Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Introduction
- 51 Ornament
- 52 Single-Sheet Prints
- 53 Emblems
- 54 Architecture
- 55 Gardens
- 56 Sculpture
- 57 Painting on Wooden Panel
- 58 Decorative Arts
- 59 Tapestries
- 60 Painted Cloths
- 61 Triumphal Entries
- 62 Collecting
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
51 - Ornament
from Part VI - Visual Arts
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Introduction
- 51 Ornament
- 52 Single-Sheet Prints
- 53 Emblems
- 54 Architecture
- 55 Gardens
- 56 Sculpture
- 57 Painting on Wooden Panel
- 58 Decorative Arts
- 59 Tapestries
- 60 Painted Cloths
- 61 Triumphal Entries
- 62 Collecting
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 388 - 396Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Adamson, Sylvia, Alexander, Gavin, and Ettenhuber, Katrin. Renaissance Figures of Speech. Cambridge: Cambridge University Press, 2007.CrossRefGoogle Scholar
Evett, David. Literature and the Visual Arts in Tudor England. Athens: U of Georgia P, 1990.Google Scholar
Holton, Amanda, and Macfaul, Tom, eds. Tottel’s Miscellany: Songs and Sonnets of Henry Howard, Earl of Surrey, Sir Thomas Wyatt, and Others. London: Penguin, 2011.Google Scholar
Shuger, Debora. “Conceptions of Style.” The Cambridge History of Literary Criticism. Vol. 3: The Renaissance. Ed. Norton, Glyn P.. Cambridge: Cambridge University Press, 1999. 176–86.Google Scholar
Wells-Cole, Anthony. The Art of Decoration in Elizabethan and Jacobean England, 1558–1625. New Haven: Yale UP, 1997.Google Scholar