Sheridan (1987), Mass-observation at the movies. London and New York: Routledge and Kegan Paul.Google Scholar
Richardson, Gary A. (1998), ‘Plays and playwrights, 1800–1865’, in Don B. Wilmeth, and Christopher Bigsby (eds.), The Cambridge history of American theatre Vol. I. Beginnings to 1870. Cambridge University Press, 250–302.Google Scholar
Rigal, EugènePierre, Marie (1901), Le théâtre français avant la période classique (fin du XVIe et commencement du XVIIe siècle). Paris: Hachette.Google Scholar
Rittaud-Hutinet, Jacques (1985), Le cinéma des origins: les frères Lumière et leurs operateurs. Seyssel: Champ Vallon.Google Scholar
Rittaud-Hutinet, Jacques and Rittaud-Hutinet, Chantal (1999), Dictionnaire des cinématographes en France, 1896–1897. Paris: Honoré Champion Editeur.Google Scholar
Robertson, Patrick (2001), Film facts. London: Aurum Press.Google Scholar
Root-Bernstein, R. (1986), Revolution and theatre in eighteenth century Paris. Ann Arbor, Mich.: University of Michigan Press.Google Scholar
Rose, Mark (1993), Authors and owners: the invention of copyright. Cambridge Mass.: Harvard University Press.Google Scholar
Rosen, Sherwin (1981), ‘The economics of superstars’, American Economic Review 71: 845–54.Google Scholar
Roshwald, Aviel, and Sites, R. (eds.) (1999), European culture and the Great War: the arts, entertainment and propaganda. Cambridge University Press.Google Scholar
Ross, Steven J. (1998), Working-class Hollywood. Silent film and the shaping of class in America. Princeton University Press.Google Scholar
Rosselli, John (1984), The opera industry in Italy from Cimarosa to Verdi. Cambridge University Press.Google Scholar
Rosten, Leo. C. (1941), Hollywood: the movie colony. The movie makers, New York: Harcourt, Brace and Company.Google Scholar
Rosten, Leo C. (1947), ‘Movies and propaganda’, Annals of the American Academy of Political and Social Sciences, The motion picture industry: 254, 116–24.CrossRefGoogle Scholar
Rowell, George (1981), The Victorian theatre, 1792–1914: a survey. Cambridge University Press.Google Scholar
Rowell, George, and Jackson, Anthony (1984), Repertory movement: a history of regional theatre in Britain. Cambridge University Press.Google Scholar
Rowson, S. (1936), ‘A statistical survey of the cinema industry in Great Britain in 1934’, Journal of the Royal Statistics Society XCIX, part I: 67–129.
Roy, Dominique (1990), Histoire des arts du spectacle en France. Aspects économiques, politiques et esthétiques de la Renaissance à la Première Guerre Mondiale. Paris: L'Harmattan.Google Scholar
Roy, Eric, and Laurent, Billier (eds.) (1995), Éclair: un siècle de cinéma à Epinay-sur-Seine. Paris: Calman-Levy.Google Scholar
,Russell Sage Foundation (1923), National high school students’ poll, 1923. National Board of Review of Motion Pictures, Associated First National Exhibitors.
Sadoul, Georges (1948–1954), Histoire générale du cinéma Vols. 1–6. Paris: De Noël.Google Scholar
Sadoul, Georges (1962), Le cinéma français, 1890–1962. Paris: Flammarion.Google Scholar
Sadoul, Georges (1972), Histoire du cinéma mondial, 9th edn. Paris: Flammarion.Google Scholar
Sanderson, Michael (1984), From Irving to Olivier. A social history of the acting profession in England, 1890–1980. London: Athlone Press.Google Scholar
Sarrazin, P. (1985), ‘Le role des banques’, Filmechange 32: 22–9.Google Scholar
Saunders, Richard W. (1923), ‘The motion picture industry from a banker's standpoint’, Journal of the American Bankers Association 16: 151–4.Google Scholar
Saunders, Richard W. (1924), ‘Motion pictures and the banker’, The Bankers Magazine, 108: 28–42.
