Book contents
- The Cambridge History ofAsian American Literature
- The Cambridge History of Asian American Literature
- Copyright page
- Contents
- Notes on Contributors
- Introduction
- Part I Early Forms of Expression to the Start of the Twentieth Century
- Part II The Exclusion Era, World War II, and the Immediate Postwar Era
- Part III The Asian American Movement
- Part IV Canons
- Part V Post-1965 and the Twenty-First Century
- Part VI Twenty-First Century: 9/11, Empire, and Other Challenges to Literature
- Bibliography
- Index
- References
Bibliography
Published online by Cambridge University Press: 05 December 2015
Book contents
- The Cambridge History ofAsian American Literature
- The Cambridge History of Asian American Literature
- Copyright page
- Contents
- Notes on Contributors
- Introduction
- Part I Early Forms of Expression to the Start of the Twentieth Century
- Part II The Exclusion Era, World War II, and the Immediate Postwar Era
- Part III The Asian American Movement
- Part IV Canons
- Part V Post-1965 and the Twenty-First Century
- Part VI Twenty-First Century: 9/11, Empire, and Other Challenges to Literature
- Bibliography
- Index
- References
Keywords
- Type
- Chapter
- Information
- The Cambridge History of Asian American Literature , pp. 583 - 622Publisher: Cambridge University PressPrint publication year: 2015
References
Adamic, Louis. Laughing in the Jungle: The Autobiography of an Immigrant in America. New York: Harper and Brothers, 1932.Google Scholar
Adams, Wanda. “Yamanaka, Altizer Awarded Literature Laurels.” Honolulu Advertiser (August 4, 2002).Google Scholar
Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Stanford, CA: Stanford University Press, 1998.Google Scholar
Agathangelou, Anna, and Ling, L. H. M.. “Power, Borders, Security, Wealth: Lessons of Violence and Desire from September 11.” International Studies Quarterly 48.3 (2004): 517–38.CrossRefGoogle Scholar
Aguilar-San Juan, Karin. “Landmarks in Literature by Asian American Lesbians.” Signs 18.4 (1993): 936–43.Google Scholar
Ahmad, Muneer I. “A Rage Shared By Law: Post-September 11 Racial Violence as Crimes of Passion.” California Law Review 92.5 (2004): 1259–1330.CrossRefGoogle Scholar
Ahmad, Muneer I. “Homeland Insecurities: Racial Violence the Day after September 11.” Social Text 20.3 (2002): 101–15.CrossRefGoogle Scholar
Alcantra, Ruben R. Sakada: Filipino Adaptation in Hawaii. Washington, DC: University Press of America, 2008.Google Scholar
Alemán, Jesse. “Barbarous Tongues: Immigrant Fiction and Ethnic Voices in Contemporary American Literature.” Modern Fiction Studies 54.2 (2008): 398–404.Google Scholar
Alegado, Dean T. “The Filipino Community in Hawaii: Development and Change.” Social Process in Hawaii 3 (1991): 12–38.Google Scholar
Ali, Agha Shahid. A Nostalgist’s Map of America. New York: W. W. Norton and Company, 1991.Google Scholar
Alquizola, Marilyn C., and Hirabayashi, Lane Ryo. “Bulosan’s The Laughter of My Father: Adding Feminist and Class Perspectives to ‘The Casebook of Resistance.’” Frontiers: A Journal of Women Studies 32.3 (2011): 64–91.Google Scholar
Alsultany, Evelyn. Arabs and Muslims in the Media: Race and Representation after 9/11. New York: New York University Press, 2012.Google Scholar
Ammons, Elizabeth, and White-Parks, Annette, eds. Tricksterism in Turn-of-the-Century American Literature: A Multicultural Perspective. Hanover, NH: University Press of New England, 1994.Google Scholar
Ancestors in the Americas. Directed by Loni Ding. Berkeley, CA: Center for Educational Telecommunications, 1997–8. DVD.Google Scholar
Anderson, Benedict. The Spectre of Comparisons: Nationalism, Southeast Asia and the World. London: Verso, 1998.Google Scholar
Anker, Elizabeth. “Allegories of Falling and the 9/11 Novel.” American Literary History 23.3 (2011): 463–82.CrossRefGoogle Scholar
Anthony, Walter. “Lytell Is Strong in the ‘First Born’: Portrayal of Chinese High Binder Shows Chang Wang a Man Though Yellow.” San Francisco Call 105 (December 9, 1908): 5.Google Scholar
Armstrong, Charles K. “The Cultural Cold War in Korea, 1945–1950.” The Journal of Asian Studies 62.1 (2003): 71–99.CrossRefGoogle Scholar
Arrighi, Giovanni. The Long Twentieth Century: Money, Power, and the Origin of Our Times. 2nd ed. London: Verso, 2010.Google Scholar
Asad, Talal. “Ethnography, Literature, and Politics: Some Readings and Uses of Salman Rushdie’s The Satanic Verses.” Cultural Anthropology 5.3 (2009): 239–69.Google Scholar
Asian Women’s Journal, ed. Asian Women. Berkeley: University of California, Berkeley, 1971.Google Scholar
Asian Women United of California, eds. Making Waves: An Anthology of Writings by and about Asian American Women. Boston: Beacon Press, 1989.Google Scholar
Bahri, Deepika, and Vasudeva, Mary, eds. Between the Lines: South Asians and Postcoloniality. Philadelphia: Temple University Press, 1996.Google Scholar
Baker, George M. New Brooms Sweep Clean. In Williams, The Chinese Other, 9–24.Google Scholar
Bakhtin, Mikhail M. The Dialogic Imagination: Four Essays. Edited by Holquist, Michael and translated by Emerson, Caryl. Austin: University of Texas Press, 1981.Google Scholar
Bald, Vivek, Chatterjee, Miabi, Reddy, Sujani, and Vimalessery, Manu, eds. The Sun Never Sets: South Asian Migrants in an Age of U.S. Power. New York: New York University Press, 2013.CrossRefGoogle Scholar
Bamboo Ridge Press. “Interview with author Juliet S. Kono.” Online resource: http://www.bambooridge.com/feature.aspx?fid=171. Accessed December 4, 2014.Google Scholar
Barlow, William, and Shapiro, Peter. An End to Silence: The San Francisco State Student Movement in the 60s. New York: Pegasus, 1971.Google Scholar
Barrios, Maria Josephine. “The Taumbayan as Epic Hero, the Audience as Community.” In Radical Street Performance: An International Anthology, ed. Cruz, Jan Cohen. New York: Routledge, 1998, 255–61.Google Scholar
Barrios, Maria Josephine Tungo sa Estetika ng Dulaang Panlansangan. Master’s Thesis. Manila, Philippines, De La Salle University, 1994.Google Scholar
Barrios-Leblanc, Joi, ed. Savage Stage: Plays by Ma-Yi Theater Company. New York: Ma-Yi Theater Company, 2007.Google Scholar
Barthes, Roland. The Rustle of Language. Translated by Howard, Richard. Oxford: Basil Blackwell, 1986.Google Scholar
Bascara, Victor. Model Minority Imperialism. Minneapolis: University of Minnesota Press, 2006.CrossRefGoogle Scholar
Baldoz, Rick. The Third Asiatic Invasion: Empire and Migration in Filipino America, 1898–1946. New York: New York University Press, 2011.Google Scholar
Baudrillard, Jean. Simulacra and Simulation. Translated by Glaser, Sheila Faria. Ann Arbor: University of Michigan Press, 2006.Google Scholar
Bayoumi, Moustafa “Staying Put: Aboriginal Rights, the Question of Palestine, and Asian American Studies.” Amerasia 29.2 (2003): 221–8.Google Scholar
Beauregard, Guy. “Reclaiming Sui Sin Far.” In Lee, Josephine D., Lim, Imogene L., and Matsukawa, Yuko, eds., Re/collecting Early Asian America: Essays in Cultural History. Philadelphia: Temple University Press, 2002, 340–54.Google Scholar
Bello, Madge, and Reyes, Vince. “Filipino Americans and the Marcos Overthrow: The Transformation of Political Consciousness.” Amerasia Journal 13 (1986–7): 73–83.CrossRefGoogle Scholar
Benjamin, Walter. The Writer of Modern Life: Essays on Charles Baudelaire. Translated by Eiland, Howard. Cambridge, MA: Harvard University Press, 2006.Google Scholar
Benjamin, Walter Illuminations. Edited by Arendt, Hannah and translated by Zohn, Harry. New York: Schocken Books, 1969.Google Scholar
Bernstein, Charles. “The Art and Practice of the Ordinary.” Poetry Daily. Online resource: http://poems.com/special_features/prose/essay_bernstein.php. Accessed December 30, 2013.Google Scholar
Berssenbrugge, Mei-me. I Love Artists: New and Selected Poems. Berkeley: University of California Press, 2006.Google Scholar
Berson, Misha. “Role Model on a Role: Philip Kan Gotanda’s Work Grabs Mainstream Attention and Inspires Younger Artists.” Seattle Times (October 10, 1996). Online resource: http://community.seattletimes.nwsource.com/archive/?date=19961010&slug=2353493. Accessed June 11, 2015.Google Scholar
Berson, Misha, ed. Between Worlds: Contemporary Asian-American Plays. New York: Theatre Communications Group, 1990.Google Scholar
Bilal, Wafaa. Shoot An Iraqi: Art, Life, and Resistance under the Gun. San Francisco: City Lights, 2008.Google Scholar
Birchall, Diana. Onoto Watanna: The Story of Winnifred Eaton. Chicago: University of Illinois Press, 2001.Google Scholar
Blaise, Clark. “A Novel of India’s Coming of Age.” New York Times Book Review (April 19, 1981), 1.Google Scholar
Blauvelt, William Satake. “Talking with the Woman Warrior.” In Skenazy and Martin, Conversations, 1998, 77–85.Google Scholar
Boal, Augusto. Theatre of the Oppressed. New York: Theater Communications Group, 1985.Google Scholar
Boehmer, Elleke, and Mondal, Anshuman A.. “Networks and Traces: An Interview with Amitav Ghosh.” Wasafiri 27.2 (2012): 30–5.CrossRefGoogle Scholar
Boelhower, William. Immigrant Autobiography in the United States: Four Versions of the Italian American Self. Verona, Italy: Essedue Edizioni, 1982.Google Scholar
Bogardus, Emory S. Social Problems and Social Processes: Selected Papers from The Proceedings of the American Sociological Society, 1932. Chicago: University of Chicago Press, 1933.Google Scholar
Bogardus, Emory S. Contemporary Sociology: A Companion Volume to the History of Social Thought. Los Angeles: University of Southern California Press, 1932.Google Scholar
Bolaki, Stella. Unsettling the Bildungsroman: Reading Contemporary Ethnic American Women’s Fiction. Amsterdam: Rodopi, 2011.CrossRefGoogle Scholar
Bonetti, Kay. “An Interview with Maxine Hong Kingston.” In Skenazy and Martin, Conversations, 33–46.Google Scholar
Bonus, Rick. Locating Filipino America: Ethnicity and the Cultural Politics of Space. Philadelphia: Temple University Press, 2000.Google Scholar
Bordman, Gerald. American Musical Theatre: A Chronicle. 3rd ed. New York: Oxford University Press, 2000.Google Scholar
Bosse, Sara. “Giving a Chinese Luncheon Party.” Harper’s Bazaar (March 1913), 136, 146.Google Scholar
Bosse, Sara, and Watanna, Onoto. Chinese-Japanese Cookbook. Chicago: Rand McNally. 1914.Google Scholar
Brah, Avtar. Cartographies of Diaspora: Contesting Identities. New York: Routledge, 1996.Google Scholar
Brainard, Cecilia Manguerra. When the Rainbow Goddess Wept. Ann Arbor: University of Michigan Press, 1999.CrossRefGoogle Scholar
Braudel, Fernand. On History. Translated by Matthews, Sarah. Chicago: University of Chicago Press, 1982.Google Scholar
Brown, Judith M. Global South Asians: Introducing the Modern Diaspora. Cambridge: Cambridge University Press, 2006.CrossRefGoogle Scholar
Brown, Wendy. “Neoliberalism and the End of Democracy.” Theory and Event 7.1 (2003): 37–59.CrossRefGoogle Scholar
Broyles-Gonzales, Yolanda. El Teatro Campesino: Theater in the Chicano Movement. Austin: University of Texas Press, 1994.Google Scholar
Broyles-Gonzales, Yolanda “Towards a Re-Vision of Chicano Theatre History: The Women of El Teatro Campesino.” In Making a Spectacle: Feminist Essays on Contemporary Women’s Theater, ed. Hart, Lynda. Ann Arbor: University of Michigan Press, 1989, 209–38.Google Scholar
Buell, Evangeline Canonizado. Twenty-Five Chickens and a Pig for a Bride: Growing Up in a Filipino Immigrant Family. San Francisco: T’boli Publishing, 2006.Google Scholar
Bulosan, Carlos. All the Conspirators, introduction by Hau, Caroline S. and Anderson, Benedict. Seattle: University of Washington Press, 2005.Google Scholar
Bulosan, Carlos On Becoming Filipino: Selected Writings of Carlos Bulosan. Edited by Juan, E. San Jr. Philadelphia: Temple University Press, 1995.Google Scholar
Bulosan, Carlos The Cry and the Dedication. Edited with introduction by Juan, Epifanio San Jr. Philadelphia: Temple University Press, 1995.Google Scholar
Bulosan, Carlos America Is in the Heart. Seattle: University of Washington Press, 1973.Google Scholar
Bürger, Peter. Theory of the Avant-Garde. Translated by Shaw, Michael. Minneapolis: University of Minnesota Press, 1984.Google Scholar
Burke, Kenneth. The Philosophy of Literary Form: Studies in Symbolic Action. Berkeley: University of California Press, 1973.Google Scholar
Burns, Lucy Mae San Pablo. Puro Arte: Filipinos on the Stages of Empire. New York: New York University Press, 2013.Google Scholar
Burns, Lucy Mae San Pablo “Something Larger Than Ourselves.” In Uno and Burns, The Color of Theater, 2002, 195–205.Google Scholar
Burton, Antoinette. The Postcolonial Careers of Santha Rama Rau. Durham, NC: Duke University Press, 2007.Google Scholar
Bush, Roderick D. The End of White World Supremacy: Black Internationalism and the Problem of the Color Line. Philadelphia: Temple University Press, 2009.Google Scholar
Bushnell, O. A. “Hawaii Writers Stifled at Birth, One of Them Says.” The Sunday Start Bulletin and Advertiser (June 25, 1978): F-3.Google Scholar
Butler, Judith Precarious Life: The Powers of Mourning and Violence. London: New York: Verso, 2004.Google Scholar
Byrd, Jodi A. The Transit of Empire: Indigenous Critiques of Colonialism. Minneapolis: University of Minnesota Press, 2011.CrossRefGoogle Scholar
Cainkar, Louise. Homeland Insecurity: The Arab American and Muslim American Experience after 9/11. New York: Russell Sage Foundation, 2009.Google Scholar
California Department of Parks and Recreation and Angel Island Immigration Station Foundation. Poetry and Inscriptions: Translation and Analysis. Poetry Consultants: Charles Egan, Wan Liu, Newton Liu, Xing Chu Wang, February 2004.Google Scholar
Campomanes, Oscar V. “Filipinos in the United States and Their Literature of Exile.” In Lim and Ling, Reading the Literatures of Asian America, 1992, 49–78.Google Scholar
Cardozo, Karen M., and Subramaniam, Banu. “Assembling Asian/American Naturecultures: Orientalism and Invited Invasions.” Journal of Asian American Studies 16.1 (2013): 1–23.CrossRefGoogle Scholar
Cathy, Caruth. Unclaimed Experience: Trauma Narrative and History. Baltimore, MD: John Hopkins Press, 1996.Google Scholar
Cataluna, Lee. “Lee Cataluna: Creation and Change.” Interview by Leslie Wilcox. LongStoryShort, PBS (December 3, 2011). Online resource: http://www.pbshawaii.org/ourproductions/longstory_transcripts/LSS%20512%20Transcript%20-%20Lee%20Cataluna%20%20-%20Creation%20and%20Change.pdf.Google Scholar
Cataluna, Lee “Lee Cataluna: A Writer’s Journey.” Interview by Leslie Wilcox. LongStoryShort, PBS (November 11, 2011). Online resource: http://www.pbshawaii.org/ourproductions/longstory_transcripts/LSS%20511%20Transcript%20-%20Lee%20Cataluna%20%20-%20A%20Writer’s%20Journey.pdf.Google Scholar
Certeau, Michel de. The Practice of Everyday Life. Berkeley: University of California Press, 1984.Google Scholar
Chae, Youngsuk. Politicizing Asian American Literature: Towards a Critical Multiculturalism. New York: Routledge, 2008.Google Scholar
Chambers, Claire. “‘The Absolute Essentialness of Conversations’: A Discussion with Amitav Ghosh.” Journal of Postcolonial Writing 41.1 (2005): 26–39.CrossRefGoogle Scholar
