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173 - Popular Adaptations for Theater

from Part XVIII - Shakespeare and Popular Culture

Published online by Cambridge University Press:  17 August 2019

By
Jill Levenson
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

adaptations of Shakespeare’s life for theaterBond, EdwardBrecht, BertoltChekhov, AntonDane, Clemence (Winifred Ashton)feminist adaptations of Shakespeare for theaterGarcía Lorca, FedericoJarry, AlfredMarowitz, Charlesmodern dramaOtway, Thomaspostcolonial adaptations of Shakespeare for theaterShaw, George BernardStein, PeterStoppard, TomThe Wars of the Roses (1963)Wesker, ArnoldWhelan, PeterYiddish adaptations of Romeo and Juliet for theater
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1297 - 1305
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Barton, John, and Hall, Peter. The Wars of the Roses: Adapted for the Royal Shakespeare Company from William Shakespeare’s Henry VI, Parts I, II, III and Richard III. London: British Broadcasting Corporation, 1970.Google Scholar
Berkowitz, Joel. Shakespeare on the American Yiddish Stage. Iowa City: U of Iowa P, 2002.Google Scholar
Bradley, A. C. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, and Macbeth. 2nd ed. London: Macmillan, 1905.Google Scholar
Bulman, James C. Shakespeare in Performance: The Merchant of Venice. Manchester: Manchester UP, 1991.Google Scholar
Hoenselaars, Ton, ed. Shakespeare’s History Plays: Performance, Translation and Adaptation in Britain and Abroad. Cambridge: Cambridge University Press, 2004.Google Scholar
Marowitz, Charles. Recycling Shakespeare. New York: Applause, 1991.CrossRefGoogle Scholar
Schoenbaum, Samuel. Shakespeare’s Lives. 2nd ed. Oxford: Clarendon, 1991.Google Scholar
Shaw, Bernard. The Bodley Head Bernard Shaw: Collected Plays with Their Prefaces. Ed. Laurence, Dan H.. 7 vols. London: Max Reinhardt, The Bodley Head, 1970–74.Google Scholar
Stoppard, Tom. Dogg’s Hamlet, Cahoot’s Macbeth. London: Faber and Faber, 1980.Google Scholar
Stoppard, Tom. “Is It True What They Say about Shakespeare?” International Shakespeare Association Occasional Paper No. 2. Oxford: International Shakespeare Association, 1982.Google Scholar
Thompson, Ann, and Taylor, Neil, eds. Hamlet. By Shakespeare, William. Arden 3 edition. London: Thomson Learning, 2006.Google Scholar
Wesker, Arnold. The Birth of Shylock and the Death of Zero Mostel. London: Quartet, 1997.Google Scholar

Further reading

Cohn, Ruby. Modern Shakespeare Offshoots. Princeton: Princeton UP, 1976.Google Scholar
Dionne, Craig, and Kapadia, Parmita, eds. Native Shakespeares: Indigenous Appropriations on a Global Stage. Aldershot: Ashgate, 2008.Google Scholar
Fischlin, Daniel, and Fortier, Mark, eds. Adaptations of Shakespeare: A Critical Anthology of Plays from the Seventeenth Century to the Present. London: Routledge, 2000.Google Scholar
Hattaway, Michael, Sokolova, Boika, and Roper, Derek, eds. Shakespeare in the New Europe. Sheffield: Sheffield Academic, 1994.Google Scholar
Hortmann, Wilhelm. Shakespeare on the German Stage. Cambridge: Cambridge University Press, 1998.Google Scholar
Kennedy, Dennis, ed. Foreign Shakespeare: Contemporary Performance. Cambridge: Cambridge University Press, 1993.Google Scholar
Massai, Sonia, ed. World-wide Shakespeares: Local Appropriations in Film and Performance. London: Routledge, 2005.Google Scholar
Ruru, Li. Shashibiya: Staging Shakespeare in China. Hong Kong: Hong Kong UP, 2003.Google Scholar
Sasayama, Takashi, Mulryne, J. R., and Shewring, Margaret, eds. Shakespeare and the Japanese Stage. Cambridge: Cambridge University Press, 1998.Google Scholar
Triverdi, Poonam, and Bartholomeusz, Dennis, eds. India’s Shakespeare: Translation, Inter-pretation, and Performance. Part III. Newark: U of Delaware P, 2005.Google Scholar

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