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167 - The Stratford Shakespeare Trade

from Part XVII - Shakespeare as Cultural Icon

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Donnelly, Ann, and Wolrege, Elizabeth. Official Guide: Shakespeare’s Life and Times. Norwich: Jigsaw Design and Publishing, 2010.Google Scholar
Pringle, Roger. Shakespeare’s Houses & Gardens: The Official Guide. 1999. Stratford-upon-Avon: Jarrold Publishing, 2009.Google Scholar
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Shakespeare Birthplace Trust. www.shakespeare.org.uk.Google Scholar
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Wells, Stanley, ed. Shakespeare Found! A Life Portrait at Last: Portraits, Poet, Patron, Poems. Stratford-upon-Avon: Cobbe Foundation and Shakespeare Birthplace, 2009.Google Scholar

Further reading

Bal, Mieke. “Telling, Showing, Showing Off.” Critical Inquiry 18.3 (spring 1992): 556–94.CrossRefGoogle Scholar
Bennett, Tony. The Birth of the Museum: History, Theory, Politics. London: Routledge, 1995.Google Scholar
Bolt, John. “The Figure of the House.” Pamphlet in Shakespeare Centre Library. n.d. Britain. New York: Palgrave Macmillan, 2006.Google Scholar
Broch, Mark, and Edmondson, Paul, eds. Shakespeare Found: A Life Portrait. Stratford-upon-Avon: The Shakespeare Birthplace Trust, 2009.Google Scholar
The Buskers Code. Leaflet. n.d.Google Scholar
Catalogue of Pictures and Sculptures: Royal Shakespeare Theatre Picture Gallery. 6th ed. 1970.Google Scholar
Cooper, Tarnya, ed. Searching for Shakespeare. New Haven: Yale UP, 2006.Google Scholar
Crew, Spencer R., and Sims, James E.. “Locating Authenticity: Fragments of a Dialogue.” Exhibiting Cultures: The Poetics and Politics of Museum Display. Ed. Karp, Ivan and Lavine, Steven D.. Washington: Smithsonian Institution Press, 1991.Google Scholar
Doran, Gregory. The Shakespeare Almanac: Curious Facts & Strange Wonders Through the Seasons of the Bard’s Life. London: Hutchinson, 2009.Google Scholar
Duncan-Jones, Katherine. “Shakespeare Unfound(ed)? The Real Identity of the Sitter for the New ‘Shakespeare’ Portrait.” Times Literary Supplement 18 March 2009.Google Scholar
Fogg, Nicolas. Stratford-upon-Avon: Portrait of a Town. Chichester: Phillimore, 1986.Google Scholar
Fussell, Paul. Abroad: British Literary Traveling between the Wars. Oxford: Oxford UP, 1980.Google Scholar
Garrick, David. The Jubilee in Honour of Shakespeare: A Musical Entertainment. Waterford: E. Crawley and Son, 1773.Google Scholar
Halliwell, James Orchard. A Brief Guide to the Shakespeare Library and Museum, Stratford-upon-Avon; With Notices of Some of the Chief Objects of Shakespearian Interest in the Locality. London: Np, [1865].Google Scholar
Hayes, Steve. “New art shows surprising depth.” The Observer [Stratford-upon-Avon] 29 July 2010, 4.Google Scholar
Hodgdon, Barbara. “Stratford’s Empire of Shakespeare; or, Fantasies of Origin, Authorship, and Authenticity: The Museum and the Souvenir.” The Shakespeare Trade: Performances and Appropriations. Philadelphia: Penn, 1998. 191240.Google Scholar
Holderness, Graham. “Bardolatry: or, The Cultural Materialist’s Guide to Stratford-upon-Avon.” The Shakespeare Myth. Ed. Holderness, Graham. Manchester: Manchester UP, 1988. 215.Google Scholar
Holderness, Graham, and Murphy, Andrew. “‘Shakespeare Country’: The National Curriculum and Literary Heritage.” Critical Survey 7.2 (1995): 110–15.Google Scholar
Hooper-Greenhill, Eilean. Museums and the Shaping of Knowledge. London: Routledge, 1992.CrossRefGoogle Scholar
Jarvis, John W. The Glyptic, or Musée-Glyptic: A Scrap-Book of Jottings from Stratford-upon-Avon and Elsewhere with an Attempt at Description of Henry Jones’s Museum. London: John Russell Smith, 1875.Google Scholar
Kaeppler, Adrienne. “Museums of the World: Stages for the Study of Ethnohistory.” Museum Studies in Material Culture. Ed. Pearce, Susan M.. Washington: Smithsonian Institution Press, 1991. 8396.Google Scholar
Levine, Philippa. The Amateur and the Professional: Antiquarians, Historians and Archaeologists in Victorian England, 1838–1886. Cambridge: Cambridge University Press, 1986.Google Scholar
MacCannell, Dean. The Tourist: A New Theory of the Leisure Class. New York: Schocken, 1976.Google Scholar
Marsden, Jean, ed. The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth. Hemel Hempstead: Harvester Wheatsheaf, 1991.Google Scholar
The Shakespeare Birthplace Trust. Friends Newsletter. Summer edition. Stratford-upon-Avon: John Good, 2009.Google Scholar
The Shakespeare Birthplace Trust. Friends Souvenir Special. Summer edition. Stratford- upon-Avon: John Good, 2010.Google Scholar
Sherman, Daniel J., and Roigoff, Irit. “Introduction: Frameworks for Critical Analysis.” Museum Culture: Histories, Discourses, Spectacles. Ed. Sherman, Daniel J. and Rogoff, Irit. Minneapolis: U of Minnesota P, 1994. ixxx.Google Scholar
Spevack, Marvin. James Orchard Halliwell-Phillips: The Life and Works of the Shakespearean Scholar and Bookman. London: Shepheard–Walwyn, 2001.Google Scholar
Watson, Nicola J. The Literary Tourist: Readers and Places in Romantic and Victorian Britain. New York: Palgrave Macmillan, 2006.Google Scholar
Watson, Nicola J. ed. Literary Tourism and Nineteenth-Century Culture. New York: Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Witts, PrestonMinister acknowledges town’s national value and transport problems.” Stratford-upon-Avon Herald. 8 July 2010. 3.Google Scholar
“Worth all the bard work.” The Observer [Stratford-upon-Avon] 19 August 2010. 1.Google Scholar
Wright, Patrick. On Living in an Old Country: The National Past in Contemporary Britain. London: Verso, 1985.Google Scholar

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