Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Introduction
- 138 Translation, Adaptation, and “Tradaptation”
- 139 Translation: The European Fortunes of Sonnet 66
- 140 French Romanticism: Hamlet at the Théâtre de l’Odéon, Paris, in 1827
- 141 Shakespeare and National Literatures
- 142 Local, Global, and “Glocal”
- 143 Shakespeare Societies
- 144 Globe Theater Replicas
- 145 Boomerang Shakespeare: Foreign Shakespeare in Britain
- 146 Shakespeare in Iberian and Latin American Spanishes
- 147 Tercentenary Shakespeare: Britain and the United States, 1916
- 148 Shakespeare in Eastern Europe
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
141 - Shakespeare and National Literatures
from Part XV - International Encounters
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Introduction
- 138 Translation, Adaptation, and “Tradaptation”
- 139 Translation: The European Fortunes of Sonnet 66
- 140 French Romanticism: Hamlet at the Théâtre de l’Odéon, Paris, in 1827
- 141 Shakespeare and National Literatures
- 142 Local, Global, and “Glocal”
- 143 Shakespeare Societies
- 144 Globe Theater Replicas
- 145 Boomerang Shakespeare: Foreign Shakespeare in Britain
- 146 Shakespeare in Iberian and Latin American Spanishes
- 147 Tercentenary Shakespeare: Britain and the United States, 1916
- 148 Shakespeare in Eastern Europe
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1064 - 1070Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Bate, Jonathan. Shakespearean Constitutions: Politics, Theatre, Criticism, 1730–1830. Oxford: Clarendon, 1989.Google Scholar
Brown, Ivor, and Fearon, George. Amazing Monument: A Short History of the Shakespeare Industry. London: Heinemann, 1939.Google Scholar
Dávidházi, Péter. The Romantic Cult of Shakespeare: Literary Reception in Anthropological Perspective. Houndmills: Macmillan Press Ltd., 1998.Google Scholar
Hoenselaars, Ton. Shakespeare’s History Plays: Performance, Translation and Adaptation in Britain and Abroad. Cambridge: Cambridge University Press, 2004.Google Scholar
McClure, J. Derrick. “Scots for Shakespeare.” Shakespeare and the Language of Translation. Ed. Hoenselaars, Ton. 2nd ed. London: Arden Shakespeare, 2012. 217–39.Google Scholar
Schueller, Herbert M., ed. The Persistence of Shakespeare Idolatry: Essays in Honor of Robert W. Babcock. Detroit: Wayne State UP, 1964.Google Scholar