Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-q99xh Total loading time: 0 Render date: 2024-12-28T01:27:28.150Z Has data issue: false hasContentIssue false

Further Reading

Published online by Cambridge University Press:  14 April 2022

Edited by
Jesper Gulddal ,
Stewart King  and
Alistair Rolls
Jesper Gulddal
Affiliation:
University of Newcastle, New South Wales
Stewart King
Affiliation:
Monash University, Victoria
Alistair Rolls
Affiliation:
University of Newcastle, New South Wales
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Cambridge Companion to World Crime Fiction , pp. 281 - 289
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Allan, Janice, Gulddal, Jesper, King, Stewart and Pepper, Andrew (eds.), The Routledge Companion to Crime Fiction (London: Routledge, 2020).CrossRefGoogle Scholar
Anderson, Jean, Miranda, Carolina and Pezzotti, Barbara (eds.), The Foreign in International Crime Fiction (London: Continuum, 2012).Google Scholar
Gulddal, Jesper, ‘The Foreignizing Crime Novel. Anatomy of a Publishing Phenomenon’, Genre, 55.1 (2022).CrossRefGoogle Scholar
Gulddal, Jesper, King, Stewart and Rolls, Alistair (eds.), Criminal Moves: Modes of Mobility in Crime Fiction (Liverpool: University of Liverpool Press, 2019).Google Scholar
King, Stewart, ‘Crime Fiction as World Literature’, Clues: Journal of Detection, 32.2 (2014), 8–19.Google Scholar
Matzke, Christine and Mühleisen, Susanne (eds.), Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective (Amsterdam: Rodopi, 2006).CrossRefGoogle Scholar
Nilsson, Louise, Damrosch, David and D’haen, Theo (eds.), Crime Fiction as World Literature (New York: Bloomsbury, 2017).Google Scholar
Pearson, Nels and Singer, Marc (eds.), Detective Fiction in a Postcolonial and Transnational World (Farnham: Ashgate, 2009).Google Scholar
Pepper, Andrew, Unwilling Executioner: Crime Fiction and the State (Oxford: Oxford University Press, 2016).CrossRefGoogle Scholar
Pepper, Andrew and Schmid, David (eds.), Globalization and the State in Contemporary Crime Fiction: A World of Crime (London: Palgrave Macmillan, 2016).CrossRefGoogle Scholar
Piipponen, Maarit, Mäntymäki, Helen and Rodi-Risberg, Marinella (eds.), Transnational Crime Fiction: Mobility, Borders and Detection (Cham: Palgrave Macmillan, 2020).CrossRefGoogle Scholar

Secondary Sources

Berglund, Karl, ‘Genres at Work: A Holistic Approach to Genres in Book Publishing’, European Journal of Cultural Studies, 24.3 (2021), 757–76.Google Scholar
Berglund, Karl, ‘Introducing the Beststreamer: Mapping Nuances in Digital Book Consumption at Scale’, Publishing Research Quarterly, 37 (2021), 135–51.CrossRefGoogle Scholar
Bloom, Clive, Bestsellers: Popular Fiction since 1900, 2nd ed. (Houndmills: Palgrave Macmillan, 2008).CrossRefGoogle Scholar
Broomé, Agnes, ‘The Exotic North, or How Marketing Created the Genre of Scandinavian Crime’, in Epstein, B. J. (ed.), True North: Literary Translation in the Nordic Countries (Newcastle upon Tyne: Cambridge Scholars, 2014), pp. 269–82.Google Scholar
Driscoll, Beth, Fletcher, Lisa, Wilkins, Kim and Carter, David, ‘The Publishing Ecosystems of Contemporary Australian Genre Fiction’, Creative Industries Journal, 11.2 (2018), 203–21.CrossRefGoogle Scholar
