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Part I - Continuities

Published online by Cambridge University Press:  14 November 2024

Edited by
Amanda Harris  and
Clint Bracknell
Amanda Harris
Affiliation:
University of Sydney
Clint Bracknell
Affiliation:
University of Western Australia
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The Cambridge Companion to Music in Australia , pp. 21 - 90
Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Corn, A., Reflections and Voices: Exploring the Music of Yothu Yindi with Mandawuy Yunupiŋu (Sydney: Sydney University Press, 2009).CrossRefGoogle Scholar
Corn, A. with J. N. Gumbula, , ‘Djiliwirri Ganha Dhärranhana, Wäŋa Limurruŋgu: The Creative Foundations of a Yolŋu Popular Song’, Australasian Music Research, 7 (2003), 55–66.Google Scholar
Evans, N., ‘Macassan Loanwords in Top End Languages’, Australian Journal of Linguistics, 12 (1992), 45–91.CrossRefGoogle Scholar
Langton, M., Trepang: China and the Story of Macassan–Aboriginal Trade (Melbourne: Centre for Cultural Materials Conservation, University of Melbourne, 2011).Google Scholar
Langton, M. and A. Corn, , Law: The Way of the Ancestors (Port Melbourne: Thames & Hudson, 2023).Google Scholar
Macknight, C. C., The Voyage to Marege’: Macassan Trepangers in Northern Australia (Melbourne: Melbourne University Press, 1976).Google Scholar
McIntosh, I. S., ‘Islam and Australia’s Aborigines?: A Perspective from North-East Arnhem Land’, Journal of Religious History, 20(1) (1996), 53–77.CrossRefGoogle Scholar
McIntosh, I. S., ‘Maluku “Totem” Hunters and Sama-Bajau in North Australian Aboriginal Mythology’, Australian Folklore, 10 (1995), 50–60.Google Scholar
Palmer, L., ‘Negotiating the Ritual and Social Order through Spectacle: The (Re)production of Macassan/Yolŋu Histories’, Anthropological Forum, 17(1) (2007), 1–20.CrossRefGoogle Scholar
Williams, N., The Yolŋu and Their Land: A System of Land Tenure and the Fight for its Recognition (Canberra: Australian Institute of Aboriginal Studies, 1986).Google Scholar

Further Reading

Costigan, L. and Neuenfeldt, K., ‘Negotiating and Enacting Musical Innovation and Continuity: How Some Torres Strait Islander Song Writers Are Incorporating Traditional Dance Chants within Contemporary Songs’, The Asia-Pacific Journal of Anthropology, 5 (2004), 113–28.Google Scholar
Dan, H. and Neuenfeldt, K., Steady, Steady: The Life and Music of Seaman Dan (Canberra: Aboriginal Studies Press, 2013).Google Scholar
Hoges, J., ‘Anomaly in Torres Strait: Living “under the Act” and the Attraction of the Mainland’, Journal of Australian Studies, 24(64) (2000), 166–72.Google Scholar
Lawrence, H., Matthias, P., and Whaleboat, T., ‘Revitalising Meriam Mir through Sacred Song’ in Wafer, J. and Turpin, M. (eds.), Recirculating Songs: Revitalising the Singing Practices of Indigenous Australia (Hamilton, NSW: Hunter Press, 2017), pp. 318–35.Google Scholar
Neuenfeldt, K., ‘“Ailan Style”: An Overview of the Contemporary Music of Torres Strait Islanders’ in Mitchell, T. and Homan, S. (eds.), Sounds of Then, Sounds of Now: Australian Popular Music (Hobart: Australian Clearing House for Youth Studies, 2008), pp. 167–80.Google Scholar
Neuenfeldt, K., ‘Adventures in the Third Space of Intra-Indigenous Recording Projects: Is Border-Crossing a Bridge or a Barrier?’ in Barney, K. (ed.), Musical Collaboration between Indigenous and Non-Indigenous People in Australia: Exchanges in the Third Space (Abingdon: Routledge, 2023), pp. 122–40.Google Scholar
Shnukal, A., ‘Torres Strait Islanders’ in Brandle, M. (ed.), Multicultural Queensland 2001: 100 Years, 100 Communities, a Century of Contributions (Brisbane: The State of Queensland (Department of Premier and Cabinet), 2001), pp. 21–35.Google Scholar
Watkin Lui, F., ‘My Island Home: Re-Presenting Identities for Torres Strait Islanders Living outside the Torres Strait’, Journal of Australian Studies, 36(2) (2012), 141–53.CrossRefGoogle Scholar

Further Reading

Barney, K. (ed.), Musical Collaboration between Indigenous and Non-Indigenous People in Australia (New York: Routledge, 2022).CrossRefGoogle Scholar
Bell, J., ‘Language Attitudes and Language Revival/Survival’, Journal of Multilingual and Multicultural Development, 34(4) (2013), 399–410.CrossRefGoogle Scholar
Bracknell, C., ‘Identity, Language and Collaboration in Indigenous Music’ in Bamblett, L., Myers, F. and Rowse, T. (eds.), The Difference Identity Makes: Indigenous Cultural Capital in Australian Cultural Fields (Canberra: Aboriginal Studies Press, 2019), pp. 99–123.Google Scholar
Patrick, W. S. J., ‘Pulya-ranyi: Winds of Change’, Cultural Studies Review, 21(1) (2015), 121–31.CrossRefGoogle Scholar
Wafer, J. and Myfany, T., Recirculating Songs: Revitalising the Singing Practices of Indigenous Australia (Canberra: Pacific Linguistics, 2017).Google Scholar
Watson, I., Aboriginal Peoples, Colonialism, and the International Law: Raw Law (New York: Routledge, 2014).CrossRefGoogle Scholar

Further Reading

Bollen, J. and Brewster, A., ‘NADOC and the National Aborigines Day in Sydney, 1957–67’, Aboriginal History, 42 (2018).CrossRefGoogle Scholar
Carmody, T., ‘Missing Paul Robeson in East Berlin: The Spirituals and the Empty Archive’, Cultural Critique, 88 (2014), 1–27.CrossRefGoogle Scholar
Curthoys, A., ‘Paul Robeson’s Visit to Australia and Aboriginal Activism, 1960’ in Peters-Little, Frances, Curthoys, Ann and Docker, John (eds.),Passionate Histories: Myth, Memory and Indigenous Australia (Canberra: ANU E-Press, 2010).Google Scholar
Egan, B., African American Entertainers in Australia: A History, 1788–1941 (Jefferson, NC: McFarland and Co, 2020).Google Scholar
Graber, K. J., ‘“A Strange, Weird Effect”: The Fisk Jubilee Singers in the United States and England’, American Music Research Journal, 14 (2004), 27–52.Google Scholar
Webb, M., ‘Gospel Hymnody and the Nascence of Australian South Sea Islander Communal Identity, 1880s–1920s’, Lucas: An Evangelical History Review, 2(19) (2022), 51–73.Google Scholar

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