Chan, Jeffery Paul, Chin, Frank, Inada, Lawson Fusao, and Wong, Shawn, eds. The Big Aiiieeeee! An Anthology of Chinese American and Japanese American Literature. New York: Meridian Books, 1991.Google Scholar
Chan, Jeffery Paul, Chin, Frank, Inada, Lawson Fusao, and Wong, Shawn, “Aiiieeeee! Revisited: Preface to the Mentor Edition.” In Chan, Jeffery Paul, Chin, Frank, Inada, Lawson Fusao, and Wong, Shawn Hsu, eds., Aiiieeeee! An Anthology of Asian-American Writers. New York: Signet, 1991, xxiii–xli.Google Scholar
Chan, Jeffery Paul, Chin, Frank, Inada, Lawson Fusao, and Wong, Shawn, Aiiieeeee! An Anthology of Asian-American Writers. Washington, DC: Howard University Press, 1974. Reprinted New York: Anchor Books, 1975; New York: Meridian, 1997.Google Scholar
Chandrashekhar, S. From India to America: A Brief History of Immigration: Problems of Discrimination, Admission, and Assimilation. La Jolla, CA: Population Review, 1982.Google Scholar
Chang, Juliana, ed. Quiet Fire: A Historical Anthology of Asian American Poetry, 1892–1970. New York: The Asian American Writers’ Workshop, 1996.Google Scholar
Chang, Yoonmee. Writing the Ghetto: Class, Authorship, and the Asian American Ethnic Enclave. New Brunswick, NJ: Rutgers University Press, 2010.Google Scholar
Chao, Lien. Beyond Silence: Chinese Canadian Literature in English. Toronto: TSAR Publications, 1997.Google Scholar
Chatterjee, Miabi. “Putting ‘the Family’ to Work: Managerial Discourses of Control in the Immigrant Service Sector.” In Bald et al., The Sun Never Sets, 2013, 127–56.CrossRefGoogle Scholar
Chen, Kuan-Hsing, and Morley, David, eds. Stuart Hall: Critical Dialogues in Cultural Studies. London: Routledge, 1996.Google Scholar
Chen, Shu-ching. “Magic Capitalism and Melodramatic Imagination – Producing Locality and Reconstructing Asian Ethnicity in Karen Tei Yamashita’s Through the Arc of the Rainforest.” Euramerica 34.4 (2004): 587–625.Google Scholar
Chen, Tina. “Agency/Asiancy.” In Lee, Routledge Companion to Asian American and Pacific Islander Literature, 2014, 56–67.Google Scholar
Cheng, Anne Anlin. The Melancholy of Race: Psychoanalysis: Assimilation, and Hidden Grief. Oxford: Oxford University Press, 2001.Google Scholar
Cheng, Lucie, and Bonacich, Edna, eds. Labor Immigration under Capitalism: Asian Workers in the United States before World War II. Berkeley: University of California Press, 1984.CrossRefGoogle Scholar
Cheung, Floyd. “H. T. Tsiang: Literary Innovator and Activist.” Asian American Literature: Discourses and Pedagogies 2 (2011): 57–76.Google Scholar
Cheung, Floyd “Early Chinese American Autobiography: Reconsidering the Works of Yan Phou Lee and Yung Wing.” In Lawrence and Cheung, Recovered Legacies, 2005, 24–40.Google Scholar
Cheung, Floyd, and Dhingra, Lavina. “The Inheritance of Postcolonial Loss, Asian American Melancholia, and Strategies of Compensation in Jhumpa Lahiri’s The Namesake.” In Naming Jhumpa Lahiri: Canons and Controversies, ed. Dhingra, Lavina and Cheung, Floyd. Lanham, MD: Lexington, 2012, 27–50.Google Scholar
Cheung, King-Kok, ed. An Interethnic Companion to Asian American Literature. Cambridge: Cambridge University Press, 1996.Google Scholar
Cheung, King-Kok. Articulate Silences: Hisaye Yamamoto, Maxine Hong Kingston, Joy Kogawa. Ithaca, NY, and London: Cornell University Press, 1993.Google Scholar
Cheung, King-Kok “Thrice Muted Tale: Interplay of Art and Politics in Hisaye Yamamoto’s ‘The Legend of Miss Sasagawara.’” MELUS 17.3 (1991–2): 109–25.CrossRefGoogle Scholar
Cheung, King-Kok “The Woman Warrior versus The Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism?” In Conflicts in Feminism, ed. Hirsch, Marianne and Keller, Evelyn Fox. New York: Routledge, 1990, 233–52.Google Scholar
Cheung, King-Kok, and Yogi, Stan. Asian American Literature: An Annotated Bibliography. New York: Modern Language Association, 1988.Google Scholar
Chew, Lee. “Life Story of a Chinaman.” In The Life Stories of Undistinguished Americans as Told by Themselves, ed. Holt, Hamilton. New York: Holt, 1906, 281–99.Google Scholar
Chiang, Mark. The Cultural Capital of Asian American Studies: Autonomy and Representation in the University. New York: New York University Press, 2009.Google Scholar
Chiang, Mark “Capitalizing Form: The Globalization of the Literary Field: A Response to David Palumbo-Liu.” American Literary History 20.4 (2008): 836–44.CrossRefGoogle Scholar
Chin, Frank. “Come All Ye Asian American Writers of the Real and the Fake.” In Chan, et al., The Big Aiiieeeeee!, 1991, 1–92.Google Scholar
Chin, Frank Chickencoop Chinaman and The Year of the Dragon. Seattle: University of Washington Press, 1981.Google Scholar
Chin, Frank, and Chan, Jeffrey Paul. “Racist Love.” In Seeing through Shuck, ed. Kostelanetz, Richard. New York: Ballantine, 1972, 65–79.Google Scholar
Chin, Vivian Fumiko. “Gestures of Noncompliance: Resisting, Inventing, and Enduring in Citizen 13660.” In Robinson and Creef, Miné Okubo, 2008, 67–81.Google Scholar
Chock, Eric. “The Neocolonization of Bamboo Ridge: Repositioning Bamboo Ridge and Local Literature in the 1990s.” Bamboo Ridge 69 (1996): 11–25.Google Scholar
Chong, Sylvia. The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era. Durham, NC: Duke University Press, 2012.Google Scholar
Chow, Rey. “The Secrets of Ethnic Abjection.” In Traces 2: Race, Panic, and Memory of Migration, ed. Morris, Meaghan and de Bary, Brett. Hong Kong: Hong Kong University Press, 2011, 53–77.Google Scholar
Chow, Rey The Protestant Ethnic and The Spirit of Capitalism. New York: Columbia University Press, 2002.Google Scholar
Chow, Rey “How (the) Inscrutable Chinese Led to Globalized Theory.” PMLA 116.1 (2001): 69–74Google Scholar
Chowdhury, Kanishka. “It’s All within Your Reach: Globalization and the Ideologies of Postnationalism and Hybridity.” Cultural Logic: An Electronic Journal of Marxist Theory and Practice 5 (2002). Online resource: http://clogic.eserver.org/2002/chowdhury.html. Accessed December 4, 2014.Google Scholar
Choy, Catherine Ceniza. “A Filipino Woman in America: The Life and Work of Encarnacion Alzona.” Genre 39.3 (2006): 127–40.CrossRefGoogle Scholar
Chu, Patricia P. Assimilating Asians: Gendered Strategies of Authorship in Asian America. Durham, NC: Duke University Press, 2000.Google Scholar
Chuh, Kandice. “Of Hemispheres and Other Spheres: Navigating Karen Tei Yamashita’s Literary Worlds.” American Literary History 18.3 (2006): 618–37.CrossRefGoogle Scholar
Chuh, Kandice Imagine Otherwise: On Asian Americanist Critique. Durham, NC: Duke University Press, 2003.Google Scholar
Chun, Wendy Hui Kyong. “Race and/as Technology, or How to Do Things to Race.” In Nakamura and Chow-White, Race after the Internet, 2012, 38–60.Google Scholar
Chung, C., Kim, A., and Lemeshewsky, A. K., eds. Between the Lines: An Anthology by Pacific/Asian Lesbians of Santa Cruz. Santa Cruz, CA: Dancing Bird Press, 1987.Google Scholar
Clingman, Stephen. The Grammar of Identity: Transnational Fiction and the Nature of the Boundary. Oxford: Oxford University Press, 2009.CrossRefGoogle Scholar
Cole, Jean Lee. The Literary Voices of Winnifred Eaton: Redefining Ethnicity and Authenticity. New Brunswick, NJ: Rutgers University Press, 2002.Google Scholar
Comaroff, Jean. Body of Power, Spirit of Resistance: The Culture and History of a South African People. Chicago: University of Chicago Press, 1985.CrossRefGoogle Scholar
Comaroff, Jean, and Comaroff, John. Modernity and Its Malcontent: Ritual and Power in Postcolonial Africa. Chicago: University of Chicago Press, 1993.Google Scholar
Cooke, Miriam, and Rustomji-Kerns, Roshni, eds. Blood into Ink: South Asian and Middle Eastern Women Write War. Boulder, CO: Westview Press, 1994.Google Scholar
“Conversations: Asian American Arts and Activism.” Directed by Bob Nakamura. Los Angeles: The Center for Ethno Communications of the UCLA Asian American Studies Center, 2010. DVD.Google Scholar
Cordova, Dorothy. “Voices From the Past: Why They Came.” In Asian Women United of California, Making Waves, 1989. 42–9.Google Scholar
Crane, Jacob. “Beyond the Cape: Amitav Ghosh, Frederick Douglass and the Limits of the Black Atlantic.” Postcolonial Text 6.4 (2011). Online resource: postcolonial.org/index.php/pct/article/download/1301/1261. Accessed June 27, 2014.Google Scholar
Crow, Charles L. “A MELUS Interview: Hisaye Yamamoto.” MELUS 14.1 (1987): 73–84.CrossRefGoogle Scholar
Cruz, Denise. Transpacific Femininities: The Making of the Modern Filipina. Durham, NC: Duke University Press, 2012.Google Scholar
Cruz, Denise “Jose Garcia Villa’s Collection of ‘Others’: Irreconcilabilities of a Queer Transpacific Modernism,” Modern Fiction Studies 55.1 (2009): 11–41.CrossRefGoogle Scholar
Culler, Jonathan. The Pursuit of Signs: Semiotics, Literature, Deconstruction. Ithaca, NY: Cornell University Press, 1981.Google Scholar
Cvetkovich, Ann. An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Culture. Durham, NC: Duke University Press, 2003.Google Scholar
Daiya, Kavita. “Provincialising America: Engaging Postcolonial Critique and Asian American Studies in a Transnational Mode.” South Asian Review 26.2 (2005): 265–75.CrossRefGoogle Scholar
Das Gupta, Monisha. Unruly Immigrants: Rights, Activism, and Transnational South Asian Politics in the United States. Durham, NC: Duke University Press, 2006.Google Scholar
Dasgupta, Sanjukta. “Locating ‘Home’ in a Liminal Space: Longing and Belonging in the Fiction of ‘Bengali’ American Women Writers.” In Interpreting Homes in South Asian Literature, ed. Lal, Malashri and Kumar, Sukrita Paul. Delhi: Dorling Kindersley, 2007, 75–95.Google Scholar
Davé, Shilpa, Dhingra, Pawan, Maira, Sunaina, Mazumdar, Partha, Shankar, Lavina, Singh, Jaideep, and Srikanth, Rajini. “De-Privileging Positions: Indian Americans, South Asian Americans, and the Politics of Asian American Studies.” Journal of Asian American Studies 3.1 (2000): 67–100.CrossRefGoogle Scholar
Davis, Rocío G. “Asian American Stories and Literary Theory: A Reading of Chitra Divakaruni’s ‘The Word Love.’” American Book Review 31.1 (2009): 9–10.Google Scholar
Davis, Rocío G. “Introduction: Have Come, Are Here: Reading Filipino/a American Literature.” MELUS 29.1 (2004): 5–18.CrossRefGoogle Scholar
Dayal, Samir. “Re-Positioning India: Tagore’s Passionate Politics of ‘Love.’” Positions: East Asia Cultures Critique 15.1 (2007): 165–208.CrossRefGoogle Scholar
Dayal, Samir “Splitting Images: The Satanic Verses and the Incomplete Man.” In Ideas of Home: Literature of Asian Migration, ed. Kain, Geoffrey. East Lansing: Michigan State University Press, 1997, 87–100.Google Scholar
Debates and Proceedings of the Constitutional Convention of the State of California, Convened at the City of Sacramento, Saturday, September 28, 1878. E. B. Wills and P. K. Stockton, official stenographers. Sacramento, CA: State printing, 1880–1.Google Scholar
Debrix, Francois. “The Sublime Spectatorship of War: The Erasure of the Event in America’s Politics of Terror and Aesthetics of Violence.” Millennium 34.3 (2006): 767–91.Google Scholar
de Jesús, Melinda Luisa María. “Rereading History/Rewriting Desire: Reclaiming Queerness in Carlos Bulosan’s America Is in the Heart and Bienvenido N. Santos’ Scent of Apples.” Journal of Asian American Studies 5.2 (2002): 91–111.CrossRefGoogle Scholar
Dempster, Brian Komei. “Introduction.” Dempster, Brian Komei, Making Home from War: Stories of Japanese American Exile and Resettlement. Berkeley, CA: Heydey, 2011, xx–xxvii.Google Scholar
Den Tandt, Christophe. “Pragmatic Commitments: Postmodern Realism in Don DeLillo, Maxine Hong Kingston and James Ellroy.” In Stierstorfer, Beyond Postmodernism, 2003, 121–42.Google Scholar
Derrida, Jacques, and Ronell, Avital. “The Law of Genre.” Critical Inquiry 7.1 (1980): 55–81.CrossRefGoogle Scholar
Deuleuze, Gilles, and Guattari, Felix. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Massumi, Brian. Minneapolis: University of Minnesota Press, 1987.Google Scholar
Dhingra, Lavina, and Cheung, Floyd. Naming Jhumpa Lahiri: Canons and Controversies. Lanham, MD: Lexington Books, 2012.Google Scholar
Diaz, Robert G. “Melancholic Maladies: Paranoid Ethics, Reparative Envy, and Asian American Critique.” Women and Performance: A Journal of Feminist Theory 16.2 (2006): 201–19.CrossRefGoogle Scholar
Di Leo, Jeffrey. “Analyzing Anthologies.” In On Anthologies: Politics and Pedagogy, ed. Leo, Jeffrey Di. Lincoln: University of Nebraska Press, 2004, 1–30.Google Scholar
Dimock, Wai-Chee. “Introduction: Genres as Fields of Knowledge.” PMLA 122.5 (2007): 1377–88.Google Scholar
Divakaruni, Chitra Banerjee. Leaving Yuba City: New and Selected Poems. New York: Anchor Books, 1997.Google Scholar
Doyle, James. “Law, Legislation and Literature: The Life of Grace H. Harte.” Biography 17.4 (1994): 367–85.Google Scholar
Dudziak, Mary. Cold War Civil Rights: Race and the Image of Democracy. Princeton, NJ: Princeton University Press, 2000.Google Scholar
East Hawai‘i Cultural Councils. Aloha ‘Āina: Big Island Memories. Hilo: East Hawai‘i Cultural Council, 2012.Google Scholar
Eaton, Edith Maude (Sui Sin Far). Mrs. Spring Fragrance and Other Writings. Edited by Ling, Amy and White-Parks, Annette. Urbana: University of Illinois Press, 1995.Google Scholar
Eaton, Edith Maude. “Leaves from the Mental Portfolio of an Eurasian.” Independent 66 (1909): 125–32. Reprinted in Eaton, Mrs. Spring Fragrance, 219–30.Google Scholar
Eaton, Edith Maude “Sweet Sin: A Chinese-American Story.” Land of Sunshine 8.5 (1898): 223–6.Google Scholar
Eaton, Edith Maude “Half-Chinese Children: Those of American Mothers and Chinese Fathers, Some of Their Troubles and Discomforts.” Montréal Daily Star (1895): 187.Google Scholar
Eaton, Winnifred (Onoto Watanna). “A Half Caste” and Other Writings. Edited by Moser, Linda Trinh and Rooney, Elizabeth. Urbana: University of Illinois Press, 2003.Google Scholar
Eaton, Winnifred A Japanese Nightingale. New York: Harper, 1901. Reprinted London: Archibald Constable and Co. Ltd., 1904.Google Scholar
Eaton, Winnifred “The Story of Ido.” Conkey’s Home Journal (August 1899). Online resource: http://xtf.lib.virginia.edu/xtf/view?docId=modern_english/uvaGenText/tei/EatSido.xml;brand=default;%20p.%2028. Accessed December 4, 2014.Google Scholar
Eaton, Winnifred (Onoto Watanna), Bosse, Sara, and Hutt, Henry. Marion: The Story of an Artist’s Model. New York: W. J. Watt and Company, 1916.Google Scholar
Ejxenbaum, Boris M. “Literary Environment.” In Readings in Russian Poetics: Formalist and Structuralist Views, ed. Matejka, Ladislav and Pomorska, Krystyna. Normal, IL: Dalkey Archive Press, 2002, 56–65.Google Scholar
Elam, Harry J. Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka. Ann Arbor: University of Michigan Press, 1997.CrossRefGoogle Scholar
Ellison, Ralph.“Richard Wright’s Blues.” Shadow and Act. 1953; 1964. Toronto: New American Library of Canada Limited, 1966.Google Scholar
Eng, Alvin, ed. Tokens? The NYC Asian American Experience on Stage. Philadelphia: Temple University Press, 1999.Google Scholar
Eng, David L., and Hom, Alive Y., eds. Q&A: Queer in Asian America. Philadelphia: Temple University Press, 1999.Google Scholar
