This study delves into the comprehensive examination of an anta capital discovered during the 2008 excavations at the ancient site of Alabanda in Caria, now housed in the Aydın Archaeological Museum. Employing a typological and stylistic analysis, the research attributes the capital to the latter part of the fifth century BC, emphasising its intricate architectural ornamentation and sculptural details that reflect significant artistic and cultural developments of the period. The capital features elaborate ornament bands and mythological reliefs, including depictions of Bellerophon-Pegasus and Chimera, and a griffin attacking a horse, which are analysed for their iconographic and symbolic significance within the broader Anatolian and Mediterranean contexts. The study also explores the potential original architectural setting of the capital, suggesting its use in a monumental tomb, a hypothesis supported by its dimensions and decorative complexity. Furthermore, the article discusses the role of such imagery in asserting local identities and engaging with wider Hellenic cultural and political themes, particularly considering the complex interactions between local Carian traditions and the dominant Greek culture of the period. The findings not only contribute to our understanding of Carian art and architecture but also highlight the region’s active participation in the cultural dialogues of the Classical world.

In the major port city of Patara on the southern coast of Roman Asia Minor, excavations unearthed a pharos (lighthouse) with an inscription that referred to an antipharos (a structure ‘opposite’ the lighthouse). It is unknown where the antipharos stood in Patara’s harbour, and scholars’ brief speculations about its location all assume that the antipharos was a second lighthouse. Yet a number of factors combine to suggest that there was only one pharos at Patara, including cautious Roman nocturnal sailing practices, the norm of single lighthouses in the ancient world, evidence of the pharos’ high visibility, and the only other instance of the word antipharos referring to something other than an operating lighthouse. Instead, the antipharos was probably either an unlit tower or a beacon instead of a lighthouse. I establish six possible locations for such an antipharos, and consider their likelihood based on how they might have ameliorated dangers to sailors entering the harbour. While there is not enough evidence to be completely confident, a rock islet that was in the middle of ancient Patara’s harbour emerges as the most probable location for the antipharos. The choice to build both a pharos and an antipharos, and where to place them, can illuminate the decision processes behind Roman harbour construction and the currently little-understood meaning of the word antipharos in antiquity.

In the Laws, Plato argues that legislation must not only compel, but also persuade. This is accomplished by prefacing laws with preludes. While this procedure is central to the legislative project of the dialogue, there is little interpretative agreement about the strategy of the preludes. This article defends an interpretation according to which the strategy is to engage with citizens in a way that anticipates their progress toward a more mature evaluative outlook, and helps them grow into it. The article shall refer to this strategy as proleptic engagement. While the virtuous ways of life required by law are intimately connected to happiness, the preludes do not persuade by spelling out this connection. Rather, they persuade by telling citizens what they need to hear so that they can come to appreciate this connection for themselves, in the context of their own lives. While the preludes are many and varied, this article argues that all preambular material can be understood as proleptic engagement.

This note argues for the restoration of the MS reading ἀέξϵι in Orph. fr. 779d v. 5 Bernabé (= 287 Kern), which transmits verses from the poem Πϵρὶ ἐπϵμβάσϵων (On Planetary Entrances) attributed to Orpheus.

This article explores a possible correlation between centralised planning and economic homogenisation within residential neighbourhoods in ancient cities. Pre-planned and constructed urban living quarters may have contributed to the concentration of residents with similar levels of material wealth. Distinct groups of people may be identified among different districts, neighbourhoods or specific sections within a neighbourhood at the intra-site level. Several examples from different parts of the world are given to show this correlation. Also, a case study to test this correlation is drawn from the third millennium B.C. cities of Tell Asmar and Khafajah in central Mesopotamia. Excavations at these sites unearthed dozens of houses within residential neighbourhoods, with one of the occupation areas at Khafajah displaying a well-structured project dating to around 2400–2300 B.C. Utilizing the Gini coefficient and Lorenz curve, I observe that the houses constructed as part of the centralised project exhibit a slightly higher degree of economic similarity compared to those houses found at other levels within these sites.

This article combines allegorical, symbolic and metaphorical readings with modern theoretical approaches (primarily, affect theory) to explore the representations of objects and bodies within Peristephanon 9. In Prudentius’ poem, the tortured body of Cassian overlaps with the tormented soul of the poet; the written text is both a co-actor in Cassian’s death and a vehicle for the perpetuation of his extra-textual memory. Figurative language provides words and concepts with new meanings so that a pen can transform into a sword, writing into torture. Through a process of materialization and resemantization, the physical objects become agents in the narrative construction.

Uncertainty about the pragmatic context, the fundamental content and hence the philosophical significance of Xenophanes B6 DK prevents this comparatively extensive fragment from playing much of a role in scholarly discussions. This essay reviews interpretations of that difficult text and then offers a new reading which arguably better accords with the preserved Greek, Xenophanes’ other fragments and ritual custom. It is also suggested how B6 fits in with Xenophanes’ philosophical and specifically ethical concerns as evidenced in other fragments.