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5 - Restoration and early eighteenth-century drama

from PART II - LITERARY GENRES: ADAPTATION AND REFORMATION

Published online by Cambridge University Press:  28 March 2008

By
Harold Love
Edited by
John Richetti
John Richetti
Affiliation:
University of Pennsylvania
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Summary

The Restoration theatre, while in many ways a new creation, maintained important continuities with pre-1642 practice. The indoor playhouse lit by candlelight and charging high prices had existed since Shakespeare's time. Perspective scenery had been used in Caroline court masques and in D'Avenant's interregnum entertainments. Although the Elizabethan thrust stage (out into the audience space) was abandoned, acting took place in front of the proscenium arch, not behind it as in present-day scenic theatres. Actors still had to be the ‘servants’ of some powerful person: the King's Company, who were regarded as legal successors to the earlier King's Men, belonged to the royal household and the Duke's Company to that of the king's brother, James, Duke of York. Caroline models of censorship were restored, with the Master of the Revels required to approve scripts for performance and the Surveyor of the Press those for printing. Elements of the old actor–sharer system were in evidence as late as 1695 with the brilliant Lincoln's Inn Fields troupe. What then had changed? The most momentous innovation was the restriction of trade to no more than two companies at any one time, which was undertaken to protect the large investments in buildings and scenery and the steep rise in manpower necessary to meet raised audience expectations. The King's Company patentee, Thomas Killigrew, boasted to Pepys that the stage was ‘now by his pains a thousand times better and more glorious then ever heretofore’. The new roofed theatres were handsome, brick constructions, employing the continental technology of illusionism based on wing-and-shutter scenery (that is, painted canvas backgrounds and borders run on from the sides) and the use of machines.

Type
Chapter
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The Cambridge History of English Literature, 1660–1780 , pp. 107 - 131
Publisher: Cambridge University Press
Print publication year: 2005

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