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1 results

  • Personal Take: - Vaporwave is Dead, Long Live Vaporwave!

  • Edited by Nicholas Cook, University of Cambridge, Monique M. Ingalls, Baylor University, Texas, David Trippett, University of Cambridge
  • Book:
    The Cambridge Companion to Music in Digital Culture
    Published online:
    30 August 2019
    Print publication:
    19 September 2019, pp 119-123

  • Summary

    Popular music subcultures have acknowledged, engaged with, or rejected digital platforms to varying degrees; their relationship to it is often made fraught, ambivalent and ironic by projections of the Internet as inauthentic or impersonal and their inheritance of Romantic-influenced countercultural aesthetics. The genre vaporwave offers a key example of this, especially given that it emerged and exists almost exclusively on digital platforms. Vaporwave addresses its own digital nature and historicity in sound and image, as recent scholarship on it has observed. Its life online represents not an abandonment of traditional formulations of the relationship between culture, technology and authenticity, but a new arena in which to negotiate them.