Sauvy, A. (1984), Histoire économique de la France entre les deux guerres. Paris: Economica.Google Scholar
Sayers, R. S. (1974), The Bank of England, 1895–1944. Cambridge University Press.Google Scholar
Schatz, Thomas (1988), The genius of the system. Hollywood filmmaking in the studio era. London: Simon & Schuster.Google Scholar
Schatz, Thomas. (1997), Boom and bust: the American cinema in the 1940s. New York: Charles Scribner's Sons.Google Scholar
Scherer, F. M., and David, Ross (1990), Industrial market structure and economic performance, 3rd edn. Boston: Houghton Mifflin.Google Scholar
Schumpeter, Joseph A. (1976), Capitalism, socialism and democracy (5th edn.). London: Allen and Unwin.Google Scholar
Schumpeter, Joseph A. (2004), The theory of economic development. New Brunswick and London: Transaction Publishers. (Reprint of the 1934 American edition; orig. ed. 1911).Google Scholar
Sconce, J. (1994), ‘Narrative authority and social narrativity. The cinematic reconstruction of Bronte's Jane Eyre’, in Staiger, Janet (ed.), The studio system. New Brunswick: Rutgers University Press, 140–62.Google Scholar
Scranton, Philip (1998), Endless novelty. Specialty production and American industrialisation, 1865–1925. Princeton University Press.Google Scholar
Seabury, William Marston (1926), The public and the motion picture industry. New York: Macmillan.Google Scholar
Sedgwick, John (1998), ‘The nature of film as a commodity’, Discussion Papers in Business Economics, The Business School, University of North London: 20.
Sedgwick, John (2000), Popular film in 1930s Britain: a choice of pleasures. Exeter University Press.Google Scholar
Sedgwick, John (2002), ‘Product differentiation at the movies: Hollywood, 1946–65’, Journal of Economic History 63.Google Scholar
Sedgwick, John, and Pokorny, Mike (1998), ‘The risk environment of film making. Warner Brothers in the inter-war years’, Explorations in Economic History 35: 196–220.CrossRefGoogle Scholar
Sedgwick, John, and Pokorny, Michael (2001), ‘Stardom and the profitability of film making: Warner Bros. in the 1930s’, Journal of Cultural Economics 25: 157–84.Google Scholar
Sedgwick, John, and Pokorny, Michael (2005), ‘The film business in Britain and the United States during the 1930s’, Economic History Review 57: 79–112.CrossRefGoogle Scholar
Segrave, Kerry (1997), American films abroad. Hollywood's domination of the world's movie screens from the 1890s to the present. Jefferson, N.C.: McFarland.Google Scholar
Seldes, G. (1950), The great audience. New York: Viking Press.Google Scholar
Selznick, David O. (1972), Memo from David O. Selznick. New York: Viking Press.Google Scholar
Shafer, Stephen Craig (1983), ‘Enter the dream hours. The British film industry and the working classes in Depression England, 1929–1939’. Ph.D. thesis, Ann Arbor, microfilm.
Shaked, Avner, and John, Sutton (1983), ‘Natural oligopolies’, Econometrica 51: 1469–83.CrossRefGoogle Scholar
Shipman, D. (1979), The great movie stars. The golden years. New York: St. Martin's Press.Google Scholar
Simonet, Thomas Solon (1978), ‘Industry’, Film Comment 14: 72–3.Google Scholar
Simonoff, Jeffrey S., and Sparrow, Hana R. (2000), ‘Predicting movie grosses: winners and losers, blockbusters and sleepers’, Chance 13 (3): 15–24.CrossRefGoogle Scholar
Singer, Ben (1996), ‘Serials’, in Nowell-Smith, Geoffrey (ed.), The Oxford history of world cinema. Oxford University Press, 105–11.Google Scholar
Singer-Kerel, J. (1961), Le coût de la vie à Paris de 1840 à 1954. Paris: Armand Colin.Google Scholar
Sklar, Robert (1993), Movie-made America. A cultural history of American movies, Revised edn. New York: Vintage Books.Google Scholar
Slide, Anthony (1986), ‘American cinematographers in Britain’, American Cinematographer 67: 36–40.Google Scholar
Snyder, Robert W. (1996), ‘Vaudeville and the transformation of popular culture’, in Taylor, Wiliam R. (ed.), Inventing Times Square: commerce and culture at the crossroads of the world. Baltimore and London: Johns Hopkins University Press, 133–46.Google Scholar
Snyder, Robert W. (2000), The voice of the city: vaudeville and popular culture in New York. Oxford University Press.Google Scholar
Spang, Rebecca L. (2000), The invention of the restaurant. Paris and modern gastronomic culture. Cambridge, Mass.: Harvard University Press.Google Scholar
Speaight, George (1984), ‘Horse races in theatre’, Nineteenth Century Theatre Research 12: 55–63.Google Scholar
Spehr, Paul C. (1985), ‘Influences françaises sur la production Américaine d'avant 1914’, in Guibert, Pierre (ed.), Les Premiers ans du cinéma français. Paris: Institut Jean Vigo, 105–15.Google Scholar
Staiger, Janet (1990), ‘Announcing wares, winning patrons, voicing ideals. Thinking about the history and theory of film advertising’, Cinema Journal 29: 3–31.CrossRefGoogle Scholar
Stephenson, C. B. (1922), ‘Moving pictures. The development of the industry abroad’, Commerce Reports, January 2: 34–8.
