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Part III - Legacy

Published online by Cambridge University Press:  20 October 2022

Edited by
Uwe Schütte
Uwe Schütte
Affiliation:
Georg-August-Universität, Göttingen, Germany
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The Cambridge Companion to Krautrock , pp. 247 - 306
Publisher: Cambridge University Press
Print publication year: 2022

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References

Recommended Reading

Esch, R, Electri_City: The Düsseldorf School of Electronic Music, 1970–1986 (London: Omnibus, 2016).Google Scholar
Hall, M, Howes, S & Shahan, C (eds.), Beyond No Future: Cultures of German Punk (London: Bloomsbury, 2016).CrossRefGoogle Scholar
Hayton, J, Culture from the Slums: Punk Rock in East and West Germany (Oxford: Oxford University Press, 2022).Google Scholar
Hornberger, B, Geschichte wird gemacht: Die Neue Deutsche Welle – Eine Epoche deutscher Popmusik (Würzburg: Königshausen & Neumann, 2011).Google Scholar
Shahan, C, Punk Rock and German Crisis: Adaption and Resistance after 1977 (New York: Palgrave Macmillan, 2013).Google Scholar
Teipel, J, Verschwende Deine Jugend: Ein Doku-Roman über den deutschen Punk und New Wave (Frankfurt: Suhrkamp, 2001).Google Scholar

Recommended Reading

Albiez, S, Know History!: John Lydon, Cultural Capital and the Prog/Punk Dialectic, Popular Music 22:3 (2003), pp. 357–74.Google Scholar
Carpenter, A, The ‘Ground Zero’ of Goth: Bauhaus, ‘Bela Lugosi’s Dead’ and the Origins of Gothic Rock, Popular Music and Society 35:1 (2012), pp. 25–52.CrossRefGoogle Scholar
Ellis, I, Post-Punk: The Cerebral Genre, PopMatters (17 April 2019).Google Scholar
Haddon, M, What Is Post-Punk? Genre and Identity in Avant-Garde Popular Music, 1977–1982 (Ann Arbor: University of Michigan Press, 2020).Google Scholar
Pegg, N, The Complete David Bowie (London: Titan, 2016).Google Scholar
Reynolds, S, Rip It Up and Start Again: Postpunk 1978–1984 (London: Faber, 2005).Google Scholar

Recommended Reading

Albiez, S, Post-soul Futurama: African American Cultural Politics and Early Detroit Techno, European Journal of American Culture 24:2 (2005), pp. 131–52.Google Scholar
Anderson, I, This Is Our Music: Free Jazz, the Sixties, and American Culture Philadelphia: University of Pennsylvania Press, 2016).Google Scholar
Sicko, D, Techno Rebels: The Renegades of Electronic Funk (Detroit: Wayne State University Press, 2010).Google Scholar
Womack, Y, Afrofuturism: The World of Black Sci-Fi and Fantasy Culture (Chicago: Chicago Review Press, 2013).Google Scholar

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  • Legacy
  • Edited by Uwe Schütte, Georg-August-Universität, Göttingen, Germany
  • Book: The Cambridge Companion to Krautrock
  • Online publication: 20 October 2022
Available formats
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Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Legacy
  • Edited by Uwe Schütte, Georg-August-Universität, Göttingen, Germany
  • Book: The Cambridge Companion to Krautrock
  • Online publication: 20 October 2022
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Legacy
  • Edited by Uwe Schütte, Georg-August-Universität, Göttingen, Germany
  • Book: The Cambridge Companion to Krautrock
  • Online publication: 20 October 2022
Available formats
×