Book contents
- The Cambridge Companion to Sappho
- Cambridge Companions to Literature
- The Cambridge Companion to Sappho
- Copyright page
- Contents
- Plates
- Contributors
- Abbreviations
- Introduction
- Part I Contexts
- Part II Poetics
- Chapter 7 Sappho and Genre
- Chapter 8 Performing Sappho
- Chapter 9 Sappho’s Metres and Music
- Chapter 10 Sappho’s Dialect
- Chapter 11 Sappho’s Poetic Language
- Chapter 12 Sappho’s Personal Poetry
- Chapter 13 Sappho’s Lyric Sensibility
- Chapter 14 Myth in Sappho
- Chapter 15 The Gods in Sappho
- Part III Transmission
- Part IV Receptions
- Bibliography
- General Index
- Index to the Reception of Sappho
- Plate Section
- References
Chapter 14 - Myth in Sappho
from Part II - Poetics
Published online by Cambridge University Press: 09 April 2021
- The Cambridge Companion to Sappho
- Cambridge Companions to Literature
- The Cambridge Companion to Sappho
- Copyright page
- Contents
- Plates
- Contributors
- Abbreviations
- Introduction
- Part I Contexts
- Part II Poetics
- Chapter 7 Sappho and Genre
- Chapter 8 Performing Sappho
- Chapter 9 Sappho’s Metres and Music
- Chapter 10 Sappho’s Dialect
- Chapter 11 Sappho’s Poetic Language
- Chapter 12 Sappho’s Personal Poetry
- Chapter 13 Sappho’s Lyric Sensibility
- Chapter 14 Myth in Sappho
- Chapter 15 The Gods in Sappho
- Part III Transmission
- Part IV Receptions
- Bibliography
- General Index
- Index to the Reception of Sappho
- Plate Section
- References
Summary
Sappho’s deployment of mythical material allows us to compare her with other early poets and poetic traditions. Chapter 14 of The Cambridge Companion to Sappho shows how, as one of the earliest preserved lyric voices, Sappho sets a benchmark for the rest of Greek – and ancient – literary history in her application of distant stories to the here and now.
- Type
- Chapter
- Information
- The Cambridge Companion to Sappho , pp. 190 - 202Publisher: Cambridge University PressPrint publication year: 2021
References
Further Reading
- 2
- Cited by