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1 results

  • Chapter 10 - “This Politick Salvage”

  • from Part II - Networks
  • Edited by William Huntting Howell, Boston University, Greta LaFleur, Yale University, Connecticut
  • Book:
    American Literature in Transition, 1770–1828
    Published online:
    09 June 2022
    Print publication:
    23 June 2022, pp 165-187

  • Summary

    This essay proposes that politics, diplomacy, and a desire for peace were defining markers of Indigenous cultural and literary engagements. European settlers arriving on this continent with an eye toward possessing it wrote off Native peoples as savage and unqualified stakeholders in the “New World” they were forging. The colonial archive, however, almost in spite of itself, turns up repeated instances of Indigenous overtures of peace, presented in traditional frameworks, which can be effectively traced in recognizable patterns from the earliest recorded encounters through to the first major indigenous literary productions of the late eighteenth and early nineteenth centuries. A mindful reading of this archive yields aspects of tradition that inform the outlines of an indigenous literary aesthetic. When indigenous authors such as Samson Occom and William Apess began appearing in print, they carried forward these traditions, confounding settler notions of what it means to be a “politick salvage.”