Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-18T05:00:56.847Z Has data issue: false hasContentIssue false

Part II - Encounters

Published online by Cambridge University Press:  14 November 2024

Edited by
Amanda Harris  and
Clint Bracknell
Amanda Harris
Affiliation:
University of Sydney
Clint Bracknell
Affiliation:
University of Western Australia
Get access
Type
Chapter
Information
The Cambridge Companion to Music in Australia , pp. 91 - 170
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Bashford, A. and MacIntyre, S., The Cambridge History of Australia (Cambridge: Cambridge University Press, 2013).CrossRefGoogle Scholar
English, H., Music and World-Building in the Colonial City: Newcastle, NSW, and Its Townships, 1860–1880 (Abingdon: Routledge, 2021).Google Scholar
Karskens, G., The Colony: A History of Early Sydney (Sydney: Allen & Unwin, 2009).Google Scholar
Murphy, K., ‘Choral Concert Life in the Late Nineteenth-Century “Metropolis of the Southern Hemisphere”’, Nineteenth-Century Music Review, 2(2) (2005), https://doi.org/10.1017/S1479409800002172.CrossRefGoogle Scholar
Teo, H-M. and White, R. (eds.), Cultural History in Australia (Sydney: UNSW Press, 2003).Google Scholar
Waterhouse, R., Private Pleasures, Public Leisure: A History of Australian Popular Culture since 1788 (Melbourne: Longman, 1995).Google Scholar
Watt, P., ‘Buskers and Busking in Australia in the Nineteenth Century’, Musicology Australia, 41(1) (2019), https://doi.org/10.1080/08145857.2019.1621437.CrossRefGoogle Scholar
Young, L., Middle-Class Culture in the Nineteenth Century: America, Australia and Britain (London: Palgrave Macmillan, 2003).CrossRefGoogle Scholar

Further Reading

Carter, D., Always Almost Modern: Australian Print Cultures and Modernity (Melbourne: Australian Scholarly Publishing, 2013).Google Scholar
Carter, D., ‘“How It Strikes a Contemporary”: Modernism and Modernity in Australia, 1920s–1930s’, Pacific and American Studies, 18 (2018), 85–79.Google Scholar
Collins, D., Sounds from the Stables: The Story of Sydney’s Conservatorium (Sydney: Allen & Unwin, 2001).Google Scholar
Crews, R. and J. Carrigan, , Breaking the Drought: Roy Agnew: Composer, Pianist, Teacher (Wollongong: Wirripang, 2022).Google Scholar
Huyssen, A., ‘Geographies of Modernism in a Globalizing World’, New German Critique, 100 (2007), 189–207.Google Scholar
Russoniello, J., ‘A History in Blue Pencil: Cyril Monk’s Performance Annotations and a Bygone Musical Style’, Musicology Australia, 44 (2022), 79–103.CrossRefGoogle Scholar
Simmonds, A., A. Rees, and A. Clark, (eds.), Transnationalism, Nationalism and Australian History (Singapore: Springer, 2017).Google Scholar
Wollaeger, M. and M. Eatough, (eds.), The Oxford Handbook of Global Modernisms (New York: Oxford University Press, 2012).CrossRefGoogle Scholar

Further Reading

Beckett, J., ‘I Don’t Care Who Knows: The Songs of Dougie Young’, Australian Aboriginal Studies, 2 (1993), 34–8.Google Scholar
Carlson, B., ‘Striking the Right Chord: Indigenous People and the Love of Country’, AlterNative, 12(5) (2016), 498–512.Google Scholar
Jones, M. A., ‘Playing Bluegrass in Australia across Country and Folk Scenes’, Perfect Beat, 18(2) (2017), 131–53.CrossRefGoogle Scholar
Martin, T., Yodelling Boundary Riders: Country Music in Australia since the 1920s (Melbourne: Lyrebird Press, 2015).Google Scholar
Smith, G., Singing Australian: A History of Folk and Country Music (London: Pluto Press, 2005).Google Scholar
Walker, C., Buried Country: The Story of Aborginal Country Music (Sydney: Pluto Press, 2000).Google Scholar

