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  3. Cambridge Studies in Russian Literature

New scholarly and critical work on Russian and Soviet literature and culture.

  • General Editors: Catriona Kelly, New College, Oxford
  • Editorial Boards: Anthony Cross, Caryl Emerson, Barbara Heldt, Malcolm Jones, Donald Rayfield, G. S. Smith, Victor Terras

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22 results in Cambridge Studies in Russian Literature

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Andrei Platonov
  • Uncertainties of Spirit
  • Thomas Seifrid
  • Published online:
    27 August 2009
    Print publication:
    16 April 1992
  • The Soviet writer Andrei Platonov (1899–1951) belongs to a Russian philosophical tradition that includes such figures as Vladimir Solov'ev, Mikhail Bakhtin and Boris Pasternak. This 1992 study investigates the interrelation of themes, imagery and the use of language in his prose. Thomas Seifrid shows how Platonov was particularly influenced by Russian utopian thought of the late nineteenth and early twentieth centuries, and how his world view was also shaped by its implicit dialogue with the 'official' Soviet philosophy of Marxism-Leninism, and later with Stalinist utopianism. He discusses how in Platonov's masterpieces of the late 1920s and early 1930s linguistic parody comes together with existential angst and dystopian doubts about the course of Soviet history. The study concludes with consideration of the works Platonov wrote from 1934 to 1951, in the age of socialist realism. In these, he manoeuvred to preserve some of the essentials of his earlier world view and verbal manner while fusing them to the literary formulae that were expected of him.

Iurii Trifonov
  • Unity through Time
  • David Gillespie
  • Published online:
    22 August 2009
    Print publication:
    07 January 1993
  • Iurii Trifonov (1925–81) has become well known in the West as a writer of Soviet urban life. This study, first published in 1993, concentrates on his exploration of major events in Russian history (such as the assassination of Tsar Alexander II and the Russian Civil War) and their implications and consequences for his time. David Gillespie traces this interest through all of Trifonov's writings, from his earliest, Stalin prize-winning period to the self-consciously modernist later works, in which Trifonov emphasizes the interconnectedness of human life and history, with the individual as 'the nerve' of history; linking epochs, places, civilizations. Trifonov discerns patterns and analogies in history, and develops a language of hints and allusions with which to combat the repressive censorship of his time.

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