Stone, Richard (ed.) (1966), The measurement of consumer expenditure and behaviour in the United Kingdom, 1920–1938. London: National Institute of Economic and Social Research.Google Scholar
Storper, Michael (1989), ‘The transit to flexible specialisation in the US film industry. External economies, the division of labour and the crossing of industrial divides’, Cambridge Journal of Economics 13: 273–305.Google Scholar
Street, Sarah (1986), ‘Alexander Korda, Prudential Assurance and British film finance in the 1930s’, Historical Journal of Film Radio and Television 6: 161–79.CrossRefGoogle Scholar
Street, Sarah (2000), British cinema in documents. London: Routledge, 125–33.Google Scholar
Sussex, E. (1984), ‘The fate of F3080’, Sight and Sound 53: 92–7.Google Scholar
Sutton, John (1991), Sunk costs and market structure: price competition, advertising and the evolution of concentration. Cambridge, Mass.: MIT Press.Google Scholar
Sutton, John (1997), ‘One smart agent’, RAND Journal of Economics 28: 605–28.CrossRefGoogle Scholar
Sutton, John (1998), Technology and market structure: theory and history. Cambridge Mass.: MIT Press.Google Scholar
Sutton, John (2001), ‘Rich trades, scarce capabilities: industrial development revisited’, STICERD Discussion Papers EI 28, London School of Economics.
Sutton, John (2005), ‘Competing in capabilities: an informal overview’, Working Paper, London School of Economics.
Sutton, John (2007), ‘Market structure: theory and evidence’, in Mark Armstrong and Robert Porter (eds.), Handbook of industrial organization. Amsterdam: North-Holland, 3.Google Scholar
Taylor, A. J. P. (1976), English history, 1914–1945, rev. edn. London: Oxford University Press.Google Scholar
Taylor, A. W. (1915), ‘The operation of the minimum wage law in the state of Washington’, American Economic Review 5: 398–405.Google Scholar
Tedlow, Richard S. (1990), New and improved: the story of mass marketing in America. New York: Basic Books.Google Scholar
Thomas, David B., and Ward, John P. (1978), ‘Cinematography’, in Williams, Trevor I. (ed.), A history of technology Vol. VII. The twentieth century, c. 1900 – c. 1950, Part II. Oxford: Clarendon Press, 1302–16.Google Scholar
Thompson, Frank T. (1996), The star film ranch. Texas’ first picture show. Plano, Tex.: Republic of Texas Press/Wordware Publishing.Google Scholar
Thompson, Kristin (1985), Exporting entertainment: America in the world film market 1907–1934. London: British Film Institute.Google Scholar
Thompson, Kristin (1993), ‘Early alternatives to the Hollywood mode of production’, Film History 5: 386–404.Google Scholar
Treble, James H. (1979), Urban poverty in Britain, 1830–1914. London: Batsford Academic.Google Scholar
Trewin, J. C. (1976), The Edwardian theatre. Oxford: Blackwell.Google Scholar
Trumpbour, John (2001), Selling Hollywood to the world: US and European struggles for mastery of the global film industry, 1920–1950. Cambridge University Press.Google Scholar
Ulff-Moeller, Jens (1998), ‘The origin of the French film quota policy controlling the import of American films’, Historical Journal Of Film Radio And Television 18: 167–85.CrossRefGoogle Scholar
Ulff-Moeller, Jens (2001), Hollywood's film wars with France. Film-trade diplomacy and the emergence of the French film quota policy. University of Rochester Press.Google Scholar
,United States Department of Commerce (1975), Historical statistics of the United States from colonial times to 1970. Washington: United States Department of Commerce.Google Scholar
Uricchio, William (1996), ‘The First World War and the crisis in Europe’, in Smith, Geoffrey Nowell (ed.), The Oxford history of world cinema. Oxford University Press, 62–70.Google Scholar
,US Bureau of Labor Statistics (1924), ‘Cost of living in the United States’, Bulletin of the United States Bureau of Labor Statistics: 357.
