Book contents
- The Art Collector in Early Modern Italy
- The Art Collector In Early Modern Italy
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction
- Chapter 1 Venice in Transition
- Chapter 2 Second-Generation Venetian
- Chapter 3 Odoni’s Façade
- Chapter 4 Creating Rome in Venice: Odoni’s Antigaia
- Chapter 5 The Portego
- Chapter 6 The Camere
- Chapter 7 Transmuting the Self: Lotto’s Portrait of Odoni
- Conclusion
- Appendix Aretino’s Letter To Odoni
- Notes
- Bibliography
- Index
Chapter 1 - Venice in Transition
Published online by Cambridge University Press: 23 August 2021
- The Art Collector in Early Modern Italy
- The Art Collector In Early Modern Italy
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction
- Chapter 1 Venice in Transition
- Chapter 2 Second-Generation Venetian
- Chapter 3 Odoni’s Façade
- Chapter 4 Creating Rome in Venice: Odoni’s Antigaia
- Chapter 5 The Portego
- Chapter 6 The Camere
- Chapter 7 Transmuting the Self: Lotto’s Portrait of Odoni
- Conclusion
- Appendix Aretino’s Letter To Odoni
- Notes
- Bibliography
- Index
Summary
Chapter 1 examines the history of Venice and the position of the citizen class (the cittadini) in the period of Odoni’s lifetime, arguing that at the time the city was reinventing itself as a cultural capital there was considerable social fluidity, causing some citizens to be less constrained in their actions and modes of self-presentation than nobles.
- Type
- Chapter
- Information
- The Art Collector in Early Modern ItalyAndrea Odoni and his Venetian Palace, pp. 10 - 31Publisher: Cambridge University PressPrint publication year: 2021