Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-rcrh6 Total loading time: 0 Render date: 2024-11-20T08:44:03.509Z Has data issue: false hasContentIssue false

Chapter 14 - Readers and Fans

Lived Comics Cultures

from Part III - Uses

Published online by Cambridge University Press:  17 August 2023

Maaheen Ahmed
Affiliation:
Universiteit Gent, Belgium
Get access

Summary

This chapter explores some of the practices, interactions, and preferences of readers and fans as part of their lived comics cultures. Engagement with the medium has taken various forms, from casual readership and sharing titles among friendship groups in childhood, through to being a collector. Beyond simply involving reading comics, fandom can incorporate a range of other activities as part of an enhanced commitment to the medium, and various activities are touched upon. Further, it looks at how readers, both historically and today, have accessed their comics in varied formats and across many genres in Britain and the USA, linking their lived experience with production. In looking into these issues, the chapter engages with the work of various publishers, genres, and titles. It also engages with how reading comics and participating in fandom intersects with both age and gender, which this chapter adopts as lenses to look at constructions of childhood and comics reading. A final aspect of the chapter relates to how fan and reader interactions in these spaces and participation in activities often vary according to gender. Indeed, it can be argued that comics reading and collecting has been heavily gendered regarding both production and reception.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

2000 AD. IPC/Fleetway/Rebellion, 1977–date.Google Scholar
The Beano. DC Thomson, 1938–date.Google Scholar
Bunty. DC Thomson, 1958–2001.Google Scholar
Girl. Hulton Press, 1951–1964.Google Scholar
Jackie. DC Thomson, 1964–1993.Google Scholar
Moore, Alan. Swamp Thing. DC Comics, 1983–1987.Google Scholar
Moore, Alan and Gibbons, Dave. Watchmen. DC Comics, 1986–1987.Google Scholar
Viz. Self-published/Dennis Publishing, 1979–date.Google Scholar
Wilson, G. Willow and Alphona, Adrian. Ms. Marvel Vol. 1: No Normal. Marvel, 2014.Google Scholar
Wilson, G. Willow et al., Ms. Marvel Vol. 2: Generation Why. Marvel, 2015.Google Scholar

