Book contents
- Benjamin Britten in Context
- Composers in Context
- Benjamin Britten in Context
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Notes on Contributors
- Acknowledgements
- Bibliographic and In-Text Abbreviations
- Prologue
- Part I The Britten Circle(s)
- Chapter 1 Early Mentors
- Chapter 2 Peter Pears
- Chapter 3 The Open Secret
- Chapter 4 Britten’s Circle
- Chapter 5 The Making of Britten
- Chapter 6 Britten’s Publishers as Advance and Rear Guard
- Part II British Musical Life
- Part III Britten and Other Composers
- Part IV Wordsmiths, Designers, and Performers
- Part V British Sociocultural, Religious, and Political Life
- Further Reading
- Index
Chapter 3 - The Open Secret
from Part I - The Britten Circle(s)
Published online by Cambridge University Press: 31 March 2022
- Benjamin Britten in Context
- Composers in Context
- Benjamin Britten in Context
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Notes on Contributors
- Acknowledgements
- Bibliographic and In-Text Abbreviations
- Prologue
- Part I The Britten Circle(s)
- Chapter 1 Early Mentors
- Chapter 2 Peter Pears
- Chapter 3 The Open Secret
- Chapter 4 Britten’s Circle
- Chapter 5 The Making of Britten
- Chapter 6 Britten’s Publishers as Advance and Rear Guard
- Part II British Musical Life
- Part III Britten and Other Composers
- Part IV Wordsmiths, Designers, and Performers
- Part V British Sociocultural, Religious, and Political Life
- Further Reading
- Index
Summary
Britten and Pears regarded their relationship as a ‘marriage’ and described it as such as early as 1943. Although comfortable with using this term privately, they were aware of the legal prohibition and social stigma that prevented them from proclaiming their partnership openly. And yet throughout their nearly forty years together they made no immediate secret among their circle of friends and relatives about living their lives as a couple. As this essay suggests, theirs was a special case, in that they lived their relationship with relative openness among those who knew them. Works such as the Michelangelo Sonnets and Canticle I were a declaration of sorts about the nature of their relationship, although it was not until after the composer’s death that Pears commented overtly in an interview about their love for one another. A decade after the decriminalisation of homosexual acts in the UK, and with social discussion on homosexuality widening, Pears believed that his and Britten’s marriage need no longer be regarded as a secret.
Keywords
- Type
- Chapter
- Information
- Benjamin Britten in Context , pp. 29 - 36Publisher: Cambridge University PressPrint publication year: 2022