Engels, Friedrich. Socialism: Utopian and Scientific. Translated by Aveling, Edward. In Marx, Karl and Engels, Friedrich, Marx/Engels Selected Works, Vol. 3. Moscow: Progress Publishers, 1970, 95–151. Online resource: https://www.marxists.org/archive/marx/works/1880/soc-utop/. Accessed December 4, 2014.Google Scholar
English, James F. The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value. Cambridge, MA: Harvard University Press, 2005.CrossRefGoogle Scholar
Epstein, Andrew. “LeRoi and Frank: On the Friendship of Amiri Baraka and Frank O’Hara.” Locus Solus: The New York School of Poets (January 27, 2014). Online resource: http://newyorkschoolpoets.wordpress.com/2014/01/27/leroi-and-frank-on-the-friendship-of-amiri-baraka-and-frank-ohara/. Accessed December 4, 2014.Google Scholar
Espadas, Elizabeth. “Destination Brazil: Immigration in Works of Nélida Piñón and Karen Tei Yamashita,” MACLAS: Latin American Essays 12 (1998): 51–61.Google Scholar
España-Maram, Linda. Creating Masculinity in Los Angeles’s Little Manila, 1920s–1950s: Working-Class Filipinos and Popular Culture. New York: Columbia University Press, 2006.Google Scholar
Espiritu, Augusto Fauni. Five Faces of Exile: The Nation and Filipino American Intellectuals. Stanford, CA: Stanford University Press, 2005.CrossRefGoogle Scholar
Espiritu, Yen Le. Body Counts: The Vietnam War and Militarized Refugees. Los Angeles: University of California Press, 2014.Google Scholar
Fabian, Johannes. Time and the Other: How Anthropology Constructs Its Object. New York: Columbia University Press, 1983.Google Scholar
Fanon, Frantz. Black Skin, White Masks. Translated by Markmann, Charles Lam. New York: Grove Press, 1967.Google Scholar
Fanon, Frantz The Wretched of the Earth. Translated by Farrington, Constance. New York: Grove Press, 1963.Google Scholar
Ferens, Dominika. “Winnifred Eaton/Onoto Watanna: Establishing Ethnographic Authority.” In Zhou and Najmi, Form and Transformation, 2005, 30–47.Google Scholar
Ferens, Dominika Edith and Winnifred Eaton: Chinatown Missions and Japanese Romances. Chicago: University of Illinois Press, 2002.Google Scholar
Ferguson, Margaret, Salter, Mary Jo, and Stallworthy, Jon, eds. The Norton Anthology of Poetry. 5th ed. New York: Norton, 2004.Google Scholar
Ferguson, Margaret, Salter, Mary Jo, and Stallworthy, Jon. The Norton Anthology of Poetry. 4th ed. New York: Norton, 1996.Google Scholar
Fickle, Tara. “American Rules and Chinese Faces: The Games of Amy Tan’s The Joy Luck Club.” MELUS 39.3 (2014): 68–88.CrossRefGoogle Scholar
Fischer, Michael M. J. Emergent Forms of Life and the Anthropological Voice. Durham, NC: Duke University Press, 2003.Google Scholar
Fischer, Michael M. J. “Ethnicity and the Post-Modern Arts of Memory.” In Writing Culture: The Poetics and Politics of Ethnography, ed. Clifford, James and Marcus, George E.. Berkeley: University of California Press, 1986, 194–233.CrossRefGoogle Scholar
Fishkin, Shelley Fisher. “Interview with Maxine Hong Kingston.” In Skenazy and Martin, Conversations, 1998, 159–67.Google Scholar
Flower Drum Song. Directed by Henry Koster. 1961. Universal City, CA: Universal Pictures, 2006. DVD.Google Scholar
Foer, Jonathan Safran. Extremely Loud and Incredibly Close. New York: Houghton Mifflin, 2005.Google Scholar
Foote, Donna. “Trouble in Paradise: A Hawaiian Novelist Sparks a P.C. Protest.” Newsweek 132.7 (August 17, 1993): 63.Google Scholar
Foucault, Michel. “Society Must Be Defended”: Lectures at the Collège de France, 1975–76. Translated by Macey, David. New York: Picador, 2003.Google Scholar
Foucault, Michel “Of Other Spaces, Heterotopias.” Architecture, Mouvement, Continuité 5 (1984): 46–9.Google Scholar
Fowler, Alastair. Kinds of Literature: An Introduction to the Theory of Genres and Modes. Cambridge, MA: Harvard University Press, 1982.Google Scholar
Frankenberg, Ruth and Mani, Lata. “Crosscurrents, Crosstalk: Race, ‘Postcoloniality’ and the Politics of Location.” Cultural Studies 7.2 (1992): 292–310.CrossRefGoogle Scholar
Friedman, Daniel. “Contemporary Theatre for Working-Class Audiences in the United States.” In Theatre for Working-Class Audiences in the United States, 1830–1980, ed. McConachie, Bruce A. and Friedman, Daniel. Westport, CT: Greenwood Press, 1985, 197–248.Google Scholar
Frye, Northrop. The Anatomy of Criticism: Four Essays. Princeton, NJ: Princeton University Press, 1957.CrossRefGoogle Scholar
Fryer, Heather. “Miné Okubo’s War: Citizen 13660’s Attack on Government Propaganda.” In Robinson and Creef, Miné Okubo, 2008, 82–98.Google Scholar
Fu, May. “‘Serve the People and You Help Yourself’: Japanese-American Anti-Drug Organizing in Los Angeles, 1969 to 1972.” Social Justice 35.2 (2008): 80–99.Google Scholar
Fujikane, Candace. “Between Nationalism: Hawai‘i’s Local Nation and Its Troubled Racial Paradise.” Critical Mass: A Journal of Asian American Cultural Criticism 1.2 (1994): 23–57.Google Scholar
Fujino, Diane. Heartbeat of Struggle: The Revolutionary Life of Yuri Kochiyama. Minneapolis: University of Minnesota, 2005.Google Scholar
Gaerlan, Barbara. “The Movement in the United States to Oppose Martial Law in the Philippines, 1972–1991: An Overview.” Pilipinas 33 (1999): 75–98.Google Scholar
Galang, M. Evelina. Her Wild American Self. Minneapolis, MN: Coffee House Press, 1996.Google Scholar
Garcia, Laura E, Gutierrez, Sandra M., and Nuñez, Felicitas, eds. Teatro Chicana: A Collective Memoir and Selected Plays. Austin: University of Texas Press, 2008.Google Scholar
Gates, Henry Louis, Jr. Figures in Black: Words, Signs, and the “Racial” Self. Oxford: Oxford University Press, 1989.Google Scholar
Genette, Gérard. Narrative Discourse: An Essay in Method. Translated by Lewin, Jane E.. Ithaca, NY: Cornell University Press, 1980.Google Scholar
Geron, Kim, de la Cruz, Enrique, Saito, Leland, and Singh, Jaideep. “Asian Americans’ Social Movement and Interest Groups.” PS: Political Science and Politics 34.3 (2001): 618–24.Google Scholar
GhaneaBassiri, Kambiz. A History of Islam in America: From the New World to the New World Order. Cambridge: Cambridge University Press, 2010.CrossRefGoogle Scholar
Ghosh, Amitav Incendiary Circumstances: A Chronicle of the Turmoil of Our Times. Boston: Houghton Mifflin, 2005.Google Scholar
Ghosh, Amitav “Satyajit Ray.” In Amitav Ghosh: A Critical Companion, ed. Khair, Tabish. New Delhi: Permanent Black, 2003, 1–8.Google Scholar
Ghosh, Bishnupriya. When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel. New Brunswick, NJ: Rutgers University Press, 2004.Google Scholar
Goh, Robbie B. H. “The Overseas Indian and the Political Economy of the Body in Aravind Adiga’s The White Tiger and Amitav Ghosh’s The Hungry Tide.” Journal of Commonwealth Literature 47.3 (2012): 341–56.CrossRefGoogle Scholar
Gold, Matthew K., eds. Debates in the Digital Humanities. Minneapolis: University of Minnesota Press, 2012.Google Scholar
Goldberg, David Theo. Racist Culture: Philosophy and the Politics of Meaning. Cambridge, MA: Blackwell, 1993.Google Scholar
Goldsmith, Kenneth. Uncreative Writing: Managing Language in the Digital Age. New York: Columbia University Press, 2011.Google Scholar
Gonzalez, N. V. M., and Campomanes, Oscar V.. “Filipino American Literature.” In Cheung, An Interethnic Companion, 1996, 62–124.Google Scholar
Gonzalez, Rigoberto. “Shout Out to Ken Chen.” Harriet blog (April 21, 2010). Online resource: http://www.poetryfoundation.org/harriet/2010/04/shout-out-to-ken-chen/. Accessed December 4, 2014.Google Scholar
Gonzalves, Theodore S. The Day the Dancers Stayed: Performing in the Filipino/American Diaspora. Philadelphia: Temple University Press, 2010.Google Scholar
Gotanda, Philip Kan. No More Cherry Blossoms: Sisters Matsumoto and Other Plays. Seattle: University of Washington Press, 2005.Google Scholar
Gotanda, Philip Kan Ballad of Yachiyo. New York City: Theatre Communications Group, 1997.CrossRefGoogle Scholar
Gotanda, Philip Kan Fish Head Soup and Other Plays. Seattle: University of Washington Press, 1996.Google Scholar
“Grace H. Harte: Member of the Illinois Bar and One of Our Associate Editors.” Women Lawyers’ Journal 26 (1939–40): 74.Google Scholar
A Grain of Sand: Music for the Struggle of Asians in America. Joanne Miyamoto, Chris Iijima, and Charlie Chin. Smithsonian Center for Folklife and Cultural Heritage, Paredon Records, 1973. Audiocassette.Google Scholar
Grewal, Inderpal. Transnational America: Feminisms, Diasporas, Neoliberalisms. Durham, NC: Duke University Press, 2005.Google Scholar
Grewal, Inderpal “The Postcolonial, Ethnic Studies and the Diaspora,” Socialist Review 24.4 (1994): 45–74.Google Scholar
Grice, Helena. Maxine Hong Kingston. Manchester, UK: Manchester University Press, 2006.CrossRefGoogle Scholar
Gruenewald, Mary Matsuda. Looking Like the Enemy: My Story of Imprisonment in Japanese-American Internment Camps. Troutdale, OR: NewSage Press, 2005.Google Scholar
Guidote, Cecilia. Theater for the Nation: A Prospectus for the National Theater of the Philippines. Master’s Thesis. Manila, Philippines, De La Salle University, 2003.Google Scholar
Habal, Estella. “How I Became a Revolutionary.” San Francisco’s I-Hotel: Mobilizing the Filipino American Community in the Anti-Eviction Movement. Philadelphia: Temple University Press, 2008.Google Scholar
Habal, Estella “How I Became a Revolutionary.” In Legacy to Liberation: Politics and Culture of Revolutionary Asian/Pacific America, ed. Ho, Fred. San Francisco: Big Red Media, 2000, 197–210.Google Scholar
Hagedorn, Jessica, ed. Charlie Chan Is Dead: An Anthology of Asian American Fiction. New York: Penguin, 1993.Google Scholar
Hall, Stuart “Cultural Identity and Diaspora.” In Identity: Community, Culture, Difference, ed. Rutherford, Jonathan. London: Lawrence and Wishart, 1990, 223–37.Google Scholar
Hagedorn, Jessica “Signification, Representation, Ideology: Althusser and the Post-Structuralist Debates.” Critical Studies in Mass Communication 2.2 (1985): 91–114.Google Scholar
Hamid, Mohsin. The Reluctant Fundamentalist. New York: Houghton Mifflin Harcourt, 2007.Google Scholar
Hamid, Mohsin “Roots of Rage: ‘Why Do They Hate Us?’” Washington Post (July 22, 2007).Google Scholar
Hamid, MohsinInterview for The Duke Chronicle Online (February 17, 2000). Online resource: http://www.dukechronicle.com/articles/2000/02/18/mohsin-hamid. Accessed December 4, 2014.Google Scholar
Hammerstein, Oscar, and Fields, Joseph. Flower Drum Song: A Musical Play. New York: Farrar, Straus, and Cudahy, 1959.Google Scholar
Hara, Marie Murphey. “Negotiating the Hyphen.” In Intersecting Circles: The Voices of Hapa Women in Poetry and Prose, ed. Hara, Marie and Keller, Nora Okja. Honolulu, HI: Bamboo Ridge, 1999, 9–16.Google Scholar
Hardt, Michael, and Negri, Antonio. Empire. Cambridge, MA: Harvard University Press, 2000.Google Scholar
Harrison, Patricia Marby. “Genocide or Redemption? Asian American Autobiography and the Portrayal of Christianity in Amy Tan’s The Joy Luck Club and Joy Kogawa’s Obasan.” Christianity and Literature 46.2 (1997): 145–68.CrossRefGoogle Scholar
Harte, Grace H. “The Battle for the Right of Women to Practice Law.” Women Lawyers’ Journal 33 (1947): 141–53.Google Scholar
Harte, Grace H. “Women and the Legal Profession.” In Series III of the Mary Earhart Dillon Collection, 1890–1945. Cambridge, MA: Schlesinger Library, Radcliffe Institute, Harvard University, 1942, A-68, folder 30.Google Scholar
Harte, Grace H. “Social Aspects of the Convention.” Women Lawyers’ Journal 26 (1939–40): 29–30.Google Scholar
Hartnell, Anna. “Moving through America: Race, Place, and Resistance in Mohsin Hamid’s The Reluctant Fundamentalist.” Journal of Postcolonial Writing 46.3–4 (2010): 336–48.CrossRefGoogle Scholar
Harvey, David. A Brief History of Neoliberalism. Oxford: Oxford University Press, 2005.CrossRefGoogle Scholar
Hassan, Ihab. “Beyond Postmodernism: Toward an Aesthetic of Trust.” In Stierstorfer, Beyond Postmodernism, 2003, 199–212.Google Scholar
Hattori, Tomo. “Model Minority Discourse and Asian American Jouis-Sense.” differences: A Journal of Feminist Cultural Studies 11.2 (1999): 228–47.CrossRefGoogle Scholar
Hawai‘i Council for the Humanities. We Go Eat: A Mixed Plate from Hawai‘i’s Food Culture. Honolulu: Hawai‘i Council for the Humanities, 2008.Google Scholar
Hawai‘i Council for the Humanities. We Go Jam: Celebrating Our Music, Our Soundscape, Our Hawai‘i. Honolulu: Hawai‘i Council for the Humanities, 2012.Google Scholar
Hawaii Tourism Authority. “Table 6: Visitor Arrivals by Island and Month: 1990–2009.” Historical Visitor Statistics. Online resource: http://www.hawaiitourismauthority.org/research/reports. Accessed July 20, 2013.Google Scholar
Hedges, Christopher. War Is a Force That Gives Us Meaning. New York: Public Affairs, 2002.Google Scholar
Heidemann, Birte. “‘We Are the Glue that Keeps Civilization Together’: Post-Orientalism and Counter-Orientalism in H.M. Naqvi’s Home Boy.” Journal of Postcolonial Writing 48.3 (2012): 289–98.CrossRefGoogle Scholar
Hing, Bill Ong. Making and Remaking Asian America through Immigration Policy, 1850–1990. Stanford, CA: Stanford University Press, 1994.Google Scholar
Hinton, Laura. “Three Conversations with Mei-mei Berssenbrugge.” Jacket (27 April, 2005). Online resource: http://jacketmagazine.com/27/hint-bers.html. Accessed June 11, 2015. Reprinted in Elizabeth Innovative Women Poets: An Anthology of Contemporary Poets and Interviews, ed. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2007.Google Scholar
Ho, Jennifer Ann. “The Place of Transgressive Texts in Asian American Epistemology.” Modern Fiction Studies 56.1 (2010): 205–25.CrossRefGoogle Scholar
Hoeffel, Elizabeth M., Rastogi, Sonya, Kim, Myoung Ouk, and Shahid, Hasan (U.S. Census Bureau). Asians in the United States: 2010. Washington, DC: U.S. Government Printing Office, 2012. Online resource: http://www.census.gov/prod/cen2010/briefs/c2010br-11.pdf. Accessed December 4, 2014.Google Scholar
Hoganson, Kristin L. “‘As Badly Off as the Filipinos’: U.S. Women’s Suffragists and the Imperial Issue at the Turn of the Twentieth Century.” Journal of Women’s History 13.2 (2001): 9–33.CrossRefGoogle Scholar
Hom, Marlon. Songs of Gold Mountain: Cantonese Rhymes from San Francisco Chinatown. Berkeley: University of California Press, 1992.Google Scholar
Hong, Christine. “Pyongyang Lost: Counterintelligence and Other Fictions of the Forgotten War.” In American Literature and Culture in an Age of Cold War, ed. Belletto, Steven and Grausam, Daniel. Iowa City: University of Iowa Press, 2012, 135–62.Google Scholar
Hong, Grace, and Ferguson, Roderick, eds. Strange Affinities: The Gender and Sexual Politics of Comparative Racialization. Minneapolis: University of Minnesota Press, 2011.CrossRefGoogle Scholar
Horiuchi, Lynne. “Miné Okubo’s Citizen 13660 and Her Trek Artwork.” In Robinson and Creef, Miné Okubo, 2008, 111–30.Google Scholar
Horne, Gerald. Fighting in Paradise: Labor Unions, Racism, and Communists in the Making of Modern Hawai‘i. Honolulu: University of Hawai‘i Press, 2011.CrossRefGoogle Scholar