Secondary Sources

Barker, Martin. A Haunt of Fears: The Strange History of the British Horror Comics Campaign. University Press of Mississippi, 1984.Google Scholar
Barker, Martin. Comics: Ideology, Power and the Critics. Manchester University Press, 1989.Google Scholar
Cocca, Carolyn. Superwomen: Gender, Power, and Representation. Bloomsbury Academic, 2016.Google Scholar
Cox, Christopher M.Ms. Marvel, Tumblr, and the Industrial Logics of Identity in Digital Spaces.” Transformative Works and Cultures, vol. 27, 2018, n.pag. https://doi.org/10.3983/twc.2018.1195. Accessed 21 August 2021.Google Scholar
Crawshaw, Trisha L.Truth, Justice, Boobs: Gender in Comic Book Culture.” Gender and the Media: Women’s Places, edited by Segal, Marcia Texler and Demos, Vasilikie. Emerald, 2018, pp. 89103. www.emerald.com/insight/publication/doi/10.1108/S1529-2126201826. Accessed 21 August 2021.Google Scholar
Davis, Blair. “Bare Chests, Silver Tiaras, and Removable Afros: The Visual Design of Black Comic Book Superheroes.” The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art, edited by Gateward, Frances K. and Jennings, John. Rutgers University Press, 2015, pp. 193212.CrossRefGoogle Scholar
Elderkin, Beth. “Marvel VP of Sales Blames Women and Diversity for Sales Slump.” Gizmodo, 2017. https://gizmodo.com/marvel-vp-blames-women-and-diversity-for-sales-slump-1793921500. Accessed 31 August 2021.Google Scholar
Fabricius, Charlotte Johanne. Super-Girls: Girlhood and Agency in Contemporary Superhero Comics. 2021. University of Southern Denmark. PhD thesis.Google Scholar
Freeman, Matthew, and Charlotte, Taylor-Ashfield. “‘I Read Comics from a Feministic Point of View’: Conceptualizing the Transmedia Ethos of the Captain Marvel Fan 235 Community.” The Journal of Fandom Studies, vol. 5, no. 3, 2017, pp. 317335. doi.org/10.1386/jfs.5.3.317_1. Accessed 21 August 2021.CrossRefGoogle Scholar
Gibson, Mel. “‘It’s All Come Flooding Back’: Memories of Childhood Comics.” Comics Memory: Archives and Styles, edited by Ahmed, Maheen and Crucifix, Benoît. Palgrave, 2018, pp. 3756.CrossRefGoogle Scholar
Gibson, Mel. Remembered Reading: Memory, Comics and Post-War Constructions of British Girlhood. University of Leuven Press, 2015.Google Scholar
Gibson, Mel. “What You Read and Where You Read It, How You Get It, How You Keep It: Children, Comics and Historical Cultural Practice.” Popular Narrative Media, vol. 1, no. 2, 2008, pp. 151167.CrossRefGoogle Scholar
Goodrum, Michael D. et al. Gender and the Superhero Narrative. University Press of Mississippi, 2018.Google Scholar
Griepp, Milton. “Marvel’s David Gabriel on the 2016 Market Shift.” ICv2, 2017, https://icv2.com/articles/news/view/37152/marvels-david-gabriel-2016-marketshift. Accessed 21 August 2021.Google Scholar
Kashtan, Aaron. Between Pen and Pixel: Comics, Materiality, and the Book of the Future. Ohio State University Press, 2018.CrossRefGoogle Scholar
Lent, John A, ed. Pulp Demons: International Dimensions of the Postwar Anti-comics Campaign. Fairleigh Dickinson University Press, 1999.Google Scholar
McGunnigle, Christopher. “Rule 63: Genderswapping in Female Superhero Cosplay”. Gender and the Superhero Narrative, edited by Goodrum, Michael D, Prescott, Tara, and Smith, Philip. University Press of Mississippi, 2018, pp 144179.Google Scholar
Orme, Stephanie. “Femininity and Fandom: The Dual-Stigmatisation of Female Comic Book Fans.” Journal of Graphic Novels and Comics, vol. 7, no. 4, 2016, pp. 403416. doi.org/10.1080/21504857.2016.1219958Google Scholar
Pantozzi, Jill. “Young Women Are the Fastest Growing Demographic According to New Comics Retailer Survey.” The Mary Sue, 2014, themarysue.com/youngwomen-comic-demographic-growing/. Accessed 21 August 2021.Google Scholar
Pumphrey, George H. What Children Think of Their Comics. Epworth Press, 1964.Google Scholar
Radway, Janice. Reading the Romance. University of North Carolina Press, 1984.Google Scholar
Resha, Adrienne. “The Blue Age of Comic Books.” Inks: The Journal of the Comics Studies Society, vol. 4, no. 1, 2020, pp. 6681.CrossRefGoogle Scholar
Robbins, Trina. From Girls to Grrrlz. Chronicle Books, 1999.Google Scholar
Round, Julia. Gothic for Girls: Misty and British Comics. University Press of Mississippi, 2019.Google Scholar
Scott, Suzanne. “Fangirls in Refrigerators: The Politics of (in)Visibility in Comic Book Culture.” Transformative Works and Cultures, vol. 13, 2012, n.pag. doi.org/10.3983/twc.2013.0460. Accessed 21 August 2021.Google Scholar
Streeten, Nicola. UK Feminist Cartoon and Comics: A Critical Survey. Palgrave Macmillan, 2020.CrossRefGoogle Scholar
Tilley, Carol L.Seducing the Innocent: Fredric Wertham and the Falsifications That Helped Condemn Comics.” Information & Culture, vol. 47, no. 4, 2012, pp. 383413. JSTOR, www.jstor.org/stable/43737440.Google Scholar
Wertham, Fredric. Seduction of the Innocent. Rinehart & Co., 1954.Google Scholar
Woo, Benjamin. “The Android’s Dungeon: Comic-Bookstores, Cultural Spaces, and the Social Practices of Audiences.” Journal of Graphic Novels & Comics, vol. 2, no. 2, 2011, pp. 125136. doi.org/10.1080/21504857.2011.602699CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Readers and Fans
  • Edited by Maaheen Ahmed, Universiteit Gent, Belgium
  • Book: The Cambridge Companion to Comics
  • Online publication: 17 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009255653.019
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Readers and Fans
  • Edited by Maaheen Ahmed, Universiteit Gent, Belgium
  • Book: The Cambridge Companion to Comics
  • Online publication: 17 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009255653.019
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Readers and Fans
  • Edited by Maaheen Ahmed, Universiteit Gent, Belgium
  • Book: The Cambridge Companion to Comics
  • Online publication: 17 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009255653.019
Available formats
×