Book contents
- The Cambridge Companion to Serialism
- Cambridge Companions to Music
- The Cambridge Companion to Serialism
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Preface
- Part I Contexts I
- Part II Composers
- Part III Geographies
- 12 Serialism in Western Europe
- 13 Serialism in Canada and the United States
- 14 Serialism in Central and Eastern Europe
- 15 Serialism in the USSR
- 16 Serialism in Latin America
- 17 Serialism in East Asia
- Part IV Contexts II
- References
- Index
15 - Serialism in the USSR
from Part III - Geographies
Published online by Cambridge University Press: 07 March 2023
- The Cambridge Companion to Serialism
- Cambridge Companions to Music
- The Cambridge Companion to Serialism
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Preface
- Part I Contexts I
- Part II Composers
- Part III Geographies
- 12 Serialism in Western Europe
- 13 Serialism in Canada and the United States
- 14 Serialism in Central and Eastern Europe
- 15 Serialism in the USSR
- 16 Serialism in Latin America
- 17 Serialism in East Asia
- Part IV Contexts II
- References
- Index
Summary
This chapter discusses serialism’s varied formal and sociopolitical meanings and implications – its aesthetics and, to a lesser degree, its mechanics – in the USSR, by examining the central figures in Soviet serialism, among them Andrey Volkonsky, Arvo Pärt, Alfred Schnittke, Edison Denisov, and Valentin Sylvestrov. It also points to representative compositions, performances, publications, and recordings. This chapter is particularly concerned with the aural culture of serialism in the post-war USSR as well as with thinking about serialism as both performative presence and material artifact. Other topics covered include the place of Soviet serialism in the cultural Cold War as well as the censorship and control of serialism in the USSR.
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- Information
- The Cambridge Companion to Serialism , pp. 253 - 265Publisher: Cambridge University PressPrint publication year: 2023