Horne, Gerald The White Pacific: U.S. Imperialism and Black Slavery in the South Seas after the Civil War. Honolulu: University of Hawai‘i Press, 2007.Google Scholar
Houston, Velina Hasu, ed. But Still, Like Air, I’ll Rise: New Asian American Plays. Philadelphia: Temple University Press, 1997.Google Scholar
Houston, Velina Hasued. The Politics of Life: Four Plays by Asian American Women. Philadelphia: Temple University Press, 1997.Google Scholar
Hoy, Jody. “To Be Able to See the Tao.” In Skenazy and Martin, Conversations, 1998, 47–66.Google Scholar
Hsu, Kai-yu, and Palubinskas, Helen, eds. Asian American Authors. Boston: Houghton Mifflin, 1972.Google Scholar
Huang, Betsy. Contesting Genres in Contemporary Asian American Fiction. New York: Palgrave Macmillan, 2010.CrossRefGoogle Scholar
Huang, Guiyou, ed. Greenwood Encyclopedia of Asian American Literature. Westport, CT: Greenwood Press, 2009.Google Scholar
Huang, Guiyou Columbia Guide to Asian American Literature since 1945. New York: Columbia University Press, 2006.Google Scholar
Huang, Yunte. Transpacific Imaginations: History, Literature, Counterpoetics. Cambridge: Harvard University Press, 2008.Google Scholar
Hughes, Langston. “The Negro Artist and the Racial Mountain.” In The Portable Harlem Renaissance Reader, ed. Lewis, David Levering. New York: Penguin Books, 1994, 91–5. Originally published in The Nation (June 23, 1926).Google Scholar
Hwang, David Henry Dance and the Railroad. In Hwang, David Henry, Trying to Find Chinatown: The Selected Plays. New York: Theatre Communications Group, 2000, 53–88.Google Scholar
Ibañez, Rose. “Growing Up in America as a Young Filipina American during the Anti-Martial Law and Student Movement in the United States.” In Louie and Omatsu, Asian Americans, 2001, 74–9.Google Scholar
Iijima, Chris. “Pontifications on the Distinctions between Grains of Sand and Yellow Pearls.” In Louie and Omatsu, Asian Americans, 2001, 2–16.Google Scholar
International Hotel Women’s Collective. “Sisterhood Is Powerful.” In Asian Women, 1971, 122–4.Google Scholar
Isaac, Allan Punzalan. American Tropics: Articulating Filipino America. Minneapolis: University of Minnesota Press, 2006.Google Scholar
Iwasaki, Pasty, and Berido, Avery. Hidden Hero: Shirarezaru Eiyū. Hiroshima, Japan: Daiwa Printing Company, 2009.Google Scholar
Jackson, Carl T. The Oriental Religions and American Thought: Nineteenth Century Explorations. Westport, CT: Greenwood Press, 1981.Google Scholar
Jackson, Shelley. “Primal Time: Shelley Jackson on Jessica Hagedorn.” Book Forum (Fall 2003). Online resource: http://www.bookforum.com/archive/fall_03/jackson.html. Accessed December 14, 2014.Google Scholar
Jackson, Virginia, and Prins, Yopie, eds. The Lyric Theory Reader: A Critical Anthology. Baltimore, MD: Johns Hopkins University Press, 2013.Google Scholar
Jain, Anupama. How to Be South Asian in America: Narratives of Ambivalence and Belonging. Philadelphia: Temple University Press, 2011.Google Scholar
Jakobson, Roman. “Poetry of Grammar and Grammar of Poetry.” In Verbal Art, Verbal Sign, Verbal Time, ed. Pomorska, Krystyna and Rudy, Stephen. Minneapolis: University of Minnesota Press, 1985, 37–46.Google Scholar
Jakobson, Roman “Shifters, Verbal Categories, and the Russian Verb.” Selected Writings, Vol. II. The Hague: Mouton, 1971, 130–47.Google Scholar
Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca, NY: Cornell University Press, 1981.Google Scholar
Jay, Gregory S. “The End of ‘American’ Literature: Toward a Multicultural Practice,” College English 53.3 (1991): 264–81.CrossRefGoogle Scholar
Jefferson, Thomas. Thomas Jefferson: Writings: Autobiography/Notes on the State of Virginia/Public and Private Papers/Addresses/Letters. Edited by Peterson, Merrill D.. New York: Library of America, 1984.Google Scholar
Jen, Gish. “Interview with Gish Jen, author of Tiger Writing.” The Washington Post (March 19, 2013). Online resource: http://www.washingtonpost.com/entertainment/books/interview-with-gish-jen-author-of-tiger-writing/2013/03/19/6ac3c146-8fe7-11e2-bdea-e32ad90da239_story.html. Accessed June 11, 2015.Google Scholar
Jenkins, Henry. Convergence Culture: When Old and New Media Collide. New York: New York University Press. 2006.Google Scholar
Jensen, Joan. Passage from India: Asian Indian Immigrants in North America. New Haven, CT: Yale University Press, 1988.Google Scholar
Jeon, Joseph Jonghyun. Racial Things, Racial Forms: Objecthood in Avant-Garde Asian American Poetry. Iowa City: University of Iowa Press, 2012.Google Scholar
Jerng, Mark C. “Nowhere in Particular: Perceiving Race, Chang-rae Lee’s Aloft, and the Question of Asian American Fiction.” Modern Fiction Studies 56.1 (2010): 183–204.CrossRefGoogle Scholar
Jespersen, Otto. Language: Its Nature, Development and Origin. New York: Henry Holt, 1924.Google Scholar
Jordan, June. Living Room: New Poems, 1980–1984. New York: Thunder’s Mouth Press, 1985.Google Scholar
Joseph, Melany. “Another World in Progress: A Progressive Think-Tank in Brazil Opens the Door to Artists.” American Theatre 22.5 (2005): 54–8.Google Scholar
Joseph, Peniel. Waiting ‘til the Midnight Hour: A Narrative History of Black Power. New York: Holt, 2007.Google Scholar
Jowitt, Deborah. Time and the Dancing Image. Berkeley: University of California Press, 1989.Google Scholar
Kain, Geoffrey, ed. Ideas of Home: Literature of Asian Migration. East Lansing: Michigan State University Press, 1997.Google Scholar
Kalita, S. Mitra. Suburban Sahibs: Three Immigrant Families and Their Passage from India to America. New Brunswick, NJ: Rutgers University Press, 2003.Google Scholar
Kam, Nadine. “Writer’s Blu’s: Yamanaka’s Award for ‘Blu’s Hanging’ Is Yanked, Igniting a Hot Debate About Literature vs. Social Responsibility.” Honolulu Star-Bulletin (July 3, 1998). Online resource: http://archives.starbulletin.com/98/07/06/features/index.html. Accessed June 11, 2015.Google Scholar
Kam, Tanya. “Traveling Identities: Between Worlds in Karen Tei Yamashita’s Circle K Cycles.” ellipsis: Journal of the American Portuguese Studies Association 6 (2008): 9–32.Google Scholar
Kamboureli, Smaro. “The Politics of the Beyond: 43 Theses on Autoethnography and Complicity.” In Ty and Verduyn, Asian Canadian Writing, 1998, 31–53.Google Scholar
Kang, Jay Caspian. “The Campaign to “Cancel” Colbert,” The New Yorker (March 30, 2014). Online resource: http://www.newyorker.com/news/news-desk/the-campaign-to-cancel-colbert. Accessed June 11, 2015.Google Scholar
Kang, Younghill East Goes West: The Making of and Oriental Yankee. Chicago: Follett Publishing Company, 1965. Reprinted New York: Kaya, 1997.Google Scholar
Katawal, Ubaraj. “Becoming a ‘British Hindoo’: Errant Subjectivities in Bharati Mukherjee’s Fiction.” Postcolonial Text 6.3 (2011): 1–15.Google Scholar
Kaufmann, David. “Thanks for the Memory: Bloch, Benjamin, and the Philosophy of History.” In Not Yet: Reconsidering Ernst Bloch, ed. Daniel, Jamie Owen and Moylan, Tom. London: Verso Press, 1997, 33–52.Google Scholar
Kawai, Yuko. “Stereotyping Asian Americans: The Dialectic of the Model Minority and the Yellow Peril.” Howard Journal of Communications 16.2 (2005): 109–30.CrossRefGoogle Scholar
Khair, Tabish, ed. Amitav Ghosh: A Critical Companion. New Delhi: Permanent Black, 2003.Google Scholar
Kidd, David Comer, and Castano, Emanuele. “Reading Literary Fiction Improves Theory of Mind.” Science 342.6156 (October 18, 2013): 377–80.CrossRefGoogle ScholarPubMed
Kim, Daniel Y. “‘Bled In, Letter by Letter’: Translation, Postmemory, and the Subject of Korean War: History in Susan Choi’s The Foreign Student.” American Literary History 21.3 (2009): 550–83.CrossRefGoogle Scholar
Kim, Daniel Y. “Once More, with Feeling: Cold War Masculinity and the Sentiment of Patriotism in John Okada’s No-No Boy.” Criticism 47.1 (2005): 65–83.CrossRefGoogle Scholar
Kim, Elaine H. “Home Is Where the Han Is: A Korean American Perspective on the Los Angeles Upheavals.” In Asian American Studies: A Reader, ed. Shen Wu, Jean Yu-Wen and Song, Min. New Brunswick, NJ: Rutgers University Press, 2000, 270–90.Google Scholar
Kim, Elaine H. “Korean American Literature.” In Cheung, An Interethnic Companion, 1996, 156–91.Google Scholar
Kim, Elaine H. “Preface.” In Charlie Chan Is Dead: An Anthology of Contemporary Asian American Fictioni, ed. Hagedorn, Jessica. New York: Penguin Books, 1993, vii–xiv.Google Scholar
Kim, Elaine H. “‘Such Opposite Creatures’: Men and Women in Asian American Literature.” Michigan Quarterly Review XXXIX.1 (1990): 68–93.Google Scholar
Kim, Elaine H. “Asian American Realities Through Literature.” Cultural Critique (1987): 87–111.CrossRefGoogle Scholar
Kim, Elaine H. Asian American Literature: An Introduction to the Writings and Their Social Context. Philadelphia: Temple University Press, 1982.Google Scholar
Kim, Elaine H. “Searching for a Door to America: Younghill Kang, Korean American Writer.” Korea Journal 17.4 (1977): 38–47.Google Scholar
Kim, Elaine H., and Alarcon, Norma, eds. Writing Self, Writing Nation: Essays on Theresa Hak Kyung Cha’s Dictee. Berkeley, CA: Third Woman, 1994.Google Scholar
Kim, Hyo K. “Embodying the In-Between: Theresa Hak Kyung Cha’s Dictee.” Mosaic 46.4 (2013): 127–43.Google Scholar
Kim, Jodi. Ends of Empire: Asian American Critique and the Cold War. Minneapolis: University of Minnesota Press, 2010.CrossRefGoogle Scholar
Kim, Sojin. “Music for the Struggle by Asians in America.” Smithsonian Folkways Magazine: Featuring Asian American Music. Online Resource: http://www.folkways.si.edu/magazine/2011_spring/cover_story-a-grain-of-sand-4.aspx. Accessed January 13, 2014.Google Scholar
Kim, Sue J. “Narrator, Author, Reader: Equivocation in Theresa Hak Kyung Cha’s Dictee.” Narrative 16.2 (2008): 163–77.CrossRefGoogle Scholar
Kim, Suji Kwock. Notes from the Divided Country. Baton Rouge: Louisiana State University Press, 2003.Google Scholar
King, Bruce. “The Image of the United States in Three Pakistani Novels.” Totalitarian Movements and Political Religions 8.3–4 (2007): 683–8.CrossRefGoogle Scholar
Kingston, Maxine Hong. I Love A Broad Margin to My Life. London: Harvill Secker, 2011.Google Scholar
Kingston, Maxine Hong “Personal Statement.” In Approaches to Teaching Kingston’s The Woman Warrior, ed. Lim, Shirley Geok-lin. New York: MLA, 1991, 23–5.Google Scholar
Kingston, Maxine Hong “Cultural Mis-readings by American Reviewers.” In Asian and American Writers in Dialogue: New Cultural Identities, ed. Amirthanayagam, Guy. London: Macmillan, 1982, 55–65.Google Scholar
Kingston, Maxine Hong The Woman Warrior: Memoirs of a Girlhood Among Ghosts. New York: Alfred A. Knopf, 1976. Reprinted London: Picador, 1981; New York: Vintage International, 1989.Google Scholar
Kirsch, Robert R. “Korean War Story Deserves To Be Classed as Great Novel.” Los Angeles Times (February 23, 1964): C14.Google Scholar
Kitano, Harry. Japanese Americans: The Evolution of a Subculture. Upper Saddle River, NJ: Prentice-Hall, 1969.Google Scholar
Kittler, Friedrich A. Discourse Networks 1800/1900. Translated by Metteer, Michael with Cullens, Chris. Stanford, CA: Stanford University Press, 1969.Google Scholar
Klein, Christina. Cold War Orientalism: Asia in the Middlebrow Imagination, 1945–1961. Berkeley: University of California Press, 2001.Google Scholar
Klein, Michele Gerber. “Mei-Mei [sic] Berssenbrugge.” Bomb 96 (2006). Online resource: http://bombmagazine.org/article/2835/mei-mei-berssenbrugge. Accessed June 11, 2015.Google Scholar
Knadler, Stephen. “Unacquiring Negrophobia: Younghill Kang and Cosmopolitan Resistance to the Black and White Logic of Naturalization.” In Lawrence and Cheung, Recovered Legacies, 2005, 98–119.Google Scholar
Knopf-Newman, Marcy Jane. “Interview with Suheir Hammad.” MELUS 31.4 (Winter 2006): 71–91.CrossRefGoogle Scholar
Kondo, Doreen. “How Do You Make Social Change: Visions of Possibility?” Theater 31.3 (2001): 62–94.Google Scholar
Kono, Juliet S. “Interview with author Juliet S. Kono.” Bamboo Ridge. Online resource: http://www.bambooridge.com/feature.aspx?fid=171. Accessed July 17, 2013.Google Scholar
Koshy, Susan. “Neoliberal Family Matters.” American Literary History 25.2 (2013): 344–80.Google Scholar
Koshy, Susan “The Rise of the Asian American Novel.” In The Cambridge History of the American Novel, ed. Cassuto, Leonard, Eby, Clare Virginia, and Reiss, Benjamin. Cambridge: Cambridge University Press, 2011, 1046–63.Google Scholar
Koshy, Susan “The Fiction of Asian American Literature.” The Yale Journal of Criticism 9.2 (1996): 315–46.CrossRefGoogle Scholar
Koshy, Susan, and Radhakrishnan, R., eds. Transnational South Asians: The Making of a Neo-Diaspora. New York: Oxford University Press, 2008.Google Scholar
Kumar, Amitava. Passport Photos. Berkeley: University of California Press, 2000.CrossRefGoogle Scholar
Kumar, Amitava, Jaffe, Harold, Shivani, Anis, and Patel, Shailja. “Forum: On Literature Post 9/11.” The Asian American Literary Review 2.1.5 (2011): 256–81.Google Scholar
Kumar, T. Vijay. “‘Postcolonial describes you as a negative’: An Interview with Amitav Ghosh.” Interventions 9.1 (2007): 99–105.CrossRefGoogle Scholar
Kunhardt, Philip B., Jr., Kunhardt, Philip B. III, and Kunhardt, Peter W.. P.T. Barnum: America’s Greatest Showman. New York: Knopf, 1995.Google Scholar
Kunzru, Hari. “Leading a Decent, Purposeful Life Isn’t the Sole Province of the Religious.” The Guardian (July 11, 2014). Online resource: http://www.theguardian.com/commentisfree/2014/jul/12/leading-decent-life-not-sole-province-of-religious. Accessed June 11, 2015.Google Scholar
Kurahashi, Yuko. Asian American Culture on Stage: The History of the East West Players. New York: Routledge, 1999.Google Scholar
Kwon, Brenda. “Hawai‘i.” In A Companion to the Regional Literatures of America, ed. Crow, Charles L.. Malden, MA: Blackwell, 2003, 458–76.Google Scholar
Kwong, Peter. Chinatown, NY: Labor and Politics, 1930–1950. New York: New Press, 2001.Google Scholar
LaCapra, Dominick. History, Politics, and the Novel. Ithaca, NY: Cornell University Press, 1987.Google Scholar
Lai, Him Mark, Lim, Genny, and Yung, Judy, eds. Island: Poetry and History of Chinese Immigrants on Angel Island, 1910–1940. Seattle: University of Washington Press, 1991. Originally published by HOC DOI (History of Chinese Detained on Island), 1980.Google Scholar
Lai, Larissa. Slanting I, Imagining We: Asian Canadian Literary Production in the 1980s and 1990s. Waterloo, ON: Wilfrid Laurier University Press, 2014.Google Scholar
Lai, Paul. “Autoethnography Otherwise.” In Ty and Verdu, Asian Canadian Writing, 1998, 55–70.Google Scholar
Lao, She. Rickshaw: The Novel Lo-t’o Hsiang Tzu. Translated by James, Jean M.. Honolulu: University Press of Hawaii, 1979.Google Scholar
Lape, Noreen Groover. West of the Border: The Multicultural Literature of the Western American Frontiers. Athens, OH: Ohio University Press, 2000.Google Scholar
Latham, Michael. The Right Kind of Revolution: Modernization, Development, and U.S. Foreign Policy from the Cold War to the Present. Ithaca, NY: Cornell University Press, 2011.Google Scholar
Lawrence, Keith, and Cheung, Floyd, eds. Recovered Legacies: Authority and Identity in Early Asian American Literature. Philadelphia: Temple University Press, 2005.Google Scholar
