We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
In The Great Derangement, Amitav Ghosh sets out to explore how literary forms and conventions have contributed to a ‘narrative imagination’ that is ill-equipped to grapple with climate change. He claims in passing that in comparison with the novel, which is his primary generic focus, literary non-fiction has been better able to circumvent culturally embedded ‘modes of concealment’ that prevent us from thinking the ‘unthinkable’. Yet, Ghosh does not explore how and why creative non-fiction might be more amenable to addressing climate change. Through a reading of The Great Derangement as creative non-fiction, as well as other examples of the genre, this chapter examines the genre’s potential benefits and limitations for shaping a ‘narrative imagination’ that disrupts the ‘modes of concealment’ bequeathed by colonial modernity.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.