The Corinthian Speech (Corinthiaca) in the corpus of Dio Chrysostom (Or. 31) is attributed to Favorinus (c.80–160) based on internal criteria of content and style. This article argues that a reference to an author of a Corinthian speech found in a collection of sayings in codex Vaticanus Graecus 1144 is a unique external reference to Favorinus as author of this speech.

This article examines the appearances of Augustus in Suetonius’ Lives of the Caesars outside Augustus' own Life. It shows how Suetonius contrasts the positive image of Augustus drawn in the Life of Augustus with the distortion of this image by Augustus’ successors, depicted in the later Lives. In their reception, he is still presented as an ideal to follow, yet as a role model for cruelty (Tiberius), adultery and military failure (Caligula), or lyre-playing (Nero)—roles which Suetonius’ real Augustus never or only marginally assumed. Thus in a series of close and intratextual readings, this article invites a more general reassessment of Suetonius’ work: it suggests that the Lives of the Caesars draw a more critical image of the Principate than has often been said, that they are more consciously part of an image-making process and, above all, that they should more commonly be understood as one whole work, rather than read individually and in isolation.

The authenticity of the Additamentum Aldinum (Sil. Pun. 8.144–223) has long been a matter of debate. While many scholars have expressed doubts that it is by Silius and suggest rather that it is from the hands of a skilful humanist, it has not, up to this time, been possible to provide solid evidence to support their intuition. This paper not only re-examines the standard arguments for and against authenticity but brings the latest computational stylometric techniques to bear on the question. These analyses reveal that the style of the Additamentum differs in statistically significant terms from the rest of Silius’ Punica.1

This paper investigates Neoplatonist literary criticism by framing the special interest in the target of each dialogue within the context of cosmo-literary theory. The starting hypothesis is that the themes of Plato's dialogues do not fully meet the expectations of a new didactics based on isagogical schemes as an image of Neoplatonic metaphysics. Among these schemes is the target of each dialogue, whose relation to the theme can be explained, in a fruitful and innovative way, through a cosmic analogy. Thus after examining the more or less explicit criticism of literary criteria of analysis by Plato's ancient exegetes, this article will focus on how Neoplatonists load the Greek term skopos (target) with metaphysical content and, accordingly, on how we should translate it in accordance with the commentators’ intentions. It will show that the target is the literary counterpart to the One, but that it should not be confused with the theme because the latter must be seen as the literary counterpart to the Intellect.

One of the most remarkable features of the language of early Greek writing is a pervasive rhetorical strategy which consists in personifying objects for the purpose of identifying humans closely associated with them. Such ‘speaking objects’ have no Semitic parallel; how, then, is their conventional status in the Archaic Age to be explained? This article first considers the formulaic language of speaking objects, which is no straightforward transcription of speech, and seeks to explain where it comes from. It then turns to the question of why writers employed the curious strategy of personification by setting it in the broader context of early Greek writing and literature. Variously analogous to herms, slaves and skytalai, speaking objects are shown to have been conceived as messengers acting on behalf of their senders by not speaking in their name.

This article examines the reform of the comitia centuriata in the mid to late third century b.c.e. This involved demoting in voting order the six most prestigious cavalry centuries, distributing the centuries of the first class two per tribe, and assigning one tribe's iuniores to vote first as the centuria praerogatiua. The article argues that this gave more equitable representation to rich citizens from more distant parts of Roman territory, but still preserved the essential military character of the assembly by ensuring that the serving men voted first in any election for consuls and praetors.

This article identifies an ostracism joke in Menander's Samia (364–6) during a climactic scene in which the Athenian Demeas ejects the titular Chrysis from his house. The joke, uttered by a cook who is reacting to Chrysis’ expulsion, plays on the usage of ὄστρακα—broken pieces of pottery—as ballots in the institution of ostracism. The article proposes that the joke references the final abolition of ostracism during Demetrius of Phalerum's reign and reveals Menander's support for the regime.

This article presents a new conjecture on Herodotus 1.51.3.