Further Reading

Arrow, M., Friday on Our Minds (Sydney: UNSW Press, 2009).Google Scholar
Byron, T. and O’Regan, J., Hooks in Popular Music (Cham: Palgrave Macmillan, 2022).CrossRefGoogle Scholar
Collins, S. and O’Grady, P., ‘Off the Charts: The Implications of Incorporating Streaming Data into the Charts’ in R. Nowak, and A.Whelan, (eds.), Networked Music Cultures: Contemporary Approaches, Emerging Issues (Cham: Palgrave Macmillan, 2016), pp. 151–69.Google Scholar
Covach, J. and Flory, A., What’s That Sound? An Introduction to Rock and Its History, 5th ed. (New York: W. W. Norton and Company, 2018).Google Scholar
Giuffre, L., ‘You Were Watching Video Hits: The End of an Era for Australian Music Television’ in Giuffre, L. and Spirou, P. (eds.), Routes, Roots and Routines: Selected Papers from the 2011 Australia/New Zealand IASPM Conference (Sydney: Macquarie University, 2012), pp. 102–10.Google Scholar
Hakanen, E. A., ‘Counting Down to Number One: The Evolution of the Meaning of the Popular Music Charts’, Popular Music, 17(1) (1998), 95–111.CrossRefGoogle Scholar
Huber, A., ‘Making Time Stand Still: How to “Fix” the Transient Top 40’, International Journal of Cultural Studies, 13(2) (2010), 147–62.CrossRefGoogle Scholar
Morrow, G. and Beckett, J., ‘The Changing Role and Function of Music Charts in the Contemporary Music Economy’ in Morrow, G., Nordgård, D. and Tschmuck, P. (eds.), Rethinking the Music Business: Music Contexts, Rights, Data, and COVID-19 (New York: Springer, 2022), pp. 239–60.CrossRefGoogle Scholar
Ordanini, A., Nunes, J. C. and Nanni, A., ‘The Featuring Phenomenon in Music: How Combining Artists of Different Genres Increases a Song’s Popularity’, Marketing Letters, 29 (2018), 486, https://doi.org/10.1007/s11002-018-9476-3.CrossRefGoogle Scholar
Seabrook, J., The Song Machine: Inside the Hit Factory (New York: Jonathan Cape, 2015).Google Scholar
Stanley, B., Yeah Yeah Yeah – The Story of Modern Pop (London: Faber & Faber, 2013).Google Scholar
Stratton, J., ‘Nation Building and Australian Popular Music in the 1970s and 1980s’, Continuum, 20(2) (2006), 246, https://doi.org/10.1080/10304310600641778.CrossRefGoogle Scholar

Further Reading

Barton, R. and Barton, G., ‘Storytelling as an Arts Literacy: Use of Narrative Structure in Aboriginal Arts Practice and Performance’ in Barton, G. (ed.) Literacy in the Arts (Cham: Springer, 2014), https://doi.org/10.1007/978-3-319-04846-8_15.CrossRefGoogle Scholar
Duffy, M. and Waitt, G. R., ‘Sound Diaries: A Method of Listening to Place’, Aether, 7 (2011), 119–36.Google Scholar
Knopoff, S., ‘Indigenous and Non-Indigenous Collaboration in New Orchestral Music: Two Notable Successes from the Adelaide Festival of Arts’ in Plush, V., Schippers, H. and Wolfe, J. (eds.), Encounters: Meetings in Australian Music: Essays, Images, Interviews (South Brisbane: Queensland Conservatorium Research Centre, 2005), 44–6.Google Scholar
Neuenfeldt, K. (ed.), The Didjeridu: From Arnhem Land to Internet (Sydney: J. Libbey/Perfect Beat Publications, 1997).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Encounters
  • Edited by Amanda Harris, University of Sydney, Clint Bracknell, University of Western Australia
  • Book: The Cambridge Companion to Music in Australia
  • Online publication: 14 November 2024
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Encounters
  • Edited by Amanda Harris, University of Sydney, Clint Bracknell, University of Western Australia
  • Book: The Cambridge Companion to Music in Australia
  • Online publication: 14 November 2024
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Encounters
  • Edited by Amanda Harris, University of Sydney, Clint Bracknell, University of Western Australia
  • Book: The Cambridge Companion to Music in Australia
  • Online publication: 14 November 2024
Available formats
×