References

Angela Moorjani

doi:10.1017/9781009024082.010

Beckett’s Dream Notebook, ed. by Pilling, John (Reading: Beckett International Foundation, 1999).Google Scholar

Bing (Paris: Éditions de Minuit), 1966.Google Scholar

The Collected Poems: A Critical Edition, ed. by Lawlor, Seán and Pilling, John (New York: Grove Press, 2012).Google Scholar

Collected Shorter Plays (New York: Grove Press, 1984).Google Scholar

Comment c’est (Paris: Éditions de Minuit, 1961; 1964 ed.).Google Scholar

Company (New York: Grove Press, 1980).Google Scholar

The Complete Short Prose, 1929–1989, ed. by Gontarski, S. E. (New York: Grove Press, 1995).Google Scholar

Le Dépeupleur (Paris: Éditions de Minuit, 1970).Google Scholar

Disjecta: Miscellaneous Writing and a Dramatic Fragment, ed. by Cohn, Ruby (New York: Grove Press, 1984).Google Scholar

Dream of Fair to Middling Women, ed. by O’Brien, Eoin and Fournier, Edith (New York: Arcade Publishing, 1992).Google Scholar

Echo’s Bones, ed. by Nixon, Mark (New York: Grove Press, 2014).Google Scholar

Eleutheria (Paris: Éditions de Minuit, 1995).Google Scholar

Endgame (New York: Grove Press, 1958).Google Scholar

Film: Complete Scenario/Illustrations/Production Shots (New York: Grove Press, 1969).Google Scholar

Fin de partie, suivi de Acte sans paroles (Paris: Éditions de Minuit, 1957; 1967 ed.).Google Scholar

Happy Days (New York: Grove Press, 1961).Google Scholar

How It Is (New York: Grove Press, 1964).Google Scholar

Ill Seen Ill Said (New York: Grove Press, 1981).Google Scholar

L’Innommable (Paris: Éditions de Minuit, 1953; 2016 ed.).Google Scholar

The Letters of Samuel Beckett, vol. I: 1929–1940, ed. by Fehsenfeld, Martha Dow and Overbeck, Lois More (Cambridge: Cambridge University Press, 2009).Google Scholar

The Letters of Samuel Beckett, vol. II: 1941–1956, ed. by Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan, and Overbeck, Lois More (Cambridge: Cambridge University Press, 2011).Google Scholar

The Letters of Samuel Beckett, vol. III: 1957–1965, ed. by Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan, and Overbeck, Lois More (Cambridge: Cambridge University Press, 2014).Google Scholar

The Letters of Samuel Beckett, vol. IV: 1966–1989, ed. by Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan, and Overbeck, Lois More (Cambridge: Cambridge University Press, 2016).Google Scholar

Malone Dies, in Three Novels (New York: Grove Press, 1956), 177–288.Google Scholar

Mal vu mal dit (Paris: Éditions de Minuit, 1981).Google Scholar

Molloy, in Three Novels (New York: Grove Press, 1955), 7–176.Google Scholar

More Pricks than Kicks (London: Calder & Boyars, 1970).Google Scholar

Murphy (New York: Grove Press, 1957).Google Scholar

Nouvelles et Textes pour rien (Paris: Éditions de Minuit, 1958; 2013 ed.).Google Scholar

Pas moi, in Oh les beaux jours suivi de Pas moi (Paris: Éditions de Minuit, 1963–1974), 79–95.Google Scholar

Premier amour (Paris: Éditions de Minuit, 1970).Google Scholar

Proust (New York: Grove Press, 1957).Google Scholar

The Unnamable, in Three Novels (New York: Grove Press, 1958), 289–414.Google Scholar

Waiting for Godot (New York: Grove Press, 1954).Google Scholar

Watt (New York: Grove Press, 1959).Google Scholar

Worstward Ho (New York: Grove Press, 1983).Google Scholar

‘Beckett on Film’ (edited transcript of 1964 preproduction discussions with Alan Schneider, Boris Kaufman, and Barney Rosset), in The Intent of Undoing in Samuel Beckett’s Dramatic Texts, by S. E. Gontarski (Bloomington: Indiana University Press, 1985), 187–92.Google Scholar

Lecture notes taken in Beckett’s 1931 course on Racine and the Modern Novel, at Trinity College Dublin, by Rachel Burrows (formerly Dobbin), Trinity College Library Dublin, MIC 60.Google Scholar

Manuscripts of ‘Comment dire’ / ‘What Is the Word’, Beckett International Foundation, University of Reading, MS 3316/1, viewed in online digital edition, transcribed by Dirk van Hulle, The Beckett Digital Manuscript Project, www.beckettarchive.org.Google Scholar

Manuscripts of Stirrings Still, Beckett International Foundation, University of Reading, MS 2934 and MS 2935, viewed in online digital edition, transcribed by Dirk van Hulle, The Beckett Digital Manuscript Project, www.beckettarchive.org.Google Scholar

Notes on Heinrich Zimmer’s Maya: Der indische Mythos (Stuttgart: Deutsche Verlags-Anstalt, 1936), reproduced in The Personal Library of James Joyce: A Descriptive Bibliography, by Thomas E. Connolly, University of Buffalo Studies 22 (Buffalo, NY: University of Buffalo, 1955), 42–7.Google Scholar

‘Sottisier’ notebook, Beckett International Foundation, University of Reading, MS 2901.Google Scholar

Typescript of Not I entitled ‘Analysis’, University of Reading, MS 1227/7/12/1, and typescript entitled ‘NOT I – synopsis’, University of Reading, MS 1227/7/12/10, reprinted in Theatre of Shadows: Samuel Beckett’s Drama 1956–1976, by Rosemary Pountney (Gerrards Cross: Colin Smythe 1998 [1988]), 245, 247.Google Scholar

Abbott, H. Porter (1996), Beckett Writing Beckett: The Author in the Autograph (Ithaca: Cornell University Press).Google Scholar

Abbott, H. Porter (2008), ‘I Am Not a Philosopher’, in Beckett at 100: Revolving It All, ed. by Ben-Zvi, Linda and Moorjani, Angela (New York: Oxford University Press), 81–106.Google Scholar

Abbott, H. Porter (2009), ‘Immersions in the Cognitive Sublime: The Textual Experience of the Extratextual Unknown in García Márquez and Beckett’, Narrative 17.2: 131–42.Google Scholar

Abbott, H. Porter (2013), Real Mysteries: Narrative and the Unknowable (Columbus: Ohio State University Press).Google Scholar

Abe, Masao (1990), ‘Kenosis and Emptiness’, in Buddhist Emptiness and Christian Trinity: Essays and Exploration, ed. by Corless, Roger and Knitter, Paul F. (New York: Paulist Press), 5–25.Google Scholar

Ackerley, Chris (1998), Demented Particulars: The Annotated Murphy, special issue, Journal of Beckett Studies 7.1–2.Google Scholar

Ackerley, Chris (2000), ‘Samuel Beckett and Thomas à Kempis: The Roots of Quietism’, Samuel Beckett Today/Aujourd’hui 9: 81–92.Google Scholar

Ackerley, Chris (2004), ‘The Uncertainty of Self: Samuel Beckett and the Location of the Voice’, Samuel Beckett Today/Aujourd’hui 14: 39–51.Google Scholar

Ackerley, Chris, and Gontarski, S. E. (2004), The Grove Companion to Samuel Beckett: A Reader’s Guide to His Works, Life, and Thought (New York: Grove Press).Google Scholar

Adelman, Gary (2003), ‘Fearful Symmetry: Beckett’s The Lost Ones’, Journal of Modern Literature 26.2: 164–9.Google Scholar

Adelman, Gary (2004), Naming Beckett’s Unnamable (Lewisburg PA: Bucknell University Press).Google Scholar

Adorno, Theodor W. (2000a [1966]), Negative Dialectics, trans. by Ashton, E. B. (London: Routledge).Google Scholar

Adorno, Theodor W (2000b [1998]), Metaphysics: Concept and Problems, ed. by Tiedemann, Rolf, trans. by Jephcott, Edmund (Cambridge: Polity Press).Google Scholar

Adorno, Theodor W. (2010), ‘Notes on The Unnamable’, trans. by Hulle, Dirk Van and Weller, Shane, Journal of Beckett Studies 19.2: 172–8.Google Scholar

