Book contents
- The Cambridge Introduction to American Poetry since 1945
- The Cambridge Introduction to American Poetry since 1945
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction
- Part I American Poetry from 1945 to 1970
- Chapter 1 The Raw and the Cooked
- Chapter 2 The Black Mountain Poets
- Chapter 3 The Beats and the San Francisco Renaissance
- Chapter 4 The New York School of Poetry
- Chapter 5 The Middle Generation, Elizabeth Bishop, and Confessional Poetry
- Chapter 6 Deep Image Poetry
- Chapter 7 African American Poetry from 1945 to 1970
- Part II American Poetry from 1970 to 2000
- Part III Into the New Millennium American Poetry from 2000 to the Present
- Works Cited
- Index
- Cambridge Introductions to Literature
Chapter 2 - The Black Mountain Poets
from Part I - American Poetry from 1945 to 1970
Published online by Cambridge University Press: 01 December 2022
Book contents
- The Cambridge Introduction to American Poetry since 1945
- The Cambridge Introduction to American Poetry since 1945
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction
- Part I American Poetry from 1945 to 1970
- Chapter 1 The Raw and the Cooked
- Chapter 2 The Black Mountain Poets
- Chapter 3 The Beats and the San Francisco Renaissance
- Chapter 4 The New York School of Poetry
- Chapter 5 The Middle Generation, Elizabeth Bishop, and Confessional Poetry
- Chapter 6 Deep Image Poetry
- Chapter 7 African American Poetry from 1945 to 1970
- Part II American Poetry from 1970 to 2000
- Part III Into the New Millennium American Poetry from 2000 to the Present
- Works Cited
- Index
- Cambridge Introductions to Literature
Summary
This chapter discusses the story of Black Mountain College and its history and far-reaching influence. The chapter focuses on the work of key poets associated with Black Mountain College, including Charles Olson and his landmark essay “Projective Verse,” Robert Creeley, Robert Duncan, and Denise Levertov, and examines their characteristic formal innovations and thematic concerns, including their interest in experimentation, spontaneity, and organic form.
Keywords
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- Information
- The Cambridge Introduction to American Poetry since 1945 , pp. 28 - 42Publisher: Cambridge University PressPrint publication year: 2022