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Part IV - Women Composers circa 1880–2000

New Waves

Published online by Cambridge University Press:  23 May 2024

Edited by
Matthew Head  and
Susan Wollenberg
Matthew Head
Affiliation:
King's College London
Susan Wollenberg
Affiliation:
University of Oxford
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The Cambridge Companion to Women Composers , pp. 227 - 303
Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Chaminade, Cécile. Piano Music (New York: Dover Publications, 2002).Google Scholar
Lehmann, Liza. 14 Songs for Soprano/Mezzo Soprano and Piano (London: Thames Publishing, 1999).Google Scholar
White, Maude Valérie. Friends and Memories, reprinted ed. (London: Forgotten Books, 2018).Google Scholar
Boulanger, Lili. Clairières dans le ciel, Les Sirènes, Renouveau, Soir sur la plaine, Hymne au Soleil, Pour les funérailles d’un soldat, Martyn Hill (tenor), Andrew Ball (piano), New London Chamber Choir cond. James Wood, Hyperion: CDH55153 (1996).Google Scholar
Her Voice: Piano Trios by Farrenc, Beach and Clarke. Neave Trio, Chandos: CHAN20139 (2019).Google Scholar
Holmès, Augusta. ‘La Nuit et L’Amour’, interlude from Ludus pro Patria on La Nuit étoilée: Hector Berlioz, Augusta Holmès, Orchestre Pasdeloup cond. Wolfgang Doerner, Gramola: B09DJCGXPX (2021).Google Scholar
Boulanger, Lili. Clairières dans le ciel, Les Sirènes, Renouveau, Soir sur la plaine, Hymne au Soleil, Pour les funérailles d’un soldat, Martyn Hill (tenor), Andrew Ball (piano), New London Chamber Choir cond. James Wood, Hyperion: CDH55153 (1996).Google Scholar
Her Voice: Piano Trios by Farrenc, Beach and Clarke. Neave Trio, Chandos: CHAN20139 (2019).Google Scholar
Holmès, Augusta. ‘La Nuit et L’Amour’, interlude from Ludus pro Patria on La Nuit étoilée: Hector Berlioz, Augusta Holmès, Orchestre Pasdeloup cond. Wolfgang Doerner, Gramola: B09DJCGXPX (2021).Google Scholar

Listening

Boulanger, Lili. Clairières dans le ciel, Les Sirènes, Renouveau, Soir sur la plaine, Hymne au Soleil, Pour les funérailles d’un soldat, Martyn Hill (tenor), Andrew Ball (piano), New London Chamber Choir cond. James Wood, Hyperion: CDH55153 (1996).Google Scholar
Her Voice: Piano Trios by Farrenc, Beach and Clarke. Neave Trio, Chandos: CHAN20139 (2019).Google Scholar
Holmès, Augusta. ‘La Nuit et L’Amour’, interlude from Ludus pro Patria on La Nuit étoilée: Hector Berlioz, Augusta Holmès, Orchestre Pasdeloup cond. Wolfgang Doerner, Gramola: B09DJCGXPX (2021).Google Scholar

Further Reading/Listening

Anderson, Laurie. Big Science, LP/CD/DL (New York: Warner Bros, 1982).Google Scholar
Derbyshire, Delia, and Ron Grainer. Doctor Who: Original Theme Music and Credits (London: BBC TV, 1963), www.youtube.com/watch?v=75V4ClJZME4.Google Scholar
Eckhardt, Julia, and Radigue, Éliane. Éliane Radigue: Intermediary Spaces/Espaces Intermédiares (Brussels: Umland Editions, 2019).Google Scholar
Molleson, Kate. Sound within Sound: Opening Our Ears to the 20th Century (London: Faber & Faber, 2022).Google Scholar
Oliveros, Pauline. Software for People: Collected Writings 1963–80, 2nd ed. (Kingston, NY: Pauline Oliveros Publications, 2015).Google Scholar
Radigue, Éliane. Éliane Radigue: Oeuvres Électroniques, 14 CDs (Paris: Ina-GRM, 2018).Google Scholar
Tutti, Cosey Fanni. Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti (London: Faber & Faber, 2022).Google Scholar

Further Reading

Born, Georgina, and Devine, Kyle. ‘Introduction. Gender, Creativity and Education in Digital Musics and Sound Art’, Contemporary Music Review, 35/1 (2016), 1–20.CrossRefGoogle Scholar
Cimini, Amy and Dietz, Bill, eds. Maryanne Amacher: Selected Writings and Interviews (Brooklyn, NY: Blank Forms, 2020).Google Scholar
Dunaway, Judy. ‘The Forgotten 1979 MoMA Sound Art Exhibition’, Resonance: The Journal of Sound and Culture, 1/1 (2020), 25–46.CrossRefGoogle Scholar
Lewis, George E. ‘The Virtual Discourses of Pamela Z’, Journal of the Society for American Music, 1/1 (2007), 57–77.CrossRefGoogle Scholar
Ono, Yoko. Grapefruit: A Book of Instruction and Drawings (New York: Simon and Schuster, 2000).Google Scholar
Rogers, Tara. Pink Noises: Women on Electronic Music and Sound (Durham, NC: Duke University Press, 2010).Google Scholar
Thompson, Marie. ‘Feminised Noise and the “Dotted Line” of Sonic Experimentalism’, Contemporary Music Review, 35/1 (2016), 85–101.CrossRefGoogle Scholar

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