Audiences

doi:10.1017/9781316137062.P21

Part XXI - Audiences

Published online by Cambridge University Press: 17 August 2019

Lori Humphrey Newcomb

Edited by

Bruce R. Smith

Edited in association with

Katherine Rowe

With

Ton Hoenselaars ,

Akiko Kusunoki ,

Andrew Murphy and

Aimara da Cunha Resende

Show author details

Bruce R. Smith: Affiliation:
University of Southern California
Katherine Rowe: Affiliation:
Smith College, Massachusetts
Ton Hoenselaars: Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki: Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy: Affiliation:
Trinity College Dublin
Aimara da Cunha Resende: Affiliation:
Universidade Federal de Minas Gerais, Brazil

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Keywords

audience expectations auditor dress and material culture embodiment interculturalism literacies original practices playgoer print culture reception spectator amphitheaters applause Armin, Robert audience Authorship clowning Dekker, Thomas droll event gallant improvisation indoor halls jigs Jonson, Ben Kemp, William participation performance playbooks reception stenography Tarlton, Richard textuality actors in audience audience audience–actor interaction benefit nights Cibber, Susannah Covent Garden Drury Lane eighteenth century fourth wall Garrick, David half-price admission Jewish Naturalization Bill Macklin, Charles The Merchant of Venice patent theaters prostitutes riots seating backstage seating onstage Shakespearean adaptations Shylock Siddons, Sarah 1737 Theater Licensing Act All the Year Round Astor Place riot Bowery Theatre Household Words Kean, Charles Morley, Henry Phelps, Samuel “Report from the Select Committee on Dramatic Literature,” 1832 Sadler’s Wells Theatre Regulation Act of 1843 Tocqueville, Alexis de Whitman, Walt Arts Council of Great Britain audience surveys Bogdanov, Michael Bradley, A. C.Brook, Peter cultural tourism directors Harbage, Alfred Henry V Holland, Peter Julius Caesar Kennedy, Dennis New Globe Olivier, Laurence Papp, Joseph Poel, William demographics of Shakespeare audiences Shakespeare as icon Shakespeare in the Classroom Shakespeare’s Globe (playhouse)Shakespop twentieth-century audiences Wanamaker, Sam Welles, Orson aging A Midsummer Night’s Dream Department of Defense elderly Macbeth military National Endowment for the Arts nursing home soldier Still Dreaming The Bird in a Cage Browne, Robert Bryan, George Dekker, Thomas Dresden Earl of Leicester Elsinore Engelische Comedien und Tragedien English players Fortunatus Friar Bacon and Friar Bungay Gettner, Johann Georg Graz Green, John Greene, Robert Gryphius, Andreas Hamlet Duke Heinrich Julius of Braunschweig-Lüneburg Heywood, Thomas Hoghton, Alexander and Thomas James I of England (James VI of Scotland)Jesuit drama Johannes Doktor Faust Kemp, William King Henry V King’s Men Krumlov, Český Leipzig Leo Armenius (1648)Leo Armenius (1650)Liebeskampff, oder Ander Theil Der Engelischen Comoedien und Tragoedien London Lord Admiral’s Men Marlowe, Christopher Massinger, Philip The Merchant of Venice Middleton, Thomas Minstrels Mucedorus musicians mystery plays Nyköping The Old Law or A New Way to Please You Pickelhering Ploughman king legends Pope, Thomas Prague defenestration puppetry Queen’s Men Records of Early English Drama (REED)Reynolds, Robert A Rod for Run-aways Romeo and Juliet Rowley, William The Run-Away’s Answer Sachs, Hans Saint Dorothea Saints’ plays Schilling, Johann Shirley, James The Shoemakers’ Holiday Simons, Joseph (or Simeons)Thirty Years’ War Titus Andronicus The Two Gentlemen of Verona vagrants vagrancy laws The Virgin Martyr The Winter’s Tale Wolfenbüttel accessibility Amaryllis Theatre American Sign Language (ASL)ASL Shakespeare Project audio description blind Community College of Aurora Deaf disability Fels, Deborah I.fingerspelling Hamlet Hart House Theatre hearing impairment light-emitting diode (LED)low vision National Theatre Novak, Peter Oregon Shakespeare Festival Peters, Cynthia Romeo and Juliet Royal Shakespeare Company sign language interpretation The Tempest touch tour Twelfth Night Udo, J. P.Wright-Meinhardt, Pamela aleatoric effect animals antagonism attention audience audience experience authentic clouds condescension conventions conviviality direct address dissension equally lit expert spectator fainting 1599 Globe (playhouse)historicity interaction laughter material conditions negotiation open air pigeons reconstruction response tesponsiveness self-consciousness Shakespeare’s Globe (playhouse)social space swooning theater conditions tourist weather world

Type: Chapter
Information: The Cambridge Guide to the Worlds of Shakespeare , pp. 1483 - 1544

DOI: https://doi.org/10.1017/9781316137062.P21 [Opens in a new window]

Publisher: Cambridge University Press

Print publication year: 2016

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Book contents

Part XXI - Audiences

Keywords

Access options

References

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Further reading

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Book contents

Part XXI - Audiences

Keywords

Access options

References

Sources cited

Further reading

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Further reading

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Further reading

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Further reading

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Further reading

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Further reading

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Further reading

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Further reading

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Further reading

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