This article assesses whether Hellenistic war-elephants were given alcohol before battle. First recorded in 1 Maccabees’ account of the battle of Beth-Zechariah (162 b.c.e.), this unusual detail is supported by the later comments of Aelian and Philes of Ephesus. The idea also recalls a failed Ptolemaic attempt to punish the Jews in 3 Maccabees and in Josephus, and resonates with a longstanding association of elephants and alcohol in popular thought. Unfortunately, despite the recent rise in scholarly interest on war-elephants, this issue remains overlooked. This article reassesses the complexities of our sources and the practicalities of Hellenistic battles. Adopting a comparative approach to contemporary Indian material for this practice, it considers the prevalence of elephants in musth in the Indian epics, alongside the etymological link between this condition and Sanskrit concepts of drunkenness. It argues that this connection may have prompted the idea of giving elephants alcohol before battle, despite its unlikeliness as a standard feature of elephant warfare.

Different translations of Plutarch's De Pythiae oraculis 404B reflect an interpretative difficulty not yet adequately thematized by exegetes. Plutarch's dialogues on the Delphic oracle describe two perspectives on mantic inspiration: possession prophecy, where the god takes over the prophetess as a passive apparatus, and stimulation prophecy, where the god incites the prophecy, but the prophetess delivers the oracle through her own faculties. Plutarch understands the Pythia at Delphi to exhibit stimulation prophecy, not possession. One of his metaphors for inspiration comes from the theatre: the god ‘puts the oracle into the Pythia's mouth, like an actor speaking through the mask’ (De Pyth. or. 404B [Russell]). Some translators take the metaphor as describing possession prophecy (Goodwin), while others take it as stimulation prophecy (Babbitt)—in other words, it may describe the view Plutarch affirms or the view he rejects. This article assesses the two alternatives, concluding that the theatre metaphor describes possession prophecy.

In his second appearance to Aeneas in Aeneid 4 Mercury drives the hero to flee Carthage with a false allegation that Dido is planning an attack, capping his warning with an infamous sententia about the mutability of female emotion. Building on a previous suggestion that Mercury's first speech to Aeneas is modelled on Athena's admonishment of Telemachus at the opening of Odyssey 15, this article proposes that Mercury's second speech as well is modelled on Athena's warning, in which the goddess uses misdirection about Penelope's intentions and a misogynistic gnōmē about the changeability of women's affections to spur Telemachus’ departure from Sparta. After setting out how Virgil divides his imitation of Athena's speech verbally and thematically between Mercury's two speeches, the discussion turns to why both Athena and Mercury adopt these deceptive tactics. The speeches are shown to be culminations of the poets’ similar approaches to creating doubt and foreboding around the queens’ famed capacities for using δόλος. Common features in the ensuing hasty departures of Telemachus and Aeneas further confirm Virgil's use of Odyssey 15 in devising Aeneas’ escape from Carthage.

This paper explains the motivation behind Aristotle's appeal in Nicomachean Ethics 1154b7–9 to the physiologoi who notoriously declare that animals are constantly in pain. It argues that the physiologoi are neither the critical target of this chapter nor invoked to verify Aristotle's commitment to the imperfection of the human condition. Rather, despite doctrinal disagreement, they help Aristotle develop a naturalistic story about how ordinary people easily indulge in sensory pleasures.

One of the most distinctive rituals of Roman imperial accession was the adlocutio, the speech delivered by the new emperor to a military assembly, which can be documented from the first to the fifth centuries a.d. This article seeks to explain the extraordinary endurance of this neglected genre of speech by examining its origins, setting and content. After outlining the unusual nature of the accession adlocutio when set against both earlier and contemporary Mediterranean practice, the first half of this article traces its origins to the military culture of the late Roman Republic. In particular, the adlocutio is related to two other rituals which rose to new prominence in the era of the Civil Wars: the acclamation of the victorious general as imperator and the granting of military gifts. In the second part of this article, the setting for the typical adlocutio of the Imperial era is discussed using the often-problematic evidence of our ancient historical sources. The content of the speech itself is then reconstructed primarily through a close reading of our one surviving example, the brief address of Leo I preserved by Peter the Patrician. Finally, the evidence for the origins and content of the speech are brought together in an argument for the speech's survival as a useful tool for emperors seeking to establish a permanent bond with the soldiers they commanded.