Gelder, Ken, Popular Fiction: The Logics and Practices of a Literary Field (Abingdon: Routledge, 2004).Google Scholar
Migozzi, Jacques, Levet, Natacha and Amir, Lucie, ‘Gatekeepers of Noir: The Paradoxical Internationalization of the French Crime Fiction Field’, European Review (2020). https://doi.org/10.1017/S1062798720001118CrossRefGoogle Scholar
Steiner, Ann, ‘Serendipity, Promotion and Literature: The Contemporary Book Trade and International Megasellers’, in Helgason, Jon, Kärrholm, Sara and Steiner, Ann (eds.), Hype: Bestsellers and Literary Culture (Lund: Nordic Academic Press, 2014), pp. 41–65.Google Scholar
Stinson, Emmett, ‘Crime Fiction in the Marketplace’, in Allan, Janice, Gulddal, Jesper, King, Stewart and Pepper, Andrew (eds.), The Routledge Companion to Crime Fiction (London: Routledge, 2020), pp. 39–47.CrossRefGoogle Scholar
Thompson, John B., Book Wars: The Digital Revolution in Publishing (Cambridge: Polity Press, 2021).Google Scholar
Bassnett, Susan, ‘Detective Fiction in Translation: Shifting Patterns of Reception’, in Nilsson, Louise, Damrosch, David and D’haen, Theo (eds.), Crime Fiction as World Literature (New York: Bloomsbury, 2017), pp. 143–55.Google Scholar
Harper, Mihaela, ‘“In Agatha Christie’s Footsteps”: The Cursed Goblet and Contemporary Bulgarian Crime Fiction’, in Nilsson, Louise, Damrosch, David and D’haen, Theo (eds.), Crime Fiction as World Literature (New York: Bloomsbury, 2017), pp. 171–85.Google Scholar
Krajenbrink, Marieke and Quinn, Kate (eds.), Investigating Identities: Questions of Identity in Contemporary International Crime Fiction (Amsterdam: Rodopi, 2009).Google Scholar
Maher, Brigid, ‘A Crook’s Tour: Translation, Pseudotranslation and Foreignness in Anglo-Italian Crime Fiction’, in Nelson, Brian and Maher, Brigid (eds.), Perspectives on Literature and Translation: Creation, Circulation, Reception (New York: Routledge, 2013), pp. 145–58.Google Scholar
O’Sullivan, Carol, ‘Translation, Pseudotranslation and Paratext: The Presentation of Contemporary Crime Fiction Set in Italy’, EnterText, supplement 4.3 (2004/5), 62–76.Google Scholar
Rolls, Alistair, Vuaille-Barcan, Marie-Laure and West-Sooby, John (eds.), ‘Translating National Allegories: The Case of Crime Fiction’, special issue of The Translator 22.2 (2016).CrossRefGoogle Scholar
Seago, Karen, ‘Introduction and Overview: Crime Fiction in Translation’, The Journal of Specialised Translation 22 (2014), 2–14.Google Scholar
Seago, Karen and Lei, Victoria, ‘Translation’, in Allan, Janice, Gulddal, Jesper, King, Stewart and Pepper, Andrew (eds.), The Routledge Companion to Crime Fiction (London: Routledge, 2020), pp. 85–93.CrossRefGoogle Scholar
Anderson, Jean, Miranda, Carolina and Pezzotti, Barbara (eds.), Serial Crime Fiction: Dying for More (London: Palgrave McMillan, 2015).CrossRefGoogle Scholar
Dunnett, Jane, ‘Supergiallo: How Mondadori Turned Crime into a Brand’, The Italianist, 30.1 (2010), 63–80.CrossRefGoogle Scholar
Karolle-Berg, Julia, ‘On the Popularity of the Kriminalroman: The Reception, Production, and Consumption of German Crime and Detective Novels (1919–1933)’, The German Quarterly, 91.3 (2018), 305–21.CrossRefGoogle Scholar
