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95 - Islam

from Part X - Religion

Published online by Cambridge University Press:  17 August 2019

By
Daniel Vitkus
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

AaronblacknessconversionIslamMoorMoroccoMuslimOthelloOttomanrenegadeSafavidTurkVenice
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 731 - 738
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Acts of the Privy Council of England, n.s. 26 (1596–97). Ed. Dasent, John Roche. London: Mackie and Co., 1902.Google Scholar
Burton, Jonathan. Traffic and Turning: Islam and English Drama, 1579–1624. Newark: U of Delaware P, 2005.Google Scholar
Byam, Henry, and Kellett, Edward. A Returne from Argier. London: 1628.Google Scholar
Dimmock, Matthew. New Turkes: Dramatizing Islam and the Ottomans in Early Modern England. Aldershot: Ashgate, 2005.Google Scholar
Foxe, John. The First Volume of the Ecclesiastical History, containing the Actes & Monumentes of thinges passed in every kings time, in this Realme. London: 1570.Google Scholar
Habib, Imtiaz H. Black Lives in the English Archives, 1500–1677: Imprints of the Invisible. Aldershot: Ashgate, 2008.Google Scholar
Hall, Joseph. The Works of Joseph Hall. Ed. Hall, Peter. 12 vols. Oxford: D. A. Talboys, 1837–39.Google Scholar
Hughes, Paul L., and Larkin, James F., eds. Tudor Royal Proclamations, Vol. 3. New Haven: Yale UP, 1964–69.Google Scholar
Middleton, Thomas. The Collected Works. Ed. Taylor, Gary and Lavagnino, John. Oxford: Clarendon, 2007.Google Scholar
“Moor, n.2.” OED Online. Oxford: Oxford UP, 2012. Accessed March 26, 2012.Google Scholar
Ungerer, Gustav. The Mediterranean Apprenticeship of British Slavery. Madrid: Editorial Verbum, 2010.Google Scholar

Further reading

Andrea, Bernadette D. Women and Islam in Early Modern English Literature. Cambridge: Cambridge University Press, 2007.Google Scholar
Barbour, Richmond. Before Orientalism: London’s Theatre of the East, 1576–1626. Cambridge: Cambridge University Press, 2003.Google Scholar
Chew, Samuel C. The Crescent and the Rose: Islam and England during the Renaissance. New York: Octagon Books, 1965.Google Scholar
D’Amico, Jack. The Moor in English Renaissance Drama. Tampa: U of South Florida P, 1991.Google Scholar
Degenhardt, Jane H. Islamic Conversion and Christian Resistance on the Early Modern Stage. Edinburgh: Edinburgh UP, 2010.CrossRefGoogle Scholar
MacLean, Gerald M. Looking East: English Writing and the Ottoman Empire before 1800. Basingstoke: Palgrave Macmillan, 2007.CrossRefGoogle Scholar
MacLean, Gerald M., and Matar, N. I.. Britain and the Islamic World, 1558–1713. Oxford: Oxford UP, 2011.CrossRefGoogle Scholar
McJannet, Linda. The Sultan Speaks: Dialogue in English Plays and Histories about the Ottoman Turks. New York: Palgrave Macmillan, 2006.Google Scholar
Robinson, Benedict S. Islam and Early Modern English Literature: The Politics of Romance from Spenser to Milton. New York: Palgrave Macmillan, 2007.CrossRefGoogle Scholar
Vitkus, Daniel J. Turning Turk: English Theater and the Multicultural Mediterranean, 1570–1630. New York: Palgrave Macmillan, 2003.CrossRefGoogle Scholar

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