Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Introduction
- 196 Physical Structures
- 197 Acting Techniques
- 198 Costume
- 199 Scenery
- 200 Lighting
- 201 Sound Design
- 202 Visual Projections
- 203 Original Practices
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
199 - Scenery
from Part XX - Changing Technologies of Stage Performance
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Introduction
- 196 Physical Structures
- 197 Acting Techniques
- 198 Costume
- 199 Scenery
- 200 Lighting
- 201 Sound Design
- 202 Visual Projections
- 203 Original Practices
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
architectural scenic spaceBaylis, LilianBrecht, BertoltElizabethan Stage SocietyGranville-Barker, HarleyGray, TerenceJessner, LeopoldKean, CharlesLoutherbourg, PhilipMacready, William Charlesperspective painted sceneryPoel, WilliamRoyal Shakespeare Companyscaenae fronssceneryscenographic theoryShakespeare’s Globe (playhouse)visual rhetoric
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1449 - 1456Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Baugh, Christopher. “Brecht and Stage Design: The Bühnenbildner and the Bühnenbauer.” The Cambridge Companion to Brecht. Ed. Thomson, Peter and Sacks, Glendyr. 2nd ed. Cambridge: Cambridge University Press, 2006. 259–77.Google Scholar
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Further reading
Baugh, Christopher. “‘Our Divine Shakespeare, Fitly Illustrated’: The Staging of Shakespeare, 1660–1900.” Shakespeare in Art. Ed. Martineau, J.. New York: Merrell, 2003. 29–39.Google Scholar
Baugh, Christopher. “Scenography and Technology.” The Cambridge Companion to British Theatre, 1730–1830. Ed. Moody, J. and O’Quinn, D.. Cambridge: Cambridge University Press, 2007. 43–56.CrossRefGoogle Scholar
Baugh, Christopher. “Shakespeare and the Rhetoric of Scenography, 1770–1825.” Shakespeare in Stages. Ed. Dymkowski, C. and Carson, C.. Cambridge: Cambridge University Press, 2010. 187–209.Google Scholar
Beauman, Sally. The Royal Shakespeare Company: A History of Ten Decades. Oxford: Clarendon, 1982.Google Scholar
Kennedy, Dennis. Granville Barker and the Dream of Theatre. Cambridge: Cambridge University Press, 1985.Google Scholar
Kennedy, Dennis. Looking at Shakespeare: A Visual History of Twentieth-Century Performance. 2nd ed. Cambridge: Cambridge University Press, 2001.Google Scholar
Schafer, Elizabeth. Lilian Baylis: A Biography. Hatfield: The Society for Theatre Research and U of Hertfordshire P, 2006.Google Scholar