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136 - Shakespeare and Renaissance Aesthetics

from Part XIV - Shakespeare’s Early Reception (to 1660)

Published online by Cambridge University Press:  17 August 2019

By
Hugh Grady
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

aestheticaestheticsAristotleartA Midsummer Night’s DreammodernityNeoplatonismPlatoRenaissanceSidney, Sir PhilipTimon of Athens
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1021 - 1027
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Adorno, Theodor. Aesthetic Theory. Ed. Adorno, Gretel and Tiedemann, Rolf. Trans. Hullot-Kentnor, Robert. Minneapolis: U of Minnesota P, 1997.Google Scholar
Bruster, Douglas. Shakespeare and the Question of Culture: Early Modern Literature and the Cultural Turn. New York: Palgrave, 2003.CrossRefGoogle Scholar
Dawson, Anthony B., and Minton, Gretchen E., eds. Timon of Athens. By Shakespeare, William and Middleton, Thomas. Arden Shakespeare Third Series. London: Arden, 2008.Google Scholar
Drummond, William. “Ben Jonson’s Literary Table-Talk (1619).” English Renaissance Literary Criticism. Ed. Vickers, Brian. Oxford: Clarendon, 1999. 526–36.Google Scholar
Grady, Hugh. Shakespeare and Impure Aesthetics. Cambridge: Cambridge University Press, 2009.CrossRefGoogle Scholar
Grady, Hugh, ed. Shakespeare and Modernity: From Early Modern to Millennium. London: Routledge, 2000.Google Scholar
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Kant, Immanuel. Critique of Judgment. 1790. Trans. Pluhar, Werner S.. Indianapolis: Hackett, 1987.Google Scholar
Marrapodi, Michele, ed. Shakespeare, Italy and Intertextuality. Manchester: Manchester UP, 2004.Google Scholar
Plato, , The Republic of Plato. Trans. Cornford, Francis MacDonald. Oxford: Oxford UP, 1941.Google Scholar
Scaligero, Giulio Cesare. Poetices Libri Septum. Leiden: apud Antonium Vincentium, 1561.Google Scholar
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Sir Sidney, Philip. A Defence of Poetry. 1595. English Renaissance Literary Criticism. Ed. Vickers, Brian. Oxford: Clarendon, 1999. 336–91.Google Scholar
Universidad de Zaragoza Departamento filogia inglesa. “Julius Caesar Scaliger (1484–1558).” http://www.unizar.es/departamentos/filologia_inglesa/garciala/hypercritica/03.Renaissance/Renaissance.3.2.html. N. d. Accessed 12 January 2011.Google Scholar
Whitney, Charles. “Ante-aesthetics: Towards a Theory of Early Modern Audience Response.” Shakespeare and Modernity: From Early Modern to Millennium. Ed. Grady, Hugh. London: Routledge, 2000. 40–60.Google Scholar

Further reading

Dubrow, Heather. The Challenges of Orpheus: Lyric Poetry and Early Modern England. Baltimore: Johns Hopkins UP, 2007.Google Scholar
Fernie, Ewan. “Shakespeare and the Prospect of Presentism.” Shakespeare Survey 58 (2005): 169–84.Google Scholar
Greenblatt, Stephen. “Shakespearean Beauty Marks.” Shakespeare’s Freedom. Chicago: U of Chicago P, 2010. 18–48.CrossRefGoogle Scholar
Joughin, John J. “Shakespeare, Modernity, and the Aesthetic: Art, Truth, and Judgement in The Winter’s Tale.” Shakespeare and Modernity: From Early Modern to Millennium. Ed. Grady, Hugh. London: Routledge, 2000. 61–84.Google Scholar
Joughin, John J., and Malpas, Simon, ed. The New Aestheticism. Manchester: Manchester UP, 2003.CrossRefGoogle Scholar
Kiefer, Frederick. Shakespeare’s Visual Theatre: Staging the Personified Characters. Cambridge: Cambridge University Press, 2003.Google Scholar
Robson, Mark. “Defending Poetry, or, Is there an Early Modern Aesthetic?” The New Aestheticism. Ed. Joughin, John J. and Malpas, Simon. Manchester: Manchester UP, 2003. 119–30.Google Scholar
Whitney, Charles. Early Responses to Renaissance Drama. Cambridge: Cambridge University Press, 2006.Google Scholar

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