Amiran, Eyal (1993), Wandering and Home: Beckett’s Metaphysical Narrative (University Park: Pennsylvania State University Press).Google Scholar

Anzieu, Didier (1985), Le Moi-peau (Paris: Dunot).Google Scholar

App, Urs (1998), ‘Schopenhauers Begegnung mit dem Buddhismus’, Schopenhauer-Jahrbuch 79: 35–58.Google Scholar

App, Urs (2010), ‘Schopenhauers Nirwana’, in Die Wahrheit ist nackt am schönsten: Arthur Schopenhauers philosophische Provokation, ed. by Fleiter, Michael (Frankfurt a. M.: Institut für Stadtgeschichte/Societätsverlag), 200–8.Google Scholar

App, Urs (2014), Schopenhauer’s Compass: An Introduction to Schopenhauer’s Philosophy and Its Origins (Wil: UniversityMedia).Google Scholar

Arnold, Dan (2014), Brains, Buddhas, and Believing: The Problem of Intentionality in Classical Buddhist and Cognitive-Scientist Philosophy of Mind (New York: Columbia University Press).Google Scholar

Arnold, Dan (n.d.), ‘Madhyamaka Buddhist Philosophy’, in Internet Encyclopedia of Philosophy, www.iep.utm.edu/b-madhya/.Google Scholar

Bachelard, Gaston (1973 [1942]), L’Eau et les rêves: essai sur l’imagination de la matière (Paris: José Corti).Google Scholar

Bachelard, Gaston (2009 [1957]), La Poétique de l’espace, 10th ed. (Paris: Presses universitaires de France).Google Scholar

Badiou, Alain (1995), Beckett: l’increvable désir (Paris: Hachette).Google Scholar

Badiou, Alain (2003), On Beckett, ed. by Toscano, Alberto and Power, Nina (Manchester UK: Clinamen Press).Google Scholar

Bair, Deirdre (1978), Samuel Beckett (New York: Harcourt Brace Jovanovich).Google Scholar

Baker, Phil (1997), Beckett and the Mythology of Psychoanalysis (Houndmills: Macmillan Press).Google Scholar

Bakhtin, Mikhail M. (1981), The Dialogic Imagination: Four Essays, ed. by Holquist, Michael, trans. by Emerson, Caryl and Holquist, Michael (Austin: University of Texas Press).Google Scholar

Baldwin, Hélène L. (1981), Samuel Beckett’s Real Silence (University Park: Pennsylvania State University Press).Google Scholar

Yōtaku, Bankei (1984), The Unborn: The Life and Teachings of Zen Master Bankei 1622–1693, trans. and comm. by Waddell, Norman (New York: North Point Press).Google Scholar

Barthes, Roland (1953), Le Degré zéro de l’écriture (Paris: Éditions Gonthier).Google Scholar

Barthes, Roland (1967), ‘The Death of the Author’, trans. by Howard, Richard, Aspen: The Magazine in a Box 5–6: n. p., www.ubu.com/aspen/aspen5and6/threeEssays.html.Google Scholar

Beaty, Roger E., Benedek, M., Silvia, P. J., and Schacter, D. L. (2016), ‘Creative Cognition and Brain Network Dynamics’, Trends in Cognitive Sciences 20.2: 87–95.Google Scholar

Begam, Richard (1996), Samuel Beckett and the End of Modernity (Stanford: Stanford University Press).Google Scholar

Begam, Richard (2007), ‘Beckett’s Kinetic Aesthetics’, Journal of Beckett Studies 16.1–2: 46–63.Google Scholar

Ben-Zvi, Linda (1980), ‘Samuel Beckett, Fritz Mauthner, and the Limits of Language’, PMLA 95.2: 183–200.Google Scholar

Ben-Zvi, Linda (1984), ‘Fritz Mauthner for Company’, Journal of Beckett Studies 9: 65–88, www.english.fsu.edu/jobs/num08/Num9Ben-Zvi.htm.Google Scholar

Ben-Zvi, Linda (1986), Samuel Beckett (Boston: Twayne Publishers).Google Scholar

Ben-Zvi, Linda (2017), ‘Memories of Meeting Beckett’, in Beckett in Conversation ‘yet again’ / Rencontres avec Beckett, ‘encore’, ed. by Moorjani, Angela, de Ruyter, Danièle, and Houppermans, Sjef (Leiden: Brill/Rodopi), 63–9.Google Scholar

Beplate, Justin (2005), ‘Who Speaks? Grammar, Memory, and Identity in Beckett’s Company’, Journal of Modern Literature 29.1: 153–65.Google Scholar

Bersani, Leo, and Dutoit, Ulysse (1993), Acts of Impoverishment: Beckett, Rothko, Resnais (Cambridge, MA: Harvard University Press).Google Scholar

Bignell, Jonathan (2010), ‘Into the Void: Beckett’s Television Plays and the Idea of Broadcasting’, in Beckett and Nothing: Trying to Understand Beckett, ed. by Caselli, Daniela (Manchester: Manchester University Press), 125–42.Google Scholar

Bion, Wilfred R. (1967), ‘The Imaginary Twin’, in Second Thoughts: Selected Papers on Psycho-Analysis (New York: Jason Aronson), 3–22.Google Scholar

Bion, Wilfred R. (1989 [1977]), Two Papers: The Grid and Caesura (London: Karnac Books).Google Scholar

Bixby, Patrick (2009), Samuel Beckett and the Postcolonial Novel (New York: Cambridge University Press).Google Scholar

Blanchot, Maurice (1943), Faux pas (Paris: Gallimard).Google Scholar

Blanchot, Maurice (1950 [1941]), Thomas l’obscur, new ed. (Paris: Gallimard).Google Scholar

Blanchot, Maurice (1953), ‘Où maintenant? Qui maintenant?’, Nouvelle Nouvelle Revue Française 1.10: 678–86.Google Scholar

Blanchot, Maurice (1979 [1953]), ‘Where Now?, Who Now?’, an abridged translation by Richard Howard of the 1953 article, in Samuel Beckett: The Critical Heritage, ed. by Graver, L. and Federman, R. (London: Routledge), 116–21.Google Scholar

Blanchot, Maurice (1993 [1969]), The Infinite Conversation, trans. by Hanson, Susan (Minneapolis: University of Minnesota Press).Google Scholar

Blanchot, Maurice (2001), Faux Pas, trans. by Mandell, Charlotte (Stanford, CA: Stanford University Press).Google Scholar

Bowles, Patrick (1994), ‘How to Fall: Notes on Talks with Samuel Beckett’, PN Review 96 20.4: 24–38.Google Scholar

Bowles, Patrick (2006), ‘Patrick Bowles on Beckett in the Early 1950s’, in Beckett Remembering Remembering Beckett: A Centenary Celebration, ed. by James, and Knowlson, Elizabeth (New York: Arcade Publishing), 108–15. (Excerpted from Bowles 1994.)Google Scholar

Brater, Enoch (1994), The Drama in the Text: Beckett’s Late Fiction (New York: Oxford University Press).Google Scholar

Bréhier, Émile (1982 [1928]), La Philosophie de Plotin (Paris: Librairie philosophique J. Vrin).Google Scholar

Brown, Llewellyn (2011), ‘Voice and Pronouns in Beckett’s The Unnamable’, Journal of Beckett Studies 20.2: 172–96.Google Scholar

Bryden, Mary (1998), Samuel Beckett and the Idea of God (Houndmills: Macmillan Press).Google Scholar

Bryden, Mary, Garforth, Julian, and Mills, Peter (1998), Beckett at Reading: Catalogue of the Beckett Manuscript Collection at the University of Reading (Reading: Whiteknights Press and the Beckett International Foundation).Google Scholar

Buning, Marius (1990), ‘Samuel Beckett’s Negative Way: Intimations of the Via Negativa in His Late Plays’, in European Literature and Theology in the Twentieth Century: Ends of Time, ed. by Jasper, David and Crowder, Colin (London: Macmillan), 129–42.Google Scholar

Buning, Marius (2000), ‘The via negativa and Its First Stirring in Eleutheria’, in Samuel Beckett Today/Aujourd’hui 9: 43–54.Google Scholar

Butler, Lance St. John (1984), Samuel Beckett and the Meaning of Being: A Study in Ontological Parable (London: Macmillan Press).Google Scholar