Lê, Linda The Three Fates. Translated by Palizzotti, Mark. New York: New Directions Books, 1997.Google Scholar
Lê, Linda Slander. Translated by Allen, Esther. Lincoln: University of Nebraska Press, 1996.Google Scholar
le, thi diem thuy. “Shrapnel Shards on Blue Water.” In Asian-American Literature: An Anthology, ed. Lim, Shirley Goek-lin. Lincolnwood, IL: NTC Publishing Group, 2000, 224–9.Google Scholar
Lee, C. Y. The Flower Drum Song. New York: Farrar, Straus and Cudahy, 1957. Reprinted New York: Penguin, 2002.Google Scholar
Lee, Christopher. The Semblance of Identity: Aesthetic Mediation in Asian American Literature. Stanford, CA: Stanford University Press, 2012.Google Scholar
Lee, Erika and Judy Yung. Angel Island: Immigrant Gateway to America. New York: Oxford University Press, 2010.Google Scholar
Lee, Esther Kim. “Asian American Women Playwrights and the Dilemma of the Identity Play: Staging Heterotopic Subjectivities.” In Contemporary Women Playwrights: Into the Twenty-first Century, ed. Farfan, Penny and Ferris, Lesely. New York: Palgrave Macmillan, 2013, 244–57.Google Scholar
Lee, Esther Kim A History of Asian American Theatre. Cambridge: Cambridge University Press, 2006.Google Scholar
Lee, Esther Kim, ed. Seven Contemporary Plays from the Korean Diaspora. Durham, NC: Duke University Press, 2012.Google Scholar
Lee, James Kyung-Jin. “Best-Selling Korean American: Revisiting Richard E. Kim.” Korean Culture 19.1 (1998): 30–9.Google Scholar
Lee, Josephine. The Japan of Pure Invention: Gilbert and Sullivan’s The Mikado. Minneapolis: University of Minnesota Press, 2010.CrossRefGoogle Scholar
Lee, Josephine Performing Asian America: Race and Ethnicity on the Contemporary Stage. Philadelphia: Temple University Press, 1997.Google Scholar
Lee, Josephine, Eitel, Donald, and Shiomi, Rick, eds. Asian American Plays for a New Generation. Philadelphia: Temple University Press, 2011.Google Scholar
Lee, Rachel, ed., Routledge Companion to Asian American and Pacific Islander Literature. New York: Routledge, 2014.CrossRefGoogle Scholar
Lee, Rachel. The Americas of Asian American Literature: Gendered Fictions of Nation and Transnation. Princeton, NJ: Princeton University Press, 1999.Google Scholar
Lee, Robert G. “The Cold War Construction of the Model Minority Myth.” In Contemporary Asian America: A Multidisciplinary Reader, ed. Zhou, Min and Gatewood, James V.. 2nd ed. New York: New York University Press, 2007, 469–84.Google Scholar
Lee, Robert G. Orientals: Asian Americans in Popular Culture. Philadelphia: Temple University Press, 1999.Google Scholar
Lee, Sue-Im. “‘We Are Not the World’: Global Village, Universalism, and Karen Tei Yamashita’s Tropic of Orange.” Modern Fiction Studies 53.3 (2007): 501–27.CrossRefGoogle Scholar
Lee, Yoon Sun. Modern Minority: Asian American Literature and Everyday Life. Oxford: Oxford University Press, 2012.Google Scholar
Lei, Daphne. “The Production and Consumption of Chinese Theatre in Nineteenth-Century California.” Theatre Research International 28.3 (2003): 289–302.CrossRefGoogle Scholar
Lejeune, Phillippe. “The Autobiographical Pact,” translated by Katherine Leary. In On Autobiography, ed. Eakin, Paul John. Minneapolis: University of Minnesota Press, 1989, 3–30.Google Scholar
Leong, Russell. “Poetry within Earshot: Notes on an Asian American Generation 1968–1978.” Ameriasia Journal 15.1 (1989): 165–93.Google Scholar
Lew, Janey. What Do We Have in Canon? Chinese Canadian Anthologies and the Posit(ion)ing of an Ethno-National Literary Canon and Its Contexts. Master’s Thesis. Vancouver: University of British Columbia, 2006.Google Scholar
Lew, Walter K. “Grafts, Transplants, Translation.” In Modernism, Inc.: Body, Memory, Capital, ed. Scandura, Jani and Thurston, Michael. New York: New York University Press, 2001, 171–90.Google Scholar
Lewis, David H. Flower Drum Songs: The Story of Two Musicals. Jefferson, NC: McFarland and Co., 2006.Google Scholar
Li, David Leiwei. Imagining the Nation: Asian American Literature and Cultural Consent. Stanford, CA: Stanford University Press, 1998.CrossRefGoogle Scholar
Li, David Leiwei “Race, Gender, Class and Asian American Literary Theory.” Race, Gender and Class 4.3 (1997): 40–53.Google Scholar
Liao, Pei-Chen. “Post”-9/11 South Asian Diasporic Fiction: Uncanny Terror. New York: Palgrave MacMillan, 2013.CrossRefGoogle Scholar
Liberman, Mark. “Annals of Overgeneralization.” Language Log (October 8, 2013). Online resource: http://languagelog.ldc.upenn.edu/nll/?p=7715. Accessed on March 22, 2014.Google Scholar
Lico, Gerard. Edifice Complex: Power, Myth, and Marcos State Architecture. Manila, Philippines: Ateneo de Manila Press, 2003.Google Scholar
Lim, Shirley Geok-lin. “Reading Back, Looking Forward: A Retrospective Interview with Maxine Hong Kingston.” MELUS 33.1 (2008): 157–70.CrossRefGoogle Scholar
Lim, Shirley Geok-lin “Sibling Hybridities: The Case of Edith Eaton/Sui Sin Far and Winnifred Eaton/Onoto Watanna.” Life Writing 4.1 (2007): 81–99.Google Scholar
Lim, Shirley Geok-lin “The Tradition of Chinese American Women’s Life Stories: Thematics of Race and Gender in Jade Snow Wong’s Fifth Chinese Daughter and Maxine Hong Kingston’s The Woman Warrior.” In American Women’s Autobiography: Fea(s)ts of Memory, ed. Culley, Margo. Madison: University of Wisconsin Press, 1992, 252–67.Google Scholar
Lim, Shirley Geok-lin “Japanese American Women’s Life Stories: Maternality in Moncia Sone’s Nisei Daughter and Joy Kogawa’s Obasan.” Feminist Studies 16.2 (1990): 288–312.CrossRefGoogle Scholar
Lim, Shirley Geok-lin, and Ling, Amy, eds. Reading the Literatures of Asian America. Philadelphia: Temple University Press, 1992.Google Scholar
Lim, Shirley Geok-lin, Tsutakawa, Mayumi, and Donnelly, Margarita, eds. The Forbidden Stitch: An Asian American Women’s Anthology. Corvallis, OR: Calyx Books, 1989.Google Scholar
Lin, Patricia. “Clashing Constructs of Reality: Reading Maxine Hong Kingston’s Tripmaster Monkey: His Fake Book as Indigenous Ethnography.” In Lim and Ling, Reading the Literatures of Asian America, 1992, 333–48.Google Scholar
Ling, Amy. Between Worlds: Women Writers of Chinese Ancestry. New York: Pergamon, 1990.Google Scholar
Ling, Amy “Winnifred Eaton: Ethnic Chameleon and Popular Success.” MELUS 2.3 (1984): 5–15.CrossRefGoogle Scholar
Ling, Amy “Edith Eaton: Pioneer Chinamerican Writer and Feminist.” American Literary Realism 16 (1983): 287–98.Google Scholar
Ling, Amy, and White-Parks, Annette. “Introduction.” In E. Eaton, Mrs. Spring Fragrance and Other Writings, 1995, 1–8.Google Scholar
Ling, Jinqi. Narrating Nationalisms: Ideology and Form in Asian American Literature. Oxford: Oxford University Press, 1998.CrossRefGoogle Scholar
Ling, Jinqi “Race, Power, and Cultural Politics in John Okada’s No-No Boy.” American Literature 67.2 (1995): 359–81.CrossRefGoogle Scholar
Liu, Michael, Geron, Kim, and Lai, Tracy. The Snake Dance of Asian American Activism: Community, Vision, and Power. Lanham, MD: Lexington Books, 2008.Google Scholar
Louie, Steve, and Omatsu, Glenn K., eds. Asian Americans: The Movement and The Moment. Los Angeles: UCLA Asian American Studies Center Press, 2001.CrossRefGoogle Scholar
Lowe, Lisa. “The Intimacies of Four Continents.” In Haunted by Empire: Geographies of Intimacy in North American History, ed. Stoler, Ann Laura. Durham, NC: Duke University Press, 2006, 191–212.CrossRefGoogle Scholar
Lowe, Lisa Immigrant Acts: On Asian American Cultural Politics. Durham, NC: Duke University Press, 1996.Google Scholar
Lowe, Lisa “Heterogeneity, Hybridity, Multiplicity: Marking Asian American Differences.” Diaspora: A Journal of Transnational Studies 1.1 (1991): 24–44.CrossRefGoogle Scholar
Lukács, Georg. The Theory of the Novel. Translated by Bostock, Anna. Cambridge, MA: MIT Press, 1971.Google Scholar
Lukin, Josh. “Introduction: Genre Poaching in Contemporary Fiction.” Genre 42.3–4 (2009): 1–3.CrossRefGoogle Scholar
Lui, Mary Ting Yi. The Chinatown Trunk Mystery: Murder, Miscegenation, and Other Dangerous Encounters in Turn-of-the-Century New York City. Princeton, NJ: Princeton University Press, 2005.Google Scholar
Loung, Ung. First They Killed My Father: A Daughter of Cambodia Remembers. New York: HarperCollins, 2000.Google Scholar
Lye, Colleen America’s Asia: Racial Form and American Literature, 1893–1945. Princeton, NJ: Princeton University Press, 2005.Google Scholar
Mabalon, Dawn Bohulano. Little Manila Is in the Heart: The Making of the Filipina/o American Community in Stockton, California. Durham, NC: Duke University Press, 2013.Google Scholar
Maeda, Daryl Joji. Rethinking the Asian American Movement. New York: Routledge, 2012.CrossRefGoogle Scholar
Maeda, Daryl Joji Chains of Babylon: The Rise of Asian America. Minneapolis: University of Minnesota Press, 2009.Google Scholar
Maeda, Daryl Joji “The Asian American Movement.” In Speaking Out: Activism and Protest in the 1960s and 1970s, ed. Thompson, Heather Ann. New York: Prentice Hall, 2009.Google Scholar
Maira, Sunaina. Missing: Youth, Citizenship, and Empire after 9/11. Durham, NC: Duke University Press, 2009.Google Scholar
Maira, Sunaina Desis in the House: Indian American Youth Culture in New York City. Philadelphia: Temple University Press, 2002.Google Scholar
Malpede, John. “How Do You Make Social Change: Recreating Imbalance?” Theater 31.3 (2001): 62–94.Google Scholar
Mamdani, Mahmood. Good Muslim, Bad Muslim: America, the Cold War, and the Roots of Terror. New York: Pantheon Books, 2004.Google Scholar
Mandal, Somdatta. “The City of the Mind or Return to the Roots? Representations of Calcutta in the Fiction of Diasporic Bengali Women Writers.” In Indias Abroad: The Empire Writes Back, ed. Chetty, Rajendra and Piciucco, Pier Paolo. Johannesburg: STE, 2004, 127–42.Google Scholar
Mangaoang, Gil. “From the 1970s to the 1990s: Perspective of a Gay Filipino American Activist.” In Asian American Sexualities: Dimensions of the Gay and Lesbian Experience, ed. Leong, Russell. New York: Routledge Press, 1996, 101–12.Google Scholar
Mani, Bakirathi. Aspiring to Home: South Asians in America. Stanford, CA: Stanford University Press, 2012.Google Scholar
Mannur, Anita. Culinary Fictions: Food in South Asian Diasporic Culture. Philadelphia: Temple University Press, 2010.Google Scholar
Mansoor, Asma. “Post 9/11 Identity Crisis in H.M. Naqvi’s Home Boy.” Pakistaniaat: A Journal of Pakistan Studies 4.2 (2012): 8–44.Google Scholar
Manuud, Antonio, ed. Brown Heritage: Essays on Philippine Cultural Tradition and Literature. Quezon City, Philippines: Ateneo de Manila University Press, 1967.Google Scholar
Martin, Wallace. Recent Theories of Narrative. Ithaca, NY: Cornell University Press, 1986.Google Scholar
Matsukawa, Yuko. “Cross-Dressing and Cross-Naming: Decoding Onoto Watanna.” In Tricksterism in Turn-of-the-Century American Literature: A Multicultural Perspective, ed. Ammons, Elizabeth and White-Parks, Annette. Hanover, NH: University Press of New England, 1994, 106–25.Google Scholar
Matthews, Fred H. The Quest for an American Sociology: Robert E. Park and the Chicago School. Montreal: McGill-Queen’s University Press, 1977.Google Scholar
Maxey, Ruth. South Asian Atlantic Literature, 1970–2010. Edinburgh: Edinburgh University Press, 2012.Google Scholar
Maxey, Ruth “Mother-Weights and Lost Fathers: Parents in South Asian American Literature.” Wasafiri 27.1 (2012): 25–31.CrossRefGoogle Scholar
McDaniel, Nicole. “‘The Remnant Is the Whole’: Collage, Serial Self-Representation, and Recovering Fragments in Theresa Hak Kyung Cha’s Dictée.” ARIEL: A Review of International English Literature 40.4 (2009): 69–88.Google Scholar
McKinney, Chris. Boi No Good: A Novel of Family, Crime, and Betrayal in a Hawai‘i of Turmoil. Honolulu, HI: Mutual Publishing, 2012.Google Scholar
McPherson, Tara. “Why Are the Digital Humanities So White? Or Thinking the Histories of Race and Computation.” In Debates in the Digital Humanities, ed. Gold, Matthew K.. Minneapolis: University of Minnesota Press, 2012, 139–60. Online resource: http://dhdebates.gc.cuny.edu/debates/text/29. Accessed February 1, 2012.Google Scholar
Mehta, Brinda J. Diasporic (Dis)locations: Indo-Caribbean Women Writers Negotiate the “Kala Pani.” Kingston, Jamiaca: The University of the West Indies Press, 2004.CrossRefGoogle Scholar
Melamed, Jodi. “Reading Tehran in Lolita: Making Racialized and Gendered Difference Work for Neoliberal Multiculturalism.” In Hong and Ferguson, Strange Affinities, 2011, 76–112.CrossRefGoogle Scholar
Melamed, Jodi Represent and Destroy: Rationalizing Violence in the New Racial Capitalism. Minneapolis: University of Minnesota Press, 2011.CrossRefGoogle Scholar
Mendoza, Victor. “Little Brown Students and the Homoerotics of ‘White Love.’” Genre 39.4 (2006): 65–83.CrossRefGoogle Scholar
Metzger, Sean. “Charles Parsloe’s Chinese Fetish: An Example of Yellowface Performance in Nineteenth-Century American Melodrama.” Theatre Journal 56 (2004): 627–51.CrossRefGoogle Scholar
Miki, Roy. “Asiancy: Making Space for Asian Canadian Writing,” Broken Entries: Race Subjectivity Writing. Toronto: Mercury Press, 1998, 101–24.Google Scholar
Mirikitani, Janice, and Third World Communications, eds. Time to Greez! Incantations from the Third World. San Francisco: Glide Publications, 1975.Google Scholar
Mishra, Pankaj. From the Ruins of Empire: The Intellectuals Who Remade Asia. New York: Farrar, Straus and Giroux, 2012.Google Scholar
The Modern Girl Around the World Research Group, Weinbaum, Alys Eve, Thomas, Lynn M., Ramamurthy, Priti, Poiger, Uta G., and Dong, Madeleine Yue, eds. The Modern Girl Around the World: Consumption, Modernity, and Globalization. Durham, NC: Duke University Press, 2008.Google Scholar
Monaghan, Peter. “Literary Award Throws Asian-American-Studies Group into an Uproar,” The Chronicle of Higher Education (July 2, 1998). Online resource: http://jobs.chronicle.com/article/Literary-Award-Throws/104565/. Accessed June 11, 2015.Google Scholar
Mondal, Anshuman A. Amitav Ghosh. Manchester, UK: Manchester University Press, 2007.CrossRefGoogle Scholar
Monrayo, Angeles. Tomorrow’s Memories: A Diary, 1924–1928. Honolulu: University of Hawai‘i Press, 2003.Google Scholar
Moon, Krystyn. “The Rise of Asians and Asian Americans in Vaudeville, 1880s–1930s.” Asian Pacific American Collective History Project. Online resource: http://www.sscnet.ucla.edu/history/faculty/henryyu/APACHP/teacher/research/moon.htm. Accessed September 1, 2013.Google Scholar
Moon, Krystyn “Paper Butterflies: Japanese Acrobats in Mid-Nineteenth-Century New England.” In Asian Americans in New England: Culture and Community, ed. Chiu, Monica. Hanover, NH: University Press of New England, 2009, 66–90.Google Scholar
Moon, Krystyn Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s–1920s. New Brunswick, NJ: Rutgers University Press, 2005.Google Scholar
Morey, Peter. “The Rules of the Game Have Changed: Mohsin Hamid’s The Reluctant Fundamentalist and Post-9/11 Fiction.” Journal of Postcolonial Writing 47.2 (2011): 35–46.CrossRefGoogle Scholar