Vamplew, Wray (1988), Pay up and play the game: professional sport in Britain, 1875–1914. Cambridge University Press.CrossRefGoogle Scholar
Vardac, A. Nicholas (1968), Stage to screen: theatrical method from Garrick to Griffith. New York and London: Benjamin Blom.Google Scholar
Vasey, Ruth (1997), The world according to Hollywood, 1918–39. Madison: University of Wisconsin Press.Google Scholar
Vessillier, Michèle (1973), La crise du théâtre privé. Paris: Presses Universitaires de France.Google Scholar
Vickerman, R. W. (1975), The economics of leisure and recreation. London: Macmillan.CrossRefGoogle Scholar
Vogel, Harold L. (2004), Entertainment industry economics. A guide for financial analysis, 6th edn. Cambridge University Press.Google Scholar
Voth, Hans-Joachim (2000), Time and work in England, 1750–1830. Oxford: Clarendon Press.Google Scholar
Ward, Vernon (1994), ‘Marketing convenience goods between the wars’, in Jones and Morgan (eds.), 259–90.
Wasko, Janet (1982), Movies and money: financing the American film industry. Norwood: Ablex.Google Scholar
Wasko, Janet (1986), ‘D. W. Griffith and the banks: a case study in film financing’, in Kerr, Paul (ed.), The Hollywood film industry. A reader. London: Routledge and Kegan Paul, 31–42.Google Scholar
Waterman, David (2005), Hollywood's road to riches. Cambridge, Mass.: Harvard University Press.CrossRefGoogle Scholar
Weaver, W. R. (1946a), ‘Studios use audience research to learn what pleases customers’, Motion Picture Herald, 20 July 1946: 37.
Weaver, W. R. (1946b), ‘Audience research answers the question of what's in a name’, Motion Picture Herald, 27 July 1946: 39.
Weaver, W. R. (1946c), ‘Audience research to key services to new auction sales policy’, Motion Picture Herald, 17 August 1946: 28–9.
Weightman, Gavin (1992), Bright lights, big city: London entertained, 1830–1950. London: Collins & Brown.Google Scholar
Wildman, Steven S., and Siwek, Stephen E. 1988), International trade in films and television programs. Cambridge, Mass.: Ballinger.Google Scholar
Wilkins, Mira (1992), ‘The neglected intangible asset. The influence of the trade mark on the rise of the modern corporation’, Business History 34: 66–95.CrossRefGoogle Scholar
Wilkins, Mira (1994), ‘Charles Pathé's American business’, Entreprises et Histoire 6: 133–44.CrossRefGoogle Scholar
Williams, Faith M., and Hanson, Alice C. (1941), ‘Money disbursements of wage earners in five cities in the Pacific region, 1934–36’, Bulletin of the United States Bureau of Labor Statistics.
Williams, Simon (1998), ‘European actors and the star system in the American theatre, 1752–1870’, in Don B. Wilmeth and Christopher Bigsby eds., The Cambridge history of American theatre Vol. I. Beginnings to 1870. Cambridge University Press, 303–37.Google Scholar
Williamson, Jeffrey G. (1982), ‘The structure of pay in Britain, 1710–1911’, Research in Economic History 7.
Williamson, Jeffrey G. (1991), ‘British inequality during the Industrial Revolution: accounting for the Kuznets curve’, in Y. S. Brenner, Hartmut Kaelble and Mark Thomas (eds.), Income distribution in historical perspective. Cambridge University Press, 57–75.Google Scholar
Williamson, Oliver E. (1985), The economic institutions of capitalism. Firms, markets, relational contracting. New York and London: The Free Press.Google Scholar
Wollstein, Hans J. (1994), Strangers in Hollywood. The history of Scandinavian actors in American film from 1910 to World War II. Metuchen: Scarecrow Press.Google Scholar
Wood, Linda (ed.) (1986), British film, 1927–1939. London: British Film Institute.Google Scholar
Woodfield, James (1984), English theatre in transition, 1881–1914. London: Croom Helm.Google Scholar
Zeldin, Theodore (1989), ‘The pathology of anti-Americanism’, in Denis Lacorne, Jacques Rupnik and Marie-France Toinet (eds.), The rise and fall of anti-Americanism: a century of French perception, 35–42.
Zimmerman, Carl C. (1936), Consumption and standards of living. New York: Van Nostrand.Google Scholar
Zukor, A., with D. Kramer (1953), The public is never wrong. New York: G. P. Puttnam's Sons.Google Scholar
Zukor, Adolph (1930), ‘Origin and growth of the industry’, in Lewis, Howard T. (ed.) Cases on the motion picture industry. New York: McGraw-Hill, 55–76.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Gerben Bakker, London School of Economics and Political Science
  • Book: Entertainment Industrialised
  • Online publication: 08 July 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511497322.017
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Gerben Bakker, London School of Economics and Political Science
  • Book: Entertainment Industrialised
  • Online publication: 08 July 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511497322.017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Gerben Bakker, London School of Economics and Political Science
  • Book: Entertainment Industrialised
  • Online publication: 08 July 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511497322.017
Available formats
×