Calder, John (2001), The Philosophy of Samuel Beckett (London: Calder Publications).Google Scholar

Campbell, Julie (2005), ‘The Entrapment of the Female Body in Beckett’s Plays in Relation to Jung’s Third Tavistock Lecture’, Samuel Beckett Today/Aujourd’hui 15: 161–72.Google Scholar

Campbell, Julie (2012), ‘Allegories of Clarity and Obscurity: Bunyan’s The Pilgrim’s Progress and Beckett’s Molloy, Samuel Beckett Today/Aujourd’hui 24: 89–103.Google Scholar

Carpenter, Amber (2014), Indian Buddhist Philosophy: Metaphysics as Ethics (London: Routledge).Google Scholar

Caselli, Daniela (2005), Beckett’s Dantes: Intertextuality in the Fiction and Criticism (Manchester: Manchester University Press).Google Scholar

Charbonnier, Jean-Michel (2018), ‘Le Japon, pays des fantômes’, in Enfers et fantômes d’Asie, Connaisance des Arts, hors-série (Paris: Société Française de Promotion Artistique), 14–21.Google Scholar

Clément, Bruno (2008), ‘Mais quelle est cette voix?’, Samuel Beckett Today/Aujourd’hui 19: 89–101.Google Scholar

Coe, Richard N. (1970 [1964]), Samuel Beckett, rev. ed. of Beckett (New York: Grove Press).Google Scholar

Cohn, Ruby (1980), Just Play: Beckett’s Theater (Princeton, NJ: Princeton University Press).Google Scholar

Cohn, Ruby (2005), A Beckett Canon (Ann Arbor: University of Michigan Press).Google Scholar

Connolly, Thomas E. (1955), The Personal Library of James Joyce: A Descriptive Bibliography (Buffalo, NY: University of Buffalo).Google Scholar

Connor, Steven (2007 [1988]), Samuel Beckett: Repetition, Theory and Text (Aurora, CO: Davis Group, Publishers).Google Scholar

Connor, Steven (2008), ‘“On Such and Such a Day … in Such a World”: Beckett’s Radical Finitude’, Samuel Beckett Today/Aujourd’hui 19: 35–50.CrossRef Google Scholar

Conze, Edward (1959a [1951]), Buddhism: Its Essence and Development (New York: Harper & Row).Google Scholar

Conze, Edward, ed. (1959b), Buddhist Scriptures (London: Penguin books).Google Scholar

Conze, Edward (1968), Introduction, in On Indian Mahayana Buddhism, by Suzuki, D. T. (New York: Harper Torchbooks), 1–29.Google Scholar

Conze, Edward, trans. and comm. (2001 [1958]), Buddhist Wisdom: ‘The Diamond Sutra’ and ‘The Heart Sutra’ (New York: Vintage Books).Google Scholar

Cornu, Philippe (2001), Dictionnaire encyclopédique du bouddhisme (Paris: Éditions du Seuil).Google Scholar

Cousineau, Thomas (n.d.), ‘L’Amnésie vue par Samuel Beckett’ (unpublished paper), https://washcoll.academia.edu/tomcousineau.Google Scholar

Critchley, Simon (2004), Very Little … Almost Nothing: Death, Philosophy, Literature, 2nd ed. (London: Routledge).Google Scholar

Cronin, Anthony (1997), Samuel Beckett: The Last Modernist (New York: HarperCollins Publishers).Google Scholar

Cross, Stephen (2013), Schopenhauer’s Encounter with Indian Thought: Representation and Will and Their Indian Parallels (Honolulu: University of Hawai‘i Press).Google Scholar

Dällenbach, Lucien (1989), The Mirror in the Text, trans. by Whiteley, Jeremy with Hughes, Emma (Chicago: University of Chicago Press).Google Scholar

Dauer, Dorothea W. (1969), Schopenhauer as Transmitter of Buddhist Ideas (Bern: Herbert Lang).Google Scholar

Davies, Paul (1994), The Ideal Real: Beckett’s Fiction and Imagination (London: Associated University Presses).Google Scholar

Davies, Paul (2000), Beckett and Eros: Death of Humanism (Houndmills: Palgrave Macmillan).Google Scholar

Davies, Paul (2001), ‘On Beckett’s Metaphysics of Non-Location: Vagrancy, Void and Formless Fire’, Samuel Beckett Today/Aujourd’hui 11: 399–407.CrossRef Google Scholar

Davis, Bret W. (2004), ‘Zen after Zarathustra: The Problem of Will in the Confrontation of Nietzsche with Buddhism’, Journal of Nietzsche Studies 28: 89–138.Google Scholar

Deleuze, Gilles (1990 [1969]), The Logic of Sense, ed. by Boundas, Constantin V., trans. by Lester, Mark with Stivale, Charles (New York: Columbia University Press).Google Scholar

Deleuze, Gilles (1997a [1992]), ‘The Exhausted’, trans. by Uhlmann, Anthony, in Essays Critical and Clinical (Minneapolis: University of Minnesota Press), 152–74.Google Scholar

Deleuze, Gilles (1997b), ‘He Stuttered’, in Essays Critical and Clinical, trans. by Smith, Daniel W. and Greco, Michael A. (Minneapolis: University of Minnesota Press), 107–14.Google Scholar

Deleuze, Gilles (2000 [1986]), ‘The Brain Is the Screen: An Interview with Gilles Deleuze’, in The Brain Is the Screen: Deleuze and the Philosophy of Cinema, ed. by Flaxman, Gregory (Minneapolis: University of Minnesota Press), 365–74.Google Scholar

Denham, Robert D. (2011), ‘Northrop Frye and Giordano Bruno’, in The Educated Imagination: A Website Dedicated to Northrop Frye, 1–11, http://bit.ly/denhamRD.Google Scholar

Dennett, Daniel C. (1991), Consciousness Explained (New York: Back Bay Books/Little Brown and Company).Google Scholar

Dennis, Amanda (2015a), ‘Radical Indecision: Aporia as Metamorphosis in Beckett’s The Unnamable’, Journal of Beckett Studies 24.2: 180–97.Google Scholar

Dennis, Amanda (2015b), ‘Poets of Their Own Acts: Tactics, Style and Occupation in Beckett’s Nouvelles’, Samuel Beckett Today/Aujourd’hui 27: 43–55.Google Scholar

Derrida, Jacques (1972 [1967]), ‘Freud and the Scene of Writing’, trans. by Jeffrey Mehlman, Yale French Studies 48: 73–117.Google Scholar

Derrida, Jacques (1989), ‘How to Avoid Speaking: Denials’, trans. by Frieden, Ken, in Languages of the Unsayable: The Play of Negativity in Literature and Literary Theory, ed. by Budick, Sanford and Iser, Wolfgang (New York: Columbia University Press), 3–70.Google Scholar

Derrida, Jacques (1995), Sauf le nom (Post-Scriptum), trans. by Leavey, John P. Jr., in On the Name, ed. by Dutoit, Thomas (Stanford: Stanford University Press), 35–85.Google Scholar

Derrida, Jacques (2009 [1992]), ‘“This Strange Institution Called Literature”: An Interview with Jacques Derrida’, trans. by Bennington, Geoffrey and Bowlby, Rachel, in Acts of Literature, ed. by Attridge, Derek (New York: Routledge), 33–75.Google Scholar

Deussen, Paul (1907 [1898]), Die Philosophie der Upanishads, vol. 1, part 2 of Allgemeine Geschichte der Philosophie, 2nd ed. (Leipzig: F. A. Brockhaus).Google Scholar

De Vos, Laurens (2018), ‘The Observer Observed. The Promise of the Posthuman: Homeostasis, Autopoiesis and Virtuality in Samuel Beckett’, Journal of Beckett Studies 27.2: 245–60.Google Scholar

Dewey, Russell A. (2018), Psychology: An Introduction (Psych Web online text), https://psywww.com/intropsych/.Google Scholar

Driver, Tom (1979 [1961]), ‘Beckett by the Madeleine’, Columbia University Forum (Summer 1961): 21–25, rpt. in Samuel Beckett the Critical Heritage, ed. by Graver, L. and Federman, R. (New York: Routledge), 217–23.Google Scholar

