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60329 results in Classical studies (general)

Page 37 of 3017

Greek Declamation and the Roman Empire
  • William Guast
  • Published online:
    22 June 2023
    Print publication:
    06 July 2023
  • A Greek declamation was an 'imaginary speech': a fictitious speech composed for a rhetorical scenario set in Classical Greece. Although such speeches began as rhetorical exercises, under the high Roman empire they developed into a full-blown prestigious genre in their own right. This first monograph on Greek declamation for nearly forty years re-evaluates a genre that was central to Greek imperial literature and to ancient and modern notions of the 'Second Sophistic'. Rejecting traditional conceptions of the genre as 'nostalgic', this book considers the significance of Greek declamation's re-enactment of classical history for its own times, and integrates the genre into the wider history of the period. It shows through extended readings how the genre came to constitute a powerful and subtle instrument of identity formation and social interaction, and a site for free thinking on issues of major contemporary importance such as imperialism and inter-polis relations.

  • PROFILE GREEK TRAGEDY AND PERFORMANCE

  • Rosa Andújar
  • Journal:
    The Classical Review / Volume 73 / Issue 2 / October 2023
    Published online by Cambridge University Press:
    21 June 2023, pp. 373-377
    Print publication:
    October 2023
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  • Greek tragedy is easily one of the most dynamic fields in Classics. In addition to its perennial appeal and popularity among diverse audiences, every few years its study is reinvented and redefined as scholars and students apply new theories and critical lenses, many of which stem from contemporary concerns. In the last 50 years, for example, a rich body of work began to explore the manifold intersections between Greek tragedy and Athenian ritual and social practices, in line with rising interest in the social sciences. Over the past few decades scholars have slowly but steadily turned their gaze towards the performance and staging of tragedy and ancient Greek drama. To a large degree this interest has been fuelled by contemporary performance practice and experience, particularly as productions and adaptations of ancient plays have proliferated across the globe. Whereas the scholarship on the myriad ways in which Greek tragedy has been adapted and performed across the globe is itself a growing subfield deserving of its own profile, my focus here is on recent scholarly and creative work produced in the last ten years that illuminates Athenian performance practices. As I illustrate, we have come a long way since the seminal works of N.C. Hourmouziades (Production and Imagination in Euripides: Form and Function of the Scenic Space [1965]) and O. Taplin (The Stagecraft of Aeschylus: the Dramatic Use of Exits and Entrances in Greek Tragedy [1977]), who were among the first to draw attention to tragedy as a performed art.

Page 37 of 3017