King, Stewart, ‘Making It Ours: Translation and the Circulation of Crime Fiction in Catalan’, in Nilsson, Louise, Damrosch, David and D’haen, Theo (eds.), Crime Fiction as World Literature (New York: Bloomsbury, 2017), pp. 157–69.Google Scholar
Mani, Bala Venkat, ‘Bibliomigrancy: Book Series and the Making of World Literature’, in D’haen, Theo, Damrosch, David and Kadir, Djelal (eds.), The Routledge Companion to World Literature (London: Routledge, 2011), pp. 283–96.Google Scholar
Rolls, Alistair, Sitbon, Clara and Vuaille-Barcan, Marie-Laure, Origins and Legacies of Marcel Duhamel’s Série Noire (Leiden: Brill, 2018).CrossRefGoogle Scholar
Anderson, Jean, ‘Alterity and the Other’, in Allan, Janice, Gulddal, Jesper, King, Stewart and Pepper, Andrew (eds.), The Routledge Companion to Crime Fiction (London: Routledge, 2020), pp. 252–61.Google Scholar
Anker, Elizabeth and Felski, Rita (eds.), Critique and Postcritique (Durham, NC: Duke University Press, 2017).Google Scholar
King, Stewart, Murder in the Multinational State: Crime Fiction from Spain (New York: Routledge, 2019).CrossRefGoogle Scholar
Pepper, Andrew and Schmid, David, Globalization and the State in Contemporary Crime Fiction: A World of Crime (London: Palgrave Macmillan, 2016).CrossRefGoogle Scholar
Pezzotti, Barbara, Politics and Society in Italian Crime Fiction: An Historical Overview (Jefferson, NC: McFarland, 2013).Google Scholar
Sagaster, Börte, Strohmeier, Martin and Guth, Stephan (eds.), Crime Fiction in and around the Eastern Mediterranean (Wiesbaden-Erbenheim: Harrassowitz, 2016).CrossRefGoogle Scholar
Turnaturi, Gabriella, ‘The Invention of a Genre: The Mediterranean Noir’, in Parati, Graziella (ed.), New Perspectives in Italian Cultural Studies: The Arts and History (Madison, NJ: Fairleigh Dickinson University Press, 2012), pp. 52–65.Google Scholar
Copeland, Rebecca, ‘Women Uncovered: Pornography and Power in the Detective Fiction of Kirino Natsuo’, Japan Forum, 16.2 (2004), 249–69.CrossRefGoogle Scholar
Darlington, Sonja, ‘“Fiat Justitia, Ruat Caelum”: Justice Juxtaposed to Questions of Maturity, Community, Gender, and Moral Action in the Novels by Unity Dow’, Journal of the African Literature Association, 8.1 (2013), 74–86.CrossRefGoogle Scholar
Joyce, Laura and Sutton, Henry (eds.), Domestic Noir: The New Face of 21st Century Crime Fiction (Cham: Springer International, 2018).CrossRefGoogle Scholar
Klein, Kathleen, The Woman Detective: Gender & Genre (Urbana: University of Illinois Press, 1995).Google Scholar
Kuhlemann, Alma, ‘Detecting a Feminist Reading Model: Clues in Marcela Serrano’s Nuestra Señora de La Soledad and in Responses from Her Women Readers’, Reception: Texts, Readers, Audiences, History, 8.1 (2016), 45–72.Google Scholar
Munt, Sally, Murder by the Book? Feminism and the Crime Novel (London: Routledge, 1994).Google Scholar
Plain, Gill, Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (Edinburgh: Edinburgh University Press, 2001).Google Scholar
Reddy, Maureen, Sisters in Crime: Feminism and the Crime Novel (New York: Continuum, 1989).Google Scholar
Seaman, Amanda, Bodies of Evidence: Women, Society, and Detective Fiction in 1990s Japan (Honolulu: University of Hawaii Press, 2004).Google Scholar
Seaman, Amanda, ‘Inside OUT: Space, Gender, and Power in Kirino Natsuo’, Japanese Language and Literature, 40.2 (2006), 197–217.CrossRefGoogle Scholar