Eckhart, Meister (1993), Werke, 2 vols., ed. and comm. by Largier, Niklaus, trans. into modern German by Josef Quint (vol. 1) and Ernst Benz et al. (vol. 2) (Frankfurt a. M.: Deutscher Klassiker Verlag).Google Scholar

Eckhart, Meister (1994), Selected Writings, trans. by Davies, Oliver (London: Penguin Books).Google Scholar

Eckhart, Meister (2009), The Complete Mystical Works of Meister Eckhart, trans. and ed. by Walshe, Maurice O’C., revised with a foreword by McGinn, Bernard (New York: Crossroad Publishing).Google Scholar

Edelglass, William (2009), ‘The Bodhisattva Path: Śāntideva’s Bodhicaryāvatāra’, in Buddhist Philosophy: Essential Readings, ed. by Edelglass, William and Garfield, Jay L. (New York: Oxford University Press).Google Scholar

Esslin, Martin (1986), ‘Samuel Beckett – Infinity, Eternity’, in Beckett at 80/Beckett in Context, ed. by Brater, Enoch (New York: Oxford University Press), 110–23.Google Scholar

Facco, Enrico, and Agrillo, Christian (2012), ‘Near-Death Experiences between Science and Prejudice’, Frontiers in Human Neuroscience 6: 1–7.Google Scholar

Feldman, Matthew (2006), Beckett’s Books: A Cultural History of Samuel Beckett’s ‘Interwar Notes’ (London: Continuum).Google Scholar

Feldman, Matthew (2009), ‘“Agnostic Quietism” and Samuel Beckett’s Early Development’, in Samuel Beckett: History, Memory, Archive, ed. by Kennedy, Seán and Weiss, Katherine (New York: Palgrave Macmillan), 183–200.Google Scholar

Flasch, Kurt (2015), Meister Eckhart: Philosopher of Christianity, trans. by Schindel, Anne and Vanides, Aaron (New Haven: Yale University Press).Google Scholar

Fleet, Barrie, trans. (2012), Introduction and Commentary, in Enneas IV.8: On the Descent of the Soul into Bodies, by Plotinus, (Las Vagas: Parmenides), 13–42, 69–189.Google Scholar

Foster, Paul (1989), Beckett and Zen: A Study of the Dilemma in the Novels of Samuel Beckett (London: Wisdom Publications).Google Scholar

Foucault, Michel (1969), ‘Qu’est-ce qu’un auteur?’, Bulletin de la Société française de philosophie 63.3: 73–104.Google Scholar

Freud, Sigmund (1955 [1920]), Beyond the Pleasure Principle, in The Standard Edition of the Complete Psychological Works, vol. 18, ed. and trans. by Strachey, James (London: Hogarth Press), 1–64.Google Scholar

Freud, Sigmund (1959 [1908]), ‘Creative Writers and Day-Dreaming’, in The Standard Edition of the Complete Psychological Works, vol. 9, ed. and trans. by Strachey, James (London: Hogarth Press), 142–53.Google Scholar

Freud, Sigmund (1961 [1925]), ‘A Note upon the “Mystic Writing-Pad”’, in The Standard Edition of the Complete Psychological Works, vol. 19, ed. and trans. by Strachey, James (London: Hogarth Press), 227–32.Google Scholar

Frost, Everett, and Maxwell, Jane (2006), ‘Notes diverse[s] holo: Catalogues of Beckett’s Reading Notes and Other Manuscripts at Trinity College Dublin, with Supporting Essays’, Samuel Beckett Today/Aujourd’hui 16: 13–181.Google Scholar

Garfield, Jay (2011), ‘Mindfulness and Ethics: Attention, Virtue and Perfection’, Lecture, University of Hamburg, Numata Centre for Buddhist Studies, https://info-buddhism.com/Mindfulness-and-Morality-J-Garfield.html.Google Scholar

Garforth, Julian A. (2004), ‘Samuel Beckett, Fritz Mauthner, and the Whoroscope Notebook: Beckett’s Beiträge zu einer Kritik der Sprache’, Journal of Beckett Studies 13.2: 49–68.Google Scholar

Gendronneau, Paul (1922), De l’influence du bouddhisme sur la figuration des enfers médiévaux (Nîmes: P. Gallion et Bandini).Google Scholar

Gerson, Lloyd (2018), ‘Plotinus’, in The Stanford Encyclopedia of Philosophy, ed. by Edward N. Zalta, https://plato.stanford.edu/archives/fall2018/entries/plotinus.Google Scholar

Gibson, Andrew (2002), ‘Beckett and Badiou’, in Beckett and Philosophy, ed. by Lane, Richard (Houndmills: Palgrave), 93–107.Google Scholar

Gibson, Andrew (2015), ‘Beckett, Vichy, Maurras, and the Body: Premier Amour and Nouvelles’, Irish University Review 45.2: 281–301.Google Scholar

Gidal, Peter (1979), ‘Samuel Beckett’s Ghost Trio’, Artforum 17.9: 53–7.Google Scholar

Gidal, Peter (1986), Understanding Beckett: A Study of Monologue and Gesture in the Works of Samuel Beckett (London: Macmillan).Google Scholar

Gidal, Peter (1998), Note on No Night No Day, www.film-makerscoop.com/catalogue/peter-gidal-no-night-no-day.Google Scholar

Gidal, Peter (2001[1973]), ‘Beckett & Others & Art: A System’, Samuel Beckett Today/Aujourd’hui 11: 303–14.Google Scholar

Gide, André (1968 [1925]), Les Faux-monnayeurs (Paris: Livre de poche).Google Scholar

Gide, André (1981 [1923]), Dostoïevski: articles et causeries (Paris: Gallimard).Google Scholar

Gillette, Kyle (2012), ‘Zen and the Art of Self-Negation in Samuel Beckett’s Not I’, Comparative Drama 46.3: 283–302.Google Scholar

Gontarski, S. E. (1985), The Intention of Undoing in Samuel Beckett’s Dramatic Texts (Bloomington: Indiana University Press).Google Scholar

Graham, Daniel W. (2017), ‘Heraclitus’, in Internet Encyclopedia of Philosophy, www.iep.utm.edu/heraclit/.Google Scholar

Haeckel, Ernst (1911 [1882]), A Visit to Ceylon, trans. by Beel, Clara, 3rd ed. (New York: Peter Eckler Publisher), https://archive.org/details/visittoceylon00haecuoft.Google Scholar

Hamilton, Clarence H. (1950), ‘The Idea of Compassion in Mahayana Buddhism’, Journal of American Oriental Society 70.3: 145–51.Google Scholar

Hartman, Geoffrey (1977), Letter, in PMLA 92 (March): 307–8.Google Scholar

Harvey, Lawrence E. (1970), Samuel Beckett: Poet and Critic (Princeton, NJ: Princeton University Press).Google Scholar

Harvey, Lawrence E. (2006), ‘On Beckett, 1961–2’, in Beckett Remembering Remembering Beckett, ed. by James, and Knowlson, Elizabeth (New York: Arcade Publishing), 133–7.Google Scholar

Hayman, David (1962), ‘Quest for Meaninglessness: The Boundless Poverty of Molloy’, in Six Contemporary Novels: Six Introductory Essays in Modern Fiction, ed. by Sutherland, William O. S. (Austin University of Texas), 90–112.Google Scholar

Herren, Graley (2000), ‘Splitting Images: Samuel Beckett’s Nacht und Träume’, Modern Drama 43.2: 182–91.Google Scholar

Herren, Graley (2001), ‘Nacht und Träume as Beckett’s Agony in the Garden’, Journal of Beckett Studies 11.1: 54–70.Google Scholar

Hesla, David H. (1971), The Shape of Chaos: An Interpretation of the Art of Samuel Beckett (Minneapolis: University of Minnesota Press).Google Scholar

Hill, Leslie (1990), Beckett’s Fiction: In Different Words (Cambridge: Cambridge University Press).Google Scholar

Holmes, Ken (n.d.), ‘Karma and the Wheel of Life’, in Teaching Archive of Kagyu Samye Ling, n.p., www.samyeling.org/buddhism-and-meditation/.Google Scholar

Horn, Laurence R. (1989), A Natural History of Negation (Chicago: University of Chicago Press).Google Scholar

