Book contents
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- Part II Techniques
- 6 Composing for Ensemble
- 7 Composing for Orchestra
- 8 Composing for Voice
- 9 Composing for Choir
- 10 Composing for the Stage
- 11 Composing for the Screen
- Part III Styles, Conventions, and Issues
- Part IV Building a Career
- Further Reading
- Index
7 - Composing for Orchestra
from Part II - Techniques
Published online by Cambridge University Press: 25 May 2024
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- Part II Techniques
- 6 Composing for Ensemble
- 7 Composing for Orchestra
- 8 Composing for Voice
- 9 Composing for Choir
- 10 Composing for the Stage
- 11 Composing for the Screen
- Part III Styles, Conventions, and Issues
- Part IV Building a Career
- Further Reading
- Index
Summary
This chapter demystifies orchestration by offering insights into how a good understanding of balance, timbre, and instrumental technique is used to imagine and create interesting sonorities. The chapter begins with an overview of the development of the modern orchestra, before explaining how composers in the twentieth and twenty-first centuries have explored the limits of idiomatic instrumental writing to create dramatic and compelling orchestral textures. It concludes with an explanation of how to approach orchestrating from a ‘short’ piano score.
- Type
- Chapter
- Information
- The Cambridge Companion to Composition , pp. 106 - 119Publisher: Cambridge University PressPrint publication year: 2024