Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
113 - Robert Greene
from Part XIII - Shakespeare’s Fellows
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 880 - 886Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Bradbrook, M. C. “Beasts and Gods: Greene’s Groats-Worth of Witte and the Social Purpose of Venus and Adonis.” Shakespeare Survey 15 (1962): 62–72.Google Scholar
Chettle, Henry. Kind-harts dreame Conteining fiue apparitions. London: 1593. Short Title Catalogue (hereafter STC) (2nd ed.) no. 5123.Google Scholar
Greene, Robert. Greenes farewell to folly Sent to courtiers and schollers as a president to warne them from the vaine delights that drawes youth on to repentance. London: 1591. STC (2nd ed.) no. 12241.Google Scholar
Greene, Robert. Greenes Groats-vvorth of witte, bought with a million of repentance. London: 1592. STC (2nd ed.) no. 12261.Google Scholar
Greene, Robert. Greenes vision written at the instant of his death. London: 1592. STC (2nd ed.) no. 12261.Google Scholar
Greene, Robert. Menaphon Camillas alarum to slumbering Euphues. London: 1589. STC (2nd ed.) no. 12272.Google Scholar
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Further reading
Erne, Lukas. “Biography and Mythography: Rereading Chettle’s Alleged Apology to Shakespeare.” English Studies 79.5 (September 1998): 430–40.CrossRefGoogle Scholar
Grosart, Alexander B., ed. The Life and Complete Works in Prose and Verse of Robert Greene. 15 vols. London: Huth Library, 1881–86.Google Scholar
Lawrence, Judiana. “Natural Bonds and Artistic Coherence in the Ending of Cymbeline.” Shakespeare Quarterly 35.4 (winter 1984): 440–60.CrossRefGoogle Scholar
Lemonnier-Texier, Delphine, and Laroque, François. “Robert Greene. Notice sur l’Auteur.” Théâtre Élisabéthain. Vol. 1. Ed. Cottegnies, Line, Laroque, François, and Maguin, Jean-Marie. Paris: Gallimard, Bibliothèque de la Pléiade, 2009. 1585–91.Google Scholar
Malone, Edmond. “A Dissertation on the Three Parts of King Henry VI, Tending to Show That These Plays Were Not Originally Written by Shakespeare.” 1787, 1792 (expanded). Reprinted in Third Variorum Shakespeare. Vol. 18. Ed. Boswell, James Jr. London: R. C. and J. Rivington, 1821.Google Scholar
Melnikoff, Kirk, and Gieskes, Edward. Writing Robert Greene: Essays on England’s First Notorious Professional Writer. Aldershot: Ashgate, 2008.Google Scholar
Newcomb, Lori Humphrey. “Greene, Robert, Writer and Playwright.” Oxford Dictionary of National Biography. Oxford: Oxford UP, 2004.Google Scholar
Newcomb, Lori Humphrey. “The Romance of Service: The Simple History of Pandosto’s Servant Readers.” Framing Elizabethan Fictions: Contemporary Approaches to Early Modern Narrative Prose. Ed. Relihan, Constance C.. Kent: Kent State UP, 1996. 117–40.Google Scholar
Pinciss, G. M. “Shakespeare, Her Majesty’s Players, and Pembroke’s Men.” Shakespeare Survey 27 (1974): 129–36.Google Scholar
Schoone-Jongen, Terence. Shakespeare’s Companies: William Shakespeare’s Early Career and the Acting Companies, 1577–1594. Aldershot: Ashgate, 2008.Google Scholar