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Part I - Horizons

Published online by Cambridge University Press:  06 August 2021

Edited by
Benedict Taylor
Benedict Taylor
Affiliation:
University of Edinburgh
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The Cambridge Companion to Music and Romanticism , pp. 1 - 34
Publisher: Cambridge University Press
Print publication year: 2021

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References

Further Reading

Beiser, Frederick C. The Romantic Imperative: The Concept of Early German Romanticism (Cambridge, MA: Harvard University Press, 2003).Google Scholar
Berlin, Isaiah. The Roots of Romanticism, ed. Hardy, Henry (London: Chatto & Windus, 1999).Google Scholar
Charlton, D. G. ‘The French Romantic Movement’, in Charlton, D. G. (ed.), The French Romantics, 2 vols. (Cambridge: Cambridge University Press, 1984), vol. 1, 1–32.Google Scholar
Cooper, John Michael (ed.). Historical Dictionary of Romantic Music (Lanham, MD: Scarecrow Press, 2013).Google Scholar
Dahlhaus, Carl. Nineteenth-Century Music, trans. Robinson, J. B. (Berkeley and Los Angeles: University of California Press, 1989).Google Scholar
Ferber, Michael. Romanticism: A Very Short Introduction (Oxford: Oxford University Press, 2010).Google Scholar
Ferguson, Frances. ‘On the Numbers of Romanticisms’, ELH, 58/2 (1991), 471–98.Google Scholar
Frisch, Walter. Music in the Nineteenth Century (New York: W. W. Norton, 2013).Google Scholar
Furst, Lilian R. (ed.). European Romanticism: Self-Definition. An Anthology (London: Methuen, 1980).Google Scholar
Lovejoy, Arthur. ‘On the Discrimination of Romanticisms’, Proceedings of the Modern Language Association, 39 (1924), 229–53.Google Scholar
Reibel, Emmanuel. Comment la musique est devenue ‘romantique’: De Rousseau à Berlioz (Paris: Fayard, 2013).Google Scholar
Rummenhöller, Peter. Romantik in der Musik: Analysen, Portraits, Reflexionen (Munich: Deutsche Taschenbuch Verlag, 1989).Google Scholar
Samson, Jim. ‘Romanticism’, The New Grove Dictionary of Music and Musicians, ed. Sadie, Stanley, 29 vols. (London: Macmillan, 2001), vol. 21, 596–603.Google Scholar
Samson, Jim (ed.). The Cambridge History of Nineteenth-Century Music (Cambridge: Cambridge University Press, 2001).Google Scholar
Wellek, René. ‘The Concept of “Romanticism” in Literary History II: The Unity of European Romanticism’, Comparative Literature, 1/2 (1949), 147–72.Google Scholar

Further Reading

Chapin, Keith. ‘Classicism/Neoclassicism’, in Downes, Stephen (ed.), Aesthetics of Music: Musicological Perspectives (Abingdon: Routledge, 2014), 144–69.Google Scholar
Dirst, Matthew. Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn (Cambridge: Cambridge University Press, 2012).Google Scholar
Eigeldinger, Jean-Jacques. Chopin: Âme des salons parisiens (1830–1848) (Paris: Fayard, 2013).Google Scholar
Gelbart, Matthew. The Invention of ‘Folk Music’ and ‘Art Music’: Emerging Categories from Ossian to Wagner (Cambridge: Cambridge University Press, 2007).Google Scholar
Head, Matthew. ‘Fantasia and Sensibility’, in Mirka, Danuta (ed.), The Oxford Handbook of Topic Theory (Oxford: Oxford University Press, 2014), 259–78.Google Scholar
Kramer, Lawrence. ‘The Schubert Lied: Romantic Form and Romantic Consciousness’, in Frisch, Walter (ed.), Schubert: Critical and Analytical Studies (Lincoln, NE: University of Nebraska Press, 1988), 200–37.Google Scholar
McClelland, Clive. ‘Ombra and Tempesta’, in Mirka, Danuta (ed.), The Oxford Handbook of Topic Theory (New York: Oxford University Press, 2014), 279–300.Google Scholar
Richards, Annette. The Free Fantasia and the Musical Picturesque (Cambridge: Cambridge University Press, 2001).Google Scholar
Ronyak, Jennifer. Intimacy, Performance and the Lied in the Early Nineteenth Century (Bloomington: Indiana University Press, 2018).Google Scholar
Rosen, Charles. The Romantic Generation (Cambridge, MA: Harvard University Press, 1995).Google Scholar
Safranski, Rüdiger. Romanticism: A German Affair, trans. Goodwin, Robert E. (Evanston: Northwestern University Press, 2014).Google Scholar
Spitzer, Michael. Metaphor and Musical Thought (Chicago: Chicago University Press, 2004).Google Scholar

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  • Horizons
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
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  • Horizons
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Horizons
  • Edited by Benedict Taylor, University of Edinburgh
  • Book: The Cambridge Companion to Music and Romanticism
  • Online publication: 06 August 2021
Available formats
×