Moretti, Franco. “From the Way of the World: The Bildungsroman in European Literature.” In Theory of the Novel: A Historical Approach, ed. McKeon, Michael. Baltimore, MD: Johns Hopkins University Press, 2000, 554–65.Google Scholar
Mori, Toshio The Chauvinist and Other Stories. Los Angeles: UCLA Asian American Studies Center, 1979.Google Scholar
Morson, Gary Saul. The Long and Short of It: From Aphorism to Novel. Stanford, CA: Stanford University Press, 2012.CrossRefGoogle Scholar
Motooka, Wendy. “Sentimentalism, Authenticity, and Hawai‘i Literature.” Bamboo Ridge 73 (1998): 22–32.Google Scholar
Mukerji, Dhan Gopal. Caste and Outcaste. Stanford, CA: Stanford University Press, 2002.CrossRefGoogle Scholar
Mullen, Harryette. “Poetry and Identity.” In Telling It Slant: Avant-Garde Poetics of the 1990s, ed. Wallace, Mark and Marks, Steven. Tuscaloosa: University of Alabama Press, 2002, 27–31.Google Scholar
Muller, Gilbert H. New Strangers in Paradise: The Immigrant Experience and Contemporary American Fiction. Lexington: University Press of Kentucky, 1999.Google Scholar
Murayama, Milton. All I Asking for Is My Body. Honolulu: University of Hawaii Press, 1988.Google Scholar
Murayama, Milton “I Will Crack Your Head Kotsun!” Arizona Quarterly 15 (1959): 137–49.Google Scholar
Nadler, Sheryl F. “‘The First Born’ (1897): A Cultural, Historical, and Literary Study of Francis Powers and David Belasco’s Unpublished Drama of Chinese Life in America.” PhD diss. Tallahassee: Florida State University, 1994.Google Scholar
Najmi, Samina. “Teaching as a Pakistani American Muslim Feminist.” Asian American Literary Review 2.1.5 (2011): 17–24.Google Scholar
Najmi, Samina “Naomi Shihab Nye’s Aesthetic of Smallness and the Military Sublime.” Multiethnic Poetics 35.2 (2010): 151–71.Google Scholar
Nakamura, Lisa. Digitizing Race: Visual Cultures of the Internet. Minneapolis: University of Minnesota Press, 2008.Google Scholar
Nakamura, Lisa, and Chow-White, Peter A., eds. Race after the Internet. New York: Routledge, 2012.Google Scholar
Neal, Larry. “The Black Arts Movement.” In A Sourcebook of African-American Performance: Plays, People, Movement, ed. Bean, Annemarie. New York: Routledge, 1999, 55–67.Google Scholar
Nelson, Brian, ed. Asian American Drama: Nine Plays from the Multiethnic Landscape. New York: Applause, 1997.Google Scholar
Nelson, Emmanuel S., ed. Bharati Mukherjee: Critical Perspectives. New York: Garland, 1993.Google Scholar
Ngai, Mae M. Impossible Subjects: Illegal Aliens and the Making of Modern America. Princeton, NJ: Princeton University Press, 2004.Google Scholar
Nguyen, Minh T. 2000. “‘It Matters to Get the Facts Straight’: Joy Kogawa, Realism, and Objectivity of Values.” In Realist Theory and the Predicament of Postmodernism, ed. Roya, Paula M. L. and Hames-García, Michael R.. Berkeley: University of California Press, 2000, 171–204.Google Scholar
Nguyen, Mimi Thi. The Gift of Freedom: War, Debt, and Other Refugee Passages. Durham, NC: Duke University Press, 2012.Google Scholar
Nguyen, Mimi Thi, and Tu, Thuy Linh Nguyen, “Introduction.” In Nguyen and Tu, Alien Encounters, 2007, 1–34.CrossRefGoogle Scholar
Nguyen, Mimi Thi, and Thuy Linh Nguyen, Tu, eds. Alien Encounters: Popular Cultures in Asian America. Durham, NC: Duke University Press, 2007.CrossRefGoogle Scholar
Nguyen, Viet Thanh. “Viet Nam.” In Lee, The Routledge Companion, 365–75.Google Scholar
Nguyen, Viet Thanh “Just Memory: War and the Ethics of Remembrance.” American Literary History 25.1 (2013): 144–63.CrossRefGoogle Scholar
Nguyen, Viet Thanh Race and Resistance: Literature and Politics in Asian America. Oxford: Oxford University Press, 2002.CrossRefGoogle Scholar
Nguyen-Vo, Thu-Huong. The Ironies of Freedom: Sex, Culture, and Neoliberal Governance in Vietnam. Seattle: University of Washington Press, 2008.Google Scholar
Norton, Anne. On the Muslim Question. Princeton, NJ: Princeton University Press, 2013.Google Scholar
Nubla, Gladys. “The Politics of Relation: Creole Languages in Dogeaters and Rolling the R’s.” MELUS 29.1 (2004): 199–218.CrossRefGoogle Scholar
Nussbaum, Emily. “Crass Warfare.” The New Yorker (November 28, 2011). Online resource: http://www.newyorker.com/magazine/2011/11/28/crass-warfare. Accessed June 11, 2015.Google Scholar
Nussbaum, Martha C. Poetic Justice: The Literary Imagination and Public Life. Boston: Beacon, 1995.Google Scholar
Odo, Franklin. Voices from the Canefields: Folksongs from Japanese Immigrant Workers in Hawai‘i. Oxford: Oxford University Press, 2013.CrossRefGoogle Scholar
Oh, Seiwoong. Encyclopedia of Asian-American Literature. New York: Infobase Publishing, 2009.Google Scholar
Oh, Stella. “Paradoxes of Citizenship: Re-Viewing the Japanese American Internment in Miné Okubo’s Citizen 13660.” In Robinson and Creef, Miné Okubo, 2008, 145–58.Google Scholar
Oi, Cynthia. “Lois-Ann Yamanaka: Her ‘Blu’s Hanging’ Made Waves in Hawaii as Well as in Literature.” Star Bulletin (January 1, 1999): A7.Google Scholar
Okihiro, Gary Y. Margins and Mainstreams: Asians in American History and Culture. Seattle: University of Washington Press, 1994.Google Scholar
Okihiro, Gary Y. Cane Fires: The Anti-Japanese Movement in Hawaii, 1865–1945. Philadelphia: Temple University Press, 1991.Google Scholar
Omatsu, Glenn. “The “Four Prisons” and the Movements of Liberation: Asian American Activism from the 1960s to the 1990s.” In The State of Asian America: Activism and Resistance in the 1990s, ed. Juan, Karen Aguilar-San. Boston: South End Press, 1994, 19–69.Google Scholar
Omi, Michael. “Out of the Melting Pot and Into the Fire.” In LEAP Asian Pacific American Public Policy Institute, The State of Asian Pacific America: A Public Policy Report. Policy Issues to the Year 2020. Los Angeles: UCLA Asian American Studies Center, 1993, 199–214.Google Scholar
Omi, Michael, and Winant, Howard. Racial Formation in the United States: From the 1960s to the 1990s. New York: Routledge, 1994.Google Scholar
Ong, Aihwa. Neoliberalism as Exception: Mutations in Citizenship and Sovereignty. Durham, NC: Duke University Press, 2006.Google Scholar
Orser, Joseph Andrew. The Lives of Chang and Eng: Siam’s Twins in Nineteenth-Century America. Chapel Hill: University of North Carolina Press, 2013.Google Scholar
Ou, Hsin-yu. “Chinese Ethnicity and the American Heroic Artisan in Henry Grimm’s The Chinese Must Go (1879).” Comparative Drama 44.1 (2010): 63–83.Google Scholar
Ozeki, Ruth L. “A Universe of Many Worlds.” Interview by Eleanor Ty. MELUS 38.3 (2013): 160–71.Google Scholar
Palumbo-Liu, David. “The Occupation of Form: (Re)theorizing Literary History.” American Literary History 20.4 (2008): 814–35.CrossRefGoogle Scholar
Palumbo-Liu, David Asian/American Historical Crossings of a Racial Frontier. Stanford, CA: Stanford University Press, 1999.Google Scholar
Palumbo-Liu, David “The Ethnic as ‘Post-’: Reading Reading the Literatures of Asian America.” American Literary History 7.1 (1995): 161–8.Google Scholar
Palumbo-Liu, David “Theory and the Subject of Asian America Studies.” Amerasia Journal 21.1–2 (1995): 55–65.CrossRefGoogle Scholar
Panlilio, Yay. The Crucible: An Autobiography of Colonel Yay, Filipina American Guerrilla, edited with an introduction by Denise Cruz. New Brunswick, NJ: Rutgers University Press, 2009.Google Scholar
Pao, Angela. “The Eyes of the Storm: Gender, Genre and Crosscasting in Miss Saigon.” Text and Performance Quarterly 12.1 (1992): 21–39.CrossRefGoogle Scholar
Paranjape, Makarand R. “Beyond the Subaltern Syndrome: Amitav Ghosh and the Crisis of the Bhadrasamaj.” Journal of Commonwealth Literature 47.3 (2012): 357–74.CrossRefGoogle Scholar
Park, Josephine. Apparitions of Asia: Modernist Form and Asian American Poetics. Oxford: Oxford University Press, 2008.CrossRefGoogle Scholar
Park, Robert Ezra. Race and Culture. In The Collected Essays of Robert Ezra Park. Edited by Hughes, Everett Cherrington et al. Glencoe, IL: Free Press, 1950.Google Scholar
Parreñas, Rhacel Salazar. “White Trash Meets the ‘Little Brown Monkeys’: The Taxi Dance Hall as a Site of Interracial and Gender Alliances between White Working Class Women and Filipino Immigrant Men in the 1920s and 30s.” Amerasia Journal 24.2 (1998): 115–34.CrossRefGoogle Scholar
Pascoe, Peggy. What Comes Naturally: Miscegenation Law and the Making of Race in America. Oxford: Oxford University Press, 2009.CrossRefGoogle Scholar
Passaro, Vince. “Voices and Dreams of Vietnamese Exiles.” New York Newsday (March 12, 1992): 66.Google Scholar
Payne, James Robert, ed. Multicultural Autobiography: American Lives. Knoxville: University of Tennessee Press, 1992.Google Scholar
Pelaud, Isabelle Thuy. This Is All I Choose To Tell: History and Hybridity in Vietnamese American Literature. Philadelphia: Temple University Press, 2011.Google Scholar
Pennybacker, Mindy. “What Boddah You? The Authenticity Debate.” The Nation 128.8 (1999): 28–30.Google Scholar
Peñaranda, Oscar, Syquia, Serafin, and Tagatac, Sam. “An Introduction to Filipino-American Literature.” In Chan, et al., Aiiieeeee!, 1974, xlviii–lxiiiGoogle Scholar
Perry, Donna. 1998. “Maxine Hong Kingston.” In Skenazy and Martin, Conversations, 1998, 168–88.Google Scholar
Petersen, William. “Success Story, Japanese-American Style.” New York Times Magazine (January 9, 1966): section 6, 180.Google Scholar
Pfaff, Timothy. “Talk with Mrs. Kingston.” In Skenazy and Martin, Conversations, 1998, 14–20.Google Scholar
Pham, Andrew X Catfish and Mandala: A Two-Wheeled Voyage through the Landscape and Memory of Vietnam. New York: Picador USA, 2000.Google Scholar
Pisares, Elizabeth H. “Payback Time: Neocolonial Discourses in Peter Bacho’s Cebu.” MELUS 29.1 (2004): 79–98.CrossRefGoogle Scholar
Pittenger, Mark. American Socialists and Evolutionary Thought, 1870–1920. Madison: University of Wisconsin Press, 1993.Google Scholar
Poe, Edgar Alan. “Review of Twice-Told Tales, by Nathaniel Hawthorne.” Graham’s Magazine 20 (May 1842): 298–300.Google Scholar
Ponce, Martin Joseph. Beyond the Nation: Diasporic Filipino Literature and Queer Reading. New York: New York University Press, 2012.Google Scholar
Ponce, Martin Joseph “Jose Garcia Villa’s Modernism and the Politics of Queer Diasporic Reading.” GLQ: A Journal of Lesbian and Gay Studies 17.4 (2011): 575–602.CrossRefGoogle Scholar
Ponce, Martin Joseph “On Becoming Socially Articulate: Transnational Bulosan.” Journal of Asian American Studies 8.1 (2005): 49–80.CrossRefGoogle Scholar
Prashad, Vijay. The Darker Nations: A People’s History of the Third World. New York: New Press, 2007.Google Scholar
Prashad, Vijay The Karma of Brown Folk. Minneapolis: University of Minnesota Press, 2000.Google Scholar
“Proclaiming a State of Martial Law in the Philippines.” Arellano Law Foundation. Online resource: http://www.lawphil.net/executive/proc/proc_1081_1972.html. Accessed February 25, 2014.Google Scholar
Puar, Jasbir. Terrorist Assemblages: Homonationalism in Queer Times. Durham, NC: Duke University Press, 2007.Google Scholar
Pulido, Laura. Black, Brown, Yellow and Left: Radical Activism in Los Angeles. Berkeley: University of California Press, 2006.Google Scholar
Rabinowitz, Paula. “Eccentric Memories: A Conversation with Maxine Hong Kingston.” In Skenazy and Martin, Conversations, 1998, 67–76.Google Scholar
Rafael, Vicente. White Love and Other Events in Filipino History. Durham, NC: Duke University Press, 2000.Google Scholar
Rana, Junaid. Terrifying Muslims: Race and Labor in the South Asian Diaspora. Durham, NC: Duke University Press, 2011.Google Scholar
Raucher, Alan. “American Anti-Imperialists and the Pro-India Movement, 1900–1932.” Pacific Historical Review 43.1 (1974): 83–110.CrossRefGoogle Scholar
Rayson, Anne. “Beneath the Mask: Autobiographies of Japanese-American Women.” MELUS 14.1 (1987): 43–57.CrossRefGoogle Scholar
Reddy, Sujani. “‘The Hidden Hand’: Remapping Indian Nurse Immigration to the United States.” In Bald, et al., The Sun Never Sets, 2013, 103–26.CrossRefGoogle Scholar
Reed, T. V. The Art of Protest: Culture and Activism from the Civil Rights Movement to the Streets of Seattle. Ann Arbor: University of Michigan Press, 2005.Google Scholar
Ricoeur, Paul. Time and Narrative. Volume 3. Trans. Kathleen Blamey and David Pellauer. Chicago: University of Chicago Press, 1988.CrossRefGoogle Scholar
Robinson, Greg, and Creef, Elena Tajima, eds. Miné Okubo: Following Her Own Road. Seattle: University of Washington Press, 2008.Google Scholar
Roces, Mina. “Is the Suffragist an American Colonial Construct?” Defining ‘the Filipino Woman in the Colonial Philippines.” In Women’s Suffrage in Asia: Gender, Nationalism, and Democracy, ed. Edwards, Louise and Roces, Mica. New York: Routledge, 2004, 24–58.CrossRefGoogle Scholar
Rodger, Gillian M. Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century. Urbana: University of Illinois Press, 2010.Google Scholar
Rodgers, Richard, Hammerstein, Oscar II, and Hwang, David Henry. Flower Drum Song. New York: Theatre Communications Group, 2003.Google Scholar
Rodriguez, Richard. Hunger of Memory: The Education of Richard Rodriguez. New York: Bantam, 1982.Google Scholar
Rody, Caroline. The Interethnic Imagination: Roots and Passages in Contemporary Asian American Fiction. Oxford: Oxford University Press, 2009.CrossRefGoogle Scholar
Rody, Caroline “The Transnational Imagination: Karen Tei Yamashita’s Tropic of Orange.” In Asian North American Identities, ed. Ty, Eleanor and Goellnicht, Donald C.. Bloomington: Indiana University Press, 2004, 130–48.Google Scholar
Rollason, Christopher. “‘In our translated world’: Transcultural Communication in Amitav Ghosh’s The Hungry Tide.” The Atlantic Literary Review 6.1–2 (2005): 86–107.Google Scholar
Romeyn, Esther. Street Scenes: Staging the Self in Immigrant New York 1880–1924. Minneapolis: University of Minnesota Press, 2008.Google Scholar
Rose, Daniel Asa. “Prisoner of Fashion: Alex Gilvarry’s Debut Novel.” The New York Times: Sunday Book Review (March 23, 2012).Google Scholar
Rothberg, Michael. “‘There Is No Poetry In This’: Writing, Trauma, and Home.” In Trauma at Home, ed. Greenberg, Judith. Lincoln: University of Nebraska Press, 2003, 147–57.Google Scholar
Roy, Anjali Gera. “Ordinary People on the Move: Subaltern Cosmopolitanisms in Amitav Ghosh’s Writings.” Asiatic 6.1 (2012): 32–46.Google Scholar
Rushdie, Salman “Damme, This Is the Oriental Scene for You.” New Yorker (June 23, 1997), 50–61.Google Scholar
Rushdie, Salman Imaginary Homelands: Essays and Criticism 1981–1991. New York: Penguin, 1992.Google Scholar
Rushdie, Salman “India Bans a Book for Its Own Good. “ The New York Times (19 October, 1988): A27.Google Scholar
Rustomji-Kerns, Roshni, Srikanth, Rajini, and Strobel, Leny Mendoza, eds. Encounters: People of Asian Descent in the Americas. Lanham, MD: Rowman and Littlefield, 1999.Google Scholar
Rydell, Robert. All the World’s a Fair: Visions of Empire at American International Expositions, 1876–1916. Chicago: University of Chicago Press, 1984.Google Scholar
Said, Edward W “Reflections on Exile.” In Out There: Marginalization and Contemporary Cultures, ed. Ferguson, Russsel, Gever, Martha, Minh-ha, Trinh T., and West, Cornel. Cambridge, MA: MIT Press, 1990, 357–66.Google Scholar