Walton, Priscilla and Jones, Manina, Detective Agency: Women Rewriting the Hard-Boiled Tradition (Berkeley: University of California Press, 1999).CrossRefGoogle Scholar
Kawana, Sari, Murder Most Modern: Detective Fiction and Japanese Culture (Minneapolis: University of Minnesota Press, 2008).Google Scholar
Kinkley, Jeffrey, Chinese Justice, the Fiction: Law and Literature in Modern China (Stanford: Stanford University Press, 2000).CrossRefGoogle Scholar
Lim, Samson, Siam’s New Detectives: Visualizing Crime and Conspiracy in Modern Thailand (Honolulu: University of Hawaii Press, 2004).Google Scholar
Ma, Y. W., ‘Kung-an Fiction: A Historical and Critical Introduction’, T’oung Pao, 65.4/5 (1979), 200–59.CrossRefGoogle Scholar
Rhee, Jooyeon, ‘The Development of Detective Fiction in Korea: Focusing on the Colonial Period’, in Yang, Yoon Sun (ed.), Routledge Handbook of Modern Korean Literature (Milton: Taylor and Francis, 2020), pp. 188–99.Google Scholar
Saito, Satoru, Detective Fiction and the Rise of the Japanese Novel, 1880–1930 (Cambridge, MA: Harvard University Asia Center, 2012).Google Scholar
Seaman, Amanda, Bodies of Evidence: Women, Society, and Detective Fiction in 1990s Japan (Honolulu: University of Hawaii Press, 2004).Google Scholar
Silver, Mark, Purloined Letters: Cultural Borrowing and Japanese Crime Literature, 1868–1937 (Honolulu: University of Hawaii Press, 2008).Google Scholar
Wei, Yan, Detective Chinese Modernities: Rupture and Continuity in Modern Chinese Detective Fiction (1896–1949) (Boston: Brill, 2020).CrossRefGoogle Scholar
Wilson, Eric and Woodrich, Christopher (eds.), ‘Southeast Asian Noir’, special issue of International Journal of Indonesian Studies, 5 (2018).Google Scholar
Brueck, Laura, ‘Bhais Behaving Badly: Vernacular Masculinities in Hindi Detective Novels’, South Asian Popular Culture, 18.1 (2020), 29–46.Google Scholar
Chattopadhyay, Bodhisattva, Mandhwani, Aakriti and Maity, Anwesha (eds.), Indian Genre Fiction: Pasts and Future Histories (New Delhi: Routledge India, 2018).CrossRefGoogle Scholar
Orsini, Francesca, Print and Pleasure: Popular Literature and Entertaining Fictions in Colonial North India (Ranikhet: Permanent Black, 2009).Google Scholar
Harris-Peyton, Michael, ‘Brain Attics and Mind Weapons: Investigative Spaces, Mobility and Transcultural Adaptations of Detective Fiction’, in Gulddal, Jesper, King, Stewart and Rolls, Alistair (eds.), Criminal Moves: Modes of Mobility in Crime Fiction (Liverpool: Liverpool University Press, 2019), pp. 179–94.Google Scholar
Roy, Pinaki, The Manichean Investigators: A Postcolonial and Cultural Rereading of the Sherlock Holmes and Byomkesh Bakshi Stories (New Delhi: Sarup & Sons, 2008).Google Scholar
Roy, Shampa, Gender and Criminality in Bangla Crime Narratives: Late Nineteenth and Early Twentieth Centuries (London: Palgrave, 2017).Google Scholar
Sen, Raja, ‘The Bakshiphiles: India’s Most Popular Detective Now Dominates the Screen’, The Caravan, 30 September 2013. https://caravanmagazine.in/reviews-and-essays/bakshiphilesGoogle Scholar
Sinha, Mrinalini, Colonial Masculinity: The ‘Manly Englishman’ and the ‘Effeminate Bengali’ in the Late Nineteenth Century (Manchester: Manchester University Press, 1995).Google Scholar
