Book contents
- The Cambridge Companion to Music in Australia
- Cambridge Companions to Music
- The Cambridge Companion to Music in Australia
- Copyright page
- Dedication
- Contents
- Figures
- Maps
- Tables
- Music Examples
- Contributors
- Acknowledgements
- 1 Introduction and Historiography of Music in Australia
- Part I Continuities
- Part II Encounters
- Part III Diversities
- Part IV Institutions
- 20 Iconic Musical Sites in Australia
- 21 Festivals as a Forum for Indigenous Public Ceremony from Remote Australia
- 22 The Australian Children’s TV Music Phenomenon
- 23 Youth Broadcasting and Music Festivals in Australia
- 24 Australian Multicultural and Folk Festivals
- 25 Learning from Music in Australia
- Index
- References
21 - Festivals as a Forum for Indigenous Public Ceremony from Remote Australia
from Part IV - Institutions
Published online by Cambridge University Press: 14 November 2024
- The Cambridge Companion to Music in Australia
- Cambridge Companions to Music
- The Cambridge Companion to Music in Australia
- Copyright page
- Dedication
- Contents
- Figures
- Maps
- Tables
- Music Examples
- Contributors
- Acknowledgements
- 1 Introduction and Historiography of Music in Australia
- Part I Continuities
- Part II Encounters
- Part III Diversities
- Part IV Institutions
- 20 Iconic Musical Sites in Australia
- 21 Festivals as a Forum for Indigenous Public Ceremony from Remote Australia
- 22 The Australian Children’s TV Music Phenomenon
- 23 Youth Broadcasting and Music Festivals in Australia
- 24 Australian Multicultural and Folk Festivals
- 25 Learning from Music in Australia
- Index
- References
Summary
Festivals are one of the main contemporary forums in which Indigenous Australian public ceremony is staged, learned, shared and increasingly, revived. In this chapter we review the literature on public ceremony at Indigenous festivals, focusing on Junba at the Mowanjum festival in the Kimberley and Kun-borrk/Manyardi at the Stone Country and Mahbilil festivals in western Arnhem Land/Kakadu. We consider festivals as serving several purposes: Firstly, as a forum for cultural revival, reclamation, and maintenance, supporting language and song revival and reclamation work by local individuals, groups and Indigenous businesses. Secondly, as a forum for education and diplomacy, serving as powerful statements of Indigenous sovereignty, identity, law and diplomacy which educate the broader public. Thirdly, as a site for continuity and innovation of practice. We examine how performers in the Kimberley use Junba to transform society to address inequity and discrimination in wider Australian society, and performers in western Arnhem Land use Kun-borrk/Manyardi at festivals to support interdependence and reciprocity enacted as part of regional ceremonial practices and ideologies of being ‘different together’.
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- The Cambridge Companion to Music in Australia , pp. 327 - 345Publisher: Cambridge University PressPrint publication year: 2024