Hutcheon, Linda (1985), A Theory of Parody: The Teachings of Twentieth-Century Art Forms (New York: Methuen).Google Scholar

Inge, William Ralph (1899), Christian Mysticism: Considered in Eight Lectures Delivered before the University of Oxford (London: Methuen).Google Scholar

Inge, William Ralph (1926), The Platonic Tradition in English Religious Thought: The Hulsean Lectures at Cambridge 1925–1926 (London: Longmans, Green and Co.)Google Scholar

Jacquart, Emmanuel (1997), ‘Beckettisimo: Beckett virtuose de l’écho. Fin de partie et l’essence du bouddhisme’, Samuel Beckett Today/Aujourd’hui 6: 31–42.Google Scholar

Jones, David Houston (2011), Samuel Beckett and Testimony (Houndmills: Palgrave Macmillan).Google Scholar

Joyce, James (1968 [1939]), Finnegans Wake (New York: Viking Press).Google Scholar

Juliet, Charles (1986), Rencontre avec Samuel Beckett (Montpellier: Éditions Fata Morgana).Google Scholar

Kalupahana, David (1976), Buddhist Philosophy: A Historical Analysis (Honolulu: University Press of Hawai‘i).Google Scholar

Keatinge, Benjamin (2015), ‘Breakdown or Breakthrough?: Deleuzoguattarian Schizophrenia and Beckett’s Gallery of Moribunds’, in Deleuze and Beckett, ed. by Wilmer, S. E. and Zukauskaitė, Audrone (Houndmills: Palgrave Macmillan), 81–96.Google Scholar

Kędzierski, Marek (2017), ‘Bothering Him with My Questions…’, in Beckett in Conversation, ‘yet again’/Rencontres avec Beckett, ‘encore’, ed. by Moorjani, Angela, de Ruyter, Danièle, and Houppermans, Sjef (Leiden: Brill/Rodopi), 116–27.Google Scholar

Keene, Donald (1990), Nō and Bunraku (New York: Columbia University Press).Google Scholar

Keown, Damien (2001 [1992]), The Nature of Buddhist Ethics (Houndmills: Palgrave Macmillan).Google Scholar

Kirishima, Keiko (1990), ‘Le Théâtre de Beckett et le théâtre de Nô’, Critique 46.519–20 (Special Issue Samuel Beckett): 690–91.Google Scholar

Klee, Paul (1996), Gedichte, ed. by Klee, Felix (Zurich: Arche Verlag).Google Scholar

Klossowski, Pierre (1969), Nietzsche et le cercle vicieux (Paris: Mercure de France).Google Scholar

Knowlson, James (1983), ‘Beckett’s “Bits of Pipe”’, in Samuel Beckett: Humanistic Perspectives, ed. by Beja, Morris, Gontarski, S. E., and Astier, Pierre (Columbus: Ohio State University), 16–25.Google Scholar

Knowlson, James (1996), Damned to Fame: The Life of Samuel Beckett (New York: Simon and Schuster).Google Scholar

Körte, Konrad (2017), ‘Beckett Listens: Sound Production for the 1977 Geistertrio’, in Beckett in Conversation, ‘yet again’/Rencontres avec Beckett, ‘encore’, ed. by Moorjani, Angela, de Ruyter, Danièle, and Houppermans, Sjef (Leiden: Brill/Rodopi), 107–15.Google Scholar

Krance, Charles, ed. (1993), Samuel Beckett’s Company/Compagnie and A Piece of Monologue/Solo: A Bilingual Variorum Edition (New York: Garland Publishing).Google Scholar

Kügler, Peter (2005), ‘The Meaning of Mystical ‘Darkness’”, Religious Studies 41.1: 95–105.Google Scholar

Kundert-Gibbs, John Leeland (1999), No-Thing Is Left to Tell: Zen/Chaos Theory in the Dramatic Art of Samuel Beckett (London: Associated University Presses).Google Scholar

Kuzma, Joseph (n.d.), ‘Maurice Blanchot (1907–2003)’, in The Internet Encyclopedia of Philosophy, n.p., https://iep.utm.edu/blanchot/.Google Scholar

Lacrosse, Joachim (2009), ‘Plotinus, Porphyry, and India: A Re-Examination’, in Late Antique Epistemology, ed. by Vassilopoulou, Panayiota and Clark, Stephen R. (Houndmills: Palgrave Macmillan), 103–17.Google Scholar

Laplanche, Jean, and Pontalis, Jean-Bertrand (1973), Vocabulaire de la psychanalyse, 4th ed. (Paris: Presses universitaires de France).Google Scholar

Lawley, Paul (1983), ‘Counterpoint, Absence and the Medium in Beckett’s Not I’, in Modern Drama 26: 407–14.Google Scholar

Lawley, Paul (1989), ‘The Difficult Birth: An Image of Utterance in Beckett’, in ‘Make sense who may’: Essays on Samuel Beckett’s Later Works, ed. by Davis, Robin J. and Butler, Lance St. J. (Totowa NJ: Barnes and Noble Books), 1–10.Google Scholar

Lawley, Paul (2002), ‘That Time and the Dynamics of Being’, in Other Becketts, ed. by Caselli, Daniella, Connor, Seven, and Salisbury, Laura (Tallahassee, FL: Journal of Beckett Studies Books), 173–86.Google Scholar

Lawley, Paul (2015), ‘Krapp at the Hawk’s Well: Beckett, Yeats, and Joyce’, Modern Drama 58.3: 370–90.Google Scholar

Lawley, Paul (n.d.), ‘Hedda’s Children’, https://plymouth.academia.edu/PaulLawley.Google Scholar

Lawlor, Seán, and Pilling, John (2012), Commentary, in The Collected Poems of Samuel Beckett, ed. by Lawlor, Seán and Pilling, John (New York: Grove Press), 253–489.Google Scholar

Le Brocquy, Anne (2017), ‘Come back soon!’, in Beckett in Conversation, ‘yet again’/Rencontres avec Beckett, ‘encore’, ed. by Moorjani, Angela, de Ruyter, Danièle, and Houppermans, Sjef (Leiden: Brill/Rodopi), 91–101.Google Scholar

Le Juez, Brigitte (2009), Beckett before Beckett, trans. by Schwartz, Ros (London: Souvenir Press).Google Scholar

Levinas, Emmanuel (1974), Totalité et infini: essai sur l’extériorité, 4th ed. (The Hague: Martinus Nijhoff).Google Scholar

Locatelli, Carla (1990), Unwording the World: Samuel Beckett’s Prose Works after the Noble Prize (Philadelphia: University of Pennsylvania Press).Google Scholar

Lodge, David (1979 [1968]), ‘Some Ping Understood’, Encounter 30.2 (Feb. 1968): 85–9; rpt. in Samuel Beckett: The Critical Heritage, ed. by L. Graver and R. Federman (London: Routledge), 291–301.Google Scholar

Loy, David (1996), ‘The Nonduality of Life and Death’, in Lack and Transcendence: The Problem of Death and Life in Psychotherapy, Existentialism, and Buddhism (Atlantic Highlands, NJ: Humanities Press International), 1–29.Google Scholar

Magessa O’Reilly, Edouard (2006), ‘Molloy, Part II, Where the Shit Hits the Fan: Ballyba’s Economy and the Worth of the World’, Genetic Joyce Studies 6 (online journal), www.geneticjoycestudies.org.Google Scholar

Magnani, Lorenzo (2009), Abductive Cognition: The Epistemological and Eco-Cognitive Dimensions of Hypothetical Reasoning (Berlin Springer-Verlag).Google Scholar

Masson, André (1949), ‘Divagations sur l’espace’ [Ramblings about Space] – Pages de journal (1936–1938)’, Les Temps Modernes 44: 961–72.Google Scholar

Matoba, Junko (2000), ‘Religious Overtones in the Darkened Area of Beckett’s Later Short Plays’, Samuel Beckett Today/Aujourd’hui 9: 31–41.Google Scholar

Matoba, Junko (2003), Beckett’s Yohaku: A Study of Samuel Beckett’s Empty Space on Stage in His Later Shorter Plays (Tokyo: Shinsui-sha).Google Scholar

Maude, Ulrika (2010), Beckett, Technology and the Body (New York: Cambridge University Press).Google Scholar

