Book contents
- The Cambridge Companion to Music and Romanticism
- Cambridge Companions to Music
- The Cambridge Companion to Music and Romanticism
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Preface
- Chronology
- Part I Horizons
- Part II Worlds
- Part III Aesthetics
- Part IV Practices
- Part V Histories
- Select Bibliography
- Index
- References
Part I - Horizons
Published online by Cambridge University Press: 06 August 2021
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Book contents
- The Cambridge Companion to Music and Romanticism
- Cambridge Companions to Music
- The Cambridge Companion to Music and Romanticism
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Preface
- Chronology
- Part I Horizons
- Part II Worlds
- Part III Aesthetics
- Part IV Practices
- Part V Histories
- Select Bibliography
- Index
- References
Summary
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- The Cambridge Companion to Music and Romanticism , pp. 1 - 34Publisher: Cambridge University PressPrint publication year: 2021
References
Further Reading
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Ferber, Michael. Romanticism: A Very Short Introduction (Oxford: Oxford University Press, 2010).Google Scholar
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Reibel, Emmanuel. Comment la musique est devenue ‘romantique’: De Rousseau à Berlioz (Paris: Fayard, 2013).Google Scholar
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Further Reading
Chapin, Keith. ‘Classicism/Neoclassicism’, in Downes, Stephen (ed.), Aesthetics of Music: Musicological Perspectives (Abingdon: Routledge, 2014), 144–69.Google Scholar
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