Srivastava, Sanjay, ‘Thrilling Affects: Sexuality, Masculinity, the City and “Indian Traditions” in the Contemporary Hindi “Detective” Novel’, Interventions, 15.4 (2013), 567–85.Google Scholar
Suchitra, Mathur, ‘Holmes’s Indian Reincarnation: A Study in Postcolonial Transposition’, in Matzke, Christine and Mühleisen, Susanne (eds.), Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective (Amsterdam: Rodopi, 2006), pp. 87–108.Google Scholar
Colla, Elliott, ‘Anxious Advocacy: The Novel, the Law, and Extrajudicial Appeals in Egypt’, Public Culture, 17.3 (2005), 417–43.CrossRefGoogle Scholar
Ghosn, Katia and Tadié, Benoît (eds.), Le récit criminel arabe / Arabic Crime Fiction (Wiesbaden: Harrassowitz, 2021).Google Scholar
Malti-Douglas, Fedwa, ‘Classical Arabic Crime Narratives. Thieves and Thievery in Adab Literature’, Journal of Arabic Literature, 19.2 (1988), 95–127.Google Scholar
Malti-Douglas, Fedwa, ‘The Classical Arabic Detective’, Arabica, 35 (1988), 59–91.CrossRefGoogle Scholar
Sagaster, Börte, Strohmeier, Martin and Guth, Stephan (eds.), Crime Fiction in and around the Eastern Mediterranean (Wiesbaden: Harrassowitz, 2016).CrossRefGoogle Scholar
Smolin, Jonathan, ‘Anxious Openings: Globalization in the Moroccan Arabic Police Procedural’, Middle Eastern Literatures, 17.3 (2014), 283–98.Google Scholar
Smolin, Jonathan, Moroccan Noir: Police, Crime, and Politics in Popular Culture (Bloomington: Indiana University Press, 2013).Google Scholar
Higginson, Pim, The Noir Atlantic: Chester Himes and the Birth of the Francophone African Crime Novel (Liverpool: Liverpool University Press, 2011).Google Scholar
Higginson, Pim, ‘Popular Perceptions: Voice and Genre in Félix Couchoro’s Crime Fiction’, Journal of Postcolonial Writing, 49.1 (2013), 87–99.CrossRefGoogle Scholar
Knight, Stephen, ‘The Postcolonial Crime Novel’, in Quayson, Ato (ed.), The Cambridge Companion to the Postcolonial Novel (Cambridge: Cambridge University Press, 2015), pp. 166–87.Google Scholar
Matzke, Christine and Mühleisen, Susanne (eds.), Postcolonial Postmortems: Crime Fiction from a Transcultural Perspective (Amsterdam: Rodopi, 2006).Google Scholar
Naidu, Sam, ‘Race and Ethnicity’, in Allan, Janice, Gulddal, Jesper, King, Stewart and Pepper, Andrew (eds.), The Routledge Companion to Crime Fiction (London: Routledge, 2020), pp. 102–10.Google Scholar
Naidu, Sam and Elizabeth, Le Roux, A Survey of South African Crime Fiction: Critical Analysis and Publishing History (Pietermaritzburg: University of KwaZulu Natal Press, 2017).Google Scholar
Oed, Anja and Matzke, Christine (eds.), Life Is a Thriller: Investigating African Crime Fiction (Cologne: Rüdiger Köppe, 2012).Google Scholar
Wells, Claire, ‘Writing Black: Crime Fiction’s Other’, in Klein, Kathleen (ed.), Diversity and Detective Fiction (Bowling Green, KY: Bowling Green State University Popular Press, 1999), pp. 205–23.Google Scholar
Forshaw, Barry, Euro Noir: The Pocket Essential Guide to European Crime Fiction, Film & TV (Harpenden: Pocket Essentials, 2014).Google Scholar
Geherin, David, The Dragon Tattoo and Its Long Tail: The New Wave of European Crime Fiction in America (Jefferson, NC: McFarland, 2012).Google Scholar
Gorrara, Claire (ed.), French Crime Fiction (Cardiff: University of Wales Press, 2009).Google Scholar
