Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
121 - John Heminges and Henry Condell
from Part XIII - Shakespeare’s Fellows
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 923 - 927Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Barnard, E. A. B. New Links with Shakespeare. Cambridge: Cambridge University Press, 1930.Google Scholar
Chambers, E. K. William Shakespeare: A Study of the Facts and Problems. 2 vols. Oxford: Clarendon, 1930.Google Scholar
Honigmann, Ernst, and Brock, Susan. Playhouse Wills, 1558–1642: An Edition of Wills by Shakespeare and His Contemporaries in the London Theatre. Manchester: Manchester UP, 1993.Google Scholar
Honneyman, David. “The Family Origins of Henry Condell.” Notes and Queries 230 (1985): 467–68.Google Scholar
Kathman, David. “Grocers, Goldsmiths, and Drapers: Freemen and Apprentices in the Elizabethan Theater.” Shakespeare Quarterly 55 (2004): 1–49, esp. 6–12.Google Scholar
Kathman, David. “Henry Condell and His London Relatives.” Shakespeare Quarterly 63 (2012): 112–19.Google Scholar
Kathman, David. “Reconsidering the Seven Deadly Sins.” Early Theatre 7.1 (2004): 13–44.Google Scholar
Further reading
Blayney, Peter W. M. The First Folio of Shakespeare. Washington: Folger Library Publications, 1991.Google Scholar
Edmond, Mary. “Yeomen, Citizens, Gentlemen, and Players: The Burbages and Their Connections.” Elizabethan Theater: Essays in Honor of S. Schoenbaum. Ed. Parker, R. B. and Zitner, S. P.. Newark: U of Delaware P, 1996. 30–49.Google Scholar
Egan, Gabriel. “John Heminges’s Tap-House at the Globe.” Theatre Notebook 55 (2001): 72–77.Google Scholar
Walker, Charles Clement. John Heminge and Henry Condell, Friends and Fellow-Actors of Shakespeare, and What the World Owes to Them. London: privately printed, 1896.Google Scholar