Published online by Cambridge University Press: 12 November 2024
This chapter reveals how rock art sheds important light on individual lives as well as speaking more broadly to Indigenous experiences. We argue that rock art is created in social, historical contexts – and these contexts are evidenced in the art. Rock art is a fully situated historical source. Focusing on the story of artist Quilp, we demonstrate how rock art is a ‘counter-archive’ that can reveal important new understandings about Aboriginal experience, about which the colonial archive is silent.
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