Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Introduction
- 131 Manuscripts Containing Texts by Shakespeare
- 132 Allusions
- 133 Shakespeare and Company in Court Records
- 134 Experiences of Performance: Firsthand Accounts of Theater
- 135 Scandals: Essex, Cobham, and Others
- 136 Shakespeare and Renaissance Aesthetics
- 137 Shakespeare’s Early Reception in Europe
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
136 - Shakespeare and Renaissance Aesthetics
from Part XIV - Shakespeare’s Early Reception (to 1660)
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Introduction
- 131 Manuscripts Containing Texts by Shakespeare
- 132 Allusions
- 133 Shakespeare and Company in Court Records
- 134 Experiences of Performance: Firsthand Accounts of Theater
- 135 Scandals: Essex, Cobham, and Others
- 136 Shakespeare and Renaissance Aesthetics
- 137 Shakespeare’s Early Reception in Europe
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1021 - 1027Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Dubrow, Heather. The Challenges of Orpheus: Lyric Poetry and Early Modern England. Baltimore: Johns Hopkins UP, 2007.Google Scholar
Fernie, Ewan. “Shakespeare and the Prospect of Presentism.” Shakespeare Survey 58 (2005): 169–84.Google Scholar
Greenblatt, Stephen. “Shakespearean Beauty Marks.” Shakespeare’s Freedom. Chicago: U of Chicago P, 2010. 18–48.CrossRefGoogle Scholar
Joughin, John J. “Shakespeare, Modernity, and the Aesthetic: Art, Truth, and Judgement in The Winter’s Tale.” Shakespeare and Modernity: From Early Modern to Millennium. Ed. Grady, Hugh. London: Routledge, 2000. 61–84.Google Scholar
Joughin, John J., and Malpas, Simon, ed. The New Aestheticism. Manchester: Manchester UP, 2003.CrossRefGoogle Scholar
Kiefer, Frederick. Shakespeare’s Visual Theatre: Staging the Personified Characters. Cambridge: Cambridge University Press, 2003.Google Scholar
Robson, Mark. “Defending Poetry, or, Is there an Early Modern Aesthetic?” The New Aestheticism. Ed. Joughin, John J. and Malpas, Simon. Manchester: Manchester UP, 2003. 119–30.Google Scholar
Whitney, Charles. Early Responses to Renaissance Drama. Cambridge: Cambridge University Press, 2006.Google Scholar