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  • 25 - Learning from Music in Australia

  • from Part IV - Institutions
  • Edited by Amanda Harris, University of Sydney, Clint Bracknell, University of Western Australia
  • Book:
    The Cambridge Companion to Music in Australia
    Published online:
    14 November 2024
    Print publication:
    14 November 2024, pp 395-411

  • Summary

    This concluding chapter considers the dynamics of music and place, issues of diversity, and the impact of Indigenous artists on building bridges to a whole history of music in this place. Reflecting on the four interlinked themes guiding this Cambridge Companion to Music in Australia: Continuities, Encounters, Diversities, and Institutions, it takes up musical threads not covered elsewhere in the volume, discussing pub rock and hip hop to consider dynamics of exclusion, inclusion, and identity. In advocating for a move away from anthropocentrism toward ecocentrism in considering the relationships between music and the place now known as Australia, it simultaneously foregrounds unresolved tensions associated with Indigeneity, settler-colonialism, and prejudice in music that are ultimately intertwined with concepts of place and belonging.