Hall, Katharina, Crime Fiction in German: Der Krimi (Cardiff: University of Wales Press, 2016).Google Scholar
King, Stewart, Murder in the Multinational State: Crime Fiction from Spain (New York: Routledge, 2019).Google Scholar
Lawson, Mark and Reid, Robyn, Foreign Bodies: A History of Modern Europe through Literary Detectives, BBC, radio series (2012).Google Scholar
Mullen, Anne and O’Beirne, Emer (eds.), Crime Scenes: Detective Narratives in European Culture since 1945 (Amsterdam: Rodopi, 2000).Google Scholar
Pezzotti, Barbara, The Importance of Place in Contemporary Italian Crime Fiction: A Bloody Journey (Lanham, MD: Rowman & Littlefield, 2012).Google Scholar
Stougaard-Nielsen, Jakob, Scandinavian Crime Fiction (London: Bloomsbury, 2017).Google Scholar
Whitehead, Claire, The Poetics of Early Russian Crime Fiction 1860–1917: Deciphering Stories of Detection (Oxford: Legenda, 2018).Google Scholar
Åström, Berit, Gergersdotter, Katarina and Horeck, Tanya (eds.), Rape in Stieg Larsson’s Millennium Trilogy and Beyond: Contemporary Scandinavian and Anglophone Crime Fiction (Basingstoke: Palgrave Macmillan, 2013).CrossRefGoogle Scholar
Badley, Linda, Nestingen, Andrew and Seppälä, Jaakko (eds.), Nordic Noir, Adaptation, Appropriation (Cham: Palgrave, 2020).CrossRefGoogle Scholar
Bergman, Kerstin, Swedish Crime Fiction: The Making of Nordic Noir (Milan: Mimesis, 2014).Google Scholar
Forshaw, Barry, Death in a Cold Climate: A Guide to Scandinavian Crime Fiction (Basingstoke: Palgrave Macmillan, 2012).CrossRefGoogle Scholar
Nestingen, Andrew and Arvas, Paula (eds.), Scandinavian Crime Fiction (Cardiff: University of Wales Press, 2011).Google Scholar
Robbins, Bruce, ‘The Detective Is Suspended: Nordic Noir and the Welfare State’, in Nilsson, Louise, Damrosch, David and D’haen, Theo (eds.), Crime Fiction as World Literature (New York: Bloomsbury, 2017), pp. 47–57.Google Scholar
Stougaard-Nielsen, Jakob, ‘Nordic Noir in the UK: The Allure of Accessible Difference’, Journal of Aesthetics & Culture, 8.1 (2016). https://doi.org/10.3402/jac.v8.32704CrossRefGoogle Scholar
Stougaard-Nielsen, Jakob, Scandinavian Crime Fiction (London: Bloomsbury, 2017).Google Scholar
Tapper, Michael, Swedish Cops: From Sjöwall and Wahlöö to Stieg Larsson (Bristol: Intellect, 2014).Google Scholar
Aramburu, Diana, Resisting Invisibility: Detecting the Female Body in Spanish Crime Fiction (Toronto: University of Toronto Press, 2019).CrossRefGoogle Scholar
Braham, Persephone, Crimes against the State, Crimes against Persons: Detective Fiction in Cuba and Mexico (Minneapolis: University of Minnesota Press, 2004).Google Scholar
Close, Glen S., Contemporary Hispanic Crime Fiction: A Transatlantic Discourse on Urban Violence (New York: Palgrave Macmillan, 2008).Google Scholar
Close, Glen S., Female Corpses in Crime Fiction: A Transatlantic Perspective (Cham: Palgrave Macmillan, 2018).Google Scholar
Godsland, Shelley, Killing Carmens: Women’s Crime Fiction from Spain (Cardiff: University of Wales Press, 2007).Google Scholar
Hart, Patricia, The Spanish Sleuth: The Detective in Spanish Fiction (Rutherford, NJ: Fairleigh Dickinson University Press, 1987).Google Scholar
Irwin, John, The Mystery to a Solution: Poe, Borges, and the Analytic Detective Story (Baltimore, MD: Johns Hopkins University Press, 1994).Google Scholar
