Book contents
- English Literature and the Crusades
- Cambridge Studies in Medieval Literature
- English Literature and the Crusades
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction
- Chapter 1 Royal Emotions, Blasphemy, and (Dis)unity in The Siege of Milan and The Sultan of Babylon
- Chapter 2 Hopes and Anxieties of Conversion in the Otuel Romances
- Chapter 3 Women, God, and Other Crusading Motives in Guy of Warwick
- Chapter 4 Therapeutic Crusading and Excessive Violence in The Siege of Jerusalem and Richard Coeur de Lion
- Conclusion
- Notes
- Bibliography
- Index
- Cambridge Studies in Medieval Literature
Chapter 2 - Hopes and Anxieties of Conversion in the Otuel Romances
Published online by Cambridge University Press: 17 October 2024
- English Literature and the Crusades
- Cambridge Studies in Medieval Literature
- English Literature and the Crusades
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction
- Chapter 1 Royal Emotions, Blasphemy, and (Dis)unity in The Siege of Milan and The Sultan of Babylon
- Chapter 2 Hopes and Anxieties of Conversion in the Otuel Romances
- Chapter 3 Women, God, and Other Crusading Motives in Guy of Warwick
- Chapter 4 Therapeutic Crusading and Excessive Violence in The Siege of Jerusalem and Richard Coeur de Lion
- Conclusion
- Notes
- Bibliography
- Index
- Cambridge Studies in Medieval Literature
Summary
This chapter explores how the three Middle English Otuel romances grapple with concerns about the power of non-Christian empires, Christian military vulnerability, and rash crusader conduct caused by the Mongol conquests, the Mamlūk recovery of Acre, and Ottoman victories at Nicopolis and Constantinople. The first part of the chapter reads the Otuel romances against the development of a dialectic of fear and hope in contemporary political discourse: fear about Christendom’s vulnerability and hope that a powerful non-Christian ally would infuse the Christian community with much-needed strength. The second part of the chapter discusses how these romances engage with and adapt what I call “reverse Orientalism”: a pan-European mode in which Muslim figures (real or imaginary) are made to look down on and offer damning critiques of Christians.
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- Information
- English Literature and the CrusadesAnxieties of Holy War, 1291–1453, pp. 50 - 69Publisher: Cambridge University PressPrint publication year: 2024