Mauthner, Fritz (1912 [1901]), Zur Sprachwissenschaft, vol. 2 of Beiträge zu einer Kritik der Sprache, 2nd ed. (Stuttgart: J. G. Cotta’sche Buchhandlung Nachfolger), www.archive.org.Google Scholar

Mauthner, Fritz (1912 [1902]), Zur Grammatik und Logik, vol. 3 of Beiträge zu einer Kritik der Sprache, 2nd ed. (Stuttgart: J. G. Cotta’sche Buchhandlung Nachfolger), www.archive.org.Google Scholar

Mauthner, Fritz (1921 [1901]), Zur Sprache und zur Psychologie, vol. 1 of Beiträge zu einer Kritik der Sprache, 3rd ed. (Stuttgart: J. G. Cotta’sche Buchhandlung Nachfolger), www.archive.org.Google Scholar

McGinn, Bernard (1994), ‘Ocean and Desert as Symbols of Mystical Absorption in the Christian Tradition’, The Journal of Religion 74.2: 155–81.Google Scholar

McHale, Brian (2004 [1987]), Postmodernist Fiction (London: Routledge).Google Scholar

McLeod, Beryl Rosay (1992), ‘Buddhism, T. S. Eliot and The Four Quartets’, Journal for the Study of Religion 5.1: 3–16.Google Scholar

McMahan, David L. (2008), The Making of Buddhist Modernism (New York: Oxford University Press).Google Scholar

McMillan, Dougald, and Fehsenfeld, Martha (1988), Beckett in the Theatre: An Author as Practical Playwright and Director (New York: Riverrun Press).Google Scholar

Moorjani, Angela (1982), Abysmal Games in the Novels of Samuel Beckett (Chapel Hill: University of North Carolina Press). Reissued 2018.Google Scholar

Moorjani, Angela (1992), The Aesthetics of Loss and Lessness (Houndmills: Macmillan).Google Scholar

Moorjani, Angela (1996), ‘Mourning, Schopenhauer, and Beckett’s Art of Shadows’, in Beckett On and On …, ed. by Oppenheim, Lois and Buning, Marius (London: Associated University Presses), 83–101, https://umbc.academia.edu/AngelaMoorjani.Google Scholar

Moorjani, Angela (2000), Beyond Fetishism and Other Excursions in Psychopragmatics (New York: St. Martin’s Press).Google Scholar

Moorjani, Angela (2003), ‘Diogenes Lampoons Alexandre Kojève: Cultural Ghosts in Beckett’s Early French Plays’, in Drawing on Beckett: Portraits, Performances, and Cultural Contexts, ed. by Ben-Zvi, Linda (Tel Aviv: Assaph Books), 69–88, https://umbc.academia.edu/AngelaMoorjani.Google Scholar

Moorjani, Angela (2004), ‘Peau de chagrin: Beckett and Bion on Looking Not to See’, Samuel Beckett Today/Aujourd’hui 14: 25–38, https://umbc.academia.edu/AngelaMoorjani.Google Scholar

Moorjani, Angela (2008), ‘“Just Looking”: Ne(i)ther-World Icons, Elsheimer Nocturnes, and Other Simultaneities in Beckett’s Play’, in Beckett at 100: Revolving It All, ed. by Ben-Zvi, Linda and Moorjani, Angela (New York: Oxford University Press), 123–38, https://umbc.academia.edu/AngelaMoorjani.Google Scholar

Moorjani, Angela (2009), ‘André Gide among the Parisian Ghosts in the “Anglo-Irish” Murphy’, Samuel Beckett Today/Aujourd’hui 21: 209–222, https://umbc.academia.edu/AngelaMoorjani.Google Scholar

Moorjani, Angela (2017), ‘Recollecting Sam-ness and Watt-ness’, in Beckett in Conversation, ‘yet again’/Rencontres avec Beckett, ‘encore’, ed. by Moorjani, Angela, de Ruyter, Danièle, and Houppermans, Sjef (Leiden: Brill/Rodopi), 35–45.Google Scholar

Morin, Emilie (2017), Beckett’s Political Imagination (New York: Cambridge University Press).Google Scholar

Murti, Tirupattur R. V. (1955), The Central Philosophy of Buddhism: A Study of the Mādhyamika System (London: George Allen and Unwin).Google Scholar

Nagao, Gadjin M. (1979), ‘From Mādhyamika to Yogācāra: An Analysis of MMK, XXIV.18 and MV, I.1–2’, Journal of the International Association of Buddhist Studies 2.1: 29–43.Google Scholar

Nāgārjuna, (2013), Nāgārjuna’s Middle Way: Mūlamadhyamakakārikā, trans. and comm. by Siderits, Mark and Katsura, Shōryū (Somerville, MA: Wisdom Publications).Google Scholar

Nájera, Elena (2007), ‘Wittgenstein versus Mauthner: Two Critiques of Language, Two Mysticisms’, in Papers of the 30th IWS [International Wittgenstein Symposium], ed. by Hrachovec, H., Pichier, A., Wang, J. (Kirchberg am Wechsel: ALWS Austrian Ludwig Wittgenstein Society), www.wittgensteinrepository.org.Google Scholar

Nietzsche, Friedrich (1994 [1887]), On the Genealogy of Morality, ed. by Ansell-Pearson, Keith, trans. by Diethe, Carol (Cambridge: Cambridge University Press).Google Scholar

Nixon, Mark (2011), Samuel Beckett’s German Diaries 1936–1937 (London: Continuum).Google Scholar

Nixon, Mark (2014), Introduction and Annotations, in Echo’s Bones by Beckett, Samuel (New York: Grove Press), ix–xx, 53–109.Google Scholar

Noda, Yubii (2016), ‘Paul Klee’s Chinese Picture and Chinese II’, Zwitscher-Maschine: Journal on Paul Klee 2: 79–92, www.zwitscher-maschine.org.Google Scholar

Nosthoff, Anna-Verena (2018), ‘Beckett, Adorno, and the Hope for Nothingness as Something: Meditations on Theology in the Age of Its Impossibility’, Critical Research on Religion 6.1: 35–53.Google Scholar

O’Brien, Eoin (1986), The Beckett Country: Samuel Beckett’s Ireland (Dublin Black Cat Press in association with New York: Riverrun Press).Google Scholar

O’Brien, Eoin (1987), ‘Zone of Stones: Samuel Beckett’s Dublin’, Journal of the Irish College of Physicians and Surgeons 16.2: 69–77.Google Scholar

O’Brien, Eoin (1992), Foreword, in Dream of Fair to Middling Women, by Beckett, Samuel, ed. by Eoin O’Brien and Edith Fournier (New York: Arcade Publishing), xi–xx.Google Scholar

Okamuro, Minako (2009), ‘Beckett, Yeats, and Noh: …but the clouds… as Theatre of Evocation’, Samuel Beckett Today/Aujourd’hui 21: 165–77.Google Scholar

Perloff, Marjorie (2005), ‘“In Love with Hiding”: Samuel Beckett’s War’, The Iowa Review 35.1: 76–103.Google Scholar

Pilling, John (1976), Samuel Beckett (London: Routledge and Kegan Paul).Google Scholar

Pilling, John, ed. (1999), Beckett’s Dream Notebook (Reading: Beckett International Foundation).Google Scholar

Pilling, John (2003), Companion to Dream of Fair to Middling Women, special issue, Journal of Beckett Studies 12.1–2.Google Scholar

Pilling, John (2006), ‘Beckett and Mauthner Revisited’, in Beckett after Beckett, ed. by Gontarski, S. E. and Uhlmann, Anthony (Gainesville: University Press of Florida), 158–66.Google Scholar

Plato (1937), The Timaeus, in Plato’s Cosmology, trans. and comm. by Cornford, Francis Macdonald (London: Routledge and Kegan Paul).Google Scholar

Plotinus (1956), The Enneads, trans. by MacKenna, Stephen, 2nd ed., revised by Page, B. S. (London: Faber).Google Scholar

Plümacher, Olga (1888 [1883]), Der Pessimismus in Vergangenheit und Gegenwart: Geschichtliches und Kritisches, 2nd ed. (Heidelberg: Georg Weiss Verlag).Google Scholar

Porphyry (1935), On the Life of Plotinus and the Arrangement of His Work, trans. by MacKenna, Stephen and Page, B. S. (London: P. L. Walker), www.sacred-texts.com.Google Scholar