The following paper proposes that Sallust offers a conceptualization of civil conflict more in line with the Greek paradigm of stasis than with its Roman counterpart bellum ciuile. In doing so, it argues for the actual coexistence of these two differentiated conceptual strands in the political thought of the Late Republic. To this end, Sallust's corpus is analysed to identify the main threads that articulate civil strife in its multifarious manifestations: how it arises and who its protagonists are or, conversely, how it is kept in check, how it is connected to the human passions that drive ideology, and the violence that stems from the clash between political and familial spheres of influence. The article shows how the pathos of familial drama is what characterizes civil conflict for Sallust, rather than the struggle for legitimacy found in Cicero's narrative.

In the course of examining the origin of evil in the De malorum subsistentia, Proclus reproduces a position that considers the maleficent (world-)soul as cause of evil. The same entity is held to co-govern the material realm alongside the beneficent world-soul. While scholarship tends to associate the testimonium with Plutarch (and Atticus), this survey shows why Numenius of Apamea is a much more probable candidate. The discussion concludes with further proposals for a new edition of Numenius, including possible traces of Numenius in Iamblichus’ On Soul and Porphyry's On the Faculties of Soul.

Ancient testimonia on the Druids are few in number and sparse on details, and they have yielded a broad range of scholarly opinions on the Druids’ function among the Gauls. This article examines the suspiciously limited role played by the Druids in Julius Caesar's Gallic War (= BGall.). Considering the work of both classicists and archaeologists, it argues that, given Caesar's demonstrated propensity for tailoring his portrayals of northern Europeans to fit with his narrative objectives, he deliberately omitted the Druids from nearly all of the Gallic War save for a brief ethnographic digression on the Gauls. This he did in order to downplay the sophistication of the Gauls, and the threat they posed to the Romans, since the Druids were likely a potent source of anti-Roman sentiment during Caesar's time in Gaul, just as they seem to have been in the Early Imperial period.

Cassius Dio's fragmentary Roman History 15 contains an account of Archimedes’ role in defending Syracuse during the Roman siege of 213–212 b.c., incorporating a legendary tale about a solar reflector Archimedes constructed to burn Roman warships, and including details of his death when the city fell. The textual basis of this famous episode depends on two derivative twelfth-century works: Zonaras’ Epitome of Histories (9.4–5) and Tzetzes’ Chiliades (2.35). After clarifying the present state of enquiry, this paper introduces two new witnesses, overlooked by editors of Dio and extensive scholarship on Archimedes, and assesses their value for reconstructing Dio's text. Comparative analysis of corresponding Dio-derived material in Tzetzes’ Carmina Iliaca and Hypomnema in S. Luciam, especially verbal correspondences with Zonaras’ Epitome, demonstrates that they are independent and, sometimes, superior witnesses to Dio's wording and content, reflecting Tzetzes’ selective use of the Roman History in different verse and prose compositions over several decades. The study considers editorial implications for this section of Dio's work and general characteristics of Tzetzes’ writings as repositories of testimonia and fragments.

In the 150 years since Schöll's seminal work, the Prytaneion Decree has been studied frequently. Of the groups of honourees mentioned in the decree, the agonistic victors have received the least attention. Most scholars have simply attributed them, without further discussion, to the sphere of war or to the sphere of religion. In this article, athletics is understood as a sphere of action with its own logic: the passages on athletes in the decree are examined in detail and situated within the debate in classical Athens about whether victors of the Panhellenic Games should be honoured by the polis and to what extent. The strange duplication in the decree, which first regulates honours for agonistic victors in general and, in a second paragraph, honours for hippic victors, is related to some texts that viewed hippic victories more critically than gymnic ones. A precise dating of the decree is not possible, but there were several events in the fifth century that might have created the desire among Athenians for a general regulation of sitêsis for athletes.

The hairdresser who carries Ovid's invitation to his puella in Amores 1.11 is almost immediately blamed for his rejection in 1.12, before that blame is transferred to the tablets carrying that invitation. Nape (the enslaved hairdresser of the puella) has been linked to the character Dipsas, appearing in 1.7, specifically through the descriptor sobria. By focussing on the use of the verb uerto, the reference to the mythical strix, and curses related to the old age of both Dipsas and the tablets in 1.7 and 1.12, this note demonstrates that the supernatural word choice further connects Nape with Dipsas.