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268 - Shakespeare on Air II: The Golden Age of US Radio

from Part XXVIII - Shakespeare and Media History

Published online by Cambridge University Press:  17 August 2019

By
Olwen Terris
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

adaptationbroadcast drama“high” and “low” culturehighbrowlowbrowradioradio audiencesremediationUSAWelles, Orson
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1922 - 1926
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

“Banquo’s Chair.” Suspense. Dir. Bliss, Ted. CBS Radio Network. 1 June 1943.Google Scholar
“Barbary Coast 2.” The Lone Ranger. Dir. Livingstone, Charles. NBC Radio Network. 3 November 1943.Google Scholar
The First Night Program. Various directors. NBC Radio Network. 1930–53.Google Scholar
“The Fred Allen Show, guest star: Maurice Evans.” The Fred Allen Show. NBC Radio Network. 13 January 1946.Google Scholar
Great Plays. Dir. Davis, Blevins. NBC Blue Radio Network. 1938–41.Google Scholar
“Hamlet.” The Columbia Shakespearean Cycle. Dir. Morgan, Brewster. CBS Radio Network. 12 July 1937.Google Scholar
“Hamlet.” The Columbia Workshop. Dir. Welles, Orson. CBS Radio Network. 2 parts. 19 September through 14 November 1936.Google Scholar
“Hamlet.” Streamlined Shakespeare. Adapt. Barnes, Forrest and Barrymore, John. NBC Blue Radio Network. 21 June 1937.Google Scholar
“Hamlet.” Theater Guild on the Air. Dir. Ficket, Homer, Gielgud, John. CBS Radio Network. 4 March 1951.Google Scholar
The Jack Benny Show. Dir. Marks, Hilliard. NBC Red Radio Network. 1 November 1936.Google Scholar
“Julius Caesar.” The Mercury Theatre on the Air. Dir. Welles, Orson. CBS Radio Network. 11 September 1938.Google Scholar
“The Kraft Music Hall, guest star: Charles Laughton.” The Kraft Music Hall. NBC Radio Network. 12 February 1948.Google Scholar
Landry, Robert J. Rev. of “Columbia Shakespearean Cycle” Hamlet and “Streamlined Shakespeare” Hamlet. Variety 14 July 1937: 49.Google Scholar
Lanier, Douglas. “WSHX: Shakespeare and American Radio.” Shakespeare after Mass Media. Ed. Burt, Richard. New York: Palgrave, 2002. 195–219.CrossRefGoogle Scholar
Lanier, Douglas. “Recommendations.” Shakespeare on Film, Television and Radio: The Researcher’s Guide. Ed. Terris, Olwen, Oesterlen, Eve-Marie, and McKernan, Luke. London: British Universities Film & Video Council, 2009. 161.Google Scholar
“Macbeth.” The Columbia Workshop. Dir. Welles, Orson. CBS Radio Network. 28 February 1937.Google Scholar
A Midsummer Night’s Dream. Dir. Dieterle, William. Warner Bros. Pictures, 1935. Snd., col., 133 mins. Film.Google Scholar
Romeo and Juliet. Dir. Cukor, George. MGM, 1936. Film, snd., bw., 125 mins.Google Scholar
“Romeo and Juliet.” The Edgar Bergen/Charlie McCarthy Show. Dir. Ebi, Earl. CBS Radio Network. 11 December 1955.Google Scholar
“Romeo and Juliet.” Radio Guild. Dir. Radcliffe, Vernon. NBC Blue Radio Network. 6 November 1929.Google Scholar
“The Rudy Vallee Sealtest Show, guest stars: John Barrymore, Orson Welles.” The Rudy Vallee Sealtest Show. Dir. Mack, Nick. NBC Radio Network. 19 December 1940.Google Scholar
“Screen Test.” The Magnificent Montagu. Dir. Hiken, Nat. NBC Radio Network. 26 January 1951.Google Scholar
“Seems Radio Is Here to Stay.” The Columbia Workshop. Dir. Corwin, Norman. CBS Radio Network. 24 April 1939.Google Scholar
“Shakespeare.” Gunsmoke. Dir. Macdonnell, Norman. CBS Radio Network. 23 August 1952.Google Scholar
“Shakespeare on the Radio.” The Magnificent Montagu. Dir. Hiken, Nat. NBC Radio Network. 20 April 1951.Google Scholar
Smith, Sally Bedell. In All His Glory: The Life of William S. Paley. New York: Simon and Schuster, 1990. 144.Google Scholar

Further reading

Bretz, Andrew. “Your Master’s Voice: The Shakespearean Narrator as Intermedial Authority on 1930s American Radio.” OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation. Ed. Daniel Fischlin. Toronto: U of Toronto P, 2014. 230–56.Google Scholar
The Columbia Workshop. Various directors. CBS Radio Network. 1936–46.Google Scholar
Davies, Anthony. “Shakespeare and the Media of Film, Radio and Television: A Retrospect.” Shakespeare Survey 39 (1987): 1–12. DOI: 10.1017/CCOL0521327571.001.Google Scholar
Evans, Stuart. “Shakespeare on Radio.” Shakespeare Survey 39 (1987): 113–22. DOI: 10.1017/CCOL0521327571.009.Google Scholar
Greenhalgh, Susanne. “Listening to Shakespeare.” Shakespeare on Film, Television and Radio: The Researcher’s Guide. Ed. Terris, Olwen, Oesterlen, Eve-Marie, and McKernan, Luke. London: British Universities Film & Video Council, 2009. 74–93.Google Scholar
Greenhalgh, Susanne. “Shakespeare Overheard: Performances, Adaptations, and Citations on Radio.” The Cambridge Companion to Shakespeare and Popular Culture. Ed. Shaughnessy, Robert. Cambridge: Cambridge University Press, 2007. 175–98. DOI: 10.1017/CCOL9780521844291.010.Google Scholar
Jensen, Michael P. “Radio.” Shakespeares after Shakespeare: An Encyclopaedia of the Bard in Mass Media and Popular Culture. Vol. 2. Ed. Burt, Richard. Westport: Greenwood, 2007. 508–85.Google Scholar

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