Pothast, Ulrich (2008), The Metaphysical Vision: Arthur Schopenhauer’s Philosophy of Art and Life and Samuel Beckett’s Own Way of Making Use of It (New York: Peter Lang).Google Scholar

Pountney, Rosemary (1998 [1988]), Theatre of Shadows: Samuel Beckett’s Drama 1956–1976 (Gerrards Cross: Colin Smythe).Google Scholar

Proust, Marcel (1983), Letter to Robert Dreyfus, 10 Nov. 1910, in Correspondance, 1910–1911, vol. 10 of 21 vols., ed. by Kolb, Philip (Paris: Plon), 207–8.Google Scholar

Proust, Marcel (1988 [1923]), La Prisonnière, in vol. 3 of A la recherche du temps perdu (Paris: Gallimard-Pléiade), 519–915.Google Scholar

Proust, Marcel (1989 [1927], Le Temps retrouvé, in vol. 4 of A la recherche du temps perdu (Paris: Gallimard-Pléiade), 273–625.Google Scholar

Rabaté, Jean-Michel (2016), Think, Pig! Beckett at the Limit of the Human (New York: Fordham University Press).Google Scholar

Rank, Otto (1971 [1914]), The Double: A Psychoanalytic Study, trans. and ed. by Tucker, Harry Jr. (Chapel Hill: University of North Carolina Press).Google Scholar

Rank, Otto (2010 [1924]), The Trauma of Birth, translator not given (Mansfield Centre, CT: Martino Publishing).Google Scholar

Pine, Red (Bill Porter), trans. and comm. (2001), The Diamond Sutra: The Perfection of Wisdom (Berkeley: Counterpoint).Google Scholar

Pine, Red (2004), The Heart Sutra: The Womb of Buddhas (Berkeley: Counterpoint).Google Scholar

Reid, Alec (1962), ‘Beckett and the Drama of Unknowing’, Drama Survey 2.2: 130–8.Google Scholar

Rhys Davids, Thomas R. (1910), ‘Buddhism’, in The Encyclopaedia Britannica, 11th ed., vol. 4, 742–9.Google Scholar

Riley, Denise (2004), ‘“A Voice without a Mouth”: Inner Speech’, Qui parle 14.2: 57–104.Google Scholar

Rodríguez-Gago, Antonia (2017), ‘Reminiscences of a Late Friendship’, in Beckett in Conversation, ‘yet again’/Rencontres avec Beckett, ‘encore’, ed. by Moorjani, Angela, de Ruyter, Danièle, and Houppermans, Sjef (Leiden: Brill/Rodopi), 18–26.Google Scholar

Roesler, Layla M. (2012), ‘En Compagnie d’une métaphysique parodique: Beckett lecteur de Descartes redux’, Samuel Beckett Today/Aujourd’hui 24: 139–53.Google Scholar

Romm, James (2020), ‘What Did India Learn from the Greeks?’, review of The Greek Experience of India: From Alexander to the Indo-Greeks, by Richard Stoneman, The New York Review of Books 67.6 (9 April): 31–2.Google Scholar

Rosen, Steven J. (1976), Samuel Beckett and the Pessimistic Tradition (New Brunswick, NJ: Rutgers University Press).Google Scholar

Ruegg, David S. (1969), La Théorie du Tathāgatagarbha et du Gotra (Paris: École française d’Extrême Orient).Google Scholar

Ryman, Robert (1989), Nowhow On (New York: The Limited Editions Club).Google Scholar

Sakauchi, Futoshi (2008), ‘Not I in an Irish Context’, Samuel Beckett Today/Aujourd’hui 19: 371–79.Google Scholar

Salisbury, Laura (2001), ‘“So the unreasoning goes”: The Comic Timing of Trembling in Ill Seen Ill Said’, Samuel Beckett Today/Aujourd’hui 11: 372–81.Google Scholar

Salisbury, Laura (2012), Samuel Beckett: Laughing Matters, Comic Timing (Edinburgh: Edinburgh University Press).Google Scholar

Sartre, Jean-Paul (1947), ‘L’Homme ligoté: notes sure le Journal de Jules Renard’, in Situations, I (Paris: Gallimard), 271–88.Google Scholar

Sass, Louis (2017), Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought, rev. ed. (New York: Oxford University Press).Google Scholar

Schaik, Sam van (2018), The Spirit of Zen (New Haven: Yale University Press).Google Scholar

Schneider, Alan (1967 [1958]), ‘Waiting for Beckett’, in Beckett at 60: A Festschrift, ed. by Calder, John (London: Calder and Boyars), 34–52.Google Scholar

Schopenhauer, Arthur (1889 [1867], On the Will in Nature, in Two Essays, trans. by Hillebrand, Mme. Karl, 4th edition (London: G. Bell). https://archive.org.Google Scholar

Schopenhauer, Arthur (2014 [1818]), The World as Will and Representation, vol. 1, trans. and ed. by Norman, Judith, Welchman, Alistair, and Janaway, Christopher (Cambridge: Cambridge University Press).Google Scholar

Schopenhauer, Arthur (2015 [1851]), Parerga and Paralipomena: Short Philosophical Essays, vol. 2, trans. and ed. by del Caro, Adrian and Janaway, Christopher (Cambridge: Cambridge University Press).Google Scholar

Schopenhauer, Arthur (2018 [1844]), The World as Will and Representation, vol. 2, trans. and ed. by Norman, Judith, Welchman, Alistair, and Janaway, Christopher (Cambridge: Cambridge University Press).Google Scholar

Sebastian, C. D. (2016), The Cloud of Nothingness: The Negative Way in Nāgārjuna and John of the Cross (New Delhi: Springer India).Google Scholar

Seo, Audrey Yoshiko (2007), Ensō: Zen Circles of Enlightenment (Boston: Weatherhill).Google Scholar

Shainberg, Lawrence (1987), ‘Exorcising Beckett’, Paris Review 29.104 (fall): 100–36.Google Scholar

Shields, Paul (2001), ‘Beckett’s Labour Lost: Company and the Paradox of Creation’, Samuel Beckett Today/Aujourd’hui 11: 478–85.Google Scholar

Shulman, David (2020), ‘Buddhist Baedekers’, review of Creating the Universe: Depictions of the Cosmos in Himalayan Buddhism, by Eric Huntington, The New York Review of Books 67.5 (March 26): 36–8.Google Scholar

Siderits, Mark, and Katsura, Shōryū, trans. and eds. (2013), Nāgārjuna’s Middle Way: Mūlamadhyamakakārikā (Sommerville, MA: Wisdom Publications).Google Scholar

Simmer-Brown, Judith (2001), Preface, in Buddhist Wisdom, trans. and expl. by Conze, Edward (New York: Random House–Vintage Spiritual Classics), xv–xxvi.Google Scholar

Stewart, Paul, and Pattie, David, eds. (2019), Pop Beckett: Intersections with Popular Culture (Stuttgart: ibidem).Google Scholar

Slote, Sam (2015), ‘Bilingual Beckett: Beyond the Linguistic Turn’, in The New Cambridge Companion to Samuel Beckett, ed. by Van Hulle, Dirk (New York: Cambridge University Press), 114–25.Google Scholar

Spretnak, Charlene (2014), The Spiritual Dynamic in Modern Art: Art History Reconsidered, 1800 to the Present (New York: Palgrave Macmillan).Google Scholar

Stutley, Margaret, and Stutley, James (1977), Harper’s Dictionary of Hinduism: Its Mythology, Folklore, Philosophy, Literature, and History (New York: Harper & Row).Google Scholar

Suzuki, Daisetz T. (1957), Mysticism, Christian and Buddhist (New York: Harper), www.sacred-texts.com/bud/mcb.Google Scholar

Takahashi, Yasunari (1982), ‘The Theatre of the Mind: Samuel Beckett and the Noh’, Encounter 58.4: 66–73.Google Scholar

Takahashi, Yasunari (1983), ‘Qu’est-ce qui arrive? Some Structural Comparisons of Beckett’s Plays and Noh’, in Samuel Beckett: Humanistic Perspectives, ed. by Beja, Morris, Gontarski, S. E., and Astier, Pierre (Columbus: Ohio State University Press), 99–106.Google Scholar

