Book contents
- The Cambridge Companion to Comics
- The Cambridge Companion to Comics
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Chronology
- Introduction
- Part I Forms
- Part II Readings
- Chapter 6 Comics and Multimodal Storytelling
- Chapter 7 Comics Adaptations
- Chapter 8 Comics Genres
- Chapter 9 Life Writing in Comics
- Chapter 10 Racialines
- Chapter 11 Women and Comics
- Chapter 12 Comics at the Limits of Narration
- Part III Uses
- Further Reading
- Index
- Cambridge Companions To …
- References
Chapter 11 - Women and Comics
Politics and Materialities
from Part II - Readings
Published online by Cambridge University Press: 17 August 2023
- The Cambridge Companion to Comics
- The Cambridge Companion to Comics
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Chronology
- Introduction
- Part I Forms
- Part II Readings
- Chapter 6 Comics and Multimodal Storytelling
- Chapter 7 Comics Adaptations
- Chapter 8 Comics Genres
- Chapter 9 Life Writing in Comics
- Chapter 10 Racialines
- Chapter 11 Women and Comics
- Chapter 12 Comics at the Limits of Narration
- Part III Uses
- Further Reading
- Index
- Cambridge Companions To …
- References
Summary
Countering popular assumptions about comics being made for and by men, this chapter begins by offering a brief alternative comics history focusing on women artists, covering comics production from the mainstream to the underground. Taking cues from recent exhibitions on women artists and comics history by women authors and artists, the chapter provides insight into the different contexts and communities, covering political cartoonists and illustrators, mainstream and underground artists.
The second half of the chapter focuses on the graphic novel and examines works by Lynda Barry and a new generation of women comics artists, Ebony Flowers and Weng Pixin. It elaborates on the possibilities of reading the graphic novels in light of the rich history of women artists and comics storytelling, building bridges between individual and collective stories while pointing out the innovations unfolding through drawing, writing, and collage.
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- Information
- The Cambridge Companion to Comics , pp. 225 - 243Publisher: Cambridge University PressPrint publication year: 2023