King, Stewart, Murder in the Multinational State: Crime Fiction from Spain (New York: Routledge, 2019).CrossRefGoogle Scholar
Lockhart, Darrell, Latin American Mystery Writers: An A-to-Z Guide (Westport, CT: Greenwood Press, 2004).Google Scholar
Simpson, Amelia, Detective Fiction from Latin America (Rutherford, NJ: Fairleigh Dickinson University Press, 1990).Google Scholar
Vosburg, Nancy (ed.), Iberian Crime Fiction (Cardiff: University of Wales Press, 2011).Google Scholar
Davis, J. Madison, ‘French Canadian Crime Writing: Will It Waken the Elephant Next Door?’, World Literature Today, 88.2 (2014), 9–11.Google Scholar
Gorrara, Claire (ed.), French Crime Fiction (Cardiff: University of Wales Press, 2009).Google Scholar
Goulet, Andrea, Legacies of the Rue Morgue: Science, Space, and Crime Fiction in France (Philadelphia: University of Pennsylvania Press, 2015).Google Scholar
Goulet, Andrea and Lee, Susanna (eds.), ‘Crime Fictions’, special issue of Yale French Studies, 108 (2005).Google Scholar
Higginson, Pim, The Noir Atlantic: Chester Himes and the Birth of the Francophone African Crime Novel (Liverpool: Liverpool University Press, 2011).Google Scholar
Jurney, Florence Ramond, ‘Women Investigators in Contemporary Quebecois Literature and TV Series’, Women in French Studies, 28 (2020), 115–26.Google Scholar
Knepper, Wendy, ‘Remapping the Crime Novel in the Francophone Caribbean: The Case of Patrick Cahmoiseau’s Solibo Magnifique’, PMLA, 122.5 (2007), 1431–46.Google Scholar
Migozzi, Jacques, Levet, Natacha and Amir, Lucie, ‘Gatekeepers of Noir: The Paradoxical Internationalization of the French Crime Fiction Field’, European Review (2020). https://doi.org/10.1017/S1062798720001118CrossRefGoogle Scholar
Moudileno, Lydie, ‘The Francophone Novel in Sub-Saharan Africa’, in Abiola Irele, F. (ed.), The Cambridge Companion to the African Novel (Cambridge: Cambridge University Press, 2009), pp. 125–39.Google Scholar
Platten, David, The Pleasures of Crime: Reading Modern French Crime Fiction (Amsterdam: Rodopi, 2011).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Further Reading
  • Edited by Jesper Gulddal, University of Newcastle, New South Wales, Stewart King, Monash University, Victoria, Alistair Rolls, University of Newcastle, New South Wales
  • Book: The Cambridge Companion to World Crime Fiction
  • Online publication: 14 April 2022
  • Chapter DOI: https://doi.org/10.1017/9781108614344.017
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Further Reading
  • Edited by Jesper Gulddal, University of Newcastle, New South Wales, Stewart King, Monash University, Victoria, Alistair Rolls, University of Newcastle, New South Wales
  • Book: The Cambridge Companion to World Crime Fiction
  • Online publication: 14 April 2022
  • Chapter DOI: https://doi.org/10.1017/9781108614344.017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Further Reading
  • Edited by Jesper Gulddal, University of Newcastle, New South Wales, Stewart King, Monash University, Victoria, Alistair Rolls, University of Newcastle, New South Wales
  • Book: The Cambridge Companion to World Crime Fiction
  • Online publication: 14 April 2022
  • Chapter DOI: https://doi.org/10.1017/9781108614344.017
Available formats
×