Takahashi, Yasunari (2001), ‘On “Mindlessness”: Beckett, Japan, and the Twentieth Century’, Samuel Beckett Today/Aujourdhui 11: 37–41.Google Scholar

Takebe, Yoshiko (2011), ‘The Effect of Translated Plays: Samuel Beckett and Japanese Theatre’, [The Japanese Association of] Interpreting and Translation Studies 11: 113–22, http://jaits.jpn.org/home/kaishi2011/pdf/09_Takebe.pdf.Google Scholar

Tanahashi, Kazuaki (2015), ‘If Each Moment Is Complete Why Do We Need Practice?’ (Video interview excerpt), SAND Anthology, vol. 5, www.archive.scienceandnonduality.com.Google Scholar

Touret, Michèle (2006), ‘Y a-t-il un événement dans le texte?’, Samuel Beckett Today/Aujourd’hui 17: 15–34.Google Scholar

Trezise, Thomas (1990), Into the Breach (Princeton, NJ: Princeton University Press).Google Scholar

Trinh, Xuan Thuan (2016), La Plénitude du vide (Paris: Éditions Albin Michel).Google Scholar

Tucker, David (2012), Samuel Beckett and Arnold Geulincx: Tracing ‘a literary fantasia’ (London: Bloomsbury Publishing).Google Scholar

Ueda, Shizuteru (2004 [1977]), ‘“Nothingness” in Meister Eckhart and Zen Buddhism: With Particular Reference to the Borderlines of Philosophy and Theology’, in The Buddha Eye: An Anthology of the Kyoto School and Its Contemporaries, rev. ed., ed. by Frank, Frederick (Bloomington, IN: World Wisdom), 157–69.Google Scholar

Uhlmann, Anthony (1999), Beckett and Poststructuralism (Cambridge: Cambridge University Press).Google Scholar

Uhlmann, Anthony (2006), ‘Samuel Beckett and the Occluded Image’, in Beckett after Beckett, ed. by Gontarksi, S. E. and Uhlmann, Anthony (Gainesville: University Press of Florida), 79–97.Google Scholar

Uhlmann, Anthony (2009), ‘Negative Allegory: Buning on Allegory and the Via Negativa’, Samuel Beckett Today/Aujourd’hui 21: 17–26.Google Scholar

Van Hulle, Dirk (2004), ‘(“Hiatus in MS”): Watt and the Textual Genesis of Stirrings Still ’, Samuel Beckett Today/Aujourd’hui 14: 483–94.Google Scholar

Van Hulle, Dirk (2009), ‘The Urge to Tell: Samuel Beckett’s Not I as a Texte Brisé for Television’, Journal of Beckett Studies 18. 1–2: 44–56.Google Scholar

Van Hulle, Dirk (2011), The Making of Samuel Beckett’s ‘Stirrings Still’/Soubresauts’ and ‘Comment Dire’/‘what Is the Word’, The Beckett Digital Manuscript Project, module 1 (Brussels: University Press Antwerp ASP/UPA).Google Scholar

Van Hulle, Dirk, (2012), ‘“Eff it”: Beckett and Linguistic Skepticism’, in Beckett/Philosophy, ed. by Feldman, Matthew and Mamdani, Karin (Sofia, BG: University Press St.Klimmt Ohridski), 221–37.Google Scholar

Van Hulle, Dirk, and Nixon, Mark (2013), Samuel Beckett’s Library (Cambridge: Cambridge University Press).Google Scholar

Van Hulle, Dirk, and Weller, Shane, eds. (2014), The Making of Samuel Beckett’s L’Innommable/The Unnamable, The Beckett Digital Manuscript Project, module 2 (Brussels: University Press Antwerp ASP/UPA).Google Scholar

Vassilopoulou, Panayiota, and Clark, Stephen R., eds. (2009), Late Antique Epistemology: Other Ways to Truth (Houndmills: Palgrave Macmillan).Google Scholar

Verdi, Richard (1985), Klee and Nature (New York: Rizzoli).Google Scholar

Viévard, Ludovic (2002), Vacuité (śūnyatā) et compassion (karuṇā) dans le bouddhisme madhyamaka (Paris: Collège de France/Diffusion de Boccard).Google Scholar

Vivekananda, Swami (Narendranath Datta) (1958 [1896]), ‘Maya and Illusion’, in The Complete Works, 9th ed., vol. 2 of 12 vols. (Calcutta: Advaita Ashrama), 88–104.Google Scholar

Waldron, William S. (2003), The Buddhist Unconscious: The ālaya-vijñāna in the Context of Indian Buddhist Thought (London: Routledge).Google Scholar

Warrilow, David (1986), ‘La musique, pas le sens’, Revue d’esthétique, Special Samuel Beckett Issue, ed. by Chabert, Pierre (Paris: Privat), 251–3.Google Scholar

Weber-Caflisch, Antoinette (1994), Chacun son dépeupleur: sur Samuel Beckett (Paris: Éditions de Minuit).Google Scholar

Weller, Shane (2005), A Taste for the Negative: Beckett and Nihilism (London: Modern Humanities Research Association and Maney Publishing).Google Scholar

Weller, Shane (2008), ‘“Gnawing to be naught”: Beckett and Pre-Socratic Nihilism’, Samuel Beckett Today/Aujourd’hui 20: 321–33.Google Scholar

Weller, Shane (2009), ‘“Some Experience of the Schizoid Voice”: Samuel Beckett and the Language of Derangement’, Forum for Modern Language Studies 45.1: 32–50.Google Scholar

Weller, Shane (2010), ‘Adorno’s Notes on The Unnamable’, in Journal of Beckett Studies 19.2: 179–95.Google Scholar

Westerhoff, Jan (2009), Nāgārjuna’s Madhyamaka: A Philosophical Introduction (New York: Oxford University Press).Google Scholar

Williams, Duane (2016), ‘Feminist Theology and Meister Eckhart’s Transgendered Metaphor’, Feminist Theology 24.3: 275–90.Google Scholar

Williams, Paul (2009), Mahāyāna Buddhism: The Doctrinal Foundation, 2nd ed. (London: Routledge).Google Scholar

Williams, Paul, with Tribe, Anthony (2000), Buddhist Thought: A Complete Introduction to the Indian Tradition (London: Routledge).Google Scholar

Wilson, Ann (1990), ‘“Her Lips Moving”: The Castrated Voice of Not I ’, in Women in Beckett, ed. by Ben-Zvi, Linda (Chicago: University of Illinois Press), 190–200.Google Scholar

Wimbush, Andy (2013), ‘Biology, the Buddha and the Beasts: The Influence of Ernst Haeckel and Arthur Schopenhauer on Samuel Beckett’s How It Is’, in Encountering Buddhism in Twentieth-Century British and American Literature, ed. by Normand, Lawrence and Winch, Alison (London: Bloomsbury), 123–38.Google Scholar

Wimbush, Andy (2020), Still: Samuel Beckett’s Quietism (Stuttgart: ibidem).Google Scholar

Windelband, Wilhelm (1901), A History of Philosophy, vol. 1, rev. ed., translated by Tufts, James H. (New York: Macmillan).Google Scholar

Wittgenstein, Ludwig (1958 [1953]), Philosophical Investigations, trans. by Anscombe, G. E. M., 2nd ed. (Oxford: Basil Blackwell).Google Scholar

Wolosky, Shira (1989), ‘Samuel Beckett’s Figural Evasions’, in Languages of the Unsayable: The Play of Negativity in Literature and Literary Theory, ed. by Budick, Sanford and Iser, Wolfgang (New York: Columbia University Press), 165–84.Google Scholar

Wynands, Sandra (2007), Iconic Spaces: The Dark Theology of Samuel Beckett’s Drama (Notre Dame, IN: University of Notre Dame Press).Google Scholar

Zilliacus, Clas (1976), Beckett and Broadcasting: A Study of the Works of Samuel Beckett for and in Radio and Television (Abo, FI: Abo Akademi).Google Scholar

Zimmer, Heinrich (1936), Maya: Der indische Mythos (Stuttgart: Deutsche Verlags-Anstalt).Google Scholar

Book contents

References

Summary

Access options

References

Primary Sources

Secondary Sources

Book contents

References

Summary

Access options

References

Primary Sources

Secondary Sources

Save book to Kindle

Save book to Dropbox

Save book to Google Drive