Said, Edward W World, Text, and Context. Cambridge, MA: Harvard University Press, 1983.Google Scholar
Salaita, Steven. Modern Arab American Fiction: A Reader’s Guide. Syracuse, NY: Syracuse University Press, 2011.Google Scholar
Salanga, Alfredo Navarro, Santiago, Lilia Quindoza, Aguila, Reuel Molina, and Beltran, Herminio S. Jr. Kamao: Panitikan ng Protesta 1970–1986, Dula. Manila: Center for Literature Cultural Center of the Philippines, 1987.Google Scholar
Saldivar, José David. “The Second Elevation of the Novel: Race, Form, and the Postrace Aesthetic in Contemporary Narrative.” Narrative 21.1 (2013): 1–18.CrossRefGoogle Scholar
Saldivar, José David “Postmodern Realism.” In The Columbia History of the American Novel, ed. Elliott, Emory, Davidson, Cathy N., O’Donnell, Patrick, Smith, Valerie, and Wilson, Christopher P.. New York: Columbia University Press, 1991, 521–41.Google Scholar
San Juan, Jr., Epifanio. “Carlos Bulosan, Filipino Writer-Activist: Between a Time of Terror and the Time of Revolution.” CR: The New Centennial Review 8.1 (2008): 103–34.Google Scholar
San Juan, Jr., Epifanio From Exile to Diaspora: Versions of the Filipino Experience in the United States. Boulder, CO: Westview Press, 1998.Google Scholar
San Juan, Jr., Epifanio The Philippine Temptation: Dialectics of Philippines-U.S. Literary Relations. Philadelphia: Temple University Press, 1996.Google Scholar
Sanchez-Eppler, Karen. “Copying and Conversion: An 1824 Friendship Album from ‘a Chinese Youth.’” American Quarterly 15.4 (2007): 301–39.Google Scholar
Santos, Bienvenido N. Memory’s Fictions: A Personal History. Quezon City, Philippines: New Day Publishers, 1993.Google Scholar
Santos, Bienvenido N Scent of Apples: A Collection of Stories. Seattle: University of Washington Press, 1979Google Scholar
Saussy, Haun. “Impressions de Chine: Or, How to Translate from a Nonexistent Original.” In Sinographies: Writing China, ed. Hayot, Eric, Haun Saussy, and Steven G. Yao. Minneapolis: University of Minnesota Press, 2008, 64–88.Google Scholar
Sayre, Robert F. “Autobiography and the Making of America.” In Autobiography: Essays Theoretical and Critical, ed. Olney, James. Princeton, NJ: Princeton University Press, 1980, 146–68.Google Scholar
Scanlan, Margaret. “Migrating from Terror: The Postcolonial Novel After September 11.” Journal of Postcolonial Writing 46.3–4 (2010): 266–78.CrossRefGoogle Scholar
Scarfi, Denise. “An Interview with Gina Aspostol.” Bookslut (July 2012). Online resource: http://www.bookslut.com/features/2012_07_019126.php. Accessed December 4, 2014.Google Scholar
Schaffer, Kay, and Smith, Sidonie. “Conjunctions: Life Narratives in the Field of Human Rights.” Biography 27.1 (2004): 1–24.CrossRefGoogle Scholar
Schirmer, D. Boone, and Shalom, Stephen, eds. The Philippines Reader: A History of Colonialism, Neocolonialism, Dictatorship and Resistance. Boston: South End Press, 1987.Google Scholar
Schwenkel, Christina. The American War in Contemporary Vietnam: Transnational Rememberance and Representation. Bloomington: Indiana University Press, 2009.Google Scholar
Scott, Daryl Michael. Contempt and Pity: Social Policy and the Image of Damaged Black Psyche. Chapel Hill: University of North Carolina Press, 1998.Google Scholar
See, Sarita Echavez. The Decolonized Eye: Filipino American Art and Performance. Minneapolis: University of Minnesota Press, 2009.Google Scholar
Sehgal, Parul. “Yes Man: Mohsin Hamid’s ‘How to Get Filthy Rich in Rising Asia.’” The New York Times (March 29, 2013), 9. Online resource: http://www.nytimes.com/2013/03/31/books/review/mohsin-hamids-how-to-get-filthy-rich-in-rising-asia.html?_r=0. Accessed June 11, 2015.Google Scholar
Seligman, Scott. The First Chinese American: The Remarkable Life of Wong Chin Foo. Hong Kong: Hong Kong University Press, 2013.CrossRefGoogle Scholar
Sell, Mike. 2001. “The Black Arts Movement: Performance, Neo-Orality, and the Destruction of the ‘White Thing.’” In African American Performance and Theater History: A Critical Reader, ed. Elam, Harry J. Jr. and Krasner, David. Oxford: Oxford University Press, 2011, 56–80.CrossRefGoogle Scholar
Seshachari, Neila C. “Reinventing Peace: Conversations with Tripmaster Maxine Hong Kinston.” Weber Studies 12.1 (1995): 7–26.Google Scholar
Shan, Te-Hsing. “Carved on the Walls: The Archaeology and Canonization of the Angel Island Chinese Poems.” In American Babel: Literatures of the United States from Abnaki to Zuni, ed. Shell, Marc. Cambridge, MA: Harvard University Press, 2002, 369–85.Google Scholar
Shank, Theodore. Beyond the Boundaries: American Alternative Theatre. Ann Arbor: University of Michigan Press, 2002.CrossRefGoogle Scholar
Shankar, Lavina Dhingra, and Srikanth, Rajini. “South Asian American Literature: ‘Off the Turnpike’ of Asian American.” In Singh and Schmidt, Postcolonial Theory and the United States, 2000, 37–87.Google Scholar
Shankar, Lavina Dhingra, and Srikanth, Rajini, eds. A Part, Yet Apart: South Asians in Asian America. Philadelphia: Temple University Press, 1998.Google Scholar
Sharma, Miriam. “Labor Migration and Class Formation among the Filipinos in Hawaii, 1906–1946.” In Labor Immigration under Capitalism: Asian Workers in the United States Before World War II, ed. Cheng, Lucie and Bonacich, Edna. Berkeley: University of California Press, 1994, 579–615.Google Scholar
Sharpe, Jenny. “Is the United States Postcolonial? Transnationalism, Immigration, and Race.” In Postcolonial America, ed. King, C. Richard. Urbana: University of Illinois Press, 2001, 103–21.Google Scholar
Sheth, Falguni A. Toward a Political Philosophy of Race. Albany, NY: SUNY Press, 2009.Google Scholar
Shiekh, Irum. Detained without Cause: Muslims’ Stories of Detention and Deportation in America after 9/11. New York: Palgrave Macmillan, 2011.CrossRefGoogle Scholar
Shih, David. “The Seduction of Origins: Sui Sin Far and the Race for Tradition.” In Zhou and Najmi, Form and Transformation, 2005, 48–76.Google Scholar
Shimakawa, Karen. “Young Jean Lee’s Ugly Feelings About Race and Gender.” Women and Performance: a journal of feminist theory 17.1 (2007): 89–102.CrossRefGoogle Scholar
Shimakawa, Karen National Abjection: The Asian American Body Onstage. Durham, NC: Duke University Press, 2002.Google Scholar
“Shot Down.” Honolulu Magazine (July 1997): 14.Google Scholar
Shukla, Sandhya. India Abroad: Diasporic Cultures of Postwar America and England. Princeton, NJ: Princeton University Press, 2003.Google Scholar
Silva, Denise Ferreira da. Toward a Global Idea of Race. Minneapolis: University of Minnesota Press, 2007.Google Scholar
Singh, Nikhil. “Racial Formation in the Age of Permanent War.” In Racial Formation in the Twenty-First Century, ed. HoSang, Daniel Martinez, LaBennett, Oneka, and Pulido, Laura. Berkeley: University of California Press, 2012, 276–301.CrossRefGoogle Scholar
Singh, Amrijit, and Schmidt, Peter, eds. Postcolonial Theory and the United States: Race, Ethnicity, and Literature. Jackson: University of Mississippi Press, 2000.Google Scholar
Sinha, Mrinalini. Specters of Mother India: The Global Restructuring of an Empire. Durham, NC: Duke University Press, 2006.Google Scholar
Sining Bayan Collective. Isuda Ti Imuna. Unpublished script.Google Scholar
Sining Bayan Collective Mindanao. Unpublished script.Google Scholar
Sining Bayan Collective Narciso and Perez. Unpublished script.Google Scholar
Sining Bayan Collective Program Notes. Unpublished script.Google Scholar
Sining Bayan Collective Tagatupad. Unpublished script.Google Scholar
Sining Bayan Collective Ti Mangyuna. Unpublished script.Google Scholar
Sining Bayan Collective Warbrides. Unpublished script.Google Scholar
Skenazy, Paul, and Martin, Tera, eds. Conversations with Maxine Hong Kingston. Jackson: University of Mississippi Press, 1998.Google Scholar
Skinner, Michelle Cruz. In the Company of Strangers. Honolulu, HI: Bamboo Ridge Press, 2009.Google Scholar
Slaughter, Joseph R. Human Rights, Inc.: The World Novel, Narrative Form, and International Law. New York: Fordham University Press, 2007.CrossRefGoogle Scholar
Slemon, Stephen. “Magic Realism as Post-Colonial Discourse.” Canadian Literature 116 (1988): 9–24.Google Scholar
Smith, Joan. “Creating Peace out of Pathos.” In Skenazy and Martin, Conversations, 1998, 189–91.Google Scholar
Smith, Sidonie. “Filiality and Woman’s Autobiographical Storytelling.” In Wong, Maxine Hong Kingston’s The Woman Warrior, 1999, 57–83.CrossRefGoogle Scholar
Snow, Don. Cantonese as Written Language: The Growth of a Written Chinese Vernacular, Hong Kong: Hong Kong University Press, 2004.Google Scholar
So, Christine. Economic Citizens: A Narrative of Asian American Visibility. Philadelphia: Temple University Press, 2007.Google Scholar
Sohn, Stephen Hong. Racial Asymmetries: Asian American Fictional Worlds. New York: New York University Press, 2014.Google Scholar
Sohn, Stephen Hong, Lai, Paul, and Goellnicht, Donald. “Introduction: Theorising Asian American Fiction.” Modern Fiction Studies 56.1 (2010): 1–18.CrossRefGoogle Scholar
Solberg, S.E. “Sui Sin Far/Edith Eaton: The First Chinese American Fictionist.” MELUS 8.1 (1981): 27–39.CrossRefGoogle Scholar
Sollors, Werner. Neither Black Nor White Yet Both: Thematic Explorations of Interracial Literature. Cambridge, MA: Harvard University Press, 1999.Google Scholar
Song, Min Hyoung. The Children of 1965: Writing and Not Writing as an Asian American. Durham, NC: Duke University Press, 2013.Google Scholar
Song, Min Hyoung “Becoming Planetary.” American Literary History 23.3 (2011): 555–73.CrossRefGoogle Scholar
Sorensen, Leif. “Re-Scripting the Korean-American Subject: Constructions of Authorship in New Il Han and Younghill Kang.” Genre 39 (2006): 141–56.CrossRefGoogle Scholar
Sorensen, Leif Alternative Modernisms: Genealogies of Critical Multiculturalism. Manuscript.Google Scholar
Spahr, Juliana. “Postmodernism, Readers, and Theresa Hak Kyung Cha’s ‘Dictee.’” College Literature 23.3 (1996): 23–43.Google Scholar
Spaulding, Carol Roh. “Two Blue-Eyed Asian Maidens: Mixed Race in the Work of Edith Eaton/Sui Sin Far and Winnifred Eaton/Onoto Watanna.” In Asian American Literature in the International Context, ed. Davis, Rocio G. and Ludwig, Sami. Hamburg, Germany: Lit Verlag, 2002, 21–35.Google Scholar
Spickard, Paul. “The Subject Is Mixed Race: The Boom in Biracial Biography.” In Rethinking “Mixed Race,” ed. David, and Parker, Miri Song. London: Pluto Press, 2001, 76–88.Google Scholar
Srikanth, Rajini. Constructing the Enemy: Empathy/Antipathy in U.S. Literature and Law. Philadelphia: Temple University Press, 2012.Google Scholar
Srikanth, Rajini “What Lies Beneath: Lahiri’s Brand of Desirable Difference in Unaccustomed Earth.” In Dhingra and Chueng, Naming Jhumpa Lahiri, 2012, 51–72.Google Scholar
Srikanth, Rajini The World Next Door: South Asian American Literature and the Idea of America. Philadelphia: Temple University Press, 2004.Google Scholar
Srikanth, Rajini, and Iwanaga, Esther Y., eds. Bold Words: A Century of Asian American Writing. New Brunswick, NJ: Rutgers University Press, 2001.Google Scholar
Srinivasan, Priya. Sweating Saris: Indian Dance as Transnational Labor. Philadelphia: Temple University Press, 2012.Google Scholar
Steinberg, Stephen. “Immigration, African Americans, and Race Discourse.” New Politics 10.3 (2005): 42–54.Google Scholar
Stierstorfer, Klaus, ed. Beyond Postmodernism: Reassessments in Literature, Theory, and Culture. Berlin: Walter de Gruyter, 2003.CrossRefGoogle Scholar
Sui Sin Far. See Eaton, Edith Maude.Google Scholar
Sumida, Stephen. “Protest and Accommodation, Self-Satire and Self-Effacement, and Monica Sone’s Nisei Daughter.” In Payne, Multicultural Autobiography, 1992, 207–43.Google Scholar
Sumida, Stephen And the View from the Shore: Literary Traditions of Hawai‘i. Seattle: University of Washington Press, 1991.Google Scholar
Sumida, Stephen “Waiting for the Big Fish: Recent Research on the Asian American Literature of Hawaii.” In The Best of Bamboo Ridge, ed. Chock, Eric and Lum, Darrell. Honolulu, HI: Bamboo Ridge, 1986, 302–21.Google Scholar
Sundquist, Eric. “Realism and Regionalism.” In Columbia Literary History of the United States, ed. Emory Elliot, . New York: Columbia University Press, 1988, 501–24.Google Scholar
Tabios, Eileen. “Absorbing and Being Absorbed by Poetry.” In Srikanth and Iwanaga, Bold Words, 2001, 69–77.Google Scholar
Tacorda, Ryan. “Constructing Chinese American Identity through Film and Theatre: Flower Drum Song as Ingroup Narrative and as Counterstory.” UCLA Asian Pacific American Law Journal 118 (2004): 118–42.Google Scholar
Tadiar, Neferti X. M. Fantasy-Production: Sexual Economies and Other Philippine Consequences for the New World Order. Hong Kong: Hong Kong University Press, 2004.Google Scholar
Takaki, Ronald. Pau Hana: Plantation Life and Labor in Hawaii, 1835–1920. Honolulu: University of Hawaii Press, 1983.CrossRefGoogle Scholar
Takaki, Ronald Iron Cages: Race and Culture in 19th-Century America. Oxford: Oxford University Press, 1978.Google Scholar
Tan, Amy. “Required Reading and Other Dangerous Subjects.” Threepenny Review 67 (1996): 5–9.Google Scholar
Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC: Duke University Press, 2003.Google Scholar
Taylor, Diana Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s “Dirty War.” Durham, NC: Duke University Press, 1997.Google Scholar
Tchen, John Kuo Wei. New York before Chinatown. Baltimore, MD: The Johns Hopkins University Press, 1999.CrossRefGoogle Scholar
Teng, Emma. Eurasian: Mixed Identities in the United States, China, and Hong Kong, 1842–1943. Berkeley: University of California Press, 2013.CrossRefGoogle Scholar
Thieme, John. “The Hungry Tide.” The Literary Encyclopedia. First published December 27, 2007. Online resource: http://www.litencyc.com/php/sworks.php?rec=true&UID=19302. Accessed June 1, 2015.Google Scholar
Thiong’o, Ngugi wa. “The Language of African Theatre.” In Radical Street Performance: An International Anthology, ed. Cruz, Jan Cohen. London: Routledge, 1998, 238–44.Google Scholar
Thiong’o, Ngugi wa Penpoints, Gunpoints, and Dreams: Towards a Critical Theory of the Arts and the State in Africa. Oxford: Clarendon Press, 1998.CrossRefGoogle Scholar
Thiong’o, Ngugi wa Decolonising the Mind: The Politics of Language in African Literature. London: J. Currey, 1986.Google Scholar
Thobani, Sunera. “White Wars: Western Feminisms and the ‘War on Terror.’” Feminist Theory 8.2 (2007): 169–85.CrossRefGoogle Scholar
Thoma, Pamela. Asian American Women’s Popular Literature: Feminizing Genres and Neoliberal Belonging. Philadelphia: Temple University Press, 2013.CrossRefGoogle Scholar
Tiongson, Nicanor, Jr., ed. Makiisa: The Philippine Experience: Proceedings and Anthology of Essays, Poems, Songs, Skits, and Plays of the MAKIISA 1, People’s Culture Festival. Manila, Philippines: Philippine Educational Theater Association in cooperation with People’s Resource Collection, Philippine Assistance for Rural and Urban Development, 1984.Google Scholar
Todorov, Tzvetan. “Reading as Construction.” In Todorov, Tzvetan, The Reader in the Text: Essays on Audience and Interpretation. Edited by Suleiman, Susan R. and Crosman, Inge. Translated by August, Marilyn A. Princeton, NJ: Princeton University Press, 1980, 67–82.CrossRefGoogle Scholar
Tolentino, Cynthia. America’s Experts: Race and the Fictions of Sociology. Minneapolis: University of Minnesota Press, 2009.Google Scholar
Toll, Robert. Blacking Up: The Minstrel Show in Nineteenth-Century America. Oxford: Oxford University Press, 1974.Google Scholar
Tong, Benjamin. “Critic of Admirer Sees Dumb Racist.” San Francisco Journal (May 11, 1977): 20.Google Scholar
Toribio, Helen. “Dare to Struggle: The KDP and Filipino American Politics.” In Legacy to Liberation: Politics and Culture of Revolutionary Asian Pacific America, ed. Ho, Fred. San Francisco: AK Press and Big Red Media, 2000, 31–46.Google Scholar
Toribio, Helen “We Are Revolution: A Reflective History of the Union of Democratic Pilipinos.” Amerasia 24.2 (1998): 155–77.Google Scholar
Toy, Eckard. “Whose Frontier? The Survey of Race Relations on the Pacific Coast in the 1920s.” Oregon Historical Quarterly 107.1 (2006): 36–63.CrossRefGoogle Scholar
Tsiang, H. T. And China Has Hands. New York: R. Speller, 1937. Reprinted, and edited by Cheung, Floyd. New York: Ironweed Press, 2003.Google Scholar
Tsiang, H. T. The Hanging on Union Square: An American Epic. Edited by Cheung, Floyd. Los Angeles: Kaya Press, 2013.Google Scholar
Tsiang, H. T. Poems of the Chinese Revolution. Self-published, 1929. Online resource: http://digitalrepository.trincoll.edu/cgi/viewcontent.cgi?article=1042&context=moore. Accessed June 11, 2015.Google Scholar
Tung, Charles M. “Modernist Heterochrony, Evolutionary Biology, and the Chimera of Time.” In This Year’s Work in the Oddball Archive, ed. Eburne, Jonathan and Roof, Judith. Bloomington: Indiana University Press, forthcoming.Google Scholar
Turner, Victor. From Ritual to Theater: The Human Seriousness of Play. New York: Performing Arts Journal Publications, 1982.Google Scholar
Turner, Victor The Drums of Affliction: A Study of Religious Processes among the Ndembu of Zambia. Oxford: Clarendon Press and London, International African Institute, 1969.Google Scholar
Turner, Victor The Forest of Symbols: Aspects of Ndembu Ritual. Ithaca, NY: Cornell University Press, 1967.Google Scholar
Ty, Eleanor. Unfastened: Globality and Asian North American Narratives. Minneapolis: University of Minnesota Press, 2010.CrossRefGoogle Scholar
Ty, Eleanor The Politics of the Visible in Asian North American Narratives. Toronto: University of Toronto Press, 2004.CrossRefGoogle Scholar
Ty, Eleanor, and Verduy, Christi, eds. Asian Canadian Writing beyond Autoethnography. Waterloo, ON: Wilfrid Laurier University Press, 2008Google Scholar
Uchida, Yoshiko. Desert Exile: The Uprooting of a Japanese-American Family. Seattle: University of Washington Press, 1984.Google Scholar
Umemoto, Karen. “‘On Strike!’ San Francisco State College Strike, 1968–69: The Role of Asian American Students.” Amerasia Journal 15.1 (1989): 3–41.CrossRefGoogle Scholar
United States Census Bureau. Profile America Facts for Features: Asian/Pacific American Heritage Month: May 2011. Washington, DC (April 29, 2011). Online resource: https://www.census.gov/newsroom/releases/archives/facts_for_features_special_editions/cb11-ff06.html. Accessed August 12, 2013.Google Scholar
United States Department of State, Office of the Historian. Milestones: 1937–1945. Repeal of the Chinese Exclusion Act, 1943 (December 3, 2010). Electronic resource: https://history.state.gov/milestones/1937–1945. Accessed July 1, 2014.Google Scholar
“United Third World People Demand: End Your Racist War.” Gidra (June 5, 1971), 5.Google Scholar
Uno, Roberta, ed. Unbroken Thread: An Anthology of Plays by Asian American Women. Amherst: University of Massachusetts Press, 1993.Google Scholar
Uno, Roberta, and Burns, Lucy, eds. Color of Theater: Race, Culture, and Contemporary Performance. New York: Continuum, 2002.Google Scholar
Van Erven, Eugene. Playful Revolution: Theatre and Liberation in Asia. Bloomington: Indiana University Press, 1992.Google Scholar
Verghese, Abraham. My Own Country: A Doctor’s Story of a Town and Its People in the Age of AIDS. New York: Vintage, 1994.Google Scholar
Villa, José Garcia. “Best Philippine Short Stories [of 1934].” In The Critical Villa, ed. Chua, Jonathan. Quezon City, Philippines: Ateneo de Manila University Press, 2002, 99–113.Google Scholar
Vinluan, Ermena. “Travels of a Cultural Gypsy.” In Cultural Activism and the KDP’s Sining Bayan: Memoirs, Historical and Critical Articles, collected for F.I.N.D.S. Conferences. Cambridge, MA: Harvard University, 1999. Unpublished manuscript.Google Scholar
Wald, Sarah D. “‘Refusing to Halt’: Mobility and the Quest for Spatial Justice in Helena Maria Viramontes’s Their Dogs Came with Them and Karen Tei Yamashita’s Tropic of Orange.” Western American Literature 48. 1–2 (2013): 70–89.CrossRefGoogle Scholar
Wallace, Molly. “Tropics of Globalization: Reading the New North America.” Symploke 9.1–2 (2011): 145–60.Google Scholar
Wand, David Hsin-Fu, ed. Asian-American Heritage: An Anthology of Prose and Poetry. New York: Washington Square Press, 1974.Google Scholar
Wang, Dorothy J. Thinking Its Presence: Form, Race, and Racial Subjectivity in Contemporary Asian American Poetry. Stanford, CA: Stanford University Press, 2014.Google Scholar
Wang, Oliver. “Between the Notes: Finding Asian American Popular Music.” American Music 19.4 (2001): 439–65.CrossRefGoogle Scholar
Warren, Kenneth. What Was African American Literature? Cambridge, MA: Harvard University Press, 2011.CrossRefGoogle Scholar
Watanna, Onoto. See Eaton, Winnifred.Google Scholar
Weaver, Jane Calhoun, ed. Sadakichi Hartmann, Critical Modernist: Collected Art Writings. Berkeley: University of California Press, 1991.CrossRefGoogle Scholar
Wei, William. The Asian American Movement. Philadelphia: Temple University Press, 1993.Google Scholar
Wesling, Meg. Empire’s Proxy: American Literature and US Imperialism in the Philippines. New York: New York University Press, 2011.Google Scholar
White-Parks, Annette. Sui Sin Far/Edith Maude Eaton: A Literary Biography. Urbana: University of Illinois Press, 1995.Google Scholar
Whitlock, Gillian. Soft Weapons: Autobiography in Transit. Chicago: Chicago University Press, 2007.CrossRefGoogle Scholar
Wigston, Nancy. “Review: From the Memoirs of a Non-Enemy Combatant by Alex Gilvarry.” The Toronto Star (January 22, 2012), IN6. Online resource: http://www.thestar.com/entertainment/books/2012/01/21/review_from_the_memoirs_of_a_nonenemy_combatant_by_alex_gilvarry.html. Accessed June 11, 2015.Google Scholar
Williams, Dave, ed. The Chinese Other 1850–1925: An Anthology of Plays. Lanham, MD: University Press of America, 1997.Google Scholar
Williams, R. John. “Decolonizing Cathay: Teaching the Scandals of Translation through Angel Island Poetry.” Transformations 17.2 (2007): 15–30.Google Scholar
Wolf, Diane L. “Family Secrets: Transnational Struggles among Children of Filipino Immigrants.” Sociological Perspectives 40.3 (1997): 457–82.CrossRefGoogle Scholar
Wong, Hertha. Sending My Heart Back Across the Years: Tradition and Innovation in Native American Autobiography. New York: Oxford University Press, 1992.CrossRefGoogle Scholar
Wong, Jade Snow. Fifth Chinese Daughter. Seattle: University of Washington Press, 1989.Google Scholar
Wong, Jade Snow “The Sanctum of Harmonious Spring.” Common Ground 8.2 (1948): 84–91. Online resource: http://www.unz.org/Pub/CommonGround-1948q4-00084. Accessed June 1, 2015.Google Scholar
Wong, Jade Snow “Daddy.” Common Ground 5.2 (1945): 25–9. Online resource: http://www.unz.org/Pub/CommonGround-1945q4-00025. Accessed June 1, 2015.Google Scholar
Wong, K. Scott. “Cultural Defenders and Brokers: Chinese Responses to the Anti-Chinese Movement.” In Wong and Chan, Claiming America, 1998, 3–40.Google Scholar
Wong, K. Scott “Chinatown: Conflicting Images, Contested Terrain.” MELUS 20 (1995): 3–15.CrossRefGoogle Scholar
Wong, K. Scott, and Chan, Sucheng, eds. Claiming America: Constructing Chinese American Identities during the Exclusion Era. Philadelphia: Temple University Press, 1998.Google Scholar
Wong, Sau-ling Cynthia. “Denationalization Reconsidered: Asian American Cultural Criticism at a Theoretical Crossroads.” Amerasia Journal 21.1–2 (1995): 1–28. Reprinted in Singh and Schmidt, Postcolonial Theory and the United States, 2000, 122–48.CrossRefGoogle Scholar
Wong, Sau-ling Cynthia “‘Sugar Sisterhood’: Situating the Amy Tan Phenomenon.” In The Ethnic Canon: Histories, Institutions, and Interventions, ed. Palumbo-Liu, David. Minneapolis: University of Minnesota Press, 1995, 174–210.CrossRefGoogle Scholar
Wong, Sau-ling Cynthia Reading Asian American Literature. Princeton, NJ: Princeton University Press, 1993.CrossRefGoogle Scholar
Wong, Sau-ling Cynthia “Autobiography as Guided Chinatown Tour? Maxine Hong Kingston’s The Woman Warrior and the Chinese-American Autobiographical Controversy.” In Payne, Multicultural Autobiography, 1992, 249–79.Google Scholar
Wong, Sau-ling Cynthia “Ethnicizing Gender: An Exploration of Sexuality as Sign in Chinese Immigrant Literature.” In Lim and Ling, Reading the Literatures of Asian America, 1992, 111–29.Google Scholar
Wong, Sau-ling Cynthia “Immigrant Autobiography: Some Questions of Definition and Approach.” In Eakin, Paul John, American Autobiography: Retrospect and Prospect. Madison: University of Wisconsin Press, 1991, 142–70.Google Scholar
Wong, Sau-ling Cynthia “What’s in a Name? Defining Chinese American Literature of the Immigrant Generation.” In Frontiers of Asian American Studies, ed. Nomura, Gail M. Russell Endo, Stephen H. Sumida, and Russell C. Leong. Pullman, WA: Washington State University Press, 1989, 159–67.Google Scholar
Wong, Sau-ling Cynthiaed. Maxine Hong Kingston’s The Woman Warrior: A Casebook. Oxford: Oxford University Press, 1999.CrossRefGoogle Scholar
Woo, Deborah. “Maxine Hong Kingston: The Ethnic Writer and the Burden of Authenticity.” Amerasia 16.1 (1990): 173–200.CrossRefGoogle Scholar
Wu Ch’eng-en, . Journey to the West, Vols. 1–4. Edited and translated by Yu, Anthony C. Y.. Chicago: University of Chicago Press, 1977–83.Google Scholar
Wu, Hung. “On Rubbings: Their Materiality and Historicity.” In Writing and Materiality in China: Essays in Honor of Patrick Hanan, ed. Judith T. Zeitlin and Lydia H. Liu, with Ellen Widmer. Cambridge, MA: Harvard University Press, 2003, 29–72.Google Scholar
Yabes, Leopoldo. “The Filipino Novel in English.” Herald Mid-Week Magazine (September 10, 1941).Google Scholar
Yamamoto, Hisaye. Seventeen Syllables and Other Stories. Latham, NY: Women of Color Press, 1988.Google Scholar
Yamamoto, Hisaye “Introduction.” In Mori, Toshio, The Chauvinist and Other Stories. Los Angeles: UCLA Asian American Studies Center, 1979, 1–14.Google Scholar
Yamamoto, Traise. Masking Selves, Making Subjects: Japanese American Women, Identity, and the Body. Berkeley: University of California Press, 1999.CrossRefGoogle Scholar
Yamashita, Karen Tei. Anime Wong: Fictions of Performance. Minneapolis, MN: Coffee House Press, 2014.Google Scholar
Yamashita, Karen Tei “Twenty Years After Through the Arc of the Rainforest: An Interview with Karen Tei Yamashita.” Asian American Literature: Discourses and Pedagogies 1 (2010): 1–5.Google Scholar
Yamashita, Karen Tei Through the Arc of the Rainforest. Minneapolis, MN: Coffee House, 1990.Google Scholar
Yamauchi, Wakako. “And the Soul Shall Dance.” In Chan et al., Aiiieeeee!, 1974, 283–94.Google Scholar
Yang, Kao Kalia. The Latehomecomer: A Hmong Family Memoir. Minneapolis, MN: Coffee House Press, 2008.Google Scholar
Yao, Steven G. Foreign Accents: Chinese American Verse from Exclusion to Postethnicity. Oxford: Oxford University Press, 2010.CrossRefGoogle Scholar
Yew, Chay, ed. Version 3.0: Contemporary Asian American Plays. New York City: Theatre Communications Group, 2011.Google Scholar
Yin, Katherine Low Swee, and Paulson, Kristoffer F.. “The Divided Voice of Chinese-American Narration: Jade Snow Wong’s Fifth Chinese Daughter.” MELUS 91 (1982): 53–9.Google Scholar
Yin, Xiao-Huang. Chinese American Literature since the 1850s. Urbana: University of Illinois Press, 2000.Google Scholar
Yin, Xiao-Huang “Between East and West: Sui Sin Far – The First Chinese American Writer.” Arizona Quarterly 47 (1991): 49–84.CrossRefGoogle Scholar
Yogi, Stan. “Japanese American Literature.” In Cheung, An Interethnic Companion, 1996, 125–55.Google Scholar
Yogi, Stan “Legacies Revealed: Uncovering Buried Plots in the Stories of Hisaye Yamamoto.” In Hisaye Yamamoto: “Seventeen Syllables,” ed. Cheung, King-Kok. New Brunswick, NJ: Rutgers University Press, 1994, 143–60.Google Scholar
Yoneyama, Lisa. Hiroshima Traces: Time, Space, and the Dialectics of Memory. Berkeley: University of California Press, 1999.CrossRefGoogle Scholar
Yoshihara, Mari. Embracing the East: White Women and American Orientalism. Oxford: Oxford University Press, 2003.Google Scholar
Yoshimura, Evelyn. “Food Price: Let Them Eat Less, or China: Food for Everyone.” Gidra (May 14, 1973), 14.Google Scholar
Yoshimura, Evelyn “China: Not Enough Can Be Said About So Much.” Gidra (November 6–7, 1972), 6–7.Google Scholar
Yu, Henry. Thinking Orientals: Migration, Contact, and Exoticism in Modern America. New York:Oxford University Press, 2001.CrossRefGoogle Scholar
Yu, Henry “On a Stage Built By Others: Creating an Intellectual History of Asian Americans.” Amerasia Journal 26.1 (2000): 141–61.CrossRefGoogle Scholar
Yu, Timothy. Race and the Avant-Garde: Experimental and Asian American Writing since 1965. Stanford, CA: Stanford University Press, 2009.CrossRefGoogle Scholar
Yu, Timothy “‘The Hand of a Chinese Master’: José Garcia Villa and Modernist Orientalism.” MELUS 29.1 (2004): 41–59.CrossRefGoogle Scholar
Yung, Judy, Chang, Gordon H., and Lai, Him Mark, eds. Chinese American Voices: From the Gold Rush to the Present. Berkeley: University of California Press, 2006.CrossRefGoogle Scholar
Zanganeh, Lila Azam. “Lila Azam Zanganeh interviews Amitav Ghosh.” Excavation (May 15, 2011). Online resource: www.guernicamag.com/interviews/ghosh_5_15_11/. Accessed June 27, 2014.Google Scholar
Zeitlin, Judith T., and Liu, Lydia H., eds. Writing and Materiality in China: Essays in Honor of Patrick Hanan, with Ellen Widmer. Cambridge, MA: Harvard University Press, 2003.CrossRefGoogle Scholar
Zhou, Xiaojing. “Blurring the Borders between Formal and Social Aesthetics: An Interview with Mei-mei Berssenbrugge.” MELUS 27.1 (2002): 199–212.Google Scholar
Zhou, Xiaojing, and Najmi, Samina, eds. Form and Transformation in Asian American Literature. Seattle: University of Washington Press, 2005.Google Scholar
Zielinski, Siegfried. Deep Time of the Media: Toward an Archeology of Hearing and Seeing by Technical Means. Cambridge, MA: MIT Press, 2006Google Scholar
Ziter, Edward. The Orient on the Victorian Stage. Cambridge: Cambridge University Press, 2003.Google Scholar
Zizek, Slavoj. Welcome to the Desert of the Real: Five Essays on 11 September and Related Dates. London: Verso, 2002.CrossRefGoogle Scholar