Book contents
- Affect and Literature
- Cambridge Critical Concepts
- Affect and Literature
- Copyright page
- Contents
- Notes on Contributors
- Introduction
- I Origins
- Chapter 1 Poetic Fear-Related Affects and Society in Greco-Roman Antiquity
- Chapter 2 Secondary Affect in Lessing, Mendelssohn, and Nicolai
- Chapter 3 Affect and Life in Spinoza, Nietzsche, and Bergson
- Chapter 4 Feelings under the Microscope: New Critical Affect
- Chapter 5 ‘We Manufacture Fun’: Capital and the Production of Affect
- Chapter 6 Jacques Lacan’s Evanescent Affects
- Chapter 7 The Durability of Affect and the Ageing of Gay Male Queer Theory
- Chapter 8 Affect, Meaning, Becoming, and Power: Massumi, Spinoza, Deleuze, and Neuroscience
- Chapter 9 Translating Postcolonial Affect
- Chapter 10 Making Sorrow Sweet: Emotion and Empathy in the Experience of Fiction
- II Developments
- III Applications
- Index
Chapter 3 - Affect and Life in Spinoza, Nietzsche, and Bergson
from I - Origins
Published online by Cambridge University Press: 16 January 2020
- Affect and Literature
- Cambridge Critical Concepts
- Affect and Literature
- Copyright page
- Contents
- Notes on Contributors
- Introduction
- I Origins
- Chapter 1 Poetic Fear-Related Affects and Society in Greco-Roman Antiquity
- Chapter 2 Secondary Affect in Lessing, Mendelssohn, and Nicolai
- Chapter 3 Affect and Life in Spinoza, Nietzsche, and Bergson
- Chapter 4 Feelings under the Microscope: New Critical Affect
- Chapter 5 ‘We Manufacture Fun’: Capital and the Production of Affect
- Chapter 6 Jacques Lacan’s Evanescent Affects
- Chapter 7 The Durability of Affect and the Ageing of Gay Male Queer Theory
- Chapter 8 Affect, Meaning, Becoming, and Power: Massumi, Spinoza, Deleuze, and Neuroscience
- Chapter 9 Translating Postcolonial Affect
- Chapter 10 Making Sorrow Sweet: Emotion and Empathy in the Experience of Fiction
- II Developments
- III Applications
- Index
Summary
This essay examines affect in Spinoza, Nietzsche, and Bergson. Each of them has a characteristic method: for Spinoza, the geometrical method; for Nietzsche, genealogy; and for Bergson, intuition. Each method takes them beyond the human condition of concern with useful manipulation of material objects to the point of an affect-soaked contact with reality. All three seek conditions for joy, rare though those capable of fully feeling it might be: for Spinoza, joy is felt when adequate ideas lead to increased power to be the cause of actions and thoughts, including even the joy of understanding the way our singular body makeup constitutes reasons for our sadness; for Nietzsche, joy is possible from the practice of ‘gay science’ leading to an affirmation of life; and for Bergson, joy is felt in immersion in life’s creativity.
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- Affect and Literature , pp. 66 - 82Publisher: Cambridge University PressPrint publication year: 2020