Editorial
From the Editor
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- Published online by Cambridge University Press:
- 21 October 2010, pp. vii-viii
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Introduction
Introduction
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- 21 October 2010, pp. 1-5
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Articles
Civilizing and Selling Spectators: Audiences at the Madison Civic Center
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- 21 October 2010, pp. 7-23
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Arnolt Bronnen's Vatermord and the German Youth of 1922
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- 21 October 2010, pp. 25-38
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Which Fiddler Calls the Tune? The Playboy Riots and the Politics of Nationalist Theatre Spectatorship
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- 21 October 2010, pp. 39-52
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New Views of Cheap Theatres: Reconstructing the Nineteenth-Century Theatre Audience
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- 21 October 2010, pp. 53-72
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Theatre-going in Rotterdam, 1802–1853. A Statistical Analysis of Ticket Sales
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- 21 October 2010, pp. 73-97
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Re: Sources
Audiences and Programs: Rare Illustrated Programs from the Théâtre Libre, the Théâtre d'Art, and the Théâtre L'oeuvre
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- 21 October 2010, pp. 99-102
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Book Reviews
The Chekhov Theatre: A Century of the Plays in Performance. By Laurence Senelick. Cambridge: Cambridge University Press, 1997; pp. xv + 441. $85 hardcover.
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- 21 October 2010, pp. 111-113
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Meyerhold at Work. Edited by Paul Schmidt. Translations by Paul Schmidt, Ilya Levin, and Vern McGee. New York: Applause Books, 1996; pp. 241. $ 19.95 paperback.
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- 21 October 2010, pp. 113-114
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German Expressionist Theatre: The Actor and the Stage. By David F. Kuhns. New York: Cambridge University Press, 1997. pp. 311. $64.95 hardcover.
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- 21 October 2010, pp. 114-116
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The Intercultural Performance Reader. Edited by Patrice Pavis. New York: Routledge, 1996. pp. 280. $20.99 paperback
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- 21 October 2010, pp. 116-119
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About Face: Performing Race in Fashion and Theater. By Dorinne Kondo. New York: Routledge, 1997; pp. 277. $17.95 paper.
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- 21 October 2010, pp. 119-121
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French theatre in the Neo-classical era, 1550–1789. Edited by William D. Howarth et al. Cambridge: Cambridge University Press, 1997; pp. xli + 718, illus. $155 hardcover.
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- 21 October 2010, pp. 122-124
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The Edwardian Theatre: Essays on performance and the stage. Edited by Michael R. Booth and Joel H. Kaplan. Cambridge: Cambridge University Press, 1996; pp. 243. $49.95 hardcover.
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- 21 October 2010, pp. 124-127
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Romantic Theatricality: Gender, Poetry, and Spectatorship. By Judith Pascoe. Ithaca and London: Cornell University Press, 1997; pp. 251. Illustrated. $39.95 hardcover.
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- 21 October 2010, pp. 127-129
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The World Shakespeare Bibliography 1987–1994 on CD-ROM. Edited by James L. Harner. New York: Cambridge University Press, 1997. $375. - The Norton Shakespeare Workshop. Edited by Mark Rose. New York: W.W. Norton & Company, 1998. (Available with purchase of The Norton Shakespeare, Stephen Greenblatt, Walter Cohen, Jean E. Howard and Katherine Eisaman Maus, eds.)
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- 21 October 2010, pp. 129-132
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Women's Worlds in Shakespeare's Plays. By Irene G. Dash. Newark: University of Delaware Press, 1997; pp. 304. Illustrations. $45.00 hardcover.
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- 21 October 2010, pp. 132-134
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Drama and Resistance: Bodies, Goods, and Theatricality in Late Medieval England. By Claire Sponsler. Minneapolis and London: University of Minnesota Press, 1997; pp. 288, 6 illustrations. $54.95 hardcover; $21.95 paperback.
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- 21 October 2010, pp. 135-137
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The Cambridge History of American Theatre, Volume I: Beginnings to 1870. Edited by Don B. Wilmeth and Christopher Bigsby. Cambridge: Cambridge University Press, 1998; pp. 525. Illustrations. $69.95.
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